AUTOGRAPH

4to, 1 p. Fourteen lines. Text clear and complete. Fair, on aged paper, with negligible hole caused by wear (not affecting text). He is enclosing a 'notice of the Joint Resolution', which 'recites facts, gives reasons, & is outspoken'. He has 'not had time to dwell much on its literary shape wh. is however not of great moment'. He has 'partly read Armstrong's book' (Edward Armstrong, fellow of Queen's College?), and is 'in sympathy' with 'a considerable part of the early addresses'.

12mo, 2 pp. Twelve lines. Text clear and complete. Good, on lightly-aged paper. He is sending 'a copy of my little book' and asks his correspondent to 'treat it as confidential'. He will accept the 'copy of the Year-book', although he is 'no longer a schoolmaster'. Humberstone is not named, but the item is from his papers.

Monty Shaw's 'Banks and Miles: Thirty Years of Design Evolution' was supposedly published by Lund Humphries (London) in February 1993 but no copy can be found on the internet (one listed on WorldCat appears to be a ghost).. This collection, in a buff card folder, contains material relating to Shaw's monograph, grouped as follows: ONE.

4to, 1 p. Good, on aged paper, with light traces of mount on reverse. Giving the results of his enquiries 'with regard to the statement attributed to one of our Inspectors by a speaker at the January Educational Conference at University College', with reference to W. N. Bruce.

Both items 12mo, 1 p. Both good, on lightly aged paper. Pinned to one another. Letter One: He is'enclosing two leaflets on disc manipulation'. He has a third, 'fuller and illustrated', and if they interest Milne, he will be 'delighted'. Letter Two: He had 'much rather be found right than wrong', but would 'enjoy either experience, in meeting you again'. Could see Milne's 'pictures' after easter, and hopes to have 'one or two you may like to see as well'. Dunning had served in the United States Army Medical Corps before going to England to practice osteopathy.

Items are in fair condition, on lightly-aged paper, and mostly laid down on two pieces of card. Candy's letter to Burton (who is not named, but identified from the context): 12mo, 2 pp. Headed 'Private'. He thanks him for 'the very kind and too flattering way in which you refer in to-day's Advertiser to my remarks at the Balloon Society's meeting anent the "Direct Veto Bill".' Claims that his 'services have always been at the disposal of "the trade", Wholesale & Retail.

Both 4to, 1 p. Texts clear and complete. Both on aged and worn paper. Autograph Letter: He apologises for not acknowledging her letter ('I have been so busy and away a great deal') and regrets that he does not 'for the moment remember anything which would be of service to you'. Typed Letter: He regrets that 'the present is rather a bad time for what we call the free lance in literature'. He is not himself 'very much in Fleet Street and the neighbourhood', the 'bulk' of his work being done 'far from the madding crowd'.

12mo, 1 p. Good, on lightly-aged paper. He had meant to write to him 'at the end of the series' (of articles by Macqueen-Pope?): 'We took a great deal of trouble in putting the series over well, and I am glad you liked the results.' The 'nonsense at the beginning' was caused by 'a series of misunderstandings'. Ends: 'No doubt we will knock into each other shortly.'

On one side of piece of laid paper, roughly 48 x 59 cm, watermarked 'J A | 1840'. Clear, complete and neatly written. Text in italic and headings in gothic script. Good, on aged paper, unobtrusively repaired on reverse with archival tape. Eighteen numbered tolls and duties are described, with their costs, in the following four subsections: 'Tolls for Cattle', 'Tolls for Goods &c exposed for sale in cases where Stalls are not used', 'Tolls and stallage Duties upon Butchers' and 'Other Tolls and Stallage Duties on Goods exposed to sale upon Stalls | either opened or covered'.

Fair, on lightly-aged paper. The publicity photograph of Mrs Patrick Campbell, : Roughly 10.5 x 13 cm. Printed in green. Depicts her leaning forwards, with neck and forearms exposed. Across the foot she has written: 'Beatrice Stella Cornwallis West. | (Mrs. Patrick Campbell)'. Laid down on a leaf from an autograph album, on the reverse of which is Kubelik's signature: 'jan Kubelik | 25.XI.1921'.

The 12mo letter has been cut into two sections, both laid down on a piece of mustard paper, with typed caption. Good, on lightly-aged paper. The body of the letter is on a piece of paper roughly 11 cm square. Six lines of text, enclosing 'autograph & quotation' (not present), and apologising for having 'no photo available'. 'Glad you enjoy my books, & thanks for your good wishes'. The smaller piece, with letterhead and Styles's dating, is roughly 8.5 x 3.5 cm.

12mo, 1 p. Mourning border. Nine lines. Text clear and complete. Fair, on worn and lightly-aged paper. Asks if Clarke knows 'Dutch, or Danish or both enough - to give us in the Christmas number of the Athenaeum a column upon each or one or either of those countries under a general group of "Literature of Foreign Countries in 1869"?' Requests an answer by return.

On one side of page removed from autograph album, roughly 14 x 18 cm. Very good, on lightly-aged paper. An accomplished head-and-shoulders self-caricature, with Robey directly facing the viewer, his eyes to his right, a smile on his face, a red nose, the customary tiny hat perched on his head with tufts of hair sticking out over the ears, long neck and collarless shirt. Good, firm signature in bottom left-hand corner: 'Geo. Robey.' Also included is a newspaper cutting of a photograph of Robey. The National Portrait Gallery owns five of Robey's self-caricatures.

On one side of a piece of 12mo laid paper. Fourteen lines of text, beneath the date, with the two signatures in the right-hand margin. On aged and worn paper, with bottom right-hand corner worn away, slightly affecting both signatures, but with no apparent loss of text.

4to, 1 p. Eleven lines. Text clear and complete. Good, on lightly-aged paper. Laid down on a leaf removed from an album. Stuart has sent him copy from his newspaper, with the remark of some un-named clergyman that "Teetotalism, at any rate in hard times like these, is dangerously likely to help on unrest and revolution". Far from being the 'cause of revolution', teetotalism enables people, in Joynson-Hicks's view, 'to save money which they would otherwise spend on alcoholic liquor', and so 'helps them to acquire a stake in the country and so forces a real bulwark against revolution.'

Both signatures on the same side of a light-green leaf removed from an autograph album, roughly 18 x 14 cm. Good, on lightly-aged paper. The first signature is the larger of the two: 'Wilhelm Backhaus | Nov. 20th. 1922.' The second reads 'Lindley Evans. | 20/11/22'.

Folio, 3 pp. With two embossed government stamps, and government half penny tax stamp in black ink. The five signatures on p.3 are each accompanied by a red wax seal.

On one side of a piece of pink paper, roughly 18 x 7.5 cm, cut from an autograph album. In good condition, on lightly-aged paper. At the head James has written ' "The Sun-God" W. G. James', with the opening two bars beneath this, beneath which he has written the words 'I saw the master of the Sun -' In the bottom right-hand corner: 'Yrs Sincerely | William G. James'. James's music for Aubrey de Vere's poem was first published in 1921.

Folio, 3 pp. A printed form on three leaves, held together by the original pink ribbon. Docketed on the reverse of two of the leaves (with the army said to be 'At M

Programme: 12mo, 4 pp. Bifolium. Printed in green on orange paper. Text clear and complete. On lightly-aged paper with slight wear to extremities. Dargavel's signature is in pencil in the top left-hand corner of the second page: 'Best Wishes, | Bruce Dargavel'.

12mo, 3 pp. 38 lines. Text clear and complete. The two leaves attached along the margins. Signed in Devanagari and European ('So: Rustam Khan Captain') scripts. He acknowledges 'receipt of the Commission conferring on me the honorary rank of captaincy with a deep sense of gratitude to you and all the Officers of the Regiment'. States that he will 'ever cherish a grateful remembrance of all that the Officers and Regiment have done for me'.

An interesting assemblage of twenty-six items relating to a leading figure in twentieth-century British typography and design. David Kindersley's best-known work (in conjunction with his third wife Lida) is the iconic gates to the British Library at Euston. The collection is in very good condition. Among the items are three booklets, four keepsakes, one brochure, and ten letters and cards. ONE. Copy of David Kindersley's book 'Eric Gill, Further Thoughts by an Apprentice (London: The Wynkyn de Worde Society, 1982). 12mo, xii + [iv] + 24. Finely printed in green printed wraps. Very good.

On neat rectangle of grey paper, roughly 14.5 x 5 cm, laid down on piece of pink paper removed from autograph album. Good, on lightly-aged paper. Firm, bold signature: 'Flora M. Woodman./'

15.5 x 7.5 cm notebook, 108 pp (4 pp blank). With 102 pp of manuscript, in the hand of the anonymous police officer, on 53 numbered two-page openings. Stapled. In original brown wraps. Good, on lightly-aged paper, in slightly-worn binding. Manuscript statements relating to around thirty cases in two sequences, one, of 35 pp, beginning at one end of the notebook (openings 1 to 18), and the other, of 67 pp, at the other (backwards over openings 53 to 20).

Laid down on 62 folio pages (paginated 106 to 167), disbound from a log book. All texts clear and complete. Fair, on worn, aged paper, with light staining (not affecting text) to first leaf. The circulars are mimeographed and typed, with facsimile signatures. Beneath each circular is a box table giving the date the circular was sent to each ship, with name of ship and chief officer, and the date the circular was acknowledged.

Both items in early nineteenth-century notebooks, each with the original marbled covers. Both in fair condition, on lightly-aged paper, in worn bindings. The volume of 'Miscellaneous Receipts' is 12mo, 129 pp. Paginated by the compilers, with a ten-page 'Index' at the rear. The first page is signed by 'Edward Carte', 'Edward Leigh Carte', 'And Edward Alexander Leigh Carte'. Almost entirely in the hands of Edward Carte and Edward Leigh Carte, with only one page, following the index, in E. A. Leigh Carte's hand.

12mo, 2 pp. 23 lines. Text clear and complete. On first leaf of a bifolium, with the second leaf laid down on rectangle of paper cut from album. Fair, on lightly-aged paper. Drawing her attentiont to 'the important, but as yet little attended to, subject of the compulsory drinking usages', a 'topic [...] of increasing moment'. His 'largest work' on the subject is 'at present out of print, & the reserved copies all exhausted', so he is sending 'a small tract extracted from it', together with 'another Vol.

Dimensions of card 14.5 x 11 cm. Bifolium. Good, on lightly-aged paper. Cloudy print of landscape on recto of second leaf, signed in pencil 'R Macaulay Stevenson'. Neat pen inscription on recto of first leaf: 'My dear brother-artist Sassoon and dear Madame Sassoon this is just from Stansmore and myself to wish you a Merrie Christmas and a Happy New Year | [signed] R Macaulay Stevenson | Kirkcudbright | Yuletide 1934'.

Five manuscript items, all in the same pencil hand. The name and address of Jean B. Maclachlan written twice on Item One indicates the identity of the notetaker. All texts clear and complete. Fair, on aged paper (but see slight damage to Item Two). Item One: Manuscript notebook. 12mo, 61 pp. Stapled. In original blue wraps, 'SUPPLIED FOR THE PUBLIC SERVICE'. Repeatedly and untidily stamped in red ink on front cover 'PLYMOUTH', with 'CAPTAIN, R.M. | ASSISTANT PAYMASTER' and 'ROYAL MARINES | PLYMOUTH'.

A native of Derby, Scott is a notable figure in the history of the development of the bicycle. In 1878, together with George Henry Phillott, he seems to have received the first practicable patent (No. 860 of 1878) for an epicyclic change-speed gear for cycles. All items clear and complete. Good, on lightly-aged paper. The typewritten draft, in blue ink, with a few manuscript corrections, covers two folio pages.