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3pp., folio. Bifolium. Addressed, on reverse of second leaf, 'To | Mrs. Squire, | Wragby, | near Lincoln.' In fair condition, aged and worn, with Middleton's seal cut away from the second leaf (without any loss to text) and a number of closed tears along creases. Seventy lines of neatly-written text. A letter filled with pious sentiment, beginning: 'Mr. Squire favored us To-day with a Call, and it gave us a peculiar Pleasure to see that he is so well recovered from that Fit of Illness in which my Brother & I saw him, notwithstanding the uncommonly severe Winter we have since had.

The eight letters total 10pp., 4to., of which 3pp. are typed and 7pp. in autograph. In good condition, lightly aged and worn. De Rome's reputation was enlarged towards the end of his life, with the British Film Institute mounting a thrusting retrospective season, with an accompanying DVD and a penetrating documentary by David McGillivray, 'Peter de Rome: The Grandfather of Gay Porn' (2007). For more information on Alderman, who acted in de Rome's films 'Scopo' (1966) and 'The Second Coming' (1970), and who had been J. R.

A nice set of documents relating to the London émigré art scene. A copy of the engraved portrait to which these two items refer, titled ‘Louis Joseph de Bourbon, prince de Condé, prince du sang’, is BM P&D 1850,0211.17, and carries the information M.de de Tott pinx., F. Bartolozzi RA sculp., and her details, as publisher: London Publish'd by M.de de Tott Octo. 1 1802. De Tott’s original painting is in the Musée Condé in Paris. See Bartolozzi’s entry in the Oxford DNB and the second (1885) edition of Tuer’s monograph on him. The two items are attached with a wafer at top inner corner.

See the entry for Sir Charles Brooke in the Oxford DNB. On one side of an 18 x 9 cm piece of paper, the upper part torn from a larger sheet, with neatly-torn bottom edge resulting in a little loss to the flourish beneath the signature and the tip of the downstroke of the ‘y’ in ‘Harry’. In fair condition, lightly aged, with a central vertical fold. The text, in a bold hand, reads: ‘ “Though obstacles beset you - struggle still!” / Even a worm may climb this highest hill! / Yrs Sly / Harry de Windt’ See Image.

Lamartine is one of the greatest of French poets, and often counted as an early figure in that country's Romantic movement. His influence was extensive, from Verlaine and the Symbolists to Tolstoy. 2pp, 12mo. In good condition, lightly aged. Addressed to ‘Mon cher collegue’, with good firm signature ‘Lamartine.’ He suggests that the recipient send to his notary in his home town of Mâcon all the documents relating to the estate of ‘Mlle Martin’. He has need of his advice and suggests a time for meeting.

Lamartine is one of the greatest of French poets, and often counted as an early figure in that country's Romantic movement. His influence was extensive, from Verlaine and the Symbolists to Tolstoy. 1p, 4to. In fair condition, in faded ink, on aged and lightly worn paper. Previously folded into a packet, but now laid down on brown-paper backing. Addressed to ‘Messierus Hubert’, with signature ‘Lamartine’. He has read with great interest the letter they sent him, and the petition which accompanied it.

Something of an historic document. In February and March of 1814 Vincence had led the French delegation at the Congress of Châtillon peace conference, at which his counterpart was Lord Aberdeen, with the British Home Secretary Lord Castlereagh arriving partway through. On behalf of Napoleon, Vincence had led, with little success the subsequent negotiations with Russia, Prussia and Austria which resulted in Napoleon’s abdication and exile to Elba, by the signing of the Treaty of Fontainbleau, a month before the present letter, on 11 April 1814, which was ratified by Vincence.

There can be few greater falls from grace than Petain's in the whole of human history. A 10 x 6.25 calling card. In good condition, lightly aged and ruckled, with glue and traces of paper mount on the blank reverse. The engraved text ('LE MARECHAL PETAIN / Ministre de la Guerre') is centred, with the top line in shaded block capitals and the bottom in copperplate. Beneath this Petain writes: 'avec ses remer'. See Image.

See his entry in the Encyclopaedia Britannica. 1p, 16mo. Twenty-two lines. On watermarked laid paper. Seven numbered memoranda, possibly an aide-mémoire for a speech. Begins: ‘1o. la loi égale pour tous.’ Later on: ‘1o Ce n’est point un droit que la loi accorde; c’est un devoir qu’elle impose. et pour imposer ce devoir, elle n’a vue que son interêt. / une fonction publique n’est pas le droit de tous; elle est le devoir de quelques uns.’ And later: ‘5o. Quoi le Pere est b[?] . . . . les Dieux de l’oncle sont confisqués.’ The seventh and last memorandum concerns ‘Les malheureux!

The two items are on variations of the revolutionary letterhead of the Prefect of the Drôme Department, with oval medallion illustration of a seated liberty with a phrygian cap on a stick, forearm leaning on the fasces and the words ‘Libérté’ and ‘Égalité’. The printed decree is in good condition, lightly aged, with slight foxing and discoloration. The secretarial letter is in fair condition, with darker patches of discoloration.

A nice original item, unsigned but certainly in Florian’s distinctive hand. 1p, 12mo. In good condition, lightly aged, with neat white-paper mount adhering to one edge on the blank reverse. Foliated 93. Sixteen-line poem, beginning ‘Sur le pont-neuf, entouré de badauds, / un charlatan criait a pleine tete, / venez, messieurs, accourez faire emplette / du grand remede a tous les maux.’ In the last line the remedy is revealed as ‘un peu de poudre d’or’.

An excellent letter, exhibiting precisely the sort of indignation one would wish for from such a renowned satirist. As a result of the furore caused by the publication in 1762 of his best-known work, ‘Le Colporteur’, Chevrier fled to Holland. The French government attempted to have him extradited, and his death that same year was rumoured to have been caused by poisoning. 3pp, 4to. On bifolium. Thirty-nine lines of text. In good condtion, lightly aged. The item has been expertly mounted, and the thin white-paper mount still adheres to reverse of the final leaf.

The material is in fair condition, lightly aged and worn. Items Two and Three are addressed to ‘Cher ami’. De Cottens’ handwriting is somewhat opaque. ONE: ANS, 14 May [no year]. The letterhead includes an engraved illustration of the Queen’s Hotel in Leicester Square. 1p, 12mo. ‘Cher Monsieur Clarkson / tous mes bien vifs remerciements pour votre aimable envoi de tickets. / Bien votre / Victor de Cottens.’ TWO: ALS, 26 [March? 1910?]. 1p, 12mo. He wonders whether the recipient might put his ‘experience à la disposition’ of a named colleague from Brussels. THREE: ALS, 1p, 16mo.

See his entry in the Encylopaedia Britannica. The signature ‘Mirbel’ is written on a clear area of a circular printed device of 4.5 cm diameter, in grey tone, within decorative border. The text reads: ‘MUSEUM / D’HISTOIRE NATURELLE / AU JARDIN DU ROI / Entrée aux Jours et Heures / consacrés à l’Etude. / Prof. Admin.’ Laid down on a 7 x 7.5 cm piece of paper, on which is written, in a neat early nineteenth-century hand, ‘Mirbel the naturalist’. See image.

1p, 16mo. In fair condition, lightly aged, with three creased from folding into envelope. Neatly written out in Barante’s distinctive neat and tiny hand. Addressed to ‘Monsieur’ and signed ‘Barante’. He is writing on behalf of Madame Bouvier, who wishes to find out where the Princess Sapieha is residing at present, as her daughter is ‘attachée à la princesse’, and she would like the enclosed letter (not present) to reach her. He would be most obliged if the recpient could help Madame Bouvier’s letter reach its destination.

An excellent letter, linking leading nineteenth-century writers of the French and English nations. See Daudet's entry in the Encyclopaedia Britannica, and Meredith’s in the Oxford DNB. Daudet’s association with Meredith during his ‘first and only visit to England’ is described on pp.122-124 of the 1911 edition of J. A. Hammerton’s ‘George Meredith, his Life and Art’, which also quotes extensively from Madame Daudet’s account of the Englishman, referred to in the letter. 2pp, 16mo. Twenty-one lines of closely- and neatly-written text. On the rectos of the leaves of a bifolium.

On one side of a 35 x 24 cm leaf of gilt-edged wove paper, extracted from the autograph album of novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. In fair condition, lightly aged, with a small closed tear and slight creasing to extremities. Reads: ‘Recuerdo de un humilde artista en todas las Españas, y admirador de las bellísimas hijas de la Hermosisima Albiòn / Sarasata / 20 - 12 - 92’.

From the autograph album of the novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), later the wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Queen Victoria lent Claremont House to the Count of Paris’s father Louis-Phillipe, after his abdication and flight from France. On one side of an 11 x 7.5 cm piece of grey paper. In good condition, lightly aged. Written in a neat hand, it reads: ‘With the compliments of the Count de Paris and his thanks for the books send [sic] by Mr. Meredith. / Claremont 31/5/63’.

The anonymous author of this material is evidently a well-educated individual, and well-versed in the sciences. He has taken great care over the material, and it can be presumed that his intention was either to try for publication, or use it while lecturing.

1p, 4to. On discoloured and somewhat grubby paper, folded twice for postage. Addressed to ‘S. Hodgson Esq.’ and signed ‘H M. Hake’. Hodgson has sent Hake ‘a manuscript fragment’, which does not seem to indicate either of ‘the portraits in the Gallery’. He has ‘looked up the record of portraits offered in the past but there is no mention of Mrs. Cruikshank or her executors.’ He asks a related question before turning to the subject of the physician Sir Benjamin Ward Richardson (1828-1896), who was in Hake’s opinion ‘more of a professional worthy than a national one’.

See his entry, and that of Delane, in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged, with neat remains of a windowpane mount adhering to the blank reverse of the second leaf. Addressed to ‘Dear Mr Lelane’ (sic) and signed ‘Stratford de R.’ Having heard that Delane was in town he writes to say that he was ‘gratified by the complimentary terms in which I was mentioned in the Times two or three days ago.

See the entries for Cooper (born Arthur William Douglas Cooper) and Richardson in the Oxford DNB. From the papers of the recipient, Philip Dosse, who was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Art and Artists and Books and Bookmen. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 2pp, 8vo, on a single leaf of air mail paper. Forty-six lines of text. Somewhat worn and creased, but in fair condition overall.

One page, cr. 8vo, fold marks, faint foxing, good condition. See Image. Text: It is delightful to read that August Manns [conductor - see Wiki] is still remembered. I was born within sight of the Crystal Palace and can even remember the great fire on one Sunday afternoon when part of the 'Tropical End' was burned to the ground. Those Courts [with?] the fine casts of statues of all periods taught me how to look at their originals in many places.

Rather long for a carte de visite: 6 x 9 cm albumen print laid down on 6.5 x 10.5 cm card. In fair condition, lightly discoloured and worn. On the card beneath the photograph is a facsimile of Ruskin’s signature (‘John Ruskin’) and ‘ELLIOTT & FRY Copyright. 55. BAKER ST.’ Printed on the reverse is the royal crest and the firm’s address. A copy of the present item was offered by Sotheby’s in 2021, dated to 1867, with the claim that it was ‘signed on the mount’. That claim is erroneous: the signature to that copy is identical with the present lithographed one.

One page, 12mo, unsigned, bifolium, good condition. Note by another hand in top left corner, lettre de Masclet. Text (unsigned): J'envoye a Monsieur Mollard la copie du memoire sur la place du chemin de fer entre Liverpool et Manchester. | On pourra annoncer a l'institute un autre memoire plus developpe sur l'etat actuel du chemin de fer entre Darlington et Stockto: j'en enverrais une copie si on la desire. | Je [?] de me rendre [la france jeudi?] a 2 h 1/2: serait il [possible?] a Mondieur Moll;ard de m'envoyer un second billet pour mon support, car j'ai besoin d'en avoir [un?].

According to the Victoria County History, Jean Nicholas Voyaux de Franous (1760-1840), a Frenchman, is ‘traditionally seen as the father of Roman Catholicism in Chelsea’. 1p, 12mo. In good condition, lightly aged. Signed ‘Abbé Voyaux de Franous’ and addressed to 'Dear Madam'. Indisposition is the cause of his delayed response. He was without ‘the least idea that Miss Harvey was without a place in the Chapel and gave immediate orders to have her accommodated with one.

Four pages, 16mo, bifolium, in narrow frame of stiffer paper, good condition.

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. In fair condition, lightly aged, with closed tear (not affecting text) to a fold on second leaf, which also carries traces of mount on its blank reverse. Small printed slip relating to the Court of Bankruptcy, bearing Fonblanque’s name, laid down at head of first page. Folded four times for postage. Signed ‘J S M Fonblanque’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once for postage. Good firm signature: ‘Henry Wace.’ He thanks him for his letter of 23 September, ‘drawing my attention to the passage in the paper which you kindly enclosed’. He regrets that he was ‘in Ireland at the time of the meeting of the Representative Church Committee’, but he will be ‘glad to bear in mind what you say in reference to future meetings’. From the papers of Wilfred Seymour De Winton of Haverfordwest.

According to the Daily Telegraph, 2 November 2006 (see the end of this description), Lady Margaret Sackville was 'a poet who mixed with writers such as W B Yeats and Wilfred Scawen Blunt, was a friend of Lady Ottoline Morrell, a leading member of the Bloomsbury Set'. 167pp., 4to. Each page on the recto of a separate leaf, the whole bound with green thread through punch holes in margins. The first page worn and with label (of literary agent?) removed from head, otherwise in good condition, lightly aged and worn.