AUTOGRAPH

1p, 4to. Typescript with a couple of minor autograph corrections. Unpublished, but perhaps relating to her 1945 book 'Ariadne and the Bull'. At foot, in Farjeon's autograph: 'From E. F. | 20 Perrin's Walk | N.W.3.' In fair condition, on aged and worn paper, with nicking and loss at edges. A chatty and entertaining retelling of the story. As an example of the tone, early on Farjeon writes: 'The Minotaur was a monster with the gigantic body of a man topped by a bull's head; his father was a bull and his mother was Pasiphae, Minos's Queen.

A 10 x 3 cm slip of paper cut from a letter, bearing the beginning of the Lord's Prayer in Mongolian vertical script. Laid down on a 21.5 x 17.5 cm piece of paper extracted from an album, on which is written in pencil the caption: '"Our Father which art in Heaven" written in the Mongol language by Stallybrass - a Missionary, who resided seventeen Years at Irkousk in Siberia - about 3500 miles from St. Petersburg -'. On the reverse of the mount are entries in two hands. The first is a four-line poem ('Oh! when but of Friendship the farewell is spoken') by 'E: A: | Jany.

Four items, in good condition, lightly aged. The three letters with date stamps of the Society of Arts, and two with pencil annotations. All three signed 'Cloudesley Brereton'. ONE: ALS of 4 January 1900. 2pp, 12mo. He thanks him for his 'kindly intervention with the Board of Education', which he believes 'will in time bear good fruit'. He has been 'thinking over' Wood's 'suggestion of giving a lecture on the Rural Schools of France', and would 'much like to take it up if you have still a vacant date & you do not want it too soon - as I am just now overwhelmed with work'.

For a detailed report of the Incorporated Society of Musicians conference at which these autographs were given, and which took place in Birmingham over the five days between 30 December 1912 and 3 January 1913, see Musical Times, 1 February 1913, pp.113-114. Thirteen signatures of British pre-war musical figures, on ten pieces of paper, ranging from 16 x 19 cm to 7 x 13 cm, nine of them on parts leaves of various colours cut from an album. In good condition, lightly aged. In only two cases are the signatures on both sides of the paper, on the other eight the reverse is blank.

1p, 8vo. In good condition, on lightly aged and worn paper. Folded once. The female recipient is not named. The letter begins: 'Chère Mademoiselle, | J'ai recu votre aimable lettre, et, demain Lundi, j'aurai le plaisir de rendre visite à vos amis Mr. & Mme. Palmer, au "Grand Hotel" à 6 heures du soir.' If the recipient could also be present at that time Raffaëlli would be 'fort heureux de vous y rencontrer et de vous remercier de vive voix de l'amabilité que vous voulez bien mettre à defendre mes oeuvres aupres des gens raffinés de votre belle Patrie'.

A nice collection of material, including five letters in which an American actor writes to a London friend while on a visit to England. The recipient of McDonough's letters is John Jabez Stocken (d.1892), head of a leading City of London firm of tobacconists, and an antiquary. (His son Frank Lacy Stocken (1867-1937) was later an actor under the name 'Frank Lacy'.) From the correspondence it is clear that McDonough stayed with Stocken during his stay in England.

4pp, 12mo. Bifolium. In fair condition, lightly aged, with pin hole to one corner. Folded once. The recipient is not named, but would appear to be a fellow member of the Women's Institute. She apologises for having been 'unable to attend the former meetings, as I am just convalescent from blood-poisoning followed by a bad nervous break down'. She will 'certainly come on Friday at 3-30.

2pp, 16mo. Bifolium. In good condition, lightly aged. 'Alice' will be 'charmante' if she can let him know when he can see her 'chez vous'. 'Je voudrais vous parler de l'affaire de Deauville pour laquelle Plumkett [sic] a écrit à mon frère.' He asks again to be sent 'un mot' telling him when he can see her, any time other than 4 pm will do. He ends by remarking how long it has been since he last had 'le plaisir de vous serrer la main!'

1p, 16mo. In good condition. He begins by telling her that he will not be travelling anywhere that summer for work, but that he may go and rest at Aix, 'et voilà tout'. He continues: 'On m'a dit que vous etiez charmante dans Andrea, mon premier soir de liberté sera pour vous aller voir . . . . | J'irai vous dire bonsoir et vous raconter l'histoire de mon depart de la Comédie'.

An interesting period piece. Two synopses of Percy Nash's review 'The Charm', the second dated by him to 1951, and with reference to the nationalisation of the coal industry. Together with the typescript of a song from the play about the 'Man of Might' Winston Churchill, and the Labour Party, who 'Have sullied the Fair name | of dear old England'. Also present is a watercolour drawing by Percy Nash's nephew the Bournemouth artist Eustace Nash of the intended backdrop to the first act of the review, together with an ALS discussing his ideas for the design of the piece.

Card, 13 x 10cm, text on both sides, card with attractive coloured and embossed royal insignia. "Permettez-moi de vous dire combien je suis touchee de votre don genereux d'un tableau, [?] par vous-meme qhe vous verrez de m'envoyer pour l'hopital russe. | Il est bien joli et nous tacherons de le mettre au lotterie, pour augmenter les fonds de l'Hopital, dont il a besoin souvent. | Avec mes vifs remerciements [...]" See image of first side.

One page, 8vo, bifolium, good condition. From the celebrated manuscript collection of Richard Monckton Milnes (Lord Houghton). Text: "The Baroness de Feucheres presents her compliments to Mr Wesmacott, and has much pleasure in sending a Snuff Box which Capt. Manby said she might venture to offer him. She begs he will consider it merely as a souvenit [underlined] ,and by no means as an inducement for him to make any concession in his political opinions." Pinniger and Westmacott also conducted a court case involving the Baroness's large estate reported in detail in the "Annual Register", etc.

Three pages, cr. 8vo, bifolium, dusty but good condition. He requests Dr Swabey's opinion of some points of ecclesiastical law, as follows: "Can the dignitaries of a Cathedral, who are bound by their stautes to 3 months attendance there; and by the old Law obliged to retire for the remainder of the year [...] to their pastoral cures, claim exemption from all the penalties of non-residence under the protection of [......] & if he be, is it necessary for him, in order to fulfil such Cathedral residence, regularly & daily to attend the service of the Choir.

A nice piece of Edinburgh historical ephemera. See the entry on George Berry (1795-c.1874), the first man to register to vote there following the passing the Great Reform Act, in the Proceedings of the Royal Society of Edinburgh, 1874-1875, where he is described as 'an enthusiastic "Free Trader"'. 40 x 10 cm slip of laid paper, with printed form on one side, headed 'COPY of ENTRY in the REGISTER of QUALIFIED VOTERS for the CITY of EDINBURGH.' In fair condition, lightly aged and creased, with clean vertical cut unobtrusively repaired with archival tape.

16pp, 8vo, paginated 673-688. Stitched into brown wraps, with typed white label on front cover. At the head of the front cover, in manuscript: 'II | Prof C. G. Curtis | With the Authors' Compliments.' The offprint in good condition, on lightly aged paper, the brown wraps aged and chipped, with small of back wrap torn away at rear. The only other copy of this offprint on OCLC WorldCat at Durham University.

Tiller's entry in the Oxford DNB explains the background to this poem. In 1939 he 'went to Cairo to teach English literature and history at Fuad I University. During the Second World War he became closely associated with the group surrounding Personal Landscape, a review in the Middle East that had been founded and was edited by Lawrence Durrell, Robin Fedden, and Bernard Spencer'. Two items, both in good condition, lightly aged. ONE: Autograph Draft of the poem, in pencil, with numerous deletions, emendations and rubbings-out. 1p, folio.

The Times, 16 February 1860, announces 'the new drama, called A TALE OF TWO CITIES', at the Royal Lyceum Theatre, 'Sole Lessee and Directress, Madame Celeste'. ('Madame Céleste' [Céline Céleste-Elliott] (c.1815-1882) was a French dancer and actress.) 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded three times. The recipient is not named. The letter has a large signature ('Henry Betty.') with florid underlining.

2pp, 8vo. On a gilt-edged leaf of umwatermarked wove paper. In good condition, lightly aged. A fair copy in Milnes's autograph. A curious poem, in which Milnes's Napoleon-worship wins through over considerations of the futility of war. Retitled 'The Funeral of Napoleon', the poem was first published in 1841 in the Spectator, and in slightly different form in Milnes's 1844 collection 'Poems, Legendary and Historical'. There are a number of differences between the present version and that published in the Spectator. The final stanza is entirely recast.

1p, 4to. On leaf of aged, worn and creased cartridge paper. Addressed to 'A. T. Q. C., | Care of The Editor of | The Speaker, 115, Fleet Street, E.C., London.' An interesting letter, touching on English and American journalistic practice, 'sensational' copy, plagiarism and fin-de-siècle Paris. The context is not entirely clear: one reading is that the recipient reported on or reproduced in the Fleet Street newspaper the Speaker one of Heilig's 'sensational letters to the American Sunday papers', only to have it 'cribbed' by Pearson's Weekly.

1p, 12mo. In fair condition, lightly aged, with traces of grey-paper mount on blank reverse, and minor discolouration at one edge from glue used. The actor Henry Leigh Murray (1820-1870) is identified in pencil as the recipient. The letter begins: 'My dear Sir, | You are quite welcome to a P[rivate]. Box if there is one to spare'. He asks him to 'call or send to Mr. Massingham at the Box Office at 1/2 past 4 o'clock who has received instructions to attend to your wishes, if all the Boxes are not let by that time'.

See Meadows' entry in the Oxford DNB. The recipient of the letter is not named, but it comes from the album of the actor Henry Leigh Murray, which also contained a letter regarding a theatre box from Charles Kean (offered separately). 1p, 12mo. 1p, 12mo. In fair condition, lightly aged, with traces of grey paper mount on reverse, and slight discolouration at corners from glue. Written with mock-pomposity, and beginning: 'My dear Sir | I hereby give you notice that Mr C. Kean has delivered unto me a Card for a Private Box for to-morrow Augt. 19th.

See Anna Gurney's entry in the Oxford DNB. The recipient and her husband had spent some time in Rome in 1842, and in 1838 had befriended the Alpinist Henriette d'Angeville at Geneva. 4pp, 4to. Bifolium with mourning border and watermark year 1840. In good condition, lightly aged, with minor traces of glue from label on outsides of gutter. The letter begins: 'My dear Lady Cullum | I think You & Sir Thomas may be home by this time & I must wish to enquire how you both are after your long wanderings.

1p, 4to. In good condition, lightly aged. With date stamp of the RSA. In response to a letter from Wood, he writes that he is 'highly honoured by the election to the membership of the Council of your Society', but that he is 'obliged to communicate to you my inability to accept it'. He explains: 'My work at the Royal Society has, in consequence of the War, increased to such an extent that I do not feel justified in undertaking any additional duties'.

3pp., 12mo. On bifolium. In good condition, lightly aged. Folded once. With date stamp of the RSA, and endorsement in blue pencil. He is writing to inform Wood that 'a relative of mine has written a paper on a subject of importance regarding the connection of fat [containing glycerin] with manufacture of explosives in Germany - and showing how that Country is approaching a crisis - when her supply of fat will be approaching exhaustion'.

1p, 4to. In fair condition, on aged and worn paper with one corner torn away (without any loss of text). Folded three times. The recipient is not named. The letter begins: 'Sir | Your letter enclosing a prospectus of your proposed work has just reached me. I beg you will excuse me for not entering into a discussion of the subject, which is a rule I have found it necessary, under my engagements, to make.

See the entry for Martin Hope Sutton in the Oxford DNB, and that for his grandson Martin Hubert Fouquet Sutton in Who Was Who. 2pp, 4to. I good condition, lightly aged and worn. Folded three times. With RSA date stamp. Signed 'Martin H F Sutton'. In reply to a letter from Menzies, Sutton expresses regret that 'it will be impossible for you to attend the Demonstration here on the 24th inst.' Sutton will be 'publishing certain particulars for the benefit of those present' and will be glad to send Menzies a copy.

An unusual piece of First World War ephemera, a nicely-printed notebook intended for correspondence produced to raise funds for the charity. 48pp, 12mo, each page printed on its own leaf of wove paper. The leaves are perfect bound at the head, notebook-style, into grey card printed wraps, but with the glue now brittle and with the leaves now detached from the wraps, and with some leaves now loose.

Six items. The collection in fair condition, apart from Item Two. ONE: Printed form, a 'List of Subscribers' for the 'Post Office Relief Fund. | Second Appeal.' Dated '11/14T', i.e. November 1914. (In 1914 the Post Office set up a relief fund to help relatives of GPO staff who had gone off to fight.) 1p, folio. Eleven lines of text are followed by the 'List of Subscribers', in three columns headed: 'Name', 'Rate for every complete 10/-' and 'I hereby authorise the deduction of my Subscription from my salary', the last subdivided into 'Signature' and 'Rank'.

70pp, on thirty-six leaves of a worn 16.5 x 10.5 late-Victorian album, bound in black cloth. An additional seven pages at the end of the volume carry an index, divided into 'China', 'Furniture' and 'Silver Pages'. In fair condition, aged and worn. The compiler is unidentified. The first nineteen pages of the volume carry a total of thirty-six 5.5 x 3.5 cm silk labels, each with a coloured illustration of an item of porcelain (from 'Astbury' to 'Zurich'), with the manufacturer's name and marks beneath, each accompanied by a strip of paper carrying a caption printed in blue.

2pp, 12mo. Bifolium. In good condition, lightly aged and worn. Folded twice. The letter begins: 'My dear Lloyds, | However I may grieve at any misunderstanding between you and James - I cannot interfere.