Manuscripts

The register proper consists of 50pp., foolscap 8vo, with ten births described over each of the 25 openings (total 250). It is preceded by a page carrying Johnson's details (her address is given as 9 Ashlands Crescent, Harpfield, Stoke-on-Trent, and her certificate number is 106889), facing the reverse of the front wrap, which carries a notice headed 'On no account must this Register be destroyed. It may be of importance for the defence of the Midwife herself.' In buff wraps, with 'Central Midwives Board. | Register of Cases' and the printing details on the front.

3pp., 4to. Bifolium. On wove paper watermarked 'R TASSELL | 1831'. 56 lines, arranged in seven eight-line stanzas. Presentable, despite wear and age, closed tears along crease lines, and traces of yellow-paper mount on blank reverse of second leaf. There is no sign that this item was ever published, which is surprising, as it is a superior effort, written with some conviction, the subject being one on which Hollings was regarded as an authority.

While only a rough pencil sketch, the drawing is an attractive one, landscape on a piece of wove paper, 20 x 25 cm, with 'JESSUPS' watermark. In good condition, on lightly-aged and creased paper, folded into a packet for postage, with remains of red wafer. Beneath the drawing, in ink in a shaky contemporary hand: 'Lawn view from the backs of Mount Vernon | This is from the Orange Tree planted by himself.' The reverse carries the following note: 'I made the enclosed rough sketch of Mount Vernon the residence of Genl.

The three items, all in manuscript, are in good condition, on lightly-aged paper. All three are folded into the usual packets, with the two items by the accountants each titled in manuscript on the outside. Item One (Gibson's report): 'Report to accompany the Accounts of "Vanity Fair" for the six months ending 30th. Septr. 1880'. In Bowles's autograph, and signed by him at the foot, 'Thos. G. Bowles | 10 Novr 1880'. 1p., foolscap 8vo.

The nine items in this collection provide valuable information regarding the management of the estate of a Georgian colonial British army office. Coane's battalion had served in New South Wales and Van Diemen's Land between 1812 and 1814, and had been in Ceylon (under Lieutenant-Colonel Andrew Giels) since 1814 by the time Coane died on 5 January 1819, his demise much regretted by his superiors. The nine items are on aged and worn paper with chipping to extremities. ONE: Autograph Letter Signed from 'G[eorge]. Minter' to unnamed recipient. Kandy; 29 December 1818. 4pp., 12mo. Bifolium.

Full article published in Edinburgh Review, vol.21, pp.378-424. Manuscript, two pages, 4to, trimmed at bottom with loss of text, with light corrections and additions, giving the text for pp.407-8, excluding two lengthy quotations from the book to which Brougham gives the reference only. The trimming had led to the loss of the passage from "In the Conservatorii or charity schools [...] He gives as an instance one Conservatorio where four hundred ... where four hundred...",apart from a few words (subject of pasage partly "repentant women" and vice in Naples).

Two pages, sm. folio, fair condition, giving details of an advance and the holding of the copyright of "The Sylvesters" if they should decide not to go ahead and want their money back. Minor change apparently initialled "HSK" [= King].

1p., 4to. A fair copy, on a piece of aged high-acidity paper, with chipping and loss to edges (not affecting text). Signed at foot. The poem begins: 'Heart of a hero in a poet's frame, / Soul of a soldier in a body frail, - / Thine was the courage clear that did not quail / Before the giant champions of shame'. Gilder is praised as a 'poet, patriot, friend', the poem concluding: 'Thou leavest two great gifts that will not die, - / Amid the city's noise, thy lyric cry!

Two pages, c.17 x 14cm, paper trimmed with loss of text, staining making it difficult ro read some of text, text in another hand unless Scott's legal hand differed from his novelist's (see image on my website). Text of recto: "appears to be justly due at the date of the sequestration with all the expenses thereon And I the said George Brown Bind and Oblige myself and my foresaid to free and relieve the said James Orr and his foresaid of the cautionary Obligation above written and of all loss damages and expenses which he may incur or sustain in consequence thereof.

In ink on both sides of a 4to leaf of wove paper, watermarked 'J GREEN & SON / 1824'. None of Cruikshank's drawing or writing is affected, but one corner of the leaf has been cut away, and there is another thin strip cut from another. Fair, on aged paper. One page carries a full-length drawing of a bearded athletic man in shorts and sandals, making a sweeping theatrical gesture with his right hand, and holding a spear in his left. Beneath the drawing is Cruikshank's signature, and a study of the left foot.

The two leaves were evidently disbound from a copy of an edition of Dryden's Plutarch, in which the grey 4to leaf of writing paper following the 12mo printed leaf was one of those that interleaved the volume. In fair conditon, on lightly-aged paper. The two leaves are tipped in onto a larger leaf removed from an album. The printed leaf is 12mo, from volume 5 of Dryden's translation, with the pages numbered 511 and 612 [sic]. The two sides of the leaf carry a total of approximately 25 emendations and deletions.

2pp., 12mo. Fair, on aged paper. In pencil at head: 'Autograph of the Rev W. B. O. Peabody'. In ink in a contemporary hand, between the title and body of text: 'Autograph of Mr Peabody '. Twenty-four lines, arranged in three eight-line stanzas. The text presented here differs in certain respects from that printed in A. P. Putnam's 'Singers and Songs of the Liberal Faith' (1875). In the present version the first stanza reads: 'Black the heaven is overcast! | Breathless is the sultry blast.

2pp., 12mo. On a leaf of wove paper with Britannia watermark. In fair condition, on aged paper with slight wear to extremities. In pencil at head 'Rev. J. Keate | Head Master of Eton'. Tipped in at the head is a slip of paper with an entry from a Victorian manuscripts catalogue describing the item, reading: 'KEATE (The Rev. John, D.D.). Head Master of Eton.

2pp., 4to. Good, on lightly-aged paper. Divided into eight four-line stanzas, each with the same two-line refrain. The first stanza: 'Fashion was formed when the World began, | And Adam I am told was a very smart man, | As for Eve I shall say nothing more or less. | |But that Ladies of Fashion now copy her dress. | Yet barring all pother of this that & tother we all bow to Fashion in turn'. Containing witty references to the fashion for hunting boots and crops, New Bond Street, Tudor and Stuart clothing, Whigs and Tories.

Princess Charlotte of Wales, the only child of the Prince Regent, died in 1817 at the age of 21. Many poems of mourning were published, but whether Evans's was among them is uncertain. Both drafts are in good condition, on aged paper; the first with short closed tears to the spine. DRAFT ONE (the earlier?): Title: 'Verse on the Death of the Princess Charlotte', altered from 'Threnodia Augustalis, Odes on the Death of the Princess Charlotte'.

2pp., on one side each of two 4to leaves headed '14' and '15'. 53 lines of text (25 lines to the first leaf and 28 lines to the second), with deletions and emendations. Good, on lightly-aged paper, with negligible cut to margin of second leaf (not affecting text). Neatly tipped-in to nineteenth-century grey paper wallet.

1 p, folio. On grey paper. Fair, on aged paper, with slight spotting and chipping to extremities affecting a few words of text. A whole page of the manuscript, numbered '9' and written entirely in Reid's hand, with a few minor emendations by him, from Chapter XXVI, 'Treed by an Alligator'. Begins with the reported speech: '"That would be anything but pleasant - perhaps more so [last word emended from 'unpleasant'] to those who are waiting for us, than to ourselves.

236 pp, 8vo. In sturdily-bound landscape account book by Drake, Driver & Leaver of London, with black leather half-binding, green cloth boards, and marbled endpapers. Stamped in gilt on front board: 'INVENTORY. | G. KNIGHT & SON. | AUCTIONEER & VALUERS | HOUSE & ESTATE AGENTS | MIDHURST.' Good, on aged paper, in lightly-worn binding. Lined lengthwise across each two pages (like an oversized reporter's or policeman's notebook), each opening carrying a stamped number, and with the text on openings 1 to 119 of the 251 in the account book.

From the papers of Alfred Clay Abraham (1853-1942), Liverpool pharmacist, and his daughter Emma Clarke Abraham (1850-1934) of Swarthmoor Hall, Ulverston. All items in fair condition, on aged paper, with texts clear and complete. ONE: Autograph Letter Signed from Henry Murray to his late wife Mary's brother. 8 pp, 12mo. On two bifoliums. Begins: 'Although a Stranger to you I perhaps need not apologise for the obtrusion of this communication upon you, when I inform you that I am the husband - or rather was the husband of your poor Sister Mary. for alas!

15 pp, narrow folio (14.5 x 38 cm), in the remains of a volume which has been reused and cut up (see below). Although aged and dogeared, the eight pages carrying the accounts are in reasonable condition, with all texts clear and complete, although the last leaf of the eight has the lower third cut away. In remains of original vellum binding, with '17 Maij j683' on front board. The pages are variously paginated in a contemporary hand between 245 and 274.

A 4to volume, consisting of 224 pp, with the 1732 rentals occupying 89 pp (including a six-page thumb index) at one end, and the 1785 rentals in another hand on 24 pp at the other. Text clear and complete. On aged paper in worn vellum binding, with 'Hornchurch Rental 1732' and 'Hornchurch Rental 1785' in the two hands on cover. The 1732 rentals give details of the quarter-day payments and allowances of 51 tenants.

The two volumes folio, 20 pp, and folio, 18 pp. Both in the same neat hand and in uniform original bindings of green boards, with green cloth spines and white decoratively-cut paper labels on front covers, each carrying a description of the contents addressed to 'Königin Adelheid von Großbritannien'. The first account book (1844-1845) has part of the second leaf (pp.2-3) torn away; and the second (1847-1848) is lacking the fourth leaf (pp.9-10).

8vo, 1 p. Good, on lightly-aged laid paper, with text clear and complete. The account, in Burknay's hand, is headed 'Accompt Good Toun | to | Adam Burknay | 1697 | Imp At ye ryding of ye Marches'. Itemised with eight entries totalling £29 19s 0d. Items are 'meal', 'ale tobacco & pyps', 'to ye men yt sett ye march-stone', 'to ye officers ale & bread', '6 pynts 1 chopen wyne', 'at ye making doctor Bane and othr burges 5 pynts wyne', 'Tongues & bread' and 'to ye servtts'.

Monty Shaw's 'Banks and Miles: Thirty Years of Design Evolution' was supposedly published by Lund Humphries (London) in February 1993 but no copy can be found on the internet (one listed on WorldCat appears to be a ghost).. This collection, in a buff card folder, contains material relating to Shaw's monograph, grouped as follows: ONE.

Folio, 3 pp. With two embossed government stamps, and government half penny tax stamp in black ink. The five signatures on p.3 are each accompanied by a red wax seal.

Folio, 3 pp. A printed form on three leaves, held together by the original pink ribbon. Docketed on the reverse of two of the leaves (with the army said to be 'At M

On one side of piece of laid paper, roughly 48 x 59 cm, watermarked 'J A | 1840'. Clear, complete and neatly written. Text in italic and headings in gothic script. Good, on aged paper, unobtrusively repaired on reverse with archival tape. Eighteen numbered tolls and duties are described, with their costs, in the following four subsections: 'Tolls for Cattle', 'Tolls for Goods &c exposed for sale in cases where Stalls are not used', 'Tolls and stallage Duties upon Butchers' and 'Other Tolls and Stallage Duties on Goods exposed to sale upon Stalls | either opened or covered'.

On one side of page removed from autograph album, roughly 14 x 18 cm. Very good, on lightly-aged paper. An accomplished head-and-shoulders self-caricature, with Robey directly facing the viewer, his eyes to his right, a smile on his face, a red nose, the customary tiny hat perched on his head with tufts of hair sticking out over the ears, long neck and collarless shirt. Good, firm signature in bottom left-hand corner: 'Geo. Robey.' Also included is a newspaper cutting of a photograph of Robey. The National Portrait Gallery owns five of Robey's self-caricatures.

On one side of a piece of 12mo laid paper. Fourteen lines of text, beneath the date, with the two signatures in the right-hand margin. On aged and worn paper, with bottom right-hand corner worn away, slightly affecting both signatures, but with no apparent loss of text.

On two slips, both 15.5 cm wide, and totalling 59 cm long. Fair, on aged paper, with minor rust marks from a paperclip. The second slip headed with pagination '48', and running title 'Festschrift in Honour of Benjamin Britten'. He is grateful 'for the eerie fog, for the rain, as for the sixth sense, rich imagination and irrepressible humour of this people, as I am for all that has been absorbed of outlandish and exotic rendered proper, of wisdom and experience rendered intuitive - as I am particularly for their having absorbed and adopted me.' With one of Menuhin's compliments slips.