THE

8vo: 1 p. Good, with creasing towards right-hand margin. 'Very many thanks, my dear Williams, for your most kind congratulations. I feel that my honour is some recognition of the publishing trade & I take it as such'. Murray was created KCVO in 1932, following his publication of the ninth and final volume of the letters of Queen Victoria.

12mo: 2 pp. Very good. Relates to the photographic series 'English Artists of the present day', published by Seeley with accompanying essays 'by J. B. Atkinson, S. Colvin, F. G. Stephens, T. Taylor, and J. L. Tupper'. He is sending 'a copy of No. 3. The other we count as a presentation copy.' 'The Woolner photo. will I hope not be thought so bad by those who have not seen Elliott & Fry's. I was glad to find this morning that it had not struck Mr.

4to: 2 pp. Eleven lines. Good, on lightly creased and discoloured paper. Column of printed advertisements in left-hand margin of first page, which is headed by a printed description of d'Olincourt's qualifications, enclosed in an engraving of a jumble of disparate items including a book-press, beehive, scientific instruments, laurel wreath and sailing mast. He has begun to publish an 'immense ouvrage d'architecture', and he hopes Bance will subscribe for a number of copies which he will be able to sell 'chez vos clients'.

12mo: 1 p. On discoloured paper with wear at head and traces of previous mount adhering to blank reverse. He sent the publishers Chatto & Windus her novel the previous Monday, 'begging them to write to you on the matter, and giving your work my best recommendation'. He has not heard anything from them himself, but expects it will 'take a week or two, before they can give an opinion'. The recipient may be Edith Nesbit, although this is unlikely as Nesbit was her maiden name. She became Edith Bland in 1880. None of her works appear to have been published by Chatto & Windus.

12mo, 1 p, 17 lines. Very good. He has been 'from home visiting here & there', and has returned to 'a mass of correspondence which is perfectly appalling'. He is sorry she 'sent back the book', as he meant her 'to keep it in perpetuity'. 'The recent work which finds most favour with the public is Lord Cockburn's Memorials. It is entertaining but not in all respects accurate. It is however worth reading & will serve to beguile a winter's evening.

On piece of card roughly 3.5 x 7 cm. Good, though slightly discoloured. Reads '[signed] Admiral | Lord Ams. Beauclerk', beneath which, in a contemporary hand, 'Port Admiral | of Plymouth'.

Paper dimensions 5 x 11 cm. Good. The foot of the last page of a letter with a mourning border. Reads '<...> consideration. | I am, Gentn. | Your obedt. St. | [signed] Thos Webster | To the President | & Council of the Royal Academy'.

On irregular piece of paper roughly 4.5 x 4.5 cm. Good, on lightly discoloured paper. With part of signature '[S]mith' below. Docketed on reverse 'Sir Wm. Trumbull Statesman Wm 3d'.

Dimensions of paper roughly 4 x 6.5 cm. Good, although with slight wear at left and small part of loop at beginning of signature crossing over a printed vertical line. Docketed in pencil 'Lord Treasurer'.

On piece of paper roughly 2.5 x 4.5 cm. Good, on lightly discoloured paper. Docketed on reverse '1755'.

The notes, on three 12mo bifoliums, cover three pages, with a few lines on a couple of others. In excess of eighty lines. Very good. Brief chronology and list of notable residents, presumably an outline for the description of the district in Besant's 'London' (1892) or another of his many writings on the city.

The collection is in good condition, with occasional light creasing. The 'Regulations' ('ON HER MAJESTY'S SERVICE') consist of four pages printed on a folio bifolium. The other printed item, in facsimile handwriting, dated '15.11.51' (and dated in manuscript 'Horse Guards 1st.

Quarto: 4 pp. Unbound bifolium. Grubby and creased, with a couple of pin holes and small closed tears, and a little ink staining to the margins (not affecting text). Five illustrations, including full page engraving of two cherubs, entitled 'L'Enfance de l'amour'. Claims that 'neither labour nor expense will be spared to achieve and maintain the highest standard of literary and artistic excellence', and that the magazine will be 'strictly non-political, in the sense that it will champion the views of no particular party'.

8vo: 1 p. Good, with slight wear to outer edge, and strip from previous mount neatly adhering to reverse. With name of recipient at head, and docketed on reverse. He has 'seen some charming & useful Leaflets advocating Humanity to Animals' and has been 'led to understand they may be obtained through' his correspondent. He would like a hundred of the leaflets to be sent to him, 'for which I will gladly send stamps'. Hall was a sanctimonious figure, supposedly the model for Dickens's Pecksniff.

16mo: 3 pp. A small bifolium (each leaf 10.5 x 9 cms) on aged paper. Discoloured strip at foot of first leaf, containing four lines of text and the signature, cut away and reattached with archival tissue, with damage to two words (not in signature). Second leaf with minor damage through breaking of seal. Good Penny Red stamp, postmarked in black, and second red postmark. The earliest she can accept the dinner invitation is the following Wednesday.

12mo: 2 pp. Good, with thin strip of glue and grey paper from previous mounting adhering at foot of reverse (not affecting text). While it is possible that Howell may have given 'Mr. Gill' [tMichael Henry Gill, later of McLashan & Gill?] 'letters [of introduction]' when he 'went to New York ten or fifteen years ago', it is unlikely.

On piece of paper roughly 3.5 x 5.5 cm. Good firm signature, on lightly discoloured paper. Reads '<...> date hereof. | [signed] J. Aislabie'. Lightly docketed in pencil 'of South Sea notoriety'.

12mo: 2 pp. On creased, discoloured paper, with small closed tear and traces of previous mount adhering to reverse. An amusing, playful letter in a smudged, expansive hand. Reads 'My dear Phil | The other Phil Phil May will Phil the page in Xmas No. This will fill up & give it a fillip. ergo no Caran d'Ache | With Phil we're full. | Ought to be a fine number. | Have asked Phil May to contribute previously - | Well Phil May - but will Phil? | perhaps a wilfil person'. Accompanied by long typed commentary, giving provenance 'From a group of letters to Phil Agnew.

Letter One (12mo: 4 pp, to 'My dear Mr Nichols', good, on discoloured paper): Explains that he has given 'a note of introduction to a most particular friend of mine Mr Lawrence of Ipplepen near Totnes and Launceston Cornwall'. Lawrence 'was a great friend of the late Mr Arundel of Landulph' and is 'a great friend of Mr Bray of Tavistock'. He is 'a man of ancient Cornish descent & from its first families'. Spence thinks Nichol will find Lawrence 'a valuable West Country Correspondent, well up in County history and nothing loth in the pursuit of antiquarian lore[.

On piece of lightly discoloured paper roughly 4 x 10 cms, with horizontal fold on left. Reads '[typed] Yours sincerely, | [signed] Mary A. Ward.' Docketed in pencil at foot 'Mrs Humphry Ward 1914'.

Juliette Huxley's letter is 4to: 2 pp. Good, though lightly creased and attached to the other items by a paperclip. The correspondence mainly concerns a book by Cowell's eventually published under the title 'The garden as a fine art: from antiquity to modern times' (1978). She begins by describing Mary Wellesley: 'quite a character [...] lives in a small house off St. James's Palace, and entertains by candlelight.

4to: 4 pp. Unbound bifolium. On lightly discoloured and spotted paper, lightly worn at extremities. Central horizontal fold. Gives details of eight lectures, by, successively, H. Finer ('Impressions of America'), Montague Fordham ('The Rural Problem'), R. B. Forrester ('Co-operative Marketing'), Professor R. Peers ('Can we educate the Community?'), Arthur Greenwood, M.P. ('The Present Position and Future Policy in regard to Housing'), C. S. Orwin ('Land Tenure'), Rt. Hon. [sic] Sidney Webb, M.P. ('Poor-Law Reform'), and (with the 'syllabus' covering an entire page) H. St. J. B.

ITEM ONE: pencil sketch (roughly three inches square) of pensive woman in full dress seated on chair beside table with vase. Good. On reverse of part of envelope addressed to 'H. Wyatt Esqre. | Newman Street | Oxford Street' and postmarked in red ink oval '2 . A NOON . 2 | MY 4 | 1833'. Another postmark in black ink, and wafer still adhering. ITEM TWO: pencil sketch (roughly one inch by one and a half) of trees around long wall with spire in distance. On visiting card of 'Mr. Henry Wyatt' (the sketch over the word 'Wyatt').

8vo: 4 pp. Good. Difficult handwriting. He wants him to keep the cheque, which he considers 'only a compromise between our different expectations'. 'I know that you deserve the larger sum that you spoke of - but it is a tight squeeze to make the & expenses for the year of the New Englander come out even, and I do the best I can.' With seven-line postscript.

8vo: 8 pp. Stapled and unbound. In original grey printed wraps with rusted staples. Grubby and dogeared. Signed ('L. Conrad Hartley') presentation inscription dated 31 May 1915. No copy of the offprint of this short story on COPAC.

12mo: 1 p. Good. Since he 'liked the last little thing' she sent for his magazine, she ventures to think that he may approve of the piece she encloses (not present).

8vo: 11 pp. Unbound and stapled. In original beige printed wraps. Grubby and dogeared, with rusted staples. Signed (L. Conrad Hartley') presentation, dated 31 May 1915. No copy of the offprint off this short story on COPAC.

Octavo: 18 pp. Unbound: stabbed and unstitched. First leaf and leaves with pp. 15/16 and 17/18 loose. Leaves with pp.3/4 and 15/16 half-separated. Paper discoloured and chipping at edges. Extends to 918 lots. The odd number of leaves implies the loss of a final leaf, possibly bearing text. Stamp of the Public Library Ford Collection. Docketing in pencil notes a duplicate at the New York Public Library. No other copy traced.

Octavo: 39 pp. Stitched. In original orange wraps, with grey printed paper boards. On spotted, aged paper, with insect holes to a couple of leaves. Wraps stained and worn. First English printing of an essay noted for its coupling with Henry James's piece of the same name (not present here) in an American edition of 1885.

Octavo: [vi] + 24 pp. Stapled and unbound. Detached from original blue and pink printed wraps (advertising W. S. Lincoln & Son, coin and medal dealers of New Oxford Street, London). Several illustrations and tables. Good, though lightly aged, and with some wear and creasing to the wraps, which are blue on the outside and pink internally. Several other items by Ratcliff are recorded, but this item is rare, with no copy listed on COPAC.