AUTOGRAPH

See image. A nice item, linking two important figures in French history. 1p, foolscap 8vo, on the recto of the first leaf of a bifolium of unwatermarked gilt-edged wove paper. Aged and lightly creased, with short closed tears and wear at the head. The ten lines of neatly written text are neatly and clearly signed ‘Louis’, and there is a wavy and almost vertical line from the king’s signature to that of ‘Chateaubriand’ at bottom right of the page.

See his entries in the Oxford DNB (where his edition of Pepys is described as ‘an amateurish travesty’ of the transcript) and the History of Parliament. 2pp, 12mo. In good condition, lightly aged and folded twice. Good neat signature: ‘Braybrooke’. The recipient is not named, but the name of the editor of the work mentioned by Braybrooke is given as 'C.

See the two men’s entries in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. Addressed to ‘Dear Mr Paxton’ and signed ‘Morpeth’. Much of the letter comprises a twenty-three line quotation from a letter Morpeth has received ‘from a great friend of mine in Dublin, Mr Hamilton’ (After the transcription of Hamilton’s letter Morpeth gives his name as ‘William Tighe Hamilton Esqre [1807-1886] / Donnybrook / Dublin’.

2pp, 12mo. Bifolium. In good condition, lightly worn. Folded once. Addressed to ‘Dear Mr. Cochrane’ and signed ‘Edwd. Stanton’. He thanks him for ‘sending me the Nile map, which is certainly more complete than any I had, though it does not give us much more information as to the rivers South of [Faolooda?], than is to be found in The Times atlas’. He hopes that when his son ‘returns from his explorations of the Bahr-el-zara’, he ‘will be able to extend our knowledge of that part of the Nile Valley’.

Asee image of[339]See Williamson’s entry by his daughter-in-law Anne Williamson in the Oxford DNB, together with her 1995 biography of him. The present tranche of material gives a marvellous insight into the working processes of a fine - perhaps even a great - English writer, in addition to showing the gestation of one of the finest novels of the First World War.

See his entry in the Oxford DNB, in which ‘deep professional commitment and mental toughness’ are said to be qualities whose possession he demonstrated ‘heroically’. Beatty’s aggressive tactics at the Battle of Jutland are often contrasted with Jellicoe’s more cautious approach. After the explosion of the Indefatigable and the Queen Mary, with the loss of 1283 officers and men, he came out with the celebrated understatement, ‘There seems to be something wrong with our bloody ships today’.

An interesting item, casting light on Victorian London publishing of periodical literature. For Passmore Edwards, to whom London is indebted for innumerable public libraries (many now closed), see his entry in the Oxford DNB. ‘The Biographical Magazine’ was founded in 1852, and the first two volumes were published by ‘J. Passmore Edwards, 2, Horse-shoe Court, Ludgate Hill’.

Stockdale’s entry in the Oxford DNB provides an excellent commentary on the present four items: ‘An assumption that colonial economies should continue to be dominated by the export of cash crops, and a faith in Western scientific agriculture led in 1929 to the establishment of the colonial agricultural service with a colonial advisory council of agriculture and animal health, and a full-time agricultural adviser, a position to which Stockdale was appointed.

One page, 4to, fold marks, good condition. I remember that once, when at a P.T.A. meeting we passed a resolution - I think it was about the need for stricter supervision to prevent children going to Cinemas shopwing films intended only for adults, to make this protest more effective you undertook to circularise other P.T.A.'s. | Now we are very anxious to get into touch with as many such associations as possible. I applied to the Secretary of the London Regional Home School Council & asked if they could furnish me with a list. They replied that it was impossible as the number was too great.

Stockdale was for decades the leading figure in his field within the British Empire and later the Commonwealth, and his work undoubtedly saved countless lives, and increased the welfare of many thousands. See his appreciative entry in the Oxford DNB, in which he is described as 'in many respects ahead of his time'. The present collection comprises a family photograph album with 86 photographs inserted and loose, with a copy of his funeral service, and few other items. All the material is in good condition, with only light signs of age and wear.

Two pages, 12mo, black-bordered, bifolium, very good condition. Presuambly an answer to a question about a naval incident in 1810, perhaps for a memoir or similar being prepared by Smyth which his death in 1865 pre-empted. Text: Captain Mundt of HMS Hydra commanded at Gibraltar which was then a Station of the Mediterranean Fleet in 1810, & the Gunboats were under his control. | I commanded a Gunboat in the Spring & Summer of that uear, but the range of our expedition was not large.

See his entry in the Oxford DNB. 1p, on an 11 x 14 cm piece of paper cut down from 12mo. In good condition, lightly aged and worn, with minor traces of glue from mount adhering to the blank reverse. The letter reads: ‘My dear Barker / I shall be most happy to join your agreeable party - Croker to whom I was engaged for Monday goes on from Apethorpe to Belvoir instead of coming home[,] so I am at liberty - Milne is I believe on a visit to the Marquess of Bute at Luton. / Yrs most truly / Theodore S Hook’.

See his entry in the Oxford DNB. 2pp, 12mo. In fair condition, lightly aged and worn. Folded twice for postage. Begins: ‘Mr. Westall presents his compliments to Miss Macirone & begs to assure her how very much obliged to her he feels for the honor she has done him in sending him two tickets for her morning concert’. He will have ‘the greatest pleasure in attending’ the concert, and is ‘quite sure he shall be very much delighted’.

The circumstances surrounding this extraordinary original composition in Latin verse are obscure. See Phillips’s entry in the Oxford DNB, which notes that there was ‘an air of Proust’ about him, and quotes Oliver Brown’s description of him as ‘a stout man, immaculately dressed and heavily scented, who talked continuously while he looked at the pictures'. It may be that Phillips and the author of the poem had been educated together, or that they were members of the same club (the Athenaeum for example).

See the two men’s entries in the Oxford DNB. Each item 1p, 12mo, on a bifolium. Both in fair condition, lightly aged, and both folded twice for postage. Both addressed to ‘My dear Crofton’. LETTER: Signed ‘S C H’. Presumably while working on ‘A Week at Killarney’, the book he and his wife published in London in 1843, Hall asks for ‘one or two morsels about the Palatines’ (see ‘Killarney’, pp. 78-79, a peculiar race of strangers): ‘Why were they planted in Ireland? - when precisely? by whom precisely’. NOTE. Signed ‘S. C. Hall’. ‘Godwin tells me the certificate is not “up” at the Antiquaries.

Sitter, artist and engraver all have entries in the Oxford DNB. No copy in the National Portrait Gallery. In good condition, lightly aged, on good paper with small embossment of castle. Dimensions of paper, 14.25 x 22.5cm. Dimensions of print, 12.5 x 17.75cm. Oval portrait, 10 cm wide and 13 cm high. Without date or place, but produced as the frontispiece to Stockdale’s 1809 memoirs. A half-length portrait of Stockdale, his face turned to the left, with white cravat and powdered hair, loosely wrapped in a coat.

See his entry in the Oxford DNB and the History of Parliament (‘the foremost diplomat of his age’). It was Malmesbury who went to Brunswick to fetch the Prince Regent’s betrothed Princess Caroline, and whom he asked to get him a brandy on his first encounter with her three years before the present letter was written. A legible script was clearly not a prerequisite for a successful diplomat, as the handwriting of this missive is scandalously bad: practically on a level with that of Dr Parr. 1p, 4to.

An interesting letter, revealing the nuanced position of a liberal cleric on a difficult question. See his entry in the Oxford DNB. 4pp, 12mo. On bifolium. Signed ‘J. F. Oxon:’. Text clear and entire, on creased and worn paper, with two short closed tears at edges. Folded twice for postage. Minuted (by the recipient) at top of first page: ‘I read this at the Cler[ical]. meeting - (part of it)’.

See his entry in the Oxford DNB. 1p, 12mo. On recto of the first leaf of a bifolium, the verso of the second leaf of which carries the address to ‘Messrs Vizetely [sic] Branston & Co / 135 Fleet St’. The firm, who traded between 1827 and 1837, were not only ‘engravers and oriental printers’, but publishers too: the item referred to in this letter, ‘The Young Lady’s Book’, had two editions published in 1829 and a third in 1832, and Jackson presumably contributed work. In fair condition, discoloured and worn.

See his entries in the Oxford DNB and History of Parliament. A loyal Pittite (‘publicity agent for the ministry’, and founder of the Tory ‘Sun’ newspaper) who served as Irish Secretary. As a connoisseur he had a strong influence on the taste of the Prince of Wales, besides recommending the purchase for the nation of the Elgin Marbles. He bequeathed fifteen paintings to the new National Gallery. 2pp, 12mo. Signed ‘Farnborough’. The circumstances of the present item are unknown. In good condition, lightly aged and worn. Folded twice.

An interesting letter, indicating the networks of sympathisers who assisted those fleeing to England in the years following the revolutions of 1848. In the July 1895 edition of the Atlantic, the subject of this letter, the Christian Socialist J. M. Ludlow, in reviewing Nadaud’s memoirs, described him as ‘a friend of my own, of many years’ standing’. The present item was written in the seventh of the eighteen years of Nadaud’s English exile, part of which was spent as a teacher in Wimbledon under the name ‘Henri Geo. Nadaud’. The identity of the recipient is not known. 4pp, 16mo.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, slightly discoloured, with traces of grey paper mount adhering to the blank reverse. Folded once for postage. The year is not given, but the water mark appears to read ‘[18]21’. Good clear signature. Fielding writes: ‘My Dear Madam, / I shall have much pleasure in shewing you the pictures which I have prepared for the Exhibition, should it be agreeable to Mrs. Sharp & yourself to come to Newman at any hour on Monday or Tuesday next, & I hope you will do me the favour of persuading Mr Sharp to accompany you.

One page, 12mo, sl. worn and stained but text clear and complete. Dear Sir | I hope you would be able to let me have the Pantomime Manuscript within this week.. WITH: [on verson] Copy of answer, as follows: Dear Sir, | The work is now in the Blanchards hands - I saw him yesterday when he told me it would be ready by the end of this month. | Yours truly | T.L. G[reenwood].

Card, 11.5 x 9cm, rounded corners, good condition. Dear Mr Arrowsmith, | I have answered enclosed saying I have no power to give [permission?]. The copyright [for illustrations] is Gibson's [underlined} subject to your right to use the pictures with the story [phrase underlined][...].

Four surviving pages, lacking signature page, bifolium, first and last page dusted but text clear and complete. My dear Sir Sidney, | It is with sincere pleasure I [?] your safe & happy meeting with Lady Smith and her amiable daughters. I am [?] in the enjoyment of similar feelings sailing as fast as [?] Caledonia can go with a fair wind to embrace my own family among whom thank God I may now hope to live in happiness and [Dye?] in Peace, which neither you or I expected, when we last parted.

[Periodical] 60pp., 8vo, good condition. It includes Eimar O'Duffy: A bibliographical biography. The enclosed letter is two pages, 12mo, stained edges, but text complete and clear, as follows: I now enclose a copy of the issue of The Irish Book in which my article on Eimar O'Duffy appeared. It had a good reception from the press, which I hope it deserved. I need not tell you how grateful I am for your help and how much I hope the article will be to your satisfaction.

One page, 12mo, black-bordered, backed by paper of similar size with evidence of having been laid down, and with MS note Dr. Travers Twiss | Vicar [sic] General | &c, good condition. Text: I am much obliged by your note & will take care not to forget my promise - on the first leisure morning I may have - to collect a few autographs & forward them to you. The scandal involved his marriage to a mistress who had been a prostitute [Wikipedia].

Hailing from Gateshead, County Durham, Elliot was a self-made man: he began life as a colliery labourer and ended it as one of the richest men in England, his wealth at death being given as £575,000. See his entry in the Oxford DNB. His residence in Whitby containing an Egyptian mummy was visited by Bram Stoker and appears to have inspired his 'Tale of the Seven Stars' (1903). 3pp, two of them 12mo and one 8vo. Bifolium, with one page of text written across the central opening at right angles. In good condition, lightly aged and worn, with a little glue from mount along outer gutter.

See his entry in the Oxford DNB. In good condition, lightly aged. Folded twice for postage, and in envelope with stamp and Leeds postmark addressed in autograph to ‘Mrs. Stopford / Sussex Lodge / Horsham / Sussex’. Addressed to ‘Dear Mrs. Stopford’ and signed ‘J B. Baillie’. He begins in almost philosophical terms: ‘Dear Mrs. Stopford, / How very kind of you to remember this little request. It was such a pleasure to receive the cutting.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice for postage. Reads: ‘Dear Miss Cond, / I have pleasure in sending you my signature. As you will see, it is quite an ordinary one. / Yours very truly / William Plomer’. The signature is in fact rather stylish in an understated way, and the underlining has two small curls in it. In ink on otherwise-blank reverse, by someone who misread the signature: 'William Ploms'. See Image.