TWENTIETH

4to, 4 pp. Good, on lightly creased paper. From the Ken Ryan collection. Long, rambling, good-humoured letter on the . 'Here it is New Years Eve and I'm at home, and being quiet. - I was tired as we have worked hard all week. - and its good to be quiet. [...] London must have been interesting during the holiday season - I hope to some day see it but when I ever will is the question I'm never to [sic] good to save money. - Next week we have the Monte Carlo Ballet. Russe. and I am looking forward to seeing it. with pleasure. I've always been so fond of ballet.'

Dimensions of image 20 x 13.5 cm. On piece of paper 29 x 21 cm. Very good, with four unobtrusive marks and pencil numbering in margin. Taped to backing board and with paper cover. Depicts a suited individual trudging down a corridor festooned with gadgets, including two small beeping television sets attached to his head, a mobile phone in a holster, with bullet belt marked 'BATTERIES', a large camera on his belly, a fax machine draped around his neck, and a suitcase marked 'PC'. Bemused individual looks on from doorway.

Dimensions of image 19 x 15.5 cm. On piece of paper 29 x 21 cm. Very good, with unobtrusive pencil and ink marks in the white space above the image. Taped to backing board and with discoloured paper cover. Shows a dorkish figure wearing a baseball cap marked 'C.S.T.', which has two small televisions on springs over the ears.

12mo, 1 p. Very good. He hopes she will bring her paper out soon, 'as there is room' for it, 'especially if you are careful to steer clear of mere nonsense'. Asks her to ask her 'paper' to send the cheque to him, 'and not to Peters, as he had no hand in the transaction'. He 'travelled 2,500 miles doing those articles on our war-time effort', and is 'now very glad to be back home, picking up the threads of my own work again'. He has just finished 'a comedy', and hopes 'to start another soon'.

8vo, 2 pp. Very good. She has been recovering from influenza at Brighton. 'I think your Paper is going on Splendidly [last word underlined] & I am so glad! [last two words underlined]'. 'Yes, isnt Margaret Ettinger a charming Creature! She told me you had talked together of me'. Asks for Ettinger's address. 'How's the home? - how's the charming wife? - & when shall we discuss the affairs of the world, the flesh, & the devil?!' She is well, 'all but my knee, which has been behaving like an ungrateful child'.

Both items written in pencil and good, on lightly aged paper, with their stamped and postmarked envelopes addressed by Asquith. Both envelopes with traces of brown paper mount adhering to reverse, and both docketed by the Graphic's editor 'To me Harold Lawton'. Letter One (12mo, 4 pp, headed 'Private'): Amusingly outraged letter regarding a visit by 'two gentlemen' of whom Asquith 'had no sort of knowledge'. Graphic journalists, they assured Asquith 'that nothing wd. be written about me without my seeing it first [last five words underlined in red]'.

4to, 1 p, 8 lines. Lightly creased and with a little smudging from a carbon and some minor paperclip staining (none of which affects the signature). He is sending 'a short article [not present] - "Art in the Post War World", and a copy of an address to "The Auckland Society of Arts." ' He believes 'that countries like New Zealand, cut off from the inspiration and example of what is best in European Art, are prone to be dazzled by Materialistic Efficiency; even when linked with the best technical flavourings through Art in industry.'

One page, 12mo. Very good, with light paperclip spotting. 'Certainly. I am glad to comply with your request.'

One page, 12mo. Very good, on lightly aged paper mounted on piece of card. Reads 'London | July 28/13 | Master M. Bull | I append autograph as requested | Yours truly | John Oxenham'.

On strip of paper roughly two inches by eight wide. Good. Two bold signature reads 'Yours sincerely | Richard Adams'. Presumably the collector was expected to cut the autographs off individually - for wgatever purpose.

One page. Dimensions of paper roughly six and a half inches by eight wide. Spotted, aged and creased, and with some closed tears. Addressed to Wreden at 'Box 56, Palo Alto, Cal., U.S.A.' For '3 reg'd bookpost parcels', and headed 'Hodgson's Sale 25th Nov. 1954'. Lots 204 and 205 purchased for a total of £27 9s 9d, including an apparent commission of 15% on an item under ten pounds, and 10% on one over that sum. Items ('French Documents & Autograph Letters' and 'Autograph Letters from Lord Brougham and contemporaries') described in nine lines.

Quarto: 40 pp. In original printed wraps, decorated with various facsimiles. Facsimiles in text, and portrait of Beethoven on rear inner wrap. Good, on browned paper. Sections on painters, writers, poets, architects, sculptors, musicians. Nods towards the American market, with some entries in English and Dollar conversions. Together with Nebehay's attractive bifoliate trade card, carrying a photograph of his premises.

Quarto: 196 + xii pp. 58 facsimiles in text, but lacking frontispiece. No dustwrapper. In original cloth binding, decorated on the front board in yellow, grey and black. Good, with spotting to edges and boards. Concentrating exclusively on German autographs. Wolbe was removed from his teaching post by the Nazis in 1933.

[viii] 237 pp., fol.m, original grey and red printed wraps, numerous plates and illustrations in text, some staining of cover around spine, a few pencil markings, top of spine damaged, mainly good condition. It includes Cortes, "Carta de Relacion" (1522), other important Americana, and the first edition of "Don Quixote".

Folio: iv + 237 pp. In original grey and red printed wraps. Numerous plates and illustrations in text. Grubby and spotted, in heavily-worn wraps. One plate slit along fold and repaired with tape. Presentation copy, inscribed 'With Compliments from E U Maggs'. Covetable items, accurately described, from a complete set of Addison and Steele's 'Spectator' (£105) to the first edition of both volumes of Wordsworth's 'Lyrical Ballads' (£185). Contains 'twenty-four autograph letters signed [by Charles Dickens] on "The Village Coquettes" to John P. Hullah, the musical composer' (£650).

12mo: 45 pp. In original light-green printed wraps. Very good on lightly aged paper, with some sunning to wraps. Inscribed by the author "For Mary | with love & all good wishes for Christmas and the New Year, especially the show' | Th." Besterman attempts to demonstrate that the taste for autographs, 'tres loin d'etre malsaine, est au contraire pure et bienfaisante'.

Quarto, one page. Good, on lightly aged paper spotted by paperclip, with some creasing to extremities. 'If you will let your list down to this level, here you are'. The letterhead carries the names of the Pageant's officers with a Welsh dragon in red in the top left-hand corner. From the collection of Rev. E. J. F. Davies.

Two pages, 12mo. Very good. A formal letter written in the third person. 'Lord Liverpool presents his compliments to Mr. Barker and in answer to your [sic] letter regrets that his father has been dead two years and therefore he cannot comply with Mr. Barker's request for his signature.'

One page, 12mo. Grubby, and with traces of previous mount adhering to reverse. Small circle containing '170' in red in top left-hand corner. He is sending his autograph, 'which I could not do while at . I am glad you have read some of my stories; I presume those now in book form as "1001 Indian Nights." '

One page, 12mo. Good, on aged and lightly spotted paper, but with blank verso showing traces of previous mounting. Nine-line printed biographical cutting laid down in top left-hand corner. Reads 'Madam, In accordance with your request I enclose my autograph'.

All three items very good, and the first bearing the Society's stamp. Item One (15 June 1928, foolscap, 1 p, 12 lines): He has received a notice of a meeting by 'the Dominions and Colonies Section Committee' and asks Perry to 'please explain the position to me'. 'I am not quite clear why I am being asked as I cannot remember ever having been put on this Committee. True, Sir Humphrey Leggett suggested over a year ago that I should join the Society again as he thought I might be of some use to your Committee.

All items good. Two bearing the Society's stamp. Item One (typed note, 15 October 1931, 4to, 1 p): He is sending 'short summaries of the two lectures, in a form which I prefer to mere headings'. Item Two (autograph letter, 17 January 1932, 8vo, 1 p): He is sending 'summaries of the two lectures'. 'As you seemed in a hurry I have not waited to have them typed. I think that they are legible, but I will look at a proof if you like.' He has left it to Menzies 'to add any preliminaries or conclusions that may be necessary'.

On piece of pink paper roughly 8.5 x 11 cm. Laid down on slightly larger leaf from an autograph album. Good with a little paper and glue staining to the mount. Good bold signature, diagonally across the page.

On piece of light green paper, 8 x 11 cm. Laid down on leaf of slightly larger paper, taken from an autograph album. A little grubby and ruckled. Written in green ink.

On piece of cream paper, roughly 8.5 x 12 cm, removed from an autograph album. Good, on paper with a few light marks. Bold, firm signatures in pencil, one on each side of the leaf. Two signatures,

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good. All three signatures are bold and clear. The signatures of Lawrence and St Helier are on one side of the leaf, and that of Carey is on the other. Lawrence's signature is in ink, and the other two in pencil. Three signatures,

On leaf of light blue paper, 8.5 x 12 cm, removed from an autograph album. Very good.

On piece of paper roughly 2.5 x 5 cm. Laid down on leaf of cream paper, 8.5 x 12 cm, from an autograph album. In slightly faded blue ink, and with a crease to the bottom left-hand corner, affecting the lower loop of the 'J'.

Dimensions of card roughly 8 x 12 cm. Very good though lightly aged. Asking her correspondent to dinner in the following week. Note, addressed to 'Cher tres Cher Coq', on one side of 8vo grey paper. Very good, though lightly creased. She will be 'enchante de vous voir chez moi' on Wednesday [6 July] at 1 o'clock. Both items written before the Asquiths 1919 move from Cavendish Square to 44 Bedford Square. Two items,

8vo: 1 p. Good, with creasing towards right-hand margin. 'Very many thanks, my dear Williams, for your most kind congratulations. I feel that my honour is some recognition of the publishing trade & I take it as such'. Murray was created KCVO in 1932, following his publication of the ninth and final volume of the letters of Queen Victoria.