THOMAS

See his entry in the Oxford DNB. 1p., 12mo. In good condition, lightly aged. Folded once for postage. Reads: ?Dear Yonge / Will you bring your rod & try the river this morning / Yours always / Thomas Fairbairn / Saturday?.

See his entry in the Oxford DNB. Gridley was the Secretary of the Carlyle Society. He had visited Walt Whitman in America earlier in the year. 2pp, 16mo. Bifolium. In good condition, lightly aged. Folded once for postage. Addressed to ?C. Oscar Gridley, Esq.? and signed ?R H Shepherd?. ?Weather permitting (which is likely)?, he proposes to call on Gridley on the following day, ?for a stroll on the heath, &c.? He is ?quite well and on my legs again, since last Wednesday?. He ends by stating that he is enclosing a cutting which will interest him.

This forgotten case of identity fraud predates the celebrated Titchborne case by more than a decade.

Although it does not state so explicitly, Froude’s entry in the Oxford DNB appers to suggests that the Margaret Froude who edited his work after his death was the same daughter as the Georgina Margaret Froude (1850-1935) who married William Mallock. 1p, 12mo. On first leaf of a bifolium. In good condition, lightly aged. The recipient is not named. Addressed to ‘Dear Madam’ and signed ‘Margaret Froude’. She cannot alter the opinion that she expressed to ‘Mr Longman’ (the London publisher).

See his entry in the Oxford DNB. Menu printed in blue on one side of 4to leaf, folded into 16 x 15 cm bifolium-style card. Front cover with patches of discoloration, and back cover bearing evidence of previous mounting (layer of dried out glue), otherwise in good condition. Front cover reads: ‘Scottish Music Merchants’ Association / Festival Luncheon / Royal British Hotel, Edinburgh / Wednesday, 30th August 1950 / Chairman: / R. W. Cresswell’. In space between ‘1950’ and ‘Chaiman:’ is large clear signature ‘Betty Beecham.’ At foot of page is large signature ‘Thomas Beecham’.

See the entry for the recipient Dawson Turner in the Oxford DNB. Farr’s entry in ‘Alumni Cantabrigienses’ reads as follows: ‘FARR, THOMAS. Adm. pens. (age 18) at TRINITY, Apr. 8, 1814. S. [and h.] of Thomas. B. at Beccles, Suffolk. School, Bury St Edmunds (Mr Malkin). Matric. Michs. 1814; B.A. 1818. Ord. deacon (Norwich) June 17, 1821; priest, Mar. 3, 1822 ('T. Farr, the younger'). Travelled in Spain during the Carlist War, 1S35-7. In 1S38 published A Traveller's Rambling Reminiscences of the Spanish War, in which he defends De Lacy and the British Legion. Died Feb. 8, 1855.

See his entry, and that of Pettigrew, in the Oxford DNB. Easthope was a difficult employer, nicknamed ‘Blast-hope’. Dickens worked for him as a parliamentary reporter between 1834 and 1836. 1p, 12mo, on recto of first leaf of a bifolium. In fair condition, aged and discoloured. Reads: 'My dear Pettigrew / Will you please to leave out Lancaster letter which I'll send for tomorrow / haste / Yrs. / J E / Sunday'. The letter is addressed on the reverse of the second leaf, with slight loss to one corner from the breaking of the red wax seal. Black 'BARNET' postmark and customary frank in red.

See Binney’s entry in the Oxford DNB. 4pp, 12mo. Bifolium. The present item is only the first part of the letter, and hence unsigned, but the author is undoubtedly Binney (the text ends with a reference to ‘my preface to Dr Cheever’s “Incidents & Memories of the Christian Life,” published by Collins of Glasgow’). In good condition, lightly aged. Folded for postage. The recipient is not named, but the subject of the letter is a proposal for Binney to prepare for English publication a work by ‘the blind eloquent American’ (i.e. William Henry Milburn).

See his entry in the Oxford DNB, with Pettigrew’s. 2pp, 12mo. On first leaf of a bifolium. Reads: ‘Sir Robert Gardiner presents his compliments to Mr Pettigrew - / He begs Mr Pettigrew will forgive his taking the liberty of asking whether he is acquainted with General Anderson, and if so, he begs Mr. Pettigrew will do him the favor of calling here as soon as convenient in his round of Professional calls this morning’.

Sarah Shannon (married name Sarah Dickinson) was a fine poet in her own right (see the blurb quoted in Item One below), and it is unfortunate that she allowed herself to be eclipsed by her husband the self-styled ‘poet and impresario of poetry’, Patric Dickinson. He occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

From the papers of Sarah Emmeline Hamilton, mistress of the poet Patric Dickinson. (His extraordinary correspondence with her, including 171 original and mostly-unpublished poems, 474 autograph letters and 349 post cards, is offered separately). See his obituary by John Mole’s in the Independent, 31 January 1994. The present item is 4to, and consists of 14 unpaginated pages over ten leaves. Stitched into brown wraps printed in black. Cover, title-page and colophon with illustrations from Sandys in brown, otherwise printed in black. Tastefully printed.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

John Stanton Ward was a noted portrait painter, who resigned his membership of the Royal Academy in protest at the ‘Sensation’ show of 1997. See his obituaries in the Telegraph, Times, Guardian and Indpendent. Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

A total of 416pp, 4to, in two volumes. Drophead title to vol. 1: ?Memoir of Priscilla Gurney. | 1st. Part.? Drophead title to vol.2: ?Memoir of P. G. | Part second.? Written in a close and neat hand. The volumes are paginated to 263 and 299, but taking into account blank pages they in fact contain 203 and 213pp of actual text respectively. Most of the main body of the text is written on the rectos, with additional material written in a closer hand lengthwise up the versos.

See the two men?s entries in the Oxford DNB. 3pp, 4to. Bifolium. In fair condition, on aged paper with slight discolouration to top corners of second leaf, with a panel along the bottom of the second leaf cut away. Folded for postage. Addressed in the customary manner on reverse of second leaf, to ?T. J. Pettigrew Esqr. Dr. Phil. F.R.S. &c / Saville [sic] Row / London?, and signed ?Josh Bosworth.? With two postmarks (one of ?Dockhead / 1D. PAID?), and seal with small impression in red wax. He is happy to have received Pettigrew?s ?interesting Autobiography?: ?I sat down & cd.

The Pippets of Solihull were a Roman Catholic family that worked closely on ecclesiastical designs with the Gothic Revival firm Hardman & Co (whose archives are held by the Birmingham Museum and Art Gallery). Wilfrid also collaborated with J. B. Trinick on the striking illustrations to A. E. Waite’s rosicrucian ‘Album of the Great Symbols of the Paths’ (1917-21; copy in the British Museum Department of Prints and Drawings). Eleven attractive illustrations in black ink (over pencil draft).

See his entry in the Oxford DNB. The item is from the Villiers papers, and the recipient is presumably the Theresa, wife of the Hon. George Villiers (1759-1827), daughter of Lord Boringdon and sister of the Earl of Morley. (See the entry on her son Thomas Hyde Villiers (1801-1832) in the History of Parliament.) 2pp, 4to. Bifolium. In good condition, folded once. Signed ‘Erskine’.

A document of some historical significance.

See his entry in the Oxford DNB. The recipient is not named, but the item is from the papers of the author Lady Theresa Lewis (1803-1865), and it may well be her first husband Thomas Henry Lister (1800-1842), who had Scottish connections. 1p, 12mo. In good condition, lightly aged. Folded twice for postage. Addressed to ‘My dear Sir’ and signed ‘W. Hamilton’. Atrocious handwriting. ‘My dear Sir / I have been much occupied of late in [?] requested the honour of your company. If you are disengaged on the 7th. January (Thursday) it will give great pleasure to see you at 6 oclock.’ See Image.

See his entry in the Oxford DNB. The recipient is Lady Theresa Lewis (1803-1865), whose first husband was the novelist Thomas Henry Lister (1800-1842). The present letter is written before her marriage to her second husband the Liberal politician Sir George Cornewall Lewis (1806-1863). 2pp, 32mo. In fair condition, lightly aged, with traces of stub from mount adhering to one edge. Folded once for postage. A charming missive. Reads: ‘My dear Mrs Lister / I shall be delighted to come to you, if I can make my escape from where I shall be, in any decent time.