BETTY

[Sir Thomas Beecham and his second wife Betty [née Margaret Humby]. Autograph Signature ‘Thomas Beecham’ and ‘Betty Beecham’, on printed menu of Festival Luncheon for the Scottish Music Merchants’ Association.

Author: 
Sir Thomas Beecham (1879-1961), conductor, and his second wife Betty [née Margaret Humby] (1908-1958) [Scottish Music Merchants’ Association Festival Luncheon, 1950]
Sir Thomas Beecham
Publication details: 
30 August 1950. Royal British Hotel, Edinburgh.
£50.00
Sir Thomas Beecham

See his entry in the Oxford DNB. Menu printed in blue on one side of 4to leaf, folded into 16 x 15 cm bifolium-style card. Front cover with patches of discoloration, and back cover bearing evidence of previous mounting (layer of dried out glue), otherwise in good condition. Front cover reads: ‘Scottish Music Merchants’ Association / Festival Luncheon / Royal British Hotel, Edinburgh / Wednesday, 30th August 1950 / Chairman: / R. W. Cresswell’. In space between ‘1950’ and ‘Chaiman:’ is large clear signature ‘Betty Beecham.’ At foot of page is large signature ‘Thomas Beecham’.

[Sir Thomas Noon Talfourd, author, judge and Radical politician.] Autograph Letter Signed to ‘T Davis Esq’ regarding the acting of Henry Thomas Betty, son of 'the young Roscius'.

Author: 
Sir Thomas Noon Talfourd (1795-1854), author, judge and Radical politician, friend of Charles Dickens and framer of modern British copyright law
Talfourd
Publication details: 
‘Serjeants’ Inn [London], 20 May, 1841’.
£180.00
Talfourd

Talfourd’s entry in the Oxford DNB notes that he was ‘particularly loved’ by Dickens, and that he ‘provided the archetype of the idealistic Tommy Traddles in David Copperfield; his children Frank and Kate gave their names to two youngsters in Dickens's Nicholas Nickleby.’ The subject of the letter is the actor Henry Thomas Betty (1819-1897), son of ‘the young Roscius’ Henry Betty (1791-1874), whose entry in the ODNB also see. 1p, 4to. In good condition, lightly aged, and with slight traces of mount on reverse. Folded for postage. Begins: ‘My dear Sir, / Mr.

[Henry Betty, actor.] Autograph Letter Signed [to Madame Celeste, lessee of the Royal Lyceum Theatre, London], announcing his father's recovery from illness, and requesting 'the favour of an Order' [to a performance of 'A Tale of Two Cities'].

Author: 
Henry Betty [Henry Thomas Betty] (1819-1897), actor and founder of Betty's Fund for Poor Actors and Actresses, son of actor William Betty (1791-1874) [Madame Celeste, lessee, Royal Lyceum Theatre]
Publication details: 
'Thursday Morning. | Feb 16/60. [16 February 1860] | 37. Ampthill Square. | Hampstead Road. | Regents Park.' [London]
£90.00

The Times, 16 February 1860, announces 'the new drama, called A TALE OF TWO CITIES', at the Royal Lyceum Theatre, 'Sole Lessee and Directress, Madame Celeste'. ('Madame Céleste' [Céline Céleste-Elliott] (c.1815-1882) was a French dancer and actress.) 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded three times. The recipient is not named. The letter has a large signature ('Henry Betty.') with florid underlining.

Autograph Note Signed ('Max Pemberton') from Sir Max Pemberton to 'Dear Betty' [i.e. Elizabeth, daughter of the actor Seymour Hicks and his wife Ellaline Terriss]

Author: 
Sir Max Pemberton (1863-1950), popular Victorian novelist [Sir Arthur Seymour Hicks (1871-1949)]
Publication details: 
On letterhead of Georgian House, Bury Street, St James', SW [London]. 12 January 1914.
£28.00

1p., 12mo. On thick deckled-edge paper. He apologises for the delay in sending a copy of his 'Iron Pirate', due to a delay in receiving it from the publishers.

Typed Letter Signed to Betty Ross.

Author: 
Edward Verrall Lucas
Publication details: 
12 February 1936; on letterhead of the publishers Methuen & Co Ltd.
£38.00

English essayist and biographer of Charles Lamb (1868-1938). One page, quarto. Good only, on discoloured and creased paper. Lucas finds Ross's 'Heads and tales, etc.' (London: Rich & Cowan, 1934), a collection of interviews with the famous, 'incorrigibly lively'. 'I do not share all your sympathies but you have made a very entertaining thing out of question and answer. While I was reading, it occurred to me that a new kind of interview might be based on the "Questions I should not put to So-and-so". To G[eorge]. B[ernard].

Syndicate content