TWENTIETH

See his entry in the Oxford DNB. Menu printed in blue on one side of 4to leaf, folded into 16 x 15 cm bifolium-style card. Front cover with patches of discoloration, and back cover bearing evidence of previous mounting (layer of dried out glue), otherwise in good condition. Front cover reads: ‘Scottish Music Merchants’ Association / Festival Luncheon / Royal British Hotel, Edinburgh / Wednesday, 30th August 1950 / Chairman: / R. W. Cresswell’. In space between ‘1950’ and ‘Chaiman:’ is large clear signature ‘Betty Beecham.’ At foot of page is large signature ‘Thomas Beecham’.

See his entry in the Oxford DNB. 2pp, 4to. In good condition, lightly aged, with pinholes to one corner. Signed ‘Julius Harrison’. Begins ‘Dear Boosey, / From the recent batch sent, I return the enclosed which I fancy may all be useful in the English market. / I am struck with the “Flowers in the Valley” as a possible Alto lead number. Please see my remarks thereon.’ He explains that he is ‘trying to find an Alto lead piece for Cleethorpes Festival next July’, and could include the ‘Flowers’ if it were ‘published in C as soon as possible’.

See his entry in the Oxford DNB. Both items in good condition, lightly aged. The first on thinner paper and lightly creased. Both folded for postage. Each addressed to 'My dear Francis' and signed 'Julius Harrision' ONE (27 May 1935): 2pp, 4to. He is supervising examinations at Worcester, and discusses arrangements. 'My people left Stourport for Worcester many years ago, but I rather fancy that Worcester will be too far from Birmingham to stay there. I shall, I think, stay in Birmingham itself.' He will be 'away down the Mediterranean until the 14th.

The present image is not in the National Portrait Gallery, but the licencing rights are held by Getty Images, by whom it is dated to 1 May 1928. 24 x 18.5 cm bromide print, on 25 x 18.5 cm matt.In fair condition, discoloured and with light creasing at extremities. Chaplin's genuine signature is at bottom right: 'Yours Truly / Charlie Chaplin'. Wittzel's monogram (featuring 'WITZEL' and 'L A') is printed at bottom left. An excellent and unusual artistic image of a figure of world renown.

1p, 4to. On lightly aged and somewhat creased paper. Folded twice for postage. Addressed to ‘Leonard Hyman, Esq.’ and signed ‘Clarence Raybould’. He has received his Catalogue No. 87 and is sorry to learn of his ‘impending retirement from your business’. ‘The world is always the poor when someone of your integrity decides he has had enough of the intrigues of present-day life!’ He wishes him ‘a happy period of quieter days’: ‘I myself cease to bulk of my work in June of this present year, when I terminate a long association with the Senior Orchestra of the Royal Academy of Music.

Sarah Shannon (married name Sarah Dickinson) was a fine poet in her own right (see the blurb quoted in Item One below), and it is unfortunate that she allowed herself to be eclipsed by her husband the self-styled ‘poet and impresario of poetry’, Patric Dickinson. He occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

From the papers of Sarah Emmeline Hamilton, mistress of the poet Patric Dickinson. (His extraordinary correspondence with her, including 171 original and mostly-unpublished poems, 474 autograph letters and 349 post cards, is offered separately). See his obituary by John Mole’s in the Independent, 31 January 1994. The present item is 4to, and consists of 14 unpaginated pages over ten leaves. Stitched into brown wraps printed in black. Cover, title-page and colophon with illustrations from Sandys in brown, otherwise printed in black. Tastefully printed.

John Stanton Ward was a noted portrait painter, who resigned his membership of the Royal Academy in protest at the ‘Sensation’ show of 1997. See his obituaries in the Telegraph, Times, Guardian and Indpendent. Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

1p, 4to. In good condition, lightly aged. Folded for postage. Addressed to ‘Mr. J. G. Gillman / 50 High Street / Chislehurst, Kent / England’. Good firm signature, ‘W R Anderson’, with ‘Commander, U.S. Navy / Written following the Nautilus’s arctic transit, 3 August 1958: ‘Thank you for your letter and kind appreciation. The people of England have given us a truly wonderful welcome and we are all deeply appreciative.’ He asks him to accept the signature that he is attaching, for his autograph collection. See Image.

English Camden Town Group Painter (1878-1914). Dimensions seven inches by ten inches. Grubby, but in good condition. From the Mark Bonham Carter collection. Captioned 'Spencer Gore | Freddy', with an arrow pointing to impressionistic representation of figure, nine inches high, of the artist in a suit, with high-collared shirt, holding a palette in his left hand and with his right hand outstretched and painting onto a canvas. Around the figure dabs of watercolour and a representation of a foot. Crude drawing of seascape on reverse. Together with scrap of paper reading 'MR.

See his entry in the Oxford DNB. On one side of a 9 x 12.5 cm piece of paper: formerly the first leaf of a bifolium card, the second leaf, which carried the actual book token, having been detached by perforation. In good condition, lightly aged, but with traces of mount at the corners of the reverse, which carries a colour reproduction of a painting by Leonard Richmond. The page with the inscription is a printed form, and Masefield has written 'For Grace.' and 'John Masefield. / August the 31st. 1956.' See Image.

See his entry by Ruari Maclean in the Oxford DNB. The recipient Vere Henry Collins (1872-1966), was an author and grammatical stickler. 1p, 12mo. In good condition, lightly aged. With Bentley’s distinctive stylized signature ‘Nicolas Bentley’. After thanking him for his letter he writes (apparently with reference to a newspaper article): ‘I am sorry if in using the phrase “I am afraid” I ruffled your grammatical sensibilities. I used it because I meant it.

One could not find a better assessment by Brown of his qualities as a writer on language than the letter offered here. As his entry in the Oxford DNB notes: ‘As well as using the English language expertly, he was one of those logophiles, such as F. G. Fowler, H. W. Fowler, and Eric Partridge, who are fascinated by language itself. He became famous for his books about words, agreeable rambles around correct usage and philology, enlivened by literary allusion, quotation, wit, and personal anecdote.

See her entry, with those of the recipient, her husband, stepdaughter and the other members of the Knox family, in the Oxford DNB. The material is in good condition, lightly aged. All three items addressed to 'My dear Wilfred' and signed 'Mary'. ONE (18 March [1945]): 2pp, 12mo. Begins: 'I am afraid we are allowing Mrs. W. to stay on at the Cottage during the School Easter Vacation, because it seems rather difficult to turn her out at this time of year in view of the weather & the fact that she obviously has Mrs. Moses on her side'.

A 7.5 x 10 cm photograph on 8.5 x 13 cm piece of shiny Kodac paper. Black and white head and shoulders shot of an old Fairbanks, nattily attired in jacket and tie, smiling at the camera towards his right shoulder. Signed ‘Douglas Fairbanks’ beneath the photograph in blue felt-tip pen. In very good condition. See Image.

See her entry in the Oxford DNB. The recipient Philip Dosse (often addressed, as in this letter, as ‘Dossé’) was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 1p, 12mo. In good condition, lightly aged. Folded once for postage. Large and ebullient signature in red felt-tip pen.

On 5 x 13.5 cm piece of paper, cut from the end of a letter and laid down on one side of part of a leaf from an album, the mount carrying a cropped cartoon on the other side. In good condition, lightly aged, with the mount a little ruckled. Simply reads: ‘Your sincerely / August Courtauld’. Captioned on mount: ‘August Courtauld - explorer’. The cartoon is intriguing.

An interesting and sprightly correspondence, mainly concerned with the practicalities of the vocation of a minor provincial poet. See David Gaskin’s obituary of Vanson, Independent, 27 July 1993, and Fry’s entry in the Oxford DNB. A second slice of Vanson material from the Christopher Fry papers (the other collection is offered separately). The collection consists of twenty-one items: nineteen letters from Vanson to Fry, a one-page typescript of three of Vanson’s poems, and a draft of an introduction by Fry to a proposed collection of poems by Vanson.

Lightly-written signature (?Cliff Richard?) in blue ink at bottom left of 21 x 16 cm photographic print on glossy paper of black and white publicity photograph of a tanned Richard sitting in swimming trunks with his hands on his knees, looking at the viewer between two rather plain brunettes in bikinis. The print is somewhat creased and worn, with minor discoloration to white border at the top edge. See Image.