DRAWINGS

[Mary Anne Clarke; Duke of York] Handbill satire on the Duke of York, entitled 'Love a-la-mode, or, My Darling; A Duett, As Sung by An Overseer of the United Parishes of John Bull and St. George's, and Mrs. Clarke, late of Gloucester Place Theatre.'

Author: 
[Prince Frederick, Duke of York and Albany; Mary Anne Clarke (1776-1852)]
Mary Anne Clarke
Publication details: 
[circa 1809] 'Printed and Published by J. Lowe, No 27, Bakers Row, Whitehcapel Road.'
£120.00
Mary Anne Clarke

Printed on one side of a piece of laid paper, watermarked with date 1808, roughly 34.5 x 21 cm. Very good. Illustration at head, coloured in red and green, roughly 6.5 x 10 cm.

[Heinz Berggruen, German and American art dealer, with a renowned private collection of twentieth century masters.] Typed Letter Signed to London printseller Robert Erskine, regarding prints he has ‘set aside’ for him.

Author: 
Heinz Berggruen (1914-2007), German and American art dealer, with a renowned private collection of twentieth-century masters [Robert Erskine, London printseller]
Publication details: 
10 May 1954; Paris. On letterhead of Berggruen & Cie, ‘gravures originales modernes’.
£56.00

Berggruen was awarded the French Legion of Honour and the German Order of Merit. Among those attending his funeral were German Chancellor Angela Merkel and President Horst Köhler. One of his sons is the US billionaire investor and philanthropist Nicholas Berggruen. In the year this letter was sent Erskine opened his influential St Georges Gallery Prints off Cork Street. 1p, 12mo. In fair condition, but with slight damage and creasing at the centre of the right-hand margin. Highly stylized signature, ‘Heinz Berggruen’. Folded once for postage. Reads: ‘Dear Mr.

[Birket Foster, artist, and Edmund Evans, engraver.] Proofs of three engravings by Evans from drawings by Birket Foster, which appeared in Maria Webb, ‘The Fells of Swarthmoor Hall’.

Author: 
Birket Foster [Myles Birket Foster] (1825-1899), Northumberland painter and illustrator; Edmund Evans (1826-1905), engraver
Birket Foster
Publication details: 
From book published in 1865 in London by Alfred W. Bennet, 5 Bishopsgate Without.
£250.00
Birket Foster

See the two men's entries in the Oxford DNB. Webb’s book contained four engravings from drawings by Birket Foster, the last (‘The Tomb of Thomas Lawson’) of which is absent. The first has ‘E. EVANS Sc.’ engraved into the plate; the other two, evidently the work of the same hand, are unattributed. Three proof engravings, on wove paper roughly 20.5 x 13.5. All in good condition, very lightly spotted and worn, and certainly suitable for display. ONE (the frontispiece): Captioned, ‘SWARTHMOOR HALL.

[John Strongitharm, London commercial engraver. Engraver to the Prince of Wales.] Coloured Proof Engraving of the royal arms (lion and unicorn), beneath the words ‘LORD CHAMBERLAIN’S OFFICE’. With pencil instructions on the reverse.

Author: 
John Strongitharm (c.1758-c.1839), London commercial engraver, Engraver to the Prince of Wales [The Lord Chamberlain’s Office]
Strongitharm
Publication details: 
No date or place. [Early nineteenth century. John Strongitharm, 1 Waterloo Place, London.]
£320.00
Strongitharm

Strongitharm’s entry on the British Museum website is the main source of information about him. In 1841 ‘John Strongitharm’ is listed in the Royal Calendar among the ‘Queen’s Tradesmen’, ‘In the Department of the Lord Chamberlain’, as ‘Seal Engraver’. The present item is an well-executed and carefully hand-coloured steel engraving of the royal arms (lion and unicorn), topped by a banner with ‘LORD CHAMBERLAIN’S OFFICE’. Engraved in small letters beneath the image: ‘Strongitharm, Waterloo Place’. Printed on a somewhat-aged and lightly worn piece of thickish laid paper, 11.5 x 6.5.

[Sir Sidney Colvin, British Museum curator, biographer of Keats and friend of R. L. Stevenson.] Autograph Letter Signed to an unnamed woman, regarding a drawing ‘of small value or none’, copied from Giulio Romano.

Author: 
Sir Sidney Colvin (1845-1927), literary and art critic, Keeper of Prints and Drawings at the British Museum, biographer of John Keats and friend of Robert Louis Stevenson
Publication details: 
5 January 1894; on embossed letterhead of the British Museum, London, W.C.
£45.00

See his entry in the Oxford DNB. 3pp, 12mo. On a bifolium. In good condition, lightly aged, with strip of mount adhering to blank reverse of second leaf. Signed 'Sidney Colvin'. The recipient is not named, but is addressed as ‘Dear Madam’. The letter begins: ‘I am afraid I made a mistake yesterday, in addressing you as E. M. Sharpe Esqr. - but it was the address of the Natural History Museum which misled me.’ In order to make sure this time, he is addressing the present letter ‘to the care of Mr.

[Sir Sidney Colvin, British Museum curator, biographer of Keats and friend of R. L. Stevenson.] Autograph Letter Signed to ‘Mr Fagan’, declining any item from the ‘various volumes and packets of prints’ he has sent.

Author: 
Sir Sidney Colvin (1845-1927), literary and art critic, Keeper of Prints and Drawings at the British Museum, biographer of John Keats and friend of Robert Louis Stevenson
Publication details: 
22 May 1895; on embossed letterhead of the British Museum, London, W.C.
£50.00

See his entry in the Oxford DNB. 2pp, 12mo. On a bifolium. In good condition, lightly aged, with strip of mount adhering to blank reverse of second leaf. Addressed to ‘Dear Mr Fagan’ and signed ‘Sidney Colvin’. He begins by informing him that of the ‘various volumes and packets of prints’ he has been good enough to send, ‘the best is that containing portraits engraved by Ficquet, Savard, & [Marchay de Glury?]. But even of these, we have almost all in the collections here already: so that it will not be worth while to break up the albums by extracting any for the museum’.

[John Jackson, Northumbrian wood engraver who was apprenticed to Bewick.] Autograph Letter Signed to the printers and publishers Vizetelly, Branston & Co, asking to be sent four copies of ‘The Young Lady’s Book’ (presumably containing his work).

Author: 
John Jackson (1801-1848), Northumbrian wood engraver, apprenticed to Thomas Bewick, whom he left after a quarrel, going to work under William Harvey in London
Publication details: 
'[70?] Clarendon st [London] / Monday Morng [1829?]'.
£120.00

See his entry in the Oxford DNB. 1p, 12mo. On recto of the first leaf of a bifolium, the verso of the second leaf of which carries the address to ‘Messrs Vizetely [sic] Branston & Co / 135 Fleet St’. The firm, who traded between 1827 and 1837, were not only ‘engravers and oriental printers’, but publishers too: the item referred to in this letter, ‘The Young Lady’s Book’, had two editions published in 1829 and a third in 1832, and Jackson presumably contributed work. In fair condition, discoloured and worn.

[George Cruikshank, ‘the modern Hogarth’, nineteenth-century caricaturist and illustrator, associated with Charles Dickens.] Six original engravings, including illustrations of raucous scenes of life in London.

Author: 
George Cruikshank (1792-1878), 'the modern Hogarth', nineteenth-century British caricaturist and illustrator, associated with Charles Dickens
Publication details: 
All six from Cruikshank’s ‘Comic Almanac’, 1845.
£60.00

The six items - all from Cruikshank’s ‘Comic Almanac’ for 1845 - are in fair condition, lightly aged, and have all been trimmed, with diagonals cut from the corners resulting in minor loss. The last has a small amount of loss to the bottom left-hand corner from removal from a mount. All six are signed in type by Cruikshank at bottom left. They are captioned: ‘Flying Artillery’ (gentlemen on bended knee, declaring their love to ladies, while Cupids shoot arrows from overhead), ‘The Day After - “St.

[John Pye, line engraver.] Autograph Letter Signed, offering the artist William Carpenter his vote ‘at the forthcoming election for Sec[re]t[ar]y of the Artists’ Annuity Fund'.

Author: 
John Pye (1782-1874), line engraver, praised by Turner, promoter of professional associations and co-operative movements [William Carpenter (1818-1899), painter; Artists’ Annuity Fund, London]
Pye
Publication details: 
21 June 1839. 42 Cirencester Place, Fitzroy Square. [London]
£180.00
Pye

Pye was an active figure in nineteenth-century British art. According to his entry in the Oxford DNB he was the engravers’ ‘best spokesman’, hoping ‘to raise the fortunes, status, and public profile of engravers by means of professional association and co-operation’. He was the author of a number of works, including 'Patronage of British Art' (1845). His collection of prints after Turner was acquired by the British Museum in 1869, and the proofs of Turner's ‘Liber Studiorum’ followed in 1870. His notebooks are in British Library.

[Martin Hardie, artist, engraver, art historian, and a Victoria & Albert Museum Keeper.] Autograph Card Signed to C. H. Whitby, regarding an engraving by the disciple of William Blake, Samuel Palmer.

Author: 
Martin Hardie (1875-1952), artist, engraver, art historian and Keeper of Painting, Engraving, Illustration, and Design at the Victoria and Albert Musem, London [Samuel Palmer; William Blake]
Publication details: 
4 June 1925; with London postmark of the same date.
£35.00

See Hardie's entry in the Oxford DNB. 11.5 x 9 cm card. Printed with penny stamp in red; no illustration. In fair condition, discoloured and a little worn. Addressed by Hardie to 'C. H. Whitby | 82, Crofton Park | Yeovil.' (Whitby is the author of a handful of books of reglious poetry.) Whitby would appear to be offering for sale, or at least asking for advice about, an impression of Palmer's celebrated engraving 'The Bellman'.

[German and English Victorian wood engraving.] Album containing 'Geo. F. Tabram's Specimens of Wood Engraving 1842-8', including grotesque figures and chivalric scenes, with an original drawing and two German specimens loosely inserted.

Author: 
[German and English Victorian wood engraving.] George Frederick Tabram (1825-1891) of Gloucestershire
Publication details: 
[German and English engravings, collected in Gloucestershire, between 1842 and 1848.]
£150.00

An attractive collection of 76 engravings, laid down over 34pp, on the first seventeen brown-paper leaves of a 22.5 x 29 cm landscape album. Also laid down, on the rear pastedown, is a nice original drawing (by Tabram himself?) of two girls, one in a bonnet and the other (her daughter or sister?) with ringlets. Loosely inserted are two German engravings, each laid down on a piece of coloured paper and each with caption on reverse.

[Frederick Burnaby, British traveller and national hero.] Engraving by Elizabeth Adela Forbes, of a drawing of Burnaby by Mary Blanchard Reed, signed by both women ('Mary B Reed' and 'Elizabeth A. Armstrong').

Author: 
Frederick Burnaby [Frederick Gustavus Burnaby] (1842-1885), soldier, traveller and balloonist; Elizabeth Adela Forbes [née Armstrong] (1859-1912), Canadian artist; Mary Blanchard Reed; Sidney Redrup
Publication details: 
'London Published July 8th. 1885 by Sidney Redrup. 175. New Bond Street. Copyright Registered.'
£1,500.00

See the Oxford DNB entry on Burnaby ('He was commemorated in verse, song, and Staffordshire pottery').

[Joseph Sams of Darlington, Quaker bookseller and traveller.] Autograph Letter Signed ('J. Sams.'), explaining his practice with regard to the return of items, and including a list of 'fine & curious coloured prints' and drawings.

Author: 
Joseph Sams (1784-1860) of Darlington, Quaker bookseller, dealer in antiquities, traveller in Egypt and Palestine
Publication details: 
'Darlington 21/7mo (July) 1853'.
£150.00

See Sams's entry in the Oxford DNB. 4pp, 12mo. On a bifolium, the second leaf of which has had a rectangle, almost amounting to half, cut away from the bottom. The text of the letter is complete, but the priced list of the prints and drawings on the last page, lacks the lower half. A long letter, closely written. Signed 'J. Sams.' Aged, worn and lightly stained, but nevertheless in passable condition. The recipient, saluted as 'Esteemed Friend', is not named.

[John Landseer, landscape engraver, father of Sir Edwin Landseer.] Autograph Letter Signed ('J Landseer') to 'J. Scoles Esqr', i.e. the architect Joseph John Scoles, asking for tickets of admission to his church.

Author: 
John Landseer (1769-1852), landscape engraver, father of Sir Edwin Landseer [Joseph John Scoles (1798-1863), Gothic Revival architect]
Publication details: 
'Monday Morng.' [no place or date]
£45.00

1p, 12mo. Bifolium, addressed on reverse of second leaf, with small seal in black wax, to 'J Scoles Esqr | Argyll Place'. In fair condition, lightly aged and worn, with damage to second leaf from breaking of seal. Folded twice. Written in a tight, florid hand. Reads: 'Dear Sir | I hear there will be no admission into Your Church tomorrow without tickets. If you should have any of said Tickets to spare, please to favour with one two or three according to circumstances – Yours Very Faithfully | J Landseer'.

[Arthur James Lewis, artist and illustrator.] Autograph Letter Signed ('Arthur J Lewis') to publisher Ernest Gambart, regarding the disposal of the disposal of the remaining copies of 'Hood's Poems'.

Author: 
Arthur James Lewis (1824-1901), artist and illustrator, promoter of the Junior Etching Club [Ernest Gambart (1814-1902), London art publisher; James Abbott McNeill Whistler]
Publication details: 
43 [?] Street. 10 November 1860.
£35.00

2pp, 12mo. In good condition, lightly aged. Folded once. Addressed to 'E Gambart Esq' and endorsed by the recipient. Two years earlier Gambart had published 'Passages from the Poems of Thomas Hood', illustrated with 34 plates by the Junior Etching Club (of which Whistler was a member between 1857 and 1862). The book had been well-received, but the letter makes clear that it had not covered its costs.

[Engraving by John Pye, from drawing by Robert Balmanno, printed by John Johnson (of the Lee Priory Press).] Engraving of 'Cenotaph erected at Stoke Park, to the Memory of the Poet Gray.' With text including the 'Inscriptions on the Cenotaph'.

Author: 
John Johnson (1777-1848), typographer and printer (at the Lee Priory Press of Sir Egerton Brydges); Robert Balmanno (1780-1861), connoisseur; John Pye (1782-1874), engraver; Thomas Gray
Publication details: 
'Johnson, Typ.' 1818.
£200.00

On 34 x 27 cm unwatermarked laid paper. Dimensions of plate 34 x 23 cm. Dimensions of print 5.1 x 7.4 cm. Dimensions of print and text 15 x 7.4 cm. In fair condition, lightly aged, spotted and creased, with stub from album adhering to one margin. This is an early state of a print of which the British Library has a copy (acquired in 1867) of the undated third state, dated to 1820, carrying only four lines of text rather than the substantial amount present here. The present copy has, engraved in small letters immediately beneath the print: 'Robt. Balmanno delt. 1818. Jno.

[ 'Promise to pay to Ignorance, Hypocrisy & Fanaticism, Methodist Preachers'. ] Satirical engraving of a bank note, undertaking to pay five farthings 'when Methodism shall have been done away'.

Author: 
John Luffman, London printseller [ Georgian methodism ]
Publication details: 
'Sold by Luffman, 377, Strand'.. Dated from London, 1 September 1810.
£120.00

Printed in black ink on a 9 x 16.5 cm. piece of paper. A scarce piece of ephemera. Grubby, aged and worn. Laid down on part of a page from an album. A pastiche of a Georgian banknote, the main body of the text reading: 'No. 24 . . . . | Promise to pay to Ignorance, Hypocrisy & Fanaticism, Methodist Preachers, or Bearer FIVE Farthings, when Methodism shall have been done away with by the Pious exertions of the established Clergy, and when Iohn Bull's Family shall be no longer scared by the tale of the Devil let loose. | London the 1st. day of Septr 1810.

[ Captain Edward Pelham Brenton, Royal Navy officer and naval historian. ] Autograph Signature ('Edwd P Brenton') to list of nine 'Plates not returned'.

Author: 
Captain Edward Pelham Brenton (1774-1839), Royal Navy officer involved in the 1809 capture of Martinique, controversial naval historian and charity worker
Publication details: 
Without place or date.
£150.00

1p., 12mo. In fair condition, lightly aged, with dog-eared corners at foot. Brenton's florid signature is placed at the foot of a numbered list headed 'Plates not returned'. The plates are all on maritime themes, and may be connected with his 'Naval History of Great Britain from the Year 1783 to 1822' (1823) or his 'Life and Correspondence of John, Earl of St. Vincent ' (1838): 'St. Vincent By Beechey | Howe | Battle of Trafalgar | St Johns New Fd Land | Scheldt | Algiers | Sir Charles Pole | Lord Duncan | Copenhagen'.

[No. 41 of 65 copies, with original etching and lithograph, both signed by Brangwyn.] Prints & Drawings by Frank Brangwyn with some other Phases of his Art: By Walter Shaw Sparrow.

Author: 
Walter Shaw Sparrow [Frank Brangwyn]
Publication details: 
London: John Lane, The Bodley Head. New York: John Lane Company. 1919.
£600.00

[10] + 288pp., 4to. In original quarter-binding, with blue paper boards and cream buckram spine with gilt lettering. A handsome book, profusely illustrated, with 49 plates (some with guards) and the two signed 'Extra Plates', and numerous illustrations in text. Announcement on reverse of first page: 'THIS edition, with an original etching and an original lithograph by Frank Brangwyn, is limited to 65 copies, of which this is No. 41'. The etching, facing p.1, is titled 'A Back Street, Tours', and the lithograph, facing page 180, is titled 'Newcastle'. Both are signed by Brangwyn in pencil.

Fifteen Autograph Letters Signed from artist and poet Bowyer Nichols to his aunt Emily Mary Nichols, daughter-in-law of John Bowyer Nichols, with dozens of sketches and caricatures in letters and on 24 pieces of paper.

Author: 
Bowyer Nichols [John Bowyer Buchanan Nichols] (1859-1939), English artist and author [his aunt Emily Mary Nichols (nee Ade), wife of Robert Cradock Nichols, son of John Bowyer Nichols]
Publication details: 
The letters mostly from Southgate House, Winchester, Eagle House, Wimbledon, Winchester College; dating from between 1871 and 1875.
£500.00

All items in good condition, on lightly-aged paper. The letters total 49pp, 16mo and 8vo.. All are complete except the last, which lacks the last part. They are liberally adorned with sketches. Mostly addressed to 'My dear Aunty' and signed in a variety of ways, from 'J. Bowyer B. Nichols' to 'BBN'. The first letter, dated 4 December 1871, sets the tone, showing Bowyer Nichols to be a precocious and spirited twelve-year-old. It begins: 'Will you send me, if you can find it, that poem about Sally Porter and Charlie Church?

Twenty-four original outline lithographic illustrations to Shakespeare: a series of twelve anonymous ones to 'The Tempest', published in London in 1825 by Charles Knight; and a series of twelve by Moritz Retzsch to 'Macbeth'.

Author: 
Charles Knight, London publisher; Friedrich August Moritz Retzsch (1779-1857), German painter, artist and draughtsman; William Shakespeare
Publication details: 
The 'Tempest' illustrations 'Published by C. Knight, Pall Mall East, April 1825'. Retzsch's 'Macbeth' illustrations undated [1833 or 1847.
£250.00

All twenty-four illustrations have been laid down on leaves removed from an album of prints. Both series are numbered to twelve, and each is complete. The plates in the Retzsch series appear to have had their margins cropped. All images clear and complete, on lightly-aged paper, with occasional light spotting and discoloration. Laid down at the head of the first illustration in the first series, and slightly (0.5 cm) encroaching onto it, is a printed label reading 'Illustrations to Shakespeare's | TEMPEST | in 12 plates'.

Anonymous coloured print on sateen [cotton satin] entitled 'Three Christmas Roses'.

Author: 
The Gentlewoman [Victorian illustration; printing on cloth]
Publication details: 
'Supplement to The Gentlewoman Christmas Number.' [1890s]
£85.00

Printed in pastel colours on the shiny side of a piece of white sateen. Landscape. Dimensions roughly 240 x 385 mm. Good, bright image on slighty grubby cloth, with fraying along the long edges (not affecting image). Depicts three head-and-shoulder portraits of pretty nineteenth-century ladies in hats (captioned 'Lady Pattie', 'Miss Betty' and Cousin Prue'), in Gainsborough style, hanging in frames on a wall of Georgian wallpaper.

[ Elizabeth Benger, English author. ] Four Autograph Letters Signed (all 'E Benger'), two of them to John Thomas Smith of the British Museum, and two to his daughter.

Author: 
Elizabeth Benger [ Elizabeth Ogilvy Benger ] (1775-1827), English novelist, biographer and poet [ J. T. Smith [ John Thomas Smith ] (1766-1833), 'Antiquity Smith', Keeper of Prints, British Museum ]
Publication details: 
Three of the letters from 13 Warren Street [ London ]. All four undated.
£450.00

Four 16mo letters, three of them of one page, and the other of two pages. In good condition, on lightly-aged paper. In a crabbed hand. One addressed to 'J T Smith Esqre | British Museum', and another to 'J T Smith Esqre | 22 Carmarthen Street | an answer'. Little more than short notes. In one letter to J. T. Smith she asks him for 'Mr Vance's address, for a married gentleman', in the other she tells him that 'Mrs Martin of Liverpool, whose intimate friends are yours also, [...] wishes to be indebted to your obliging attention'.

[ Paul Sandby, artist and engraver. ] Pencil notes by 'Paul Sandby Esqr.', over 'Monthly Return of the Classes under the First drawing Master at the Royal Military Academy'. With portrait of Sandby, engraved by H. Landseer from a drawing by W. Evans

Author: 
Paul Sandby (c.1731-1809), English artist and engraver, Chief Drawing Master at the Royal Military Academy, Woolwich [ H. Landseer; W. Evans ]
Publication details: 
Engraving 'Published Dec. 4 1809 by T. Cadell & W. Davies, Strand, London'.
£135.00

MANUSCRIPT: 1p., folio. On the recto of the first leaf of a bifolium. On good watermarked laid paper, with pencil text written over an elegantly printed page divided into five columns ('Class', 'Studies', 'Order', 'Names', 'Remarks'), headed (with manuscript additions in square brackets): 'Monthly Return of the Classes under the First drawing Master at the Royal Military Academy. [March] 1st. 17[39 Paul Sandby Esqr.]'. The manuscript text is written both across the page and lengthwise. At the foot is a stave of music, with the words 'Violoncelloe [sic] de la music militaire'.

[ John Young, mezzotint engraver and keeper of the British Institution. ] Autograph Letter Signed ('Jno Young.') to Charles Westmacott, explaining why his 'picture of Cromwell' cannot be accepted for the present exhibition.

Author: 
John Young (1755-1825), mezzotint engraver and Keeper of the British Institution, London [ Charles Molloy Westmacott (c.1787-1868), journalist and blackmailer? ]
Publication details: 
British Institution, Pall Mall [ London ]. 12 May 1824.
£56.00

1p., 4to. In good condition, on aged paper. He is desired to thank Westmacott 'for the offer of your picture of Cromwell for exhibition, and at the same time to inform you, that the arrangements, for the present season, are already completed'. He ends with the tact for which he was renowned, expressing the hope that he will have 'the pleasure of seeing you at the private [last word underlined] view on tuesday next'. The recipient is presumably C. M.

[ Rosalind Thuillier, sketches from Graham Sutherland. ] Sketchbook containing captioned ink sketches of 'GS paintings from museums & galleries 2008', for 'possible use in 2nd edition of Inspirations by Rosalind Thuillier'.

Author: 
Rosalind Thuillier [ Rosalind Adams ] (1939-2015), art critic and artist, authority on her friend Graham Sutherland (1903-1980)
Publication details: 
Place not stated. 2007 and 2008.
£400.00

16pp. of sketches in 15 x 13 cm. artist's sketchbook. In good condition, in boards covered with decorative paper. On page preceding the sketches: 'Sketch Book 2007', with the following added subsequently: 'GS paintings from museums & galleries 2008 | possible use in 2nd edition of Inspirations by Rosalind Thuillier'. The sketches, all in black ink, are pared-down and assured (as befits the abstract painter that Thuillier was). The first two captions are 'portrait from Goldmark | 1924' and 'Little painting - 1924 (6?). Fine Art Society.

[ James Laver, museum curator and authority on fashion. ] Two Autograph Letters Signed (the first 'James Laver | Keeper of Prints') concerning purchases from bookseller Barry Duncan. With carbon copies of two of Duncan's letters.

Author: 
James Laver (1899-1975), art historian and authority on fashion, Keeper of Prints, Drawings and Paintings at the Victoria and Albert Museum, London
Publication details: 
Laver's two letters both on Victoria and Albert Museum letterheads, and dating from 30 December 1947 and 19 March 1948.
£120.00

Five items, in fair condition, on lightly aged and worn paper, with slight rust staining from staple which held them together. Laver's two letters are both 2pp. long (one 8vo and one 12mo). The two relate to a collection of Dalziel wood-engravings, there being 'too many already in the Museum to justify our purchasing the collection in its entirety'. Laver suggests taking a selection of 100 engravings for £5, and with the second letter returns the residue, the price paid being £7 10s 0d. With Laver paying personally for two engravings damaged while in his care.

Reproduction of a drawing of G.F. Watts, artist, by Rudolf Lehmann, from 'R. Lehmann's Portrait Studies', presented in the style of a studio photograph.

Author: 
Rudolf Lehmann [Wilhelm Augustus Rudolf Lehmann] (1819-1905), Genre and portrait painter [G.F. Watts; Frederick Bruckmann, bookseller, Southampton Street, Strand, London]
Publication details: 
Fred. Bruckmann, London, 17 Southampton Street, Strand. No date.
£100.00

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges, good condition. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'G.F. WATTS | FRED. BRUCKMANN, LONDON, | 17 Southampton Street, Strand.' Beneath the image, in small type: 'Lehmann del.' and 'Registered.' Lehmann was born in Hamburg and moved to London in 1866. He wrote two books.

[ George Baker, connoisseur. ] Part of Autograph Letter Signed ('Geoe. Baker'), to his bookseller, regarding a set off periodicals.

Author: 
George Baker (1747-1811) of St Paul's Churchyard, connoisseur
Publication details: 
'No. 2 St Paul's Ch. Yard'. No year.
£100.00

On 8.5 x 16.5 piece of paper, cut from the conclusion to a letter. In fair condition, on aged and worn paper, laid down on a larger piece. He asks the recipient to 'make these Numbers perfect from the Waste', and gives instructions in case it cannot be done. For more about Baker see his obituary in the Gentleman's Magazine, February 1811.

Reproduction of a drawing of G.F. Watts, artist, by Rudolf Lehmann, from 'R. Lehmann's Portrait Studies', presented in the style of a studio photograph.

Author: 
Rudolf Lehmann [Wilhelm Augustus Rudolf Lehmann] (1819-1905), Genre and portrait painter [G.F. Watts; Frederick Bruckmann, bookseller, Southampton Street, Strand, London]
Publication details: 
Fred. Bruckmann, London, 17 Southampton Street, Strand. No date.
£100.00

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges, good condition. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'G.F. WATTS | FRED. BRUCKMANN, LONDON, | 17 Southampton Street, Strand.' Beneath the image, in small type: 'Lehmann del.' and 'Registered.' Lehmann was born in Hamburg and moved to London in 1866. He wrote two books.

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