CLASSICAL

[Sims Reeves, English operatic tenor.] Autograph Note Signed (‘J. Sims Reeves’) in response to a request for an autograph.

Author: 
Sims Reeves [John Sims Reeves] (1821-1900), English operatic tenor
Reeves
Publication details: 
June 1872. On letterhead with monogram of his initials, and address Grange Mount, Upper Norwood.
£56.00
Reeves

See his entry in the Oxford DNB. Even towards the end of his life Bernard Shaw could remark that ‘he can still leave the next best tenor in England an immeasurable distance behind’. 1p, 12mo. In good condition, lightly aged, with minor traces of mount to inner margin. Folded once. Very nice embossed letterhead, printed in gold, brown, green and red, with bird perched on top of a treble clef, entwined with foliage and a twisted branch in the shape of the ‘R’ of ‘Reeves’. Reads: ‘Sir / This autograph with pleasure, according to your request / Yours faithfully / June 1872 / J. Sims Reeves’.

[‘Odali Careno’ (stage name of Oda Slobodskaya, Russian soprano).] Autograph Note Signed (‘Odali Careno’), providing a ‘small Autograph’.

Author: 
‘Odali Careno’, occasional stage name of Oda Slobodskaya (1888-1970), Russian soprano associated with Chaliapin, Diaghilev and Stravinsky, who settled in England
Odali
Publication details: 
[24 June 1930.] On letterhead of the Clarendon Hotel, Oxford.
£50.00
Odali

For Diaghilev Slobodskaya starred in the 1922 Paris premiere of Stravinsky's opera Mavra, and she toured Europe as principal soprano with Chaliapin’s company. For her serious operatic work she retained her real name, but she used the stage name ‘Odali Careno’ when performing in vaudeville and light entertainment. 1p, 12mo. In good condition, lightly aged. Folded twice. Dated in another hand at foot: ‘24-6-30’ (the period of her appearance in a London Palladium production).

[Harry Plunket Greene, Irish baritone singer.] Autograph Signature and valediction cut from letter.

Author: 
Harry Plunket Greene (1865-1936), Irish baritone singer
Greene
Publication details: 
Without date or place.
£28.00
Greene

See his entry in the Oxford DNB. On strip of paper, roughly 10 x 3.5 cm, cut into an irregular rectangular shape. On one side is the valediction: ‘Yours very sincerely / Harry Plunket Greene’. On the other a fragment of three lines of the letter: ‘[...] I hope no [...] / started that things [...] / go on well. I am part[...]’. See image.

[Jürgen Hess, the violinist who played on the Beatles’ ‘Eleanor Rigby’ and ‘A Day in the Life’.] Autograph Letter Signed to pianist Francis Davies, proposing that they collaborate.

Author: 
Jurgen Hess [Jürgen Hess], violinist, of the English Chamber Orchestra, and the Delmé String Quartet, who played on the Beatles’ ‘Eleanor Rigby’ and ‘A Day in the Life’ [Francis Davies, pianist]
Publication details: 
19 November 1948; 39 Danes Court, Wembly Park, Middlesex.
£45.00

1p, 12mo. In envelope with stamp and postmark, addressed by Hess to ‘Francis Davies Esq. / 40, New End Square / London N.W.3.’ In good condition, a little creased and browning. Folded once. Hess has heard from Felix Vandyl that Davies ‘might be prepared to work seriously with a violinist for a more or less permanent basis of activity’, and he himself is ‘looking for a pianist for recitals etc’, and thinks that ‘it might be worth while to come together and to discuss this in detail’. He asks Davies to ‘drop me a card during this week at the above address’.

[Paul Robeson, celebrated black stage and screen actor prominent in the Harlem Renaissance and Civil Rights Movement.] Autograph Signature ('Paul Robeson') written on photograph.

Author: 
Paul Robeson [ Paul Leroy Robeson ] (1898-1976), black American baritone singer and actor prominent in the Harlem Renaissance and Civil Rights Movement
Publication details: 
No place or date.
£25.00

On 11 x 17.5 piece of shiny art paper, cut from a programme. The signature ?Paul Robeson? is written across Robeson?s front, beneath his smiling face in a black and white photograph. Beneath the photograph is the caption: ? ?A voice like his is worth waiting ten years to hear, and an art like his comes once in a generation.? / THE TORONTO EVENING TELEGRAM?. On the reverse are part of the lyrics from two songs, the second being ?Short?nin? bread?.

Autograph Manuscript, by the Scottish romantic poet Thomas Campbell, of his essay 'Remarks on the Geography of the Ancients'.

Author: 
Thomas Campbell (1777-1844), Scottish poet, author of 'The Pleasures of Hope' (1799) and 'Gertrude of Wyoming' (1809)
Publication details: 
Without date or place. Published in 'The Metropolitan', London, May 1831, where it is stated to have been 'Read at the Literary Union, Wednesday, Apri 27th, 1831.'
£950.00

32pp, 8vo. In very good condition, on lightly-aged laid Whatman paper with watermarked date 1830. Ruled in pencil by Campbell, and written out in his attractive calligraphic hand. With occasional emendations, and with an entire revision of the twentieth page made by overlaying another leaf of paper over the top of the original with wafers in each corner. (The two versions can be separated from one another with ease.) Campbell's essay was the leading article in the first issue of 'The Metropolitan', published in London by James Cochrane and Co.

[Albert Saléza, French tenor opera singer.] Autograph Letter Signed (‘Alb. Saléza’), in French, asking ‘Monsieur Menager’ to secure him ‘deux places pour ma femme et une de ses amies’ at the Opéra that evening.

Author: 
Albert Saléza (1867-1916), French tenor opera singer
Publication details: 
11 July 1906; on letterhead of the Hotel Cecil, Strand, WC [London].
£56.00

1p, 12mo. On bifolium. In fair condition, with two pencil notes at head, one in orange. Folded twice. He hopes he is not abusing the kindness of 'Monsieur Menager' (i.e. the house manager) by asking for two seats, for his wife and her friend, as they would like to go to the opera that night. After terminating the letter in the customary Gallic fashion, he adds a postscript asking for the reply to be left with the porter.

[Albert Saléza, French tenor opera singer.] Autograph Letter Signed (‘Alb. Saléza’), in French, asking ‘Monsieur Forsythe’ to secure him ‘le plus grand nombre de places possible’ for a production (his own?) that evening.

Author: 
Albert Saléza (1867-1916), French tenor opera singer
Publication details: 
18 June 1900; no place [London?].
£56.00

2pp, 12mo. On bifolium. Folded once. The first page is scored through in ink, with pencil annotations at head. The final page, with Saléza’s signature, is unmarked. He asks him for as many seats as possible for that evening. He would like ‘une bonne loge, deux Stalls et plusieurs petites places’. He will pass by the office to collection, and asks for them to be left in his name.

[Madame Albani [Dame Emma Albani Gye], celebrated Canadian operatic soprano.] Autograph Signature (‘Emma Albani Gye | 1883.’), written for display on front of envelope.

Author: 
Madame Albani [Dame Emma Albani Gye; Madame Albani; born Marie-Louise-Emma-Cécile Lajeunesse] (1847-1930), celebrated Canadian operatic soprano
albani
Publication details: 
1883; no place.
£28.00
albani

Clearly given in response to an autograph collector, and written for display on front panel of envelope. Dimensions: 10.5 x 8.5 cm. In good condition, lightly aged. Horizontal crease along bottom not affecting signature, which reads ‘Emma Albani Gye | 1883.’ In 1883, after several years of enormous success in Europe, Albani returned to Canada to give a series of recitals. Thousands turned out to greet her arrival in Montreal.

[Luigi Montesanto, Italian baritone opera singer.] Autograph Signature (‘Luigi Montesanto’) to part of printed English libretto to Leoncavallo’s ‘Pagliacci’.

Author: 
Luigi Montesanto (1887-1954), Italian baritone opera singer
Luigi
Publication details: 
Dated by Montesanto to 1936. [His Master’s Voice, London.]
£40.00
Luigi

At top right-hand corner of part of printed English libretto to Leoncavallo’s ‘Pagliacci’. Dimensions: 13.5 x 17.5 cm. Sloping upwards towards the corner, and underlined: ‘Luigi Montesanto | 1936’. On shiny art paper and in fair condition, lightly creased and a little dog-eared at the corner of the signature. The cutting is headed: ‘Prologue (Pagliacci) ... ... ... ... Leoncavallo | LUGI MONTESANTO | PROLOGUE’, with thirty-two lines of English translation.

[Sheena Tennant, Scottish composer and Margot Asquith's niece.] Two pieces of printed sheet music: her piano accompaniments of 'An Irish Cradle Song', 'From Poems by W. B. Yeats'; and Yeats's 'The Lake Isle of Innisfree'.

Author: 
Sheena Lilian Grant Tennant (1883-1974, later Kendall), daughter of James Tennant (1852-1933) of Fairlieburne, Fairlie, Ayrshire, Scotland, industrialist and cousin of Margot Asquith [W. B. Yeats]
Sheena
Publication details: 
Both items published by The Frederick Harris Company, London. 'An Irish Cradle Song' from 85 Newman Street, Oxford Street, W. [1914.] 'The Lake Isle of Innisfree' from 40 Berners Street, London, W1. [1917]
£350.00
Sheena

Both items in good condition, lightly aged and worn. Excessively scarce, with COPAC only listing one copy (at the British Library) of both items. ONE: 'An Irish Cradle Song. Words by W. B. Yeats. From Poems by W. B. Yeats, published by T. Fisher Unwin'. [1914.] 5 + [1]pp., folio. Title page carries the gaelic motto: Goth yani me von gilli beg, | N heur ve thu more a creena. TWO: 'The Lake Isle of Innisfree. Words by W. B. Yeats'. [1917.] 5 + [1]pp., folio. Illustration of tree on bank of lake on front cover.

[Jules Massenet, French composer.] Autograph Letter Signed ('M. Massenet') [to husband of Swedish soprano Sigrid Arnoldson-Fischhof?], written on a trip with his wife, regarding a portrait of 'votre “merveille” de femme', and 'notre grand ami Hengel'

Author: 
Jules Massenet [Jules Émile Frédéric Massenet] (1842-1912), French composer [Sigrid Arnoldson-Fischhof (1861-1943), Swedish soprano]
Publication details: 
8 February [no year]. No place.
£200.00

3pp, 12mo. Bifolium. On aged paper, with punch hole through both leaves at head, small closed cut along bottom edge of first leaf, and with paper and part of another letter (from an album) glued onto the reverse of the second leaf. Folded once. The signature 'M. Massenet' is explained in Massenet's obituary in the Musical Times, 1 September 1912, which speaks of 'the composer's known antipathy to the name Jules […] He preferred to be called “M. Massenet” simply'. The recipient of this enthusiastic letter is not named.

[Arthur Henry Fox Strangeways, English musicologist.] Two Autograph Letters Signed (both 'A. H. Fox Strangeways') to an unnamed recipient, declining to print an article in 'Music and Letters', and providing information about the composer Rauzzini.

Author: 
A. H. Fox Strangeways [Arthur Henry Fox Strangeways] (1859-1948), English musicologist, music critic of the 'Observer' and founder of the magazine 'Music and Letters'
Publication details: 
Both on letterheads of 'Music and Letters', 38 Lansdowne Cresent, W11 [London]. 13 January and 3 February 1934.
£56.00

Both items in good condition, on lightly-aged paper. ONE (13 January 1934): 1p., landscape 12mo. The 'proposed article sounds the sort of thing', but Strangeways cannot accept it until he sees it. TWO (3 February 1934): 2pp., landscape 12mo. He thanks him for sending the article, regarding which he writes: 'if the musicians mentioned in it had been more important or there had been more about them, it wd. have been worth printing; but as it is I am afraid it is not of sufficient interest.' The writer's reference to 'Ranzini' is, Strangeways points out, 'almost certainly' a mistake for 'V.

[ G. Lowes Dickinson. ] Early Typescript drafts from 'Plato and his Dialogues', with autograph emendations; and typescript of his BBC radio talk on Plato's 'view of the nature of knowledge' (part of series on which book was based).

Author: 
G. Lowes Dickinson [ Goldsworthy Lowes Dickinson ] (1862–1932), classical scholar and Fellow of King's College, Cambridge [ E. M. Forster ]
Publication details: 
Circa 1931 (year of BBC lectures) and 1932 (year of publication of book by George Allen & Unwin, London).
£500.00

'Plato and his Dialogues' was Lowes Dickinson's last book. It was warmly received on its posthumous publication, with its contemporary relevance recognised. In a review of May 1932, the Classical Association's journal 'Greece and Rome' declared: 'Here is material for the most exciting and stimulating discussions'. The same review said of the BBC series on which the book was based: 'if all such talks could have so happy an issue, wireless might be said to have justified itself'. And in October 1932, in another BBC radio talk, Lowes Dickinson's literary executor E. M.

[Eric Coates, composer of 'The Dam Busters March'.] Autograph Signed Inscription to May Hirst, on reverse of a 'Photograph of Original Full Score of The Three Bears.

Author: 
Eric Coates [Eric Francis Harrison Coates] (1886-1957), English composer of light music, best-known for 'The Dam Busters March'
Publication details: 
No date (but 1926 or after) or place.
£80.00

On reverse of 11.25 x 8.25 cm card carrying a black and white print of the autograph score of Coates's second 'phantasy', 'The Three Bears' (1926). In good condition, lightly aged. Reads: 'To May Hirst | with best wishes | from | Eric Coates | Photograph of | Original Full Score of | The Three Bears'.

[Sir Robert Mayer, musical patron, writing in his hundredth year.] Autograph Letter Signed ('R M.') to 'Russell', boasting of being 'young & venturesome', describing plans for an American lecture tour, asking if he could use Lady Drogheda as pianist.

Author: 
Sir Robert Mayer (1879-1985), German-born British musical patron and philanthropist
Publication details: 
10 September 1979. On letterhead of 2 Mansfield Street, London W1.
£60.00

2pp, 8vo. In fair condition, lightly aged and worn. Folded twice. The content is remarkably sprightly and the handwriting firm. The letter begins: 'My dear Russell, | Telephone: no good. So I guess that you are holiday-making. | Lord Drogheda is my close friend & collaborator. His wife Joan is a pianist[.] I have heard her only when she gave her services. But she appears to practice daily, like a professional trooper.' He has advised her to 'play chamber music.

[Sir Robert Mayer, musical patron, writing in his hundredth year.] Autograph Letter Signed ('R M.') to 'Russell', boasting of being 'young & venturesome', describing plans for an American lecture tour, asking if he could use Lady Drogheda as pianist.

Author: 
Sir Robert Mayer (1879-1985), German-born British musical patron and philanthropist
Publication details: 
10 September 1979. On letterhead of 2 Mansfield Street, London W1.
£60.00

2pp, 8vo. In fair condition, lightly aged and worn. Folded twice. The content is remarkably sprightly and the handwriting firm. The letter begins: 'My dear Russell, | Telephone: no good. So I guess that you are holiday-making. | Lord Drogheda is my close friend & collaborator. His wife Joan is a pianist[.] I have heard her only when she gave her services. But she appears to practice daily, like a professional trooper.' He has advised her to 'play chamber music.

[Eleanor Farjeon, children's writer.] Typed chatty retelling of the story of Theseus and the Minotaur, under the title 'The Simple Facts', and ending 'don't believe a word I say'. Signed by Farjeon 'From E. F.', with her address.

Author: 
Eleanor Farjeon (1881-1965), noted children's writer, several of whose works were illustrated by Edward Ardizzone
Publication details: 
No date. 20 Perrin's Walk, N.W.3. [London]
£180.00

1p, 4to. Typescript with a couple of minor autograph corrections. Unpublished, but perhaps relating to her 1945 book 'Ariadne and the Bull'. At foot, in Farjeon's autograph: 'From E. F. | 20 Perrin's Walk | N.W.3.' In fair condition, on aged and worn paper, with nicking and loss at edges. A chatty and entertaining retelling of the story. As an example of the tone, early on Farjeon writes: 'The Minotaur was a monster with the gigantic body of a man topped by a bull's head; his father was a bull and his mother was Pasiphae, Minos's Queen.

[Sir Edward German, composer.] Autograph Signature ('Edward German :') to secretarial letter to Mrs Russell, apologising for not writing 'personally'.

Author: 
Sir Edward German (1862-1936), composer of incidental music and comic opera, best remembered for 'Merrie England'
Publication details: 
5 January 1928. On letterhead of 5 Biddulph Road, Elgin Avenue, W.9.
£25.00

1p, 12mo. In good condition, lightly aged. Folded once. Only the salutation ('Dear Mrs. Russell,') and the valediction ('Yours very sincerely | Edward German :' are in German's hand; the rest is by a secretary. He writes that he would 'have liked to write you [sic] personally, but it is a little more than I can manage at present'. Nevertheless he assures her that he is 'most grateful' for her 'very kind message'.

[Arthur Sidgwick, classical scholar and promoter of women's education.] Autograph Letter Signed ('A Sidgwick') to Lady Cullum of Hardwick House, written in good spirits after a visit.

Author: 
Arthur Sidgwick (1840-1920), classical scholar and promoter of women's education at Oxford, brother of Henry Sidgwick [Trinity College, Cambridge; Lady Ann Cullum (1807-1875) of Hardwick House]
Publication details: 
1 May 1863; Cambridge.
£180.00

Arthur Sidgwick's long entry in the Oxford DNB concludes with the following assessment: 'a university liberal of rare consistency and stamina: a progressive bridging Victorian and Edwardian generations, and pre-eminent among the male dons who made a place for women's higher education in Oxford'. At the time of the present letter he was nearing the end of a 'brilliant' undergraduate career at Cambridge, with the winning of many prizes: 'In 1863 he was second in the first class of the classical tripos and fourteenth senior optime in mathematics, and was also president of the union.

[John Stuart Mill, philospher and economist.] Autograph Signature ('J. S. Mill') with valediction to letter.

Author: 
John Stuart Mill [J. S. Mill] (1806-1873), philosopher, political economist, and civil servant, a leading figure in the history of classical liberalism
Publication details: 
Without date or place.
£125.00

On 2 x 11 cm slip of paper cut from the end of a letter. In fair condition, lightly aged, with small tape stain from mount at the edge to the left of the signature. Reads: 'very truly yours | J. S. Mill'. On the reverse, in Mill's autograph, are the words: 'the Government for a pecuniary'. Mill is considered one of the most influential figures in the history of classical liberalism, and one of the leading English-speaking philosophers of the nineteenth century.

[Jules Massenet, French composer.] Autograph Letter Signed ('M. Massenet') [to husband of Swedish soprano Sigrid Arnoldson-Fischhof?], written on a trip with his wife, regarding a portrait of 'votre “merveille” de femme', and 'notre grand ami Hengel'

Author: 
Jules Massenet [Jules Émile Frédéric Massenet] (1842-1912), French composer [Sigrid Arnoldson-Fischhof (1861-1943), Swedish soprano]
Publication details: 
8 February [no year]. No place.
£200.00

3pp, 12mo. Bifolium. On aged paper, with punch hole through both leaves at head, small closed cut along bottom edge of first leaf, and with paper and part of another letter (from an album) glued onto the reverse of the second leaf. Folded once. The signature 'M. Massenet' is explained in Massenet's obituary in the Musical Times, 1 September 1912, which speaks of 'the composer's known antipathy to the name Jules […] He preferred to be called “M. Massenet” simply'. The recipient of this enthusiastic letter is not named.

[John William Donaldson, philologist, classicist, and biblical scholar.] Autograph Memorandum, signed 'J. W. Donaldson', giving four 'reasons' why 'Hercules was the husband & not the purchased slave of Omphale'.

Author: 
J. W. Donaldson [John William Donaldson] (1811-1861), philologist., classicist and biblical scholar [Sir Thomas Gery Cullum (1777-1855) of Hardwick House and his wife Lady Ann Cullum (1807-1875)]
Publication details: 
No place [King Edward's School, Bury St Edmunds]. 2 April 1844.
£56.00

See Donaldson's entry in the Oxford DNB, which states that he was 'greatly beloved by his friends, who included N. C. Thirlwall and W. H. Thompson. The diarist Henry Crabb Robinson spoke enthusiastically of the charm of his conversation.' 3pp, 16mo. Bifolium. In good condition, lightly aged, with minor traces of mount adhering to blank reverse of second leaf. No salutation or valediction, and the recipient is not named, but the item derives from the papers of Sir Thomas Gery Cullum and his wife Lady Anne Cullum, of Hardwick House.

[Filippo Marchetti, composer, and Pasquale Villari, historian.] Marchetti's Autograph Signature ('F Marchetti') with a few bars in autograph from the prelude of 'Ruy Blas'. On same leaf as an Autograph quotation, signed 'Pasquale Villari'.

Author: 
Filippo Marchetti (1831-1902), Italian composer of the opera 'Ruy Blas'; Pasquale Villari (1827-1917), Italian historian, politician and Dante scholar
Publication details: 
Marchetti's autograph on letterhead of the R. Accademia di S. Cecilia ('Liceo Musicale'). Rome, 14 September 1892. Villari's autograph on reverse of leaf, dated from Florence, 2 November 1892.
£350.00

1p, 12mo. Leaf of lightly-browned and creased aged paper, with closed tears to one edge. The two men are clearly writing in response to requests for autographs. Marchetti has written out four bars – slightly affected at end by closed tear – from what he states is 'Ruy Blas Preludio'. Beneath this he signs, in a firm attractive hand, 'F Marchetti'. At the head he dates: 'Roma 14 9bre 92'.

[Charles Stuart Calverley, poet, classical scholar and wit.] Autograph Letter Signed ('C S. Calverley') to Charles R. Steggatt, declining to order cigars with the comment: 'I never by any chance smoke a cigar.'

Author: 
Charles Stuart Calverley [born Charles Stuart Blayds] (1831-1884), poet, classical scholar and wit
Publication details: 
18 December 1880. 12 Mostyn Terrace, Grand Parade, Eastbourne.
£45.00

1p, 12mo. In good condition, lightly aged. In envelope with penny red stamp and postmark, addressed to Steggatt at 53 Norwich Street, Cambridge. The letter reads: 'Dear Sir | I regret that I cannot give you an order. I have no doubt of the excellence of the cigars, but I never by any chance smoke a cigar. | Believe me | Yours truly | C S. Calverley'. A nice Cambridge association, given that Calverley's most famous poem is 'Ode to Tobacco', and that it features in Cambridge on a brass plaque on the wall of the former Bacon's tobacconists.

[Loeb Classical Library prospectus.] Machines or Mind? An Introduction to the Loeb Classical Library | By W. H. D. Rouse, Litt.D.

Author: 
W. H. D. Rouse, Litt.D. [William Henry Denham Rouse (1864-1950), founding editor with T. E. Page of the Loeb Classical Library; William Heinemann, London publisher]
Publication details: 
London: William Heinemann, 21 Bedford Street. New York: The Macmillan Company, 64-66 Fifth Avenue. Advertising volumes 'ready in September' and 'ready in November' [1911].
£180.00

16pp, 8vo. Stapled pamphlet. In fair condition, lightly aged, covers dusty and spotted, staples slightly rusted. P.2 carries an announcement of the joint publication by 'Mr. Heinemann' and the Macmillan Company of New York 'of a new series of Greek and Latin texts with English translations on the opposite page and brief biographical prefaces. The series takes its name from Mr. James Loeb, originator of the idea, […]'. The page gives details of the plan, and p.15 carries a 'List of the First Twenty Volumes, 'Ready in September' and 'Ready in November'.

[Benno Moiseiwitsch, virtuoso Ukrainian/Russian concert pianist.] Autograph Signature on inscription to an autograph hunter. With signatures on reverse of pianist Irene Kohler and composer Charles Hambourg.

Author: 
Benno Moiseiwitsch (1890-1963), concert pianist born in Odessa (Ukraine) in the Russian Empire, and who settled in England [Irene Kohler; Charles Hambourg]
Publication details: 
The three signatures from 1946. No place.
£65.00

On 7 x 10.5 piece of orange paper, removed from an autograph album. In good condition, lightly aged and worn. Expansive signature, with surname underlined and dots to i's like dashes. Reads: 'Good luck to you! | Benno Moiseiwitsch | Decr. 1946'. Autographs on reverse, dated to 21 July 1946, of composer 'Charles Hambourg' and pianist 'Irene Kohler' (1909-1996).

[Charlotte Dolby [Charlotte Helen Sainton-Dolby], celebrated English contralto singer.] Autograph Letter Signed ('Charlotte H Dolby') giving a list of four pieces she will be 'happy to sing' for the recipient.

Author: 
Charlotte Dolby [Charlotte Helen Sainton-Dolby] (1821-1885) (1821-1885), celebrated English contralto singer, singing teacher and composer
Publication details: 
'Scarbro' [i.e. Scarborough, Yorkshire]. 'Thursday' [no date]
£38.00

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. She writes that she will be 'happy to sing the following songs on the 16th inst', and lists pieces by Meyerbeer, Linley and Mendelsohn, as well as 'Scotch song “Bonnie Dundee”'. In a postscript she writes: 'After tomorrow may I trouble you to address me at Dilstone [i.e. Dilston, Northumberland]'. Endorsed on second leaf: 'Sans date | Miss Charlotte H. Dolby | Will be happy to sing the within mentioned songs &c'.

[Sir Frederic George Kenyon, Director and Principal Librarian of the British Museum.] Autograph Letter Signed ('F. G. Kenyon') to 'Mr Frewen', writing in wartime to thank him for offering 'duplicates to help in the restoration of destroyed libraries'

Author: 
Sir Frederic George Kenyon [Sir F. G. Kenyon] (1863-1952), palaeographer, biblical and classical scholar, Director and Principal Librarian of the British Museum, President of the British Academy
Publication details: 
On letterhead of the Friends of the National Libraries, c/o The British Museum, London, WC1. 1 September 1941.
£56.00

2pp, 12mo. In good condition, lightly aged. Folded once. He is 'very much obliged' to Frewen for the offer 'of duplicates to help in the restoration of destroyed libraries', and notes that 'it is impossible to forecast the needs that will exist at the end of the war'. In the meantime he has 'marked with the initials F. [L. S.?] a number of volumes in your list which I think are sure to be useful for our purpose.

[William Bedell Stanford, Regius Professor of Greek at Trinity College Dublin.] Typed Poem titled 'Undertone' (first line: 'When the landfolk of Galway converse with a stranger,'), with Autograph Signature 'W B. Stanford | Trinity College | Dublin'.

Author: 
W. B. Stanford [William Bedell Stanford] (1910-1984), Irish classical scholar and Senator, Regius Professor of Greek at Trinity College Dublin, 1940-1980; Chancellor of the University, 1982-1984
Publication details: 
No date or place.
£180.00

1p, 4to. In good condition, with slight creasing to extremities, on a leaf of 'Onion Skin' paper. A sixteen line poem in three stanzas, beneath which is written, boldly and in pencil: 'W B. Stanford | Trinity College | Dublin'. The poem is one of Stanford's best and best-known, and features in Donagh MacDonagh's 'Poems from Ireland' (1944) and Brendan Kennelly's 'Penguin Book of Irish Verse' (1970). The present version exhibits no variations from the text printed by Kennelly.

Syndicate content