BRITISH

See the Oxford DNB entry of the recipient James Payn (1830-1898), at the time of this letter the editor of the Cornhill Magazine. More significantly, Payn had since 1874 been a reader for Smith, Elder, and the present letter stems from the firm?s interest in Forrest?s ?tale of the Indian Mutiny? which they would publish in 1891 under the title ?Eight Days?. 2pp, 16mo. Bifolium with mourning border. In good condition, lightly aged and worn, with short closed tear at edge of postage fold. Addressed to ?James Payn Esqr.? and signed ?R. E. Forrest?.

See his entry in the Oxford DNB. The four items in good condition, lightly aged and worn, and all folded for postage. The last item with pin hole to one corner. The first three addressed to 'Dear Sir' and the last to 'Dear Fisher'. All four signed 'A C Lyall', both with and without periods after the initials. ONE (9 October 1888): 3pp, 12mo. Bifolium.

See Mitford's entry in the Oxford DNB. 1p, 32mo. On first leaf of bifolium. Text complete on somewhat grubby and worn paper. The recipient (‘My dear Sir’) is not named, and the letter is signed ‘JMitford’. Closely written, with the result that a few word are difficult to decipher, unfortunately including the name of the subject. It reads: ‘My dear Sir / I can see no objection to you printing the lines that I return, as I presume they are but little known. / I think [Lang?] was a very good sort of Man, as well as a very [clear?] [shrewd?] one . .

See his entry in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded for postage. Addressed to 'Alfred Miles Esqre.' and with good bold signature 'Gerald Massey'. Begins: 'Dear Sir / You are quite at liberty to quote from my poems - but I shd. like to have a hand in the selection. / In a collection so large as you contemplate there ought to be nothing but one's best.' If he were to edit such a work he would 'make all living authors so choose their own poems. Sir Richard Grenville is the only one of those you mention that I shd.

See the two men's entries in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged. Folded for postage. Reads: ‘Jany 30. / My Dear old Boy / Ill come on Thursday with great pleasure to the free masons / Yrs faithfully / Robt Liston / W. Jerdan Esq’.

See his entry in the Oxford DNB. 2pp, 12mo. With mourning border. In good condition, lightly aged and worn. He apologises for an engagement that will keep him ‘out of Town’ on the date proposed. Reads: ‘My dear Joyce / I should so much have enjoyed coming to your party, & it was very kind of you & Olive to think of it / Yours affec[tion]ately / Milner’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged and creased. Folded for postage. Addressed to ‘Dear Hyman’ and signed ‘C. B. Oldman.’ He begins by thanking him for his ‘kind congratulations’ (on his promotion to at the British Museum, following the retirement of Sir Henry Thomas): ‘I have been laid up with a bad cold over Christmas otherwise I should have written before’. Hyman’s latest catalogue interested him very much, and he hopes that ‘the fact that I don’t buy much nowadays will not deter you from sending me future issues.

See his entry, and that of his son, in the Oxford DNB. Hornby served as Superintendent of the Royal Naval Hospital and Victualling Yard at Plymouth between 1832 and 1838. This item is 2pp, 12mo. Bifolium with thin mourning border. Fifty lines, neatly and closely written. In fair condition, lightly aged and worn, with slight damage and a few closed tears around gutter. Folded for postage. Signed ‘Phipps Hornby’, and with recipient (‘My dear Sir’) unnamed. Pencil note giving note by recipient at head of first page, giving prices for butter and cheese ‘for the Year 1834’.

See the two men's entries in the Oxford DNB. Each of the two letters is 1p, 4to, with the Prince’s letter on the recto of the first leaf of a bifolium, and the Earl’s signed autograph copy of his reply on the recto of the second leaf of the same bifolium. Both leaves are discoloured and damaged, with wear and loss from infestation, but the two signatures and the area around them are good and clear. The document has been folded twice for postage. Strip of white tape along gutter of blank reverse of second leaf from mount. ONE (Frederick’s ALS): Fifteen lines.

1p, 8vo. In fair condition, lightly aged and worn. Folded for postage. Addressed to ‘The Right Rev. Eyre Chatterton, D.D., / President, Indian Church Aid Association, / Westminster Chambers, / 5, Victoria Street, S.W.1.’ (‘My dear Bishop Chatterton’) and signed ‘Burdwan’. He is ‘indeed very interested to know’ that Chatterton is holding a meeting, 'at the Lord Mayor's invitation', at the Mansion House in London, ‘on behalf of the Anglo-Indian Schools in India, which are controlled by the Indian Church Aid Association’.

Although there is no clear connection, the present unpublished poem dates from around the same time as Edward Lear was drawing watercolours in the place referred to in it. Vidya Dehejia’s‘Impossible Picturesqueness / Edward Lear’s Indian Watercolours, 1873-1875’ (1989) describes how Lear visited ‘The two small hill-stations of Matheran and Mahabaleshwar near Bombay’. Of the former Lear wrote: ‘Matheran by the bye, has most probably been the original Eden - I don’t mean the first Lord Auckland, - but Paradise -’.

See his entry in the Oxford DNB. 1p, 4to. On aged paper, creased at the edges. Signed ‘Irwin’. He thanks him for his letter and states that it is good of him ‘to offer the help of the Indian Church Aid Association for the receipt of the money. I should think we might be very glad indeed to take advantage of your suggestion.’ He is sending Wilson’s letter ‘to Sir John Thompson, who is really the active partner in the business!’ Halifax was Viceroy of India between 1926 and 1931.

See Westland's entry in the Oxford DNB. Finlay was, as the Marquis of Crewe told the House of Lords in 1912, ‘a distinguished Indian official’, responsible for, as the Statist stated in 1914, ‘the details of the financial administration of the Empire of India. The magnitude and complexity of the financial transactions of the Government of India need not be enlarged on.’ He entered the Indian Civil Service in 1875, was made a Companion of the Order of the Star of India in 1896, and a Member the Governor-General’s Council in 1902.

See his entry in the Oxford DNB, with Pettigrew’s. 2pp, 12mo. On first leaf of a bifolium. Reads: ‘Sir Robert Gardiner presents his compliments to Mr Pettigrew - / He begs Mr Pettigrew will forgive his taking the liberty of asking whether he is acquainted with General Anderson, and if so, he begs Mr. Pettigrew will do him the favor of calling here as soon as convenient in his round of Professional calls this morning’.

See the entry for Sir Charles Brooke in the Oxford DNB. On one side of an 18 x 9 cm piece of paper, the upper part torn from a larger sheet, with neatly-torn bottom edge resulting in a little loss to the flourish beneath the signature and the tip of the downstroke of the ‘y’ in ‘Harry’. In fair condition, lightly aged, with a central vertical fold. The text, in a bold hand, reads: ‘ “Though obstacles beset you - struggle still!” / Even a worm may climb this highest hill! / Yrs Sly / Harry de Windt’ See Image.

1p, 4to. On lightly aged and somewhat creased paper. Folded twice for postage. Addressed to ‘Leonard Hyman, Esq.’ and signed ‘Clarence Raybould’. He has received his Catalogue No. 87 and is sorry to learn of his ‘impending retirement from your business’. ‘The world is always the poor when someone of your integrity decides he has had enough of the intrigues of present-day life!’ He wishes him ‘a happy period of quieter days’: ‘I myself cease to bulk of my work in June of this present year, when I terminate a long association with the Senior Orchestra of the Royal Academy of Music.

Tarleton has become a quasi-mythical figure in the early history of the United States, his actions misrepresented and his character traduced. See his entry in the Oxford DNB, and the magnificent portrait by Sir Joshua Reynolds, in the National Portrait Gallery, London. The present item is 1p, landscape 12mo, on one side of an 18 x 10.5 cm piece of gilt-edged watermarked laid paper. In fair condition, aged, worn and lightly creased, with central horizontal and vertical folds, and evidence of mount on the blank reverse.

Sarah Shannon (married name Sarah Dickinson) was a fine poet in her own right (see the blurb quoted in Item One below), and it is unfortunate that she allowed herself to be eclipsed by her husband the self-styled ‘poet and impresario of poetry’, Patric Dickinson. He occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

From the papers of Sarah Emmeline Hamilton, mistress of the poet Patric Dickinson. (His extraordinary correspondence with her, including 171 original and mostly-unpublished poems, 474 autograph letters and 349 post cards, is offered separately). See his obituary by John Mole’s in the Independent, 31 January 1994. The present item is 4to, and consists of 14 unpaginated pages over ten leaves. Stitched into brown wraps printed in black. Cover, title-page and colophon with illustrations from Sandys in brown, otherwise printed in black. Tastefully printed.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

John Stanton Ward was a noted portrait painter, who resigned his membership of the Royal Academy in protest at the ‘Sensation’ show of 1997. See his obituaries in the Telegraph, Times, Guardian and Indpendent. Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.