VICTORIAN

12mo: 1 p. 8 lines of text. On aged paper somewhat grubby around signature at foot. Asks when he will be 'able to come to us to meet the d[uke] of Wellington'. They are 'at liberty any time between the 4th and 11th of January'.

Three pages, on quarto leaf folded vertically to make narrow bifolium. Very good, with minor aging and creasing. Under each of the six years details are given of the date, amount and individual from whom the sum is received. Includes £18.15.0 from John Sampson of York for 'Signing 150 proofs Lord ', £28.0.0 of 'Ellis (Bookdealer of Bond St., for 4 old books)', £29.8.0 of Mr. Garnett-Orme, 'For picture of Auck Lodge', and £75.0.0 and 'Mr. Savill (for 9 Engravings by Bartolozzi)'. Other names include Lawrence & Bullen Ltd, Mr Partingdon (picture restorer), Captain Frank Forester, H. P.

12mo, 2 pp, letter of 8 lines, resolution of 9 lines. Good, on lightly spotted paper with small pin holes to top inner corner. He is appending 'a copy of a resolution agreed to at a Meeting of Committee held this afternoon at No 1 Station St., the Baroness Burdett-Coutts presiding'. The resolution, on the recto of the second leaf of the bifolium, thanks Middleton, 'for services rendered to the Art Student Home, & for the constant interest he has displayed in advancing its welfare'.

8vo, 1 p, 8 lines. Folded twice. Good, on lightly discoloured paper. Informing the Morrises of 'our safe arrival', and thanking them for 'the very amiable hospitality we have enjoyed'. 'Mrs. Haag in this moment feels a little the fatigue of the journey but will ere long use a leisure hour to write to you.'

All three items in very good condition. Interesting series of letters by an obscure 1890s poet. Letter One (12mo, 7 pp): Although he realises that some are 'rather poor', he is sending, through his brother (possibly the artist Alan Wright, 1864-1959), 'all the lyrics I have by me': 'I have not had time to "weed" yet, being veryy busily engaged writing lyrics for a Comedy-Opera ['Ethelinda, or a Philanthropic Fad' (1890), on which he collaborated with Hamilton O. Wylde] - & a libretto for Operetta; also been trying my hand at very sensational prose'.

One page, 12mo. Good but with paperclip spotting at head (not affecting text). Three-line quotation clearly sent in response to a request for an autograph. 'Broadmindedness, so called, is generally no more than the silly fear of being thought narrow-minded - | [signed] Charles Oman'.

One page, quarto. Good, on lightly aged paper. Some offsetting and smudging from Denwood's folding of letter. Reads '72 Kirkgate | Cockermouth | Aug 8 - 1931 | Jonathan. Mawson. Denwood | Dear Sir, | I send you autograph. I cannot write further At the moment I can scarcely hold a pen.'

Dimensions of card roughly two and three-quarter inches by four inches wide. Good, with light creasing to corners. Clear signature reads 'Yours very sincerely | Max O'Rell | 18 March 1895'.

Both items one page, 12mo. Both on creased, aged paper, with some paperclip spotting. In the typed letter (which is in slightly worse condition than the other item) she explains that she is enclosing her autograph on a separate sheet. '[I]n case you care to have it My Mother, Mrs. Graham, (I write under my maiden name) thought you might like to have Sir Philip Gibbs' autograph, [^the celebrated author,] so she has asked me to send you a card she received from him the other day. [not present] You certainly have a wonderful collection!' The autograph reads 'Jan: 7th.

One page, 12mo. Very good: lightly aged and creased. 'You are welcome to my autograph for what it is worth.' From the collection of the Rev. E. J. F. Davies.

One page, 12mo. Very good, with a little light spotting at foot. 'Dear Sir, | I suppose it will suffice if I sign myself | Yours faithfully | Geo: Macdonald'. Docketed in pencil at foot.

One page, roughly four and a half inches by seven wide. Grubby, and with one inch closed tear at foot, caused by removal from mount, traces of which, and of another autograph adhere to reverse. Reads ' "How good it is to live, even at the worst" | "Christ in Hades" by Stephen Phillips | [signed] Charles Warner | 1902'. Small neat green circle containing number in bottom right-hand corner.

One page, on piece of paper roughly seven inches by eight wide. On aged paper laid down on a piece of card, and with some wear and paper and glue stains. 'My dear Madam, | In reply to your letter of Novr. 18th, I have pleasure in sending you my autograph, as you desire.' Four-line printed biographical cutting in bottom right-hand corner.

One page, 16mo. Good, on lightly aged grey paper, with previous paper mount adhering to reverse. Reads 'I have pleasure in sending you the Autograph you desire'.

Varying in size from a few lines to a column nineteen inches in length, and on aged high-acidity paper. In good condition, though frail, and with a few closed tears. Texts clear and complete. In the remains of a stamped envelope (postmarked Philadelphia, 21 February 1912), addressed to E. H. Lauer of the Cadmus Book Company. Fewer than half the items are dated. The dated items include a long and interesting article on a forgotten English-born Philadelphian forger, headed 'A FORGER OF AUTOGRAPHS. | ROBERT SPRING'S SUCCESS IN BOLD LITERARY FRAUDS.

One page, octavo. Good, on lightly creased and aged paper, with a little wear at foot. Purple ink. He thanks him 'for Cheque safely to hand for the Autograph Album. There is no question abot the Collection being a genuine one.' Details the provenance from the artist H. W. Pickersgill, to Charles Kingsley, to Kingsley's brother. 'I bought the Vol at the latters sale -'. He will send the two letters 'and the Kingslake in the morning'. He has been 'laid up ill for some days'.

One page, 12mo. Neatly mounted on card. Nine-line biographical newspaper cutting neatly laid down at foot. Ten lines from another newspaper cutting, relating to Madame Patti, at head. Reads 'Dear madam | I thank you for your flattering letter and subscribe myself, as you wish, | Yours truly | Henry Newbolt'.

One page, 12mo. On aged and spotted paper, with traces of previous mount on reverse. Craigie's 'PMTC' monogram in top left-hand corner, and a red '45' in a red circle in top right-hand. Fourteen-line biographical cutting laid down along one edge. Reads 'Dear Sir | I have much pleasure in sending you my autograph. | Yours faithfully | Pearl Mary-Teresa Craigie.'

One page, 12mo. Grubby, and with traces of previous mount adhering to reverse. Small circle containing '170' in red in top left-hand corner. He is sending his autograph, 'which I could not do while at . I am glad you have read some of my stories; I presume those now in book form as "1001 Indian Nights." '

Two pages, 12mo. Very good. A formal letter written in the third person. 'Lord Liverpool presents his compliments to Mr. Barker and in answer to your [sic] letter regrets that his father has been dead two years and therefore he cannot comply with Mr. Barker's request for his signature.'

One page, 12mo. Very good. Docketed in pencil at head. 'I have no knowledge of Mr Tupper [presumably the poetaster Martin Farquhar Tupper, 1810-89] or of his address. I was in hopes that the madness of collecting autographs had subsided - but I am sorry to perceive, from your letter, that this is not yet the Case.'

Three pages, 12mo. Very good on lightly aged paper with slightest trace of previous mount adhering to blank verso of second leaf of bifolium. He has 'looked out' and is sending 'a few interesting Autographs', and would have sent them before, had he not been 'a great invalid all summer'. 'I will get Miss Chapman a good collection of the autographs of literary men. I am now very closely connected with Punch & other publications and shall have frequent opportunities.' Agnew's family, as partners in Bradbury & Agnew, were for many years the publishers of 'Punch'.

The letter: one page, 12mo. Good, but with removal from mount having thinned the paper in places, and with traces of brown paper mount still adhering. He is sending the autographs of 'Henry Seton Merriman (Hugh Scott); Gertrude Atherton; Miss Fowler; and Douglas Sladen. Also a photo from Ted (not a good one, but the only one I have left).' He enjoyed himself 'so much' at Langford. 'It was a week of real enjoyment to me.' The fragment: one page, four inches by four and a half wide.

The collection is in good condition. Three of the communications bear the stamp of the Royal Society of Arts, of which the recipient Wood was the Secretary.

One page, octavo. Good, though a little smoked at head and foot. 'Here, after a delay I am ashamed of, are the autographs: I shall indeed be glad if they give any pleasure to the recipient. | I trust that you and the Vicar were not overtired on the day of the Confirmation: and that you know what a happiness both the Service and the welcome were to me.' Sends 'Mr. Green's kindest remembrances'.

All items good, though on dusty and aged paper. Five items are addressed to sellers of manuscripts (probably the same individual). ONE (to H. Barker, 23 April 1885, on letterhead of 'The Antiquarian Magazine and Bibliographer', one page, octavo): Asks to be offered Wellesley autographs purchased at a recent Sotheby sale, of which he sent an account to 'The Times', which was 'crowded out'. TWO (to F. Barker, 25 April [1885], 'at T.

Four pages, 12mo. Mourning border. Aged and spotted, with remains of three mounts adhering to one edge. She is enclosing a note from 'Miss Yonge', and 'one from Miss Roberts [Margaret Roberts] who wrote "Madlle Mori", "In the Olden Time", "The Atelier du Lys" &c. She refers to Miss Yonges mother in her note'. She is also sending a note 'from Mr. Dodgson too. Who is "Lewis Caroll'. (Alice in Wonderland) - & one from Isa Craig - now Mrs. Knox.

One page, 12mo. Good, on aged and lightly spotted paper, but with blank verso showing traces of previous mounting. Nine-line printed biographical cutting laid down in top left-hand corner. Reads 'Madam, In accordance with your request I enclose my autograph'.

One page, on piece of lightly aged paper, roughly six and a half inches by seven. Strip neatly torn away at head (not affecting text, but perhaps bearing recipient's address). Good, with a little damage from breaking of wafer and slight evidence of previous mounting on revese. Thirteen lines. He is sending the selected autographs, and will 'be happy to receive, at your leisure, those of Currie, Daubeny, Mc.Culloch, Flowers, Woodville & Phillips & Jones - or such 5 of them as you can best spare'.

One page, 12mo. Good, though a little grubby at the right-hand margin, and with the name of the recipient neatly torn away at foot. 'Dear Sir | Neither Lady Martin nor myself feel any interest in any letters of ours, which may have come into your hands.'