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See his entry in the Oxford DNB. From the Piffard papers. A total of 9pp, 12mo. The recipient is 'B. Piffard Esq.' and the letters are all signed 'Jesse Collings'. ONE: 27 July 1885. 2pp, 12mo. He apologises for the delay in replying: 'I have been so over-pressed with Parliamentary and other work.' He will go into the matter of Piffard's letter at the 'Committee meeting of our Allotments & Small Holdings Association' that very day.

At the time of writing Gordon-Cumming’s trophies were being exhibited at this Piccadilly address, having previously formed part of the Great Exhibition. The recipient Henry Charles Angelo (1806-1866) was a member of the celebrated family of fencing masters, and was at this time teaching the art at the Cavalry College, Richmond. 2pp, 12mo. On the rectos of the two leaves of a bifolium, with the recipient’s name written lengthwise on the verso of the first leaf: ‘H. C. Angelo Esqr’. In good condition, lightly aged. Folded twice.

1p, 4to. In good condition, lightly aged and creased, with thin stub from previous mounting neatly adhering to inner edge. He explains that his request for an audience is ‘exclusivement littéraire’, and that it is as a ‘titre d’honneur de lettres’ that he hopes to obtain ‘la haute faveur’ of consideration of various factors ‘soumis à ces attributions’. From the celebrated collection of Baron Houghton (in Lot acquired at Chiswick Auctions)

Three pieces of ephemera from a golden period of English children’s book illustration. All three items printed on shiny paper, and all worn and discoloured. ONE: ‘Hodder & Stoughton’s Christmas List’, with advertisement for Edmund Dulac’s edition of A. T. Quiller-Couch’s ‘The Sleeping Beauty’ on cover. 20pp, folio. With rusting staples. Folded once. Undated, but containing items published in 1910, apart from the cover item, which appears to have been published in 1912.

The Clarendon Hotel was once - as ‘Routledge’s Popular Guide to London’ stated in 1862 - ‘the most fashionable place in London’, and the present collection of autograph signatures from its guestbook, all of them said to date from 1831, bear witness to the fact that - as ‘Gilbert’s Visitor’s Guide to London’ (1851) states - it was ‘frequented by the Nobility and Gentry, and Foreigners of rank’. Its reputation had been made during the Regency period, and in 1820 ‘Leigh’s New Picture of London’ stated that it ‘and Jaquiers are now one hotel’.

A scarce piece of naval ephemera. Six copies on COPAC: Chetham’s Library, Lambeth Palace, NLS, Oxford, Society of Antiquaries and BL. According to ESTC, the journals of the House of Lords state that it was ‘presented to the House on 17 January 1705, and ordered to be printed 5 February 1705’. In landscape on one side of a folio sheet of watermarked laid paper, folded into a two-page bifolium.

The Eliza was on her way to Bristol from Memel in Prussia when she was wrecked on the Kentish Knock on 4 August 1818. The court is not named, but the second document contains a reference to 'the jurisdiction of this Honorable Court'. ONE: Affidavit headed ‘Eliza James Driver Master.’ 1p, foolscap 8vo. Forty-six lines, closely written. Text clear and entire on aged paper with chipping along head of leaf. On reverse: ‘Messrs. Cobb & Son / Margate / by favor of Mr.

Silver gelatin negative photostatic print of two documents: 3pp, 4to (i.e. each of the three pages on 19.5 x 24 cm. leaf). The first page of Goschen’s two-page ‘Aide Mémoire’ on a separate leaf, and the second page and von Jagow’s note on different leaves of a bifolium. In good condition, lightly aged. N.B. The entire item is a photostatic copy. Reproduced at the head and down the left margin of the first page of Goschen’s text are manuscript notes in German (including at top left: A15930 pr. 4. August 1914 pm. / Von Sir E.

A scarce piece of scientific publishing ephemera. No other copy traced. 8pp, 8vo. Aged, worn and spotted, with staples rotted away. The cover is headed 'Librairie C. Reinwald & Cie, 15, rue des Saints-P?res, Paris / Derni?res publications / relative aux sciences m?dicales et naturelles.' Delage's work ('Vient de para?tre') is noticed on the cover, with an 'Extrait de la table des mati?res' extending to the end of the second page. Other many other publications noticed are 'L'Embryologie compar?e par Le Dr Louis Roule'. and 'Trait? d'anatomie compar?e pratique par Carl Vogt et ?mile Yung'.

For the family see the entry on ?HOMFRAY, of Wollaston Hall, and The Hill, near Stourbridge; Broadwaters, Kidderminster; and The Hyde, Kinver, Staffordshire?, in H. S. Grazebrook, ?The Heraldry of Worcestershire? (1873). 1p, 8vo. Text clear and complete, on aged paper worn and chipped at edges, with one short closed tear. Previously folded into a packet. Endorsed. Reads: ?Sir / I have just rec?d yours enclosin [sic] a statement of the Half Pay which you say is 33? - 8s - [?]d & that there is only 12? . 15s due to me for 6 months.

1p, 4to. In fair condition, on aged and somewhat brittle paper, with unobtrusive repair to one corner. Folded three times. Certainly not in Wellington's distinctive hand. Reads: 'The Duke of Wellington presents his Compliments to Mr: Briggs and begs to acquaint him that he is going out of Town this night. / But he will be happy to receive the Gentleman mentioned in Mr. Briggs's note at the Ordnance Office Pall Mall on Friday next at three oClock. / London / 27th: Novr: 1826.' See Image.

Draper inspired characters in two of Agatha Christie?s books. Among others impressed by her work were Bernard Shaw, Thornton Wilder, John Gielgud, Katharine Hepburn, Maurice Chevalier, Laurence Olivier, Henry James, Henry Adams, Edith Wharton, Joyce Grenfell, Emma Thompson, David Mamet and Maureen Lipman. See Ross?s entry in the Oxford DNB. 3pp, 12mo, on bifolium of light-grey paper. In good condition, lightly aged. Folded once for postage. Addressed to ?Dear Sir David? and signed ?Ruth Draper.? Presumably written during Ross?s Vice-Chancellorship, 1941-1944.

See the entries for Morrison and Ross in the Oxford DNB. The three items are in good condition, lightly aged and folded for postage. The second item has a punch hole centred at the head of the leaf. All three 1p, 12mo, and each with Morrison’s sprawling signature ‘Yrs sincerely / Herbert Morrison /’, the first in green ink. ONE (25 November 1941): Addressed by Morrison in green ink to ‘Dear Sir David’. Thanking him for a note ‘in which you assure me of the appreciation of the Nuffield College Committee at my action in agreeing to release Mr.

See his entry in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 2pp, 4to. The letterhead, on both leaves, is topped by a pleasing 10 x 6 cm woodcut of Combe Florey House. The paper is creased, otherwise in good condition, and entirely legible.

See Bullock's entry in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 1p, 8vo. In fair condition, lightly creased. Folded twice for postage.

See Thiselton-Dyer’s entry in the Oxford DNB. Printed on one side of a 10 x 13 cm piece of paper, and made out in manuscript to ‘Sir William Thistleton [sic] Dyer (and Lady)’. Text size in good condition, lightly aged, with the blank reverse of the card with slight damage from mounting. The recipient has written in a close hand in red ink at top left: ‘accepted. / 18. 7. 02.’ The text reads: ‘The Chelsea Physic Garden.

Scarce: no other copy traced. The only similar material are the volumes for 1851, 1852 and 1853 in the Bishopsgate Institute. Stitched booklet. 16pp, 8vo. With card cover and frontispiece, both ornately engraved. Text and illustrations complete and undamaged, on aged paper worn at edges and with front cover detached. The cover carries the royal arms beneath the engraved words: ‘FIELD MARSHAL / His Royal Highness / The Prince Albert / K.G. K.T. G.C.B. K.P. G.C.M.G. &c. &c. &c. / Captain General and Colonel.’ At foot of page: ‘Honourable Artillery Company.

An attractive item by a leading exponent of ‘English pastoralism’. See his entry in the Oxford DNB. Bass and treble notation of opening bars, headed ‘Romance / Andante ma non molto’. On one side of 9 x 11 cm card with rounded edges. Firm signature at bottom right: ‘Martin Shaw / May 1921’. In good condition, lightly aged. See Image.

Strongitharm’s entry on the British Museum website is the main source of information about him. In 1841 ‘John Strongitharm’ is listed in the Royal Calendar among the ‘Queen’s Tradesmen’, ‘In the Department of the Lord Chamberlain’, as ‘Seal Engraver’. The present item is an well-executed and carefully hand-coloured steel engraving of the royal arms (lion and unicorn), topped by a banner with ‘LORD CHAMBERLAIN’S OFFICE’. Engraved in small letters beneath the image: ‘Strongitharm, Waterloo Place’. Printed on a somewhat-aged and lightly worn piece of thickish laid paper, 11.5 x 6.5.

See his entry in the Oxford DNB. On piece of 8.5 x 4.5 cm laid paper cut. In fair condition, on aged paper with reverse bearing traces of glue from mount. Reads: ‘M. Power / M Genl. Comm[andin]g’. Endorsed on reverse: ‘M General / Sir Manley Power / K.C.B’. See Image.

Edward Knobloch’s play ‘My Lady’s Dress’ (‘in which’, as one newspaper wrote at the time, ‘the heroine’s dream takes her to the foreign [and London] scenes surrounding the manufacture of a costly gown’) premiered at the Royalty Theatre in London in 1914 and was revived several times through the 1920s.

A set of six scarce pieces of unusual Dickensiana. Difficult to date: the nature of the illustrations (printed in negative) gives them a modernist feel, but their purpose would place them before the 1920s. The six items, printed in black on pieces of grey-white card, range in size from 12 x 16.5 cm (‘SAM WELLER.’) to 4.5 x 6 cm (‘JOB TROTTER’). In good condition, lightly aged. Four of the six have soot stains on their blank reverses, presumably caused by the hot lantern.

Scarce: no other copy traced. Bifolium of laid 1856 Saunders paper. 4pp, 4to. Unpaginated. The front cover carries is headed ‘City of London Piano-Forte Manufactory.’ Beneath this are engraved the royal arms, flanked by the words ‘By Appointment / to the Queen.’ Peachey’s address is engraved beneath the arms in large letters. At the foot of the page, in red ink, are three lines relating to ‘Harmoniums.’, with the second page headed by another two lines in red. The two central pages carry much information in small type.

An interesting autograph in economic history. Newland’s entry in the Oxford DNB states that ‘His signature on Bank of England notes became so familiar that they were known as Abraham Newlands. His fame in this respect was commemorated in several popular jingles’. A good firm signature, ‘A Newland’, with that of the witness ‘R Ettie’, at the foot of printed form, completed in manuscript, paying Newland £33 15s 0d as assignee to an executor.

A scarce piece of regimental ephemera: no copies found on JISC or WorldCat. 32pp, 16mo. Stitched into grey paper wraps, with the regiment’s Minerva and Mars device and the title printed on the cover, and with ‘For Private Circulation only’ at bottom left. Inscribed at top right ‘J W Mackay’. (For James Waite Mackay (fl.

On 11 x 6 cm piece of aged paper, with patches of discoloration and traces of mount on reverse. Good clear firm and undamaged signature on front: ‘[...] I am Sir / Yr Obt. Sert. / Sydney’. The reverse reads: ‘[...] ristricted from killing rabbits on the land lately taken on lease from me and also from ploughing up any part of it but I hereby give you leave to kill rabbits or any [...]’. See Image.

See the entries for Barrow and Seymour in the Oxford DNB. On laid Whatman paper dated 1833. Having served for four years as Commissioner at Portsmouth, Seymour had sailed out to South America in 1833 as commander-in-chief, dying of ‘low fever’ at Rio de Janeiro two months before the writing of the present letter. 1p, foolscap 8vo. In good condition, folded twice. At top left: ‘Duplicate, / No 50.’ Initialed at bottom left: ‘J. P.’ Good firm and attractive signature ‘John Barrow’. Writing with regard to ‘the late Rear Admiral Sir Michael Seymour’s letter of the 16th.

See Wendy Trewin, ‘The Royal General Theatrical Fund: a history, 1838-1988’ (1989), and Macqueen-Pope’s entry in the Oxford DNB. ONE: Carbon copy of letter from Macqueen-Pope to Allen, 15 May 1953, with three drafts of advertisement. 4pp, 4to. On four leaves. The letter, on the first page, is somewhat grubby, with rust spotting from paper clip, the other three leaves, each of which carries a proposed version of the advertisment, in good condition, lightly aged. The letter begins: ‘Dear Jack Allen, / Herewith three rough samples for the proposed advertisement concerning the Fund.

See her entry in the Oxford DNB. The three TLsS (Items One to Three), each signed ‘Lilian Baylis’, are all 1p, 4to. They are in fair condition, creased and lightly aged, with Item Three having two punch holes for a binder. The portrait postcard is in good condition, lightly aged. ONE: TLS, 15 November 1921. Addressed to ‘Miss Ingham’. ‘I do hope you will have a big success with the enclosed card.

See his obituary in The Times, 16 June 1987. 1p, 4to. On aged and lightly creased and worn paper. Folded twice, with short closed tears to edges of central horizontal crease. Addressed to ‘Dear Hide’ and ‘Lieutenant G. Hide, R.N.V.R. / 700 Squadron / TWATT.’ Signed ‘Robert Neville’. He feels ‘very guilty’ that he did not write to thank Hide ‘for the Walrus, which was, of course, an absolute Godsend to me. Sargent could not have been a more delightful or obliging pilot.