TWENTIETH

For information about the Lady Hosie and her husband see his entry in the Oxford DNB. 2pp, 4to. In good condition, lightly aged. Folded twice for postage, and with a minor closed tear to edge of fold at head of leaf. Addressed to ‘Dear Mr. Burdett’ and signed ‘Dorothy [sic] Hosie’. Forty-one lines of closely-written text. The letter concerns a review she has written for a periodical whose title is difficult to decipher (‘The L[?]’). She was ‘going to type out a fair copy’, but thinks Burdett ‘may like it at once’. If he feels ‘portions of it unsuitable’, he ‘can then delete’. ‘Mr.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 1p, 4to. In good condition, lightly aged and creased. Folded twice for postage. Signed ‘Miron Grindea’.

Puzzlingly, considering his prominence in his field, Kinross is denied an entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. Each letter is 1p, landscape 12mo. One of the nine items has creasing to one edge, otherwise the collection is in good condition, with light age and wear.

An interesting range of content. See her entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The letter, with her printed letterhead, is somewhat worn and creased, the other four items are in good condition. Three items (including the letter) signed ?Doris Moore? and one ?DLM?.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The present material is in good condition, lightly aged. A total of 18pp, 12mo (nine pages apiece in autograph and typed).

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The present material is in good condition, lightly aged. ONE: Autograph inscription. Flyleaf and half-title of 'A Bookseller at the Ballet' have been neatly extracted, and are both in good condition.

Anne Williamson, author of two books on Henry Williamson and of his entry in the Oxford DNB, was married to his youngest son Richard (1935-2022). The present typewritten material (88pp, 8vo) consists of several drafts and duplicates of material intended for circulation to production companies she hoped to interest in a television documentary on Williamson. It is in good condition, with each page printed on a separate leaf of A4 cartridge paper.

Forty items, in good condition, lightly aged and worn, with some of the photographs with evidence on reverse of having been mounted. Millicent Goodsir [née Unger] (1885-1983) was governess to Christina Bezzi Scali (1900-1994), daughter of Francesco, Count Bezzi Scali and his wife Anna (1879-1968). In 1927 Cristina became Marconi's second wife. Their only child was Maria Elettra Elena Anna Marconi (b.1930), who would marry Prince Carlo Giovannelli (1942-2016).

1p, 4to. Twenty-three lines. Large sprawling signature ‘Lawrence G. Blochman’. In fair condition, worn and creased on lightly-discoloured paper. The recipient, an enthusiastic autograph collector, has evidently asked him to sign a bookplate to be stuck in his latest book ‘’Recipe for Homicide’. Her note has finally reached him ‘through channels (via my English publisher through my London agent to my New York agent)’. He is glad she finds the book entertaining, ‘even though you had not yet, at the time of writing, discovered the culprit’.

Jane Aiken Hodge was author of many works, mainly romantic fiction. Her most popular book was a study of Georgette Heyer, and she was also responsible for a biography of Jane Austen. 1p, landscape 12mo. In fair condition, lightly aged and creased. Folded once for postage. Signed in type ‘Jane Hodge’, with the following in type: ‘Mrs. Alan Hodge’.

See her entry in the Oxford DNB. 1p, 4to. In fair condition, aged and creased. Folded twice for postage. She begins by thanking her for her letter on her ‘portrait in the Daily Express’, which ‘is not finished yet and I have possibly another two months to do on it, but the Daily Express (because of the Liberace case) thought it would be nice to do it so I had to accede to their request’. Referring to her campaign to improve the quality of British paints she states that her ‘trouble with my paints is not yet over.

6pp, 8vo: with three pages beside one another on each side of a strip that folds in on itself. In fair condition, on lightly worn and discoloured paper. Front page with ‘Michael Fraenkel’ and list of five publications: ‘Death Is Not Enough / (Essays in Active Negation) / Werther’s Younger Brother / (The Story of an Attitude) / Death In A Room / (Poems 1927-1930) / Bastard Death / (The Autobiography of an Idea) / Hamlet, Volumes I and II / with HENRY MILLER’.

ONE: Prospectus for ‘Bastard Death / The Autobiography of an Idea / By / Michael Fraenkel’. 4pp, small 4to. Bifolium leaflet with prospectus on recto of first leaf, ‘press proof’ on two central pages, and list of other works, with reviews, and order form on verso of second leaf. In fair condition, on lightly-creased browning wove paper. The prospectus begins: ‘This is an uncorrected press proof of the new limited edition of BASTARD DEATH, showing hand-set 12 point Cheltenham type, size and set-up of page, etc.

Five copies listed on JISC. Now scarce. 8pp, 16mo. Stitched pamphlet, on good wove paper. In fair condition, lightly aged, with small closed tear at head of first leaf. First two leaves with light crease. Enfolded in ‘wallet’ of the same paper, repeating the title on the front (differently positioned), and also giving the price as sixpence. The poem, covering pp.2-7, is in small print, and the first stanza reads: ‘I bind upon myself to-day / The Strength of the Holy Trinity: / That mighty Breastplate be my Stay! / I here invoke . . . I here confess . . .

6pp, 12mo, on two bioliums. A long letter, neatly and closely written. In stamped envelope, with stamps and postmark, addressed to ‘Miss Sprott / Magavelda / Blakeney / Holt [Norfolk]’ and signed ‘John Bacon’. The letter and envelope are in fair condition, on slightly discoloured paper and with short closed tears along the folds made for postage. He begins: ‘Dear Miss Sprott.

From the Williamson family papers. See his entry in the Oxford DNB. The material is in fair condition, lightly aged and creased. In a card folder on which is written by Williamson’s son Richard ‘PLANS for House for Ox’s Cross - DENNIS (builder) 1973 / Plans of Cottage. / See Schwabe’s original plans.’ ONE: Typed Letter Signed from A. J. Dennis to Williamson at 4 Capstone Place, Ilfracombe. 2pp, 4to. Headed in brown felt-tip ‘Copy’, but certainly with Dennis’s genuine signature. Much of the text underlined in red felt-tip.

Peteris Cedrins possessed an interesting dual heritage: born in the US to exiles from communism, he grew up in Chicago, was educated at Bard College (NYS), and settled in Latvia on the fall of the Soviet Union. He published in English and Lavian in the US, UK and Latvia. See the appreciative obituary by Jeffrey Sommers, posted on the ‘Counterpunch’ website on 11 August 2022: ‘Memoriam: Latvia’s Peteris Cedrins, Last of the National Poets’.

12mo, 53 + [iii] pp. Text clear and complete. Aged and worn, with loose original front cover, printed in green, remaining from the binding. Stamp of 'The Community of the Resurrection' on title-page. A few manuscript notes in light pencil. Scarce: five copies on COPAC, at the British Library, Oxford, Cambridge, the National Library of Scotland, and University of London, variously dated to 1909 and 1910.

For Powys and his two literary brothers see the Oxford DNB. On 11 x 9 cm piece of wove paper. The paper is discoloured with heavy spotting aroudnd the signature. Clearly a response to a request for an autograph, neatly written and centred on the paper, the only writing is the signature: ‘Theodore Frances Powys’. See image.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged with patch of light sunning. Folded once. The recipient is not named. Reads: ‘Dear Madam / Forgive me for my delay in answering your letter. I have been laid up for a week or two with influenza & my correspondence has suffered in consequence. / And please believe that your words have given us sincere pleasure & that I am / Yours very faithfully / A. T. Quiller-Couch’. The hyphen in the signature is almost imperceptible. See image.

An attractive artefact of a pioneer of women’s rights. See her entry in the Oxford DNB. On 14 x 9 cm post card. In good condition, lightly aged. Addressed by Faithfull, with two stamps and postmarks, to ‘Miss Muriel Lewis / Greyhound Hotel / Carshalton / Surrey’. In neat hand and with good firm signature: ‘1 Campden Grove Kensington / I hope to see you to lunch to-morrow Monday at 1. pm. / Yrs. / L. M. Faithfull’.

According to Noël Coward’s entry in the Oxford DNB, his family moved through the suburbs of south London, before finally setting in Ebury Street, where his mother Violet ‘acquired a boarding-house on the fringes of Belgravia’. The letters are written on the verge of the huge success of the revue ‘Bitter Sweet’ (1929). The recipient of these letters Sewell Stokes was an author and broadcaster who also worked as a probation officer and prison visitor, writing several works on the British penal system.

See his entry in the Oxford DNB. The first letter 2pp, 12mo; the other three 1p, 12mo. All four items in good condition, lightly aged; and all four folded once. Each with the stylized signature ‘Trenchard Cox’. None of the four gives the year, but the first is noted in pencil as being replied to on 14 January 1971, and the last is accompanied by its envelope, with 1972 postmark, addressed by Cox to ‘Peter Wiener Esqr / 2 Napoleon Road / RAMSGATE’. The middle two are from the same period as the fourth.

Long and almost universally-appreciative articles, with photographs and cartoons, reflecting the excitement and energy of the period during which Fry was, as Michael Billington writes in his entry on the playwright in the Oxford DNB, ‘a dominant figure in British drama’. Ranging from three continents, with a few articles in foreign languages (Swedish, German, French). Among the material are John Gielgud’s long statement ‘Mr. Gielgud discovers Mr. Fry’, New York Times, 5 November 1950; and Richard L. Coe, ‘ “Lady” Delights A Packed Gayety’, Washington Post, 21 March 1951.

See his entry in the Oxford DNB. 1p, 12mo. Sixteen lines of text. In fair condition, lightly aged. Folded once. Stylized signature: ‘L A G Strong.’ He replies to her letter by saying that he is ‘delighted’ that she enjoys reading his books, ‘and I very much appreciate your kindness in taking the trouble to write and tell me so’. He hopes that she will continue to read his work, and that it will ‘never disappoint’ her. ‘Nothing is more encouraging to a writer than to know that he has numbers of friends, whom he has never seen, but who are following what he does with interest and pleasure.’

See his entry, and that of his brother, in the Oxford DNB. The recipient Clifford Musgrave (d.1993), Borough Librarian, was instrumental in the saving and renovation of the Brighton Pavilion. Both items in good condition, lightly aged. Both written in an elegant close calligraphic hand. The first is misaddressed to ‘Mr Muspratt’, and the second to ‘Mr. Musgrave’. Both signed ‘Clifford Bax’. ONE (14 February 1945): 2pp, 16mo. Nineteen lines. Regarding the arrangements for a lecture he is going to give, he has been asked by ‘Eric’ to communicate with him about his ‘Brighton visit’.

See Hopkins’s entry in the Oxford Companion to Twentieth-Century Poetry in English. His papers are in the Harry Ransom Center of the University of Texas. The obituary of the recipient Andrew Block (1892-1987) in ‘The Private Library’ was subtitled ‘the doyen of booksellers’; his business was established in 1911. Printed on one side of a foolscap 8vo leaf. A tasteful piece of provincial printing. Worn, creased and dog-eared, with closed tears at head. Inscribed at bottom-right: ‘for Andrew Block / Kenneth Hopkins’. Titled ‘THREE SONNETS’ and signed in type ‘KENNETH HOPKINS’.

On 9 x 13.5 cm newspaper cutting of photographic portrait of Jarred. In good condition, lightly aged. Reads: ‘Mary Jarred / 1935.’ The photograph shows Jarred posing in a black dress and pearls, with left hand arranging her white fur coat to tastefully emphasize her bust. See image.

On 17.5 x 11.5 cm leaf of pink paper, with rounded edges, removed from autograph album. In good condition, lightly aged. Written in a large, expansive hand, diagonally and upwards. Reads: ‘With all / good wishes / Oda Slobodskaya’. See image.

See her entry in the Oxford DNB. The letters concern Manning’s second novel, ‘Artist among the Missing’ (1949). Both in fair condition, on lightly aged and spotted paper. Both 2pp, 12mo, and both signed ‘Olivia Manning’. ONE (15 May 1949): Twenty-four lines of text. She thanks him for his review of her book in the Hendford Herald: ‘I feel you have understood the point & purpose of the book a great deal more deeply than most of the regular reviewers who dealt with it for the literary weeklies’.