TWENTIETH

1p., 4to. In good condition, lightly aged. She apologises for the late reply to her 'nice letter', and has 'autographed the bookplate as you requested'. She ends with the question: 'Have you read my latest book, "A Prologue to Love"?' Note: Eileen Cond was an autograph collector who used to send her bookplate for sigining to significant contemporaries.

On one side of 7 x 10 cm piece of pink paper cut from an autograph album. In fair condition, lightly aged. In a bold, large hand, simply reads: 'Gracie Fields'.

Written in blue ink and covering both sides of the card, which does not carry an address. After informing her that she is returning her bookmark with her signature she continues: 'I have been through an awful time which has killed all interest in the great success my “Perfect Wife” seems to be having. My husband has had an operation for a lobectomy (removal of part of his lung[)], which, thank God, has been successful. And all this, (for the last 3 months) while we were in the middle of a move!' She states that they have 'sold the Manor, & are living pro tem in one of our lodges.

1p., 4to. In fair condition, lightly aged. She thanks her for her 'tribute to my book', adding: 'Fancy you thinking that I lived in Australia! My brother to whom I gave a dedication lives there. I never get further than Monkstown which is part of Dunlaoghaire.' She ends by observing that Cond's letter 'seems to have been a long time travelling'. Beatrice Coogan was the daughter of a policeman, a Dublin socialite who was crowned Dublin's Civic Queen of Beauty in 1927. She was the author of 'The Big Wind', won the Frankfurt Book Fair’s 'Novel of the Year' in 1969.

2pp., 8vo. 2pp., 8vo. In fair condition, lightly aged. She begins, after stating that she is returning her bookplate (which she has signed), with details of a forthcoming visit to England, involving a drive 'up North to my father's birthplace', where she will 'stay in Northumberland a fortnight at least, and investigate some of the masses of cousins I have there'. Later she may 'be down your way' (Devon): 'Do you still run the Deer Park?

On 15 x 11 cm photographic portrait of Menuhin, neatly cut from an English newspaper. In good condition, lightly aged, with label from mount adhering to reverse. Menuhin has appended his signature and the date ('Yehudi | Menuhin | Nov. 6, 1939') in blue ink at the head of a pleasing portrait of his head, looking over at the viewer with the tip ov his violin at his chin.

4pp., 4to. Bifolium. Aged and creased, with chipping and closed tears to edges. Engraved title-page states that the work is 'Copyright 2/- net | No. 1 Low Voice | No. 2 Medium Voice'. Inscribed at top left-hand corner of title-page: 'To my friend Sir Courtenay Mansel with kindest regards from | Julius Harrison | Oct. 26th. 1920'. Moore's poem is printed on the reverse of the first leaf, and facing it, on the recto of the second leaf, is the score. On the reverse of the second leaf is a 'Revised List' of 'The Enoch Art Song Library', with the date of issue ('June, 1920.') at bottom left.

Signature on an irregular piece of paper torn from the bottom right-hand corner of a leaf. The valediction to a typed letter. Reads: '[...] gards from us all. | [...] ncerely, | Carl Dolmetsch'.

On 13.5 x 18 cm leaf of cream paper, torn from an autograph album. Good firm signature, rising upwards, and reding 'Toti Dal Monte | 1956'. Nothing else written on either side of the leaf.

[16]pp., 12mo. Stapled. In green printed wraps with illustration on cover. In very good condition, very lightly-aged with slight rusting to the two staples. The thirteen Capricornus items on COPAC indicate that the press was connected with K. M. Briggs, or at least with her family, who had moved to Perthshire with their father in 1911. Uncommon. Copac lists sets of the three volumes in the series at the British Library, National Library of Scotland and Oxford, and a single copy of this number at the National Library of Wales.

36pp., 12mo. In cream printed wraps with illustration on the front cover. In good condition, on lightly-aged paper with slight spotting to covers. The thirteen Capricornus items on COPAC indicate that the press was connected with K. M. Briggs, or at least with her family, who had moved to Perthshire with their father in 1911. Uncommon. Copies on COPAC at the British Library, National Library of Scotland, Oxford and Trinity College Dublin.

On 6.5 x 12 cm slip of thin laid paper, cut from the end of a typed letter. Signature in blue ink. In fair condition, lightly aged, with tissue labels from mount adhering to the blank reverse. Reads: '[...] | Yours sincerely, | [Graham Greene] | Graham Greene. | The Lord Iddesleigh, | Pynes, | Exeter.'

On 8 x 12.5 cm piece of paper, torn from the end of a letter. In fair condition, aged and lightly spotted. On one side of the slip is the conclusion of the letter: '[...] | Yours very sincerely | Edith Sitwell'. On the other side is the following autograph fragment: '[...] kind of you to invite me to your lumcheon party on Tuesday, and I am looking forward to it so much. I have not seen you for [...]'.

12pp., 8vo. Stapled into light-brown printed wraps, with title in dark-brown on white label on front wrap. In good condition, lightly aged and worn. Blackwell's address is on pp.3-10; p.11 carries a 'List of Members 30th June 1937', in two columns, including R. Cobden-Sanderson, Geoffrey Faber, Rupert Hart-Davis, Harold Macmillan, Stanley Unwin and Sir Hugh Walpole. The final page carries details of the Society's officers, committee, secretary and offices. Blackwell begins his address: 'I have nothing new or strange to propose to-night.

1p., 8vo. In good condition, lightly aged and worn. Obtrusive stamp at head giving the date of receipt as 28 November 1979, with this date queried in ink. Benn's signature underlined by the recipient in thin red ink. Reads: 'Dear Mrs Kingham: | Forgive the delay. | My life-style is that of a very hard-working M.P. with a wife who teaches & writes & 4 children educated at comprehensive schools. | You shouldn't believe the rubbish you read in the press.'

Totalling 17pp., foolscap 8vo. The main paper, 'The Organisation and Functions of British Chambers of Commerce', 14pp; the supplementary paper (separately paginated), titled 'Joint Chambers of Commerce', 3pp. Separating the two papers is a leaf carrying a faded duplicated image of a plan copied from The Chambers of Commerce Manual 1954-5'. In fair condition, lightly aged and worn, with rusty staple and paperclip, and slight creasing to the last three leaves of the main paper. Minor pencil emendations throughout the main paper by Carpenter.

The London College of Educational Dance Training opened at Rawdon Hall in 1944, merged with Middlesex University in 1994, and shut in 2003. Grace Cone, the first principal, retired in 1966, and was replaced by her vice-principal Anita Heyworth. Heyworth retired in 1973 and was replaced by Phrosso Pfister. Pfister had become a student at the college in 1945, following war service with the SOE in Egypt and Italy, and had become a staff member in 1949. The present collection of five items is from Pfister's papers.

Three pages, 12mo, good condition."Mrs Lynd's [ Sylvia Lynd, author ] letter about the Femina Committee followed me here where I am spending a few days. The onlky objection I can see to inserting the word 'formerly' before F.V.H. [Femina - Vie Heureuse ] is that the title of the Prize Committee would be even more unwieldy than it already is!- but of course I am in favour of trying to settle the difference between the two French committees, and hope Mrs Lynd will write the letter she suggests in her letter. I must admit that I didn't realize there were two [underlined] French committees."

[4] + [18 pages paginated 371-388], 8vo. Stitched, in grey printed wraps. Aged and worn, with some light damp staining. Faded ink inscription at head of front cover: 'Rev. Robert Frew | with compliments | Alb. Lybyer'. Scarce.

1p., 4to. In good condition, on lightly-aged paper. The first paragraph reads: 'Dear Cuming Walters, | Forgive me for not writing sooner. The fact is I have been down with influenza and pneumonia for the last three weeks. The worst time of the year for me! After the first week I contrived with difficulty to carry on with things, lying on my back dictating letters to my daughter, who has helped me enormously. But I am up again, and though not allowed out of doors have for the last four days been working in my room here, so shall manage all right and get my Christmas No.

Good firm large signature in blue ink on 13.5 x 18.5 cm leaf of cream paper torn from an album. In good condition, lightly aged. Reads 'Rafael Kubelik | 25.X.37.' No other writing on either side of the leaf.

Attractive menu, printed in black and gold, on card bifolium, folding into two 8 x 17 cm. panels, partly detached. In fair condition, lightly aged and worn. Calligraphic design, with 'Pagani's' printed in gilt on the cover, and the menu itself on the recto of the second leaf, facing some calligraphic flourishes on the verso of the first leaf. The two inscriptions are both in pencil, mainly on the recto of the second leaf but with the second extending somewhat onto the facing page. The upper of the two, signed by 'A. C.

1p., 4to. In fair condition, on aged and worn paper. He apologises for his 'long silence', having been 'troubled by several things not connected with literature'. He expresses a desire to call on her 'some time later'. He has not been successful with her articles with Lord Beaverbrook, and thinks 'the most effective step to take would be to publish your novel first'. (Her first novel 'Cold Surge' was published by Hutchinson & Co. in 1929.) He has signed her copy of his novel 'The Polyglots', which he is returning separately.

1p., 4to. In good condition, lightly aged. He only met Finck on a few occasions, but offers his condolences 'as a Composer of Light Music, and as a former Director of Music at a West End Theatre (Daly's)'. In his view, Finck 'surely had no superior in the art of giving pleasure to others, not only by his personality, but also by his pen.

According to his obituary in the Guardian, 2003, after a long period of neglect, Prince was rediscovered b the New York School, and by the end of his life had 'come to be regarded by writers as diverse as Geoffrey Hill and the American innovator John Ashbery as one of the most significant poets of the 20th century'. 40pp. of closely-written text in a small (13.5 x 9 cm) 'Lion Brand' notebook. Stapled, in card covers. In fair condition, aged and worn.

Five letters, each 1p., 4to. In fair condition, aged and creased. ONE: Palace Theatre, 4 July 1912. In capitals. Conveying the thanks of the King and Queen to the members of the orchestra for their work at the previous night's royal performance, and adding, for Finck: 'I have already told you how much I appreciate what you did on Monday night and the splendid manner in which you conducted. The success of the performance would have been impossible without your invaluable assistance.' TWO: Garrick House, 23 March 1921.

The material is in fair condition, lightly aged and worn. ONE: Set of 16 black and white 'Leichner Make-Up Charts', each on a loose 22 x 13.5 cm piece of art paper. Complete with covering leaf. Illustration and instructions on how to prepare make-up for characters including 'Haggard Man', 'Villain', 'Stage Butler', 'Italian', 'Arab', 'Clown', 'Red Indian', 'Oriental', 'Jovial Woman' and 'Ballet'. TWO: Duplicated Typescript titled 'Casualty Faking'. 6pp., 4to.

The seven items in fair condition, on aged and worn paper. Menus, with seating plans, for the gaudys of 1906, 1914, 1920, 1921, 1925, 1927 and 1930. Six of the seven uniform in design, printed on both sides of pieces of 24 cm square paper, folded twice into a 24 x 8 cm packet. The seventh (1925) printed on both sides of a 28 x 22.5 cm piece of paper, folded three times into a 14 x 7.5 cm packet.

1p., 12mo. In fair condition, on creased and lightly-aged paper. Written in a close and difficult hand. A jokey letter: 'I also am obstinate as Marion in matters of fact. I doubt if ever she saw a bishop signing with "Arthur Bath. and Well." What she saw was "Bath. & Well." which must stand for "Bathomensis et Wellensis".' | But yet I will not be sure that there has been no iliterate [sic] bishop of Bath and WElls. At least the bishop now alive can sign his name for I have seen him do it. This is more than I can do, as you see'.

2pp., landscape 8vo. In envelope, with stamp and postmark, addressed to 'Miss I. Forbes-Robertson | 30a. Collingham Place | Earls Court | S.W.5.' In good condition, lightly aged. The first part of the letter concerns a lost or stolen letter and cheque. 'Of course I shall pay you - but it is s. sweet of you to suggest the present'. She repeats information she gave in the letter about which artists' materials she would like: 'Paper for water-colour is becoming scarce too but I have some at the moment'.