AUTOGRAPH

2pp, 12mo. In fair condition, on aged paper with central spike hole. Folded twice. Begins: 'My dear Mr. Tinsley, | I see that you are not going to use my article “We Women,” & I want it so much, to form the basis of a set of articles! - & I have no copy.' She notes that it is 'generally the case with regular workers, that the Editors return the rejected MS' and explains that she has 'destroyed the first rough draft', exclaiming: 'I do hope it is not lost!' She asks him to either tell her if it is lost, so that she may 'know the worst', or if it is not lost, '& is not to be used'.

1p, 4to. In fair condition, aged and worn; laid down on part of a leaf removed from an album. Bathurst's name written in two nineteenth-century hands at the head. The letter was evidently written on receipt of an engraving of Captain George Nicholas Hardinge (1776-1813) of HMS St Fiorenzo, adopted son of George and Lucy Hardinge, who was killed in a naval action off the coast of Ceylon.

ONE: TLS. Ithaca, NY; 20 September 1976. 1p, 4to. In good condition, lightly aged. The letter begins: 'Dear Christopher Fry, | I so relish climbing the castellations of your wit, to where I feel energized and deliriously long-sighted, or running higgledy-piggledy with your thoughts, at times as if with the bulls of Pamplona, I simply cannot resist telling you so any longer.' According to her 'internal calculations' she owes him 'at least a galaxy for the delight your plays have given me; perhaps you'd accept these few planets instead'.

1p, 12mo. In fair condition, lightly aged and worn. Folded twice. Signed, over a red 'Postage Revenue' 2d stamp: 'Alfredo Compoli. | August 13th. 1947'. Above this the receip, in Compoli's autograph, reads: 'Received £500 (five hundred pounds) in full, (£200 deposit – and £250 in cash – also cheque value £50 (dated August 11th. 1947) for Sale of Music Library (Salon Orchestra, & Trio)'. Accompanying the document is an unsigned autograph receipt on a worn slip of white paper, reading: 'April 28th. 1947 | Received, from Jack Salisbury Esq.

The present item is the producer Hugh Burnett's own copy of the transcript of John Freeman's interview of Cecil Beaton, broadcast in the BBC series 'Face to Face' on 18 February 1962. Duplicated typescript. 4pp, foolscap 8vo. Numbered, and headed 'CECIL BEATON', otherwise consisting entirely of the transcript, with no other details. Aged and worn, with punch holes for binder. On four leaves which were originally stapled together, but with the first and last leaves now detached. Page references 1-10 (presumably to a shorthand transcript) in the outer margin.

(Tenniel) artist and cartoonist (18201914). Green has been asked by Tenniel, to write on his behalf. He explains that Tenniel is now blind and infirm. He [passses on the opinion that the artists their correspondent has named "all stood out in thier respective spheres, and were among the cleverest black & white artists of the century in their particular styles".

1p, 4to. In fair condition, aged and worn, folded three times, with labels from mount on blank reverse. With RSPCA date stamp. Singular signature, with all three parts of Fiske's name running into one another, and the middle name elongated. Addressed to Fairholme at the RSPCA, London. 'I regret that the article by Senor de Toledo [i.e. J. Garcia de Toledo of Malaga, Honorary President of the IHA] d[i]d not reach me in time to make it possible for me to send it with our other Anti-Bull-Fight MSS, to the Humane Conference.

A good letter, breathing enthusiasm for his field of study. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. He begins by stating that he will not be calling at the Museum that week, but writes to 'drop you a line to say that I have received a very long letter from Mr [Suett?] full of details regarding Ilrigocephalus etc and in which he mentions that he can drown you with notes on Rudists'. He also refers to 'a good paper by V. Hauren on the Structure etc of Caprina Partschi' ('a synonym of Cap. Paradoxa Matheron').

1p, 8vo. In good condition, lightly aged, folded twice. He does not have a copy of his book 'Flying Eggs', but intends 'to order a few. Since computerization, ordering is a longwinded business, but there's reasonable hope they'd arrive before the Christmas post.' He gives instruction concerning payment and postage. He makes a suggestion if McPherson should 'at any point in the future [be] tempted to buy my first book of short stories, PENNINE TALES' (go for the paperback which is cheaper and 'much better edited').

4pp, 12mo. Bifolium. In good condition, lightly aged. Evidently incomplete: the first part only of a long letter. Begins: 'My dear Maclean | I have it not in my heart to put forward an excuse for very long silence, beyond an amount of employment the like of which I have never had thrown upon me before, for many years.' He hopes to see him, but leaves that night 'for the North on a tour of inspection'.

2pp, 4to. On leaf tipped-in onto a piece of light-green card from an album, at head of which is attached a printed slip: 'BARENTIN C. L. F. de P. | Born 1738. Died 1819. | KEEPER OF THE SEALS TO LOUIS XVI.' The letter is undated, but the year '1789' has been added in pencil in a nineteenth-century hand. (That same year, following the Storming of the Bastille, Barentin was dismissed by the king.) Nineteen lines of closely-written text. Addressed at bottom left of first leaf to 'M le P Gl' (Monsieur le Procureur général?).

2pp, 12mo. In good condition, lightly aged. Folded twice. The female recipient is unidentified, but would appear to be the editor of a magazine, enquiring after the progress of a 'paper' Ellis has agreed to write on 'Java Sparrows'. Ellis explains that she has 'begun a better story in the Child's department which it is consequently necessary to finish first', to appear 'in the number for June', but that 'your paper shall certainly come next'. The handwriting is not altogether straightforward, but Ellis appears to say here that 'stories will not always [write?] up when [necessary?]'.

The signature ('Robert S Ball') is on a 3.5 x 11 cm slip of paper, laid down on a piece of light-grey paper cut from an album, with the letterhead 'OBSERVATORY, | CAMBRIDGE' on a second slip laid down on the same piece. In good condition, lightly-aged.

1p, 12mo. In good condition, on lightly-aged paper, folded twice. An elegantly-expressed sentiment: 'Mademoiselle, | Les malheureux sont mes Amis, et l'oeuvre à la quelle vous vous interressez à [sic] toutes mes sympathies; malheureusement je suis si peu de choses que je ne puis vous témoigner que mon bon vouloir a l'oeuvre à la quelle vous vous interressez [sic]si vivement.'

See Sewell's entry in the Oxford DNB. 1p, landscape 12mo. In fair condition, lightly aged and worn. The letter reads: 'My dearest Annie | Eliza tells me you wanted a copy of the French Book. I am so glad I happen to have one by me. - for I want you to have it from me. Please accept the book with love. | Yours very affly | Elizabeth M Sewell | Bonchurch. July 13th. 1868'.

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. He begins by informing the unnamed recipient that the reason for the delay in answering his letter is that Selous has 'just returned to this country from a trip to Hungary'. For his part, Selous will be 'very pleased if you will quote anything you like from my book, “Travel and Adventure in S. E. Africa”. He presumes that 'the publishers, to whom the book I suppose really belongs, will have no objection either, as to quote any passage from a book is to call attention to the book itself, which may result in the sale of a copy'.

2pp, 12mo. In fair condition, lightly aged, with fold lines. Annotated up one margin: 'Writer of Travels &c'. Andersson writes: 'Dear Mr. Blackett, - | I enclose a literal translation of a paragraph extracted from one of the best Swedish newspapers, by which you will see that the King has honoured me with a medal. If you think that this paragraph may be of any use to you when advertising the 2d. Edition of “Lake Ngami”, it is quite at your service. Of course you may put it any [sic] language you may think proper. | Yours faithfully | Chs. J.

On slip of grey paper, roughly 4 x 13.5 cm. In fair condition, lightly aged, with traces of paper from mount adhering to the blank reverse. With two unobtrusive vertical fold lines. Reads: 'Kindest regards | Yours sincerely | Edward Lear.'

2pp, 12mo. In good condition, lightly aged. He thanks her for remembering him and sending 'that splendid photograph of yourself – I really think it is the best I have seen'. He continues: 'I have been “slogging” away at water-colours for a shew in Manchester and so have kept pretty busy.' He is sending 'a Nile water colour to the New Gallery', and has sent 'an oil to the Academy – they are sure to kick it out so I shan't mind'. He hopes that she and her sister 'are all right' and 'enjoying this lovely weather'.

On 4 x 5.5 cm piece of paper. In good condition, laid down on square of paper cut from leaf removed from album. An uncommon signature and an unusual one, consisting of a single line in a series of up and down strokes, diminishing in height, tapering off to the right before returning for the underlining.

1p, 12mo. In fair condition, lightly aged. Reads: 'Palace Dublin | Sept 28/74 | Madam | I send you the autograph which you desire. | Yr. obedt. Servt | Richd. C. Dublin | Miss Julia Glover'.

He asks Streatfeild to advise him in a matter 'which speaks for itself'. He reports that 'poor Lady Elgar is greatly distressed – and not without reason – at the treatment of the two great oratorios'. Phillips does not 'quite see what is to be done in the way of protest', although he finds that the 'statement that they “fail with audiences &c” is certainly false in fact, [last three words underlined] and therefore almost libellous'. Phillips considers 'the rest […] a matter of opinion. Perhaps even more false and absurd is the statement, or opinion, that they appeal only to the intellect.

1p, 12mo. In fair condition, lightly aged and grubby, with three folds. The letter reads: 'Dear Streatfield | it is no use sending me the Score of the Symphony here at present, as I am too busy to look at it properly, besides which, all my Programmes are definitely fixed till the end of the season, but if you will ask Mr. Hinton to send it to me to Hamilton Terrace (54, not 73) after Feby., when I shall be back in town, I shall be pleased to look through it.'

2pp, 12mo. In good condition, lightly aged, with lightly-rusted indentation from a paperclip. She thanks him for the 'lovely form of intrusion your letter proved to be - as though you could ever intrude!' She wonders whether, if she had been 'a more patient patient' the 'second attack' might not have happened' (a heart attack had forced her to retire from the stage), 'but I was never one for sitting and doing nothing'. She is 'trying very hard now as I have learnt my lesson'. She has 'so many interests that retirement is beginning to become a pleasure, thank heavens'.

2pp., 12mo. On bifolium. In good condition, lightly aged. Reads: 'Lord Londonderry presents his compliments to Mr Watson and begs to forward to him a letter and book which he has been requested by Monsieur de Martens to present to His Majesty'. Londonderry was considered a repressive figure by the radicals. In a poem Byron called on travellers to piss on his grave, and in 'The Masque of Anarchy' Shelley wrote: 'I met murder on the way, | He had a mask like Castlereagh.' Within months of the present communication Londonderry would commit suicide.

4pp, 12mo. Bifolium. In good condition, lightly aged. She asks Adams to inform her 'what day has been fixed for the Committee in the Vane Estate Bill' (in which she clearly has a family interest), continuing: 'When the Duke of Marlborough saw Mr Adam with Lord Redesdale last night he understood that Tuesday next was the day on which he was to be present in order to give his consent to the Bill; he has since heard from Mr. Wagstaff to say that Friday or the following Monday will be the earliest day on which the Bill can be committed.

An interesting communication from one noted twentieth-century English-language poet to another, and of additional significance as a V-Letter written in the year of publication of Shapiro's first successful collection, the Pulitzer Prize winning 'V-Letter and Other Poems' (1944). (See Diederik Oostdijk, 'The Wartime Success of Karl Shapiro's V-Letter' (2006).) The present item is a V-Mail [Victory Mail] letter: a 13.5 x 11 cm photograph print of an autograph letter bearing the censor's stamp.

2pp, 16mo. Bifolium, with the letter on the recto of the first leaf, and a long postscript on the recto of the second. In good condition, lightly aged, folded twice. A friend of Charles Dickens and his circle, and physician to Queen Victoria's uncle Prince Leopold, Quin founded the London Homeopathic Hospital in 1849. The letter invites Quin to 'dine with us on Tuesday the 23rd. Inst at a quarter before seven o' clock'. The pith is in the two postscripts: 'P.S.

The Mau Mau uprising began in 1952, and the atrocities committed by the rebels were matched by those of the British, whose Attorney General in Kenya, Eric Griffith-Jones, wrote to Governor Baring in 1957 that the colony's detention camps for Mau Mau suspects were 'distressingly reminiscent of conditions in Nazi Germany or Communist Russia'.

1p, 4to. In good condition, lightly aged, with minor traces of mount adhering to one edge, folded several times. 'Mrs. Macready' in a contemporary hand at the head of the page. Written in a neat hand the letter reads: 'Mrs. Macready presents her compliments to Mr. Kenneth, - any Letters directed to Mr. Macready Theatre Royal Birmingham will find Mr. Macready until Saturday Morng. 24th Inst.'