Literature

Two pages, bifolium, 4to, fold marks and minor faint staining, good condition. An earlier draft of the satirical piece printed first in "Comic Miscellanies" (1840)(no other publication listed by LION, though one has to suspect an earlier periodical publication). Comparison with samples of Horatio's and James's hands (the latter is poorly represented by a hasty note in the BL collections) lead to my conclusion that Horatio wrote out this version in his neat hand with its flourishing capitals.

Pp.[viii].38.[2], disbound, minor damage around stab-holes, foxing, mainly good condition. Scarce. INSCRIBED by the author (part in square brackets lost through trimming): "Countess of Harcourt - From the Au[thor]". A convict transport was presumably named after her ("Countess of Harcourt") - it mainly transported Irish convicts. Spencer was the source of "How noiseless falls the foot of time". "Urania" was "a burlesque of German ghost literature" (DNB).

Dimensions of photograph 9 x 5.5 cm. Good sepia image, on backing card with Mayall's details printed in red at foot. Reverse of card mostly covered with remains of previous cream paper mount. This image does not feature among the three portraits of Martin listed in the National Portrait Gallery's online catalogue of its collection.

12mo: 2 pp. On creased, discoloured paper, with small closed tear and traces of previous mount adhering to reverse. An amusing, playful letter in a smudged, expansive hand. Reads 'My dear Phil | The other Phil Phil May will Phil the page in Xmas No. This will fill up & give it a fillip. ergo no Caran d'Ache | With Phil we're full. | Ought to be a fine number. | Have asked Phil May to contribute previously - | Well Phil May - but will Phil? | perhaps a wilfil person'. Accompanied by long typed commentary, giving provenance 'From a group of letters to Phil Agnew.

12mo: 2 pp. On lightly creased, discoloured paper, with traces of hinge from previous mounting adhering to margin of first page. He has 'an uncomfortable feeling' that he 'laid aside' a letter from Fulton 'to be answered, but which I cannot now find. It must somehow have got mixed up with other papers [...] If I am right in my fear, may I ask you to send me a copy of it?'

12mo: 1 p. On discoloured paper, ruckled and with traces of glue from previous mounting on reverse. He is returning 'the account of the Burns Volume' which accompanied his correspondent's letter of 8 October. 'It does not suit me to purchase it, as I have already other & more important memorials of Burns.'

On piece of lightly discoloured paper roughly 4 x 10 cms, with horizontal fold on left. Reads '[typed] Yours sincerely, | [signed] Mary A. Ward.' Docketed in pencil at foot 'Mrs Humphry Ward 1914'.

8vo: 8 pp. Stapled and unbound. In original grey printed wraps with rusted staples. Grubby and dogeared. Signed ('L. Conrad Hartley') presentation inscription dated 31 May 1915. No copy of the offprint of this short story on COPAC.

8vo: 11 pp. Unbound and stapled. In original beige printed wraps. Grubby and dogeared, with rusted staples. Signed (L. Conrad Hartley') presentation, dated 31 May 1915. No copy of the offprint off this short story on COPAC.

12mo: 1 p. Good. Since he 'liked the last little thing' she sent for his magazine, she ventures to think that he may approve of the piece she encloses (not present).

8.5 x 11 cms. Grubby and lightly spotted. Reads 'My dear Mr Sonnenschein | Kindly send draft as I can collect here - | Merrily Yours | Marshall P. Wilder'. Presumably refers to the English printing of his 'The people I've smiled with: recollections of a merry little life' (1889).

4to: 3 pp. Text clear and entire on creased, chipped airmail paper. A chatty, vivacious and entertaining letter, casting light on the state of mind of an English colonial wife. Thanks her for her 'kind remarks about my stories.

8vo: 4 pp. Good. Difficult handwriting. He wants him to keep the cheque, which he considers 'only a compromise between our different expectations'. 'I know that you deserve the larger sum that you spoke of - but it is a tight squeeze to make the & expenses for the year of the New Englander come out even, and I do the best I can.' With seven-line postscript.

Octavo: 18 pp. Unbound: stabbed and unstitched. First leaf and leaves with pp. 15/16 and 17/18 loose. Leaves with pp.3/4 and 15/16 half-separated. Paper discoloured and chipping at edges. Extends to 918 lots. The odd number of leaves implies the loss of a final leaf, possibly bearing text. Stamp of the Public Library Ford Collection. Docketing in pencil notes a duplicate at the New York Public Library. No other copy traced.

Octavo: 39 pp. Stitched. In original orange wraps, with grey printed paper boards. On spotted, aged paper, with insect holes to a couple of leaves. Wraps stained and worn. First English printing of an essay noted for its coupling with Henry James's piece of the same name (not present here) in an American edition of 1885.

Octavo: 8 pp. Unbound, stapled pamphlet of six leaves. Dogeared, with rusted staples and with horizontal band of discoloration and two vertical closed tears (2 cm and 1 cm) at head.

Journalist (1848-1870), killed 1870 in duel by Prince Pierre Buonaparte. The note is one page, 12mo, as follows: "La Gazette de Java, se recommande a l'Avenir Nationale / Victor Noir". The conjoint leaf has the following information, possibly in the same hand but more formal: "La Gazette de Java / Redige en Javanais, formar [?] Paris-Magazine, ... samedi 28 Mars, imprime sur papier de luxe - / . . . [series of names including Victor Noir], etc, etc. / Le Numero cinquante Centimes -". Victor Noir iwas the editor of this short-lived (no pun intended) publication.

Author, associate of Arthur Astor Carey (1857-1923), philanthropist and social worker, of Waltham, Mass. Four, three and two pages, 8vo, respectively, good condition. (1915?). She speculates that she didb't answer his letter because "I think I wanted at first to consider asking my publishers what they thought of publishing a cheap edition of my books - as you suggested - and then I decided that they would not think it advisable . . ." She praises a pamphlet he has sent, "Libraries as Workshops", describing her early experience in libraries.

Association founded in England in 1921 to promote the interests of writers worldwide. First item, two pages, 12mo; next four, one page, 12mo; last item, one page, octavo. All good, though lightly creased and on discoloured paper. All have two punch holes. Item one with staple marks in top left-hand corner. The collection consists of instructions to the printer of the association's journal 'P.E.N. News'.

English poet, essayist and civil servant (1800-86), author of 'Philip van Artevelde' (1834). Four pages, 12mo. Very good, on somewhat grubby paper. He is glad that his correspondent's aunt 'is getting so well thro' the seventies of this winter & the changes, which are perhaps more trying than a constancy of coldness. Indeed what were in my time the established notions about the evil effects of cold weather seem to be subverted, & not without reason.

See 'The club of 'Nobody's Friends' 1800-2000: a memoir on its two-hundredth anniversary' by Geoffrey Rowell (2000). Four-page bifolium. Good, on grubby, discoloured paper, with some creasing and wear at foot. Gives details of the election between 1820 and 1877 of fifty-nine Actual Members, and of eighteen Honorary Members. Includes the Rev. Charles Burney, the artist George Richmond and the publisher John Murray.

Two pages, quarto. On aged paper, with several closed tears and loss at foot and remains of stub in margin, but with text clear and entire.

Two pages, quarto. Very good, on lightly aged and creased paper. He is sorry that he has not been able to 'become personally acquainted with' Watts since coming to town, but will 'very soon make another attempt', hoping to find him at home.

Three pages, 12mo. Very good. The blank verso of the second leaf of the bifolium laid down on remains of leaf detached from autograph album. Begins 'At length by certain Proofs 'tis plain (to quote a hymn familiar to my childhood but forgotten now all but that first line) that the readers of Macmillan will know all that is to be known about the mistletoe, thanks to your labours, before Christmas.' He hopes she has received the proofs, and says that 'Grove, the Editor, writes to me that they are in type & he is forwarding them to Ickleton'.

On irregular piece of lightly creased and aged paper (roughly seven and a half by four and a half inches), with some chipping to extremities. Headed 'Punch Photographs'. 'Mr Mark Lemon [1809-1870, Punch editor] wishes me to come up to you & be photographed. I propose being with you at one tomorrow Saturday, if I am not unavoidably detained in Westminster on a trial.'

One page, 16mo. Good. Six lines. He may be 'giving some lectures in London shortly'. 'If I could make it worth my while to deliver them at some of the leading provincial towns, I might possibly arrange to do so. Therefore any information you could give me on the subject, I should be only too happy to have'.

Two pages, 16mo. Very good. Twenty-two lines, attractively written in purple ink beneath a letterhead printed in bright red. With postmarked envelope, addressed in autograph and carrying a penny stamp. He thanks her for sending him a copy of her book 'The Luck of John Seaton'. 'It reached me down in the country where, strange to say, I was already half way through it. I bought it at the railway station & had not arrived at the name of the author, when I received your letter. They ought to always put the name on the cover.' He enjoyed the story 'from beginning to end'.

One page, 12 x 9 cms. Rust stain from paperclip and strip of offset discolouration. In purple ink. A recent letter to Harmsworth was sent to the wrong address. He has 'another letter of Yates's [Edmund Yates (1831-1894), journalist and writer?], better than the one of which you had a copy'. Wonders whether Harmsworth wishes 'to make use of it'. Would also like to know whether 'shares in "Answers" [Harmsworth's magazine 'Answers to Correspondents']' can 'be got through a broker in the ordinary way'.

ITEM ONE (note, one page, 12mo, 3 December 1871, remains of grey paper mount adhering to verso of blank second leaf of bifolium): Apologises for sending a undated note: 'I daresay you can manage to fix at about what period it was written'. ITEM TWO (note, one page, 8vo, 12 December 1872, on creased, aged paper): Declining a dinner invitation. ITEM THREE (letter, one page, 8vo, 21 November 1873, on aged paper heavily chipped at head and foot): He has just described Draper's paper to Blanchard, who 'thinks it just the very thing they want. They like to have dates.

One page, 12mo. Very good on lightly aged paper. Difficult hand. He is sending 'one number of the Magazine which was mislaid', together with 'a book of the . The is very cold & , the <?>, to have a late Spring.'