ARTHUR

The circular on 1p., 4to, on recto of first leaf of bifolium. In good condition, on lightly-aged paper. It reads: 'MY LORD, | The House-Committee and Stewards for conducting the Anniversary Dinner of the Governors of this Charity, present their compliments with the enclosed Card of Invitation for THURSDAY, the 22nd of APRIL, and request to be favored with your Lordship's [corrected in manuscript to 'Grace's'] Company on that day.

2pp., 12mo. In good condition, on aged paper, with a nineteenth-century repair to short closed tears. The letter reads: 'The Duke of Wellington presents his Compliments to Quarter Master Jones and begs leave to inform him in answer to His Letter of the 3d Inst, thaht He must apply to the General Comm[andin]g. the Army in Chief; the Duke has nothing whatever to say to the Details of the Army or to the Selection of Gentlemen to be removed from half to full pay. | London Feb. 8. 1829'.

Programme, [20]pp., 4to, illus. printed wraps (partly in red). Directed by David Thacker, including excerpts from "The Golden Years", "Focus", "Death of a Salesman", Miller's adaptation of "An Enemy of the People", etc., etc. Programme signed by Arthur Miller himself ("For Esther | Arthur MIller). Enclosed Menu for dinner on 14 May 1989 at the Arthur Miller Centre for American Studies, signed "Warren Mitchell". This item derives from the Papers of Sally Worboyes who organised writing courses involving well-know TV personnel, actors, singers and writers as tutors at Fen Farm nr.

Both items in fair condition, on lightly aged and creased paper. The second letter addressed by the secretary on the reverse, with four torn stamps and postmarks, to 'Mr. Lawrence Hodson | Bradbourne Hall | Ashbourne | Derbyshire'. The 'set of stations' referred to in the first letter is likely to have been based on those executed by Gill in stone in Westminster Cathedral, and completed in 1918. Letter One (3 November 1920): 1p., 12mo.

Programme, [20]pp., 4to, illus. printed wraps. Directed by David Thacker, including excerpts from "The Golden Years", "Focus", "Death of a Salesman", Miller's adaptation of "An Enemy of the People", etc., etc. Programme signed by Arthur Miller himself ("For Sally [Worboyesof Fen Farm Arts] | Arthur MIller) and several of the Cast inc. Susannah York, Timothy West, Connie Booth, John Shrapnel prob.others unreadable (but inc. playwright Brian Clark). Enclosed Menu for dinner on 14 May 1989 at the Arthur Miller Centre for American Studies, signed "Warren Mitchell".

1p., 12mo. Air mail letter on blue paper, addressed to Arthur Bourne, Academic Press Inc. (London) Ltd, 24-28 Oval Road, London, NW1 7DX, England. In good condition, lightly aged and creased. Clarke begins by thanking Bourne for his letter, and informing him that he has 'sent a card of thank [sic] to Dr. Allan Cottey'. 'I am now happily retired with the completion of my last and best novel "The Fountains of Paradise" (Playboy January and February - HBJ; Gollancz, January). I expect to be back in England in August to attend the World S. F.

6pp., 12mo. In very good condition, adhering to leaves removed from an album. Helps begins: 'My dear Martin, | This is one of the things you excel in - the giving, in a comparatively short memoir, the real aim and end of a life: so that after reading your "In memoriam", one does not care to hear any more details.' Helps 'really cannot find any fault' in Martin's piece. 'H[er]. M[ajesty] [i.e. Queen Victoria] must, I think, be exceedingly pleased with the book - I mean your work.

Both items 2pp., 12mo. Both in good condition, on lightly-aged paper, with slight evidence of previous mounting. The first letter (addressed to 'The Editor | Cambridge Daily News') begins: 'When I received my L.L.D Degree from the University (in June 1931) you published in your issue of June 6, some photographs of the procession to the Senate House on that occasion.' He is writing 'on the off chance' that 'original prints' survive, 'as I am most anxious to obtain one, for my Autobiography, if it is in any way possible to do so'. In the second letter (to 'Mr.

4pp., 4to. Printed on brown paper. In good condition, lightly-aged and with one corner dogeared. The only copy traced on OCLC WorldCat in the Thomas P. O'Neill Library at Boston College, in whose entry it is tentatively dated to the 1960s, with the note about the series to which it belongs: 'Primarily a selection and reprinting from Cuala Press' collected edition of Broadsides (new series), originally issued Jan.-Dec.

1p., 12mo. On thick deckled-edge paper. He apologises for the delay in sending a copy of his 'Iron Pirate', due to a delay in receiving it from the publishers.

The second of the three volumes of Stanley's lectures, subtitled 'From Samuel to the Captivity', was published by John Murray in 1865, the first volume having appeared two years earlier. The autograph draft is 4pp., 12mo, on a bifolium embossed with the Stanley crest (motto: 'Sans Changer'). Good, on lightly-aged paper.

Both items signed 'Arthur Mee'. Typed Letter Signed: 5 August 1924. 1p., 12mo. Good, on lightly-aged paper. It would be a 'great pleasure' to him to be able to make use of the article she has sent him, 'but my papers are almost entirely in the hands of a staff of regular contributors', and he has 'very little opportunity of using outside contributions'. In a postscript he expresses pleasure at the fact that his 'papers come your way', and sends his regards to 'Patricia and David'. Manuscript Letter: 11 August 1924. Written by a secretary and signed by Mee. 1p., 12mo.

2pp., landscape 12mo. Addressed to 'Dear Furniss'. He is glad to hear of Furniss's success: 'Your tour ends after the last dinner but one of the year. No dinner Xmas week! awful that isn't it? When all are feasting no dinner for the Punch boys!!' He hopes Furniss will be 'here with us'. Had Furniss been 'on the spot' Burnand would have got him 'to substitute something for your John Bull picture in almanack which no one (I do not speak of "The Table" but of our best friends outside) comprehends.

On one side of piece of paper trimmed down to roughly 15 x 18 cm. On aged paper, with wear and loss to corners and extremities caused by removal from a mount. He writes: 'Sir, | I should feel extremely obliged if you cou'd take out of the Post Office two Letters, directed to me at Oxford, as I unexpectedly arrived today in town - | I remain | Sir | Sincly. Yrs. | [signed] Dungannon | 7. Hertford St | 4th. Decbr. 1827'. The signature is complete, but being placed in a corner, is close to an area of wear. Docketed on the reverse in an unknown hand: 'recd.

Original cutting, 53 cm long, from The Times, of an article titled 'Ode on the Death of the Duke of Wellington. By Alfred Tennyson.' This poem, one of Tennyson's finest and best-known, was published on 16 November 1852 (two days before Wellington's funeral) by the London publisher Edward Moxon, who had offered Tennyson £200 for 10,000 copies. As Edgar F. Shannon, Jr.

4pp., 12mo. Bifolium. Good, on lightly-aged grey paper. Gray begins by thanking the Colonel for allowing him to have a 'cursory glance' at his 1901 biography of his father the Liberal politician Hugh Culling Eardley Childers. Gray intends to get it 'from one of the Libraries & go over it more carefully. It is full of interest to me particularly the period of yr Fathers residence in Melbourne in Govr. Arthurs time whom he found intractable but liked Genl. McArthur whom I knew well & Col Neill with whom I often stayed at Hawthorn'.

2pp., 4to. Bifolium. Addressed, with red wax seal and postmark in red ink, on reverse of second leaf, to 'Captain Pack | Royal Fusiliers | Barbados'. The letter begins: 'My dear Captain Pack | I take the earliest opportunity of letting you that [sic] the Ship Herefordshire - a noble vessel - has been taken up to convey the 67 to Gibraltar, & the 66 & 72 from thence to the West Indies, proceeding afterwards with the Fusiliers & 19th Halifax'.

2pp., 12mo. Bifolium on mourning paper watermarked 'JOYNSON | 1874'. Good, on lightly-aged paper. The letter, signed 'George Rose', covers both sides of the first leaf, with the following written lengthwise on the recto of the second leaf: 'Yrs very truly | [signed] Arthur Sketchley'. He informs Frith that the 'long impending blow has fallen' on him, and that his 'very dear brother died on Wednesday last & will be buried tomorrow'. He would 'willingly send on some autographs', but cannot lay his hand on any. 'I am sorry to be able only to send as pr opposite page', i.e.

1p., 8vo. A fragile piece of ephemera, on aged paper, with wear at head (not affecting text). The notice begins: 'For several months past the Council has had under consideration the question of the Society's finances since it has become apparent that our annual income is insufficient to ensure a continuous and regular flow of publications.' References follow to 'donations from private members', an 'enforced summer recess', 'the acquisition of library shelves, desks and other fittings'. Two reasons are given in justification of the doubling of the 'Fellowship subscription'.

1p., 12mo. Fourteen lines. Good, on lightly-aged paper. He is sorry to have put Monkhouse to 'the trouble of writing', and hopes someday to show him his 'best etchings'. 'I have been exhibiting etchings at R.A. for about 10 years: and my published work has been very favourably noticed in the "Times", "Athenaeum" "Academy" &c. &c.' He is enclosing (not present) an article which 'the Gazette des Beaux Arts' carried on his work, 'so long ago as 1876'.

99pp., in 'Army & Navy Octavo Scribbling Diary (with a week on an opening) for 1910'. Good, on aged paper, in worn boards, with some preliminary leaves torn out, and a few childish scrawls by Irene and Pauline Knott (grandchildren of the author?) at beginning and end (not affecting text) . The author is intelligent and well-educated, pious and with a keen interest in sport, but there are few clues regarding his identity: his family is from Staines, and he trained at the Royal Naval College, Osborne. The itineraries of the two ships mentioned in this diary are as follows.

The two leaves were evidently disbound from a copy of an edition of Dryden's Plutarch, in which the grey 4to leaf of writing paper following the 12mo printed leaf was one of those that interleaved the volume. In fair conditon, on lightly-aged paper. The two leaves are tipped in onto a larger leaf removed from an album. The printed leaf is 12mo, from volume 5 of Dryden's translation, with the pages numbered 511 and 612 [sic]. The two sides of the leaf carry a total of approximately 25 emendations and deletions.

Cobb's letter is 1p., 4to, typed in green. He states that he is 'collecting the autographs of prominent American editors' and that he would like to add Halstead's, as 'it will not be complete without yours'. At the foot of the letter Halstead has written, in a sprawling hand, with smudged signature, 'Perhaps the will serve. | M. Halstead'. Pinned to the letter is the calling card of 'Mr. Murat Halstead.', with his signature 'M. Halstead' (again slightly smudged) beneath the name. Both items are lightly-aged, but good.

Princess Charlotte of Wales, the only child of the Prince Regent, died in 1817 at the age of 21. Many poems of mourning were published, but whether Evans's was among them is uncertain. Both drafts are in good condition, on aged paper; the first with short closed tears to the spine. DRAFT ONE (the earlier?): Title: 'Verse on the Death of the Princess Charlotte', altered from 'Threnodia Augustalis, Odes on the Death of the Princess Charlotte'.

Letter One: 2 pp, 12mo. 23 lines. Good. Docketed '3.5.26 | copd.' He thanks him for his letters, and has 'sent the verses to Sanderson'. The copies of the 'Quilter publications' that Bennett needed for the writing of an article in the 'Music Teacher' have not arrived. Asks for information on a 'volume of songs by Sibelius'. 'If they are available could they be included in the Quilter parcel'. He is 'writing about Sibelius for publication in July, & want to be as complete as possible'. Letter Two: 2 pp, 4to. 23 lines. Good, with staple holes to one corner.

12mo, 2 pp. Twelve lines. Text clear and complete. Good, on lightly-aged paper. He is sending 'a copy of my little book' and asks his correspondent to 'treat it as confidential'. He will accept the 'copy of the Year-book', although he is 'no longer a schoolmaster'. Humberstone is not named, but the item is from his papers.

One page, 12mo, slightly marked but text cleear and complete. "I must refer you to the publisher, Messrs Routledge, Broadway, London, for a reply to your question." Suitable for framing.

Photographs: All black and white prints. The first (21 x 15 cm) a portrait of Waller (reproduced in Baxendale, p. 26, below). The second (23 x 17 cm) a family photograph of six Edwardian individuals, three younger ones (including a woman and with Waller at centre) standing, and three older men seated. The other six (all 14 x 8.5 cm and taken at the same time) showing Waller and family outdoors: one of him rowing, and one with a smiling woman (presumably his wife). Overall condition of the photographs is fair. They are lightly-aged, with a little creasing here and there.

Poley was awarded the Royal Institute of British Architects Silver Medal for the 'Measured Drawings' which formed the basis of his book on St Paul's Cathedral in London, and his work is notable for its attention to detail. This collection (with very few exceptions his own work) gives a splendid indication of the nature and range of English commercial engraved illustration at the beginning of the twentieth-century. Around 150 loose 'pulls', varying in size from 18.5 x 14.5 cm to 4 x 6 cm. Including trade marks (The Cork Hat Company; Cook's World Travel Service; The Swifan; A. C.

12mo, 4 pp. Bifolium. Good, on lightly-aged paper. Addressed to close relation or agent. He agrees to 'the two sales in Sheffield of £52,000 and £90,000', but does not consider 'under £200 an acre' a good price. He wonders 'whether Sandford is inclined to give a bit to get a deal through without much trouble'.