THE

2pp., 12mo. Fifteen lines of text. In fair condition, on aged paper. The second leaf of the bifolium is docketed, and has a small burn hole to it, but the leaf with the king's autograph on it is undamaged. Written during his exile following the revolution of 1848. Contains a reference to 'la Cujina Luisa' [María Luisa Fernanda de Borbón].

Printed in black on one side of a 19 x 29 cm piece of stiff card, with rounded corners. In fair condition, lightly-aged, with 4cm vertical closed tear at head. The memorial to a stern-faced Gladstone is depicted - a setting sun blazing behind it - between two mythical seated women, Justice on the right, and a hooded woman with a hand mirror on the left. In the background are the Houses of Parliament and Westminster Abbey. The card is made out in manuscript to 'Edward C Young' (with '186357' at foot), and the caption at the foot reads: 'This Memorial Card was issued to [ Edward C Young.

169pp., 12mo. Covering the whole of a ruled notebook in black waxed cloth binding. In fair condition, aged and worn, in like binding with some damage to spine. Ownership signature of 'A. C. Collyer' on front free endpaper, with the word 'Notes' written under it, and beneath that a seal (hand holding a sword) in red wax. The notebook has been compiled by at least three different parties (with a couple of notes in shorthand), and is certainly the work of instructors rather than students, possibly Scottish.

54pp., 12mo. Disbound without covers. In good condition, on aged paper. Dedication: 'To | The Poor of England, | This Pamphlet is dedicated | By ONE | Who would hasten the coming of the Day | When we shall not [last word underlined] have them | With us.' He concludes with 'one word' to those who think that 'what we believe in as possible is a splendid Utopia that can never exist, a pleasant dream that shall never be realised': 'Have it so, if you please.

16pp., 12mo. Disbound without covers. In good condition, on aged paper. Drophead title. The cover carried the author's name, publication details, and the full title: 'The Commune of Paris: Its Story and Meaning'. Scarce

On rectangle of laid paper, roughly 4 x 7 cm. In good condition, lightly-aged paper with one vertical fold. Good firm signatures, wih Rochester's above Ernle's. Writing on reverse relates to Sir Thomas Vernon and the payment of an order.

8pp., 8vo, paginated 213-220, with separate title page. In fair condition, aged and worn, with rusted staples. Address given at Chatham House on December 17, 1946.' Stockdale explains how 'The Anglo-American Commission was established on March 9, 1942, for the purpose of encouraging and strengthening social and economic co-operation between the United States of America, its territories and bases in the Caribbean and the United Kingdom and the British West Indian Colonies. [...] President Roosevelt [...] was largely instrumental in the formation of the Commission and selected Mr. Charles W.

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges, good condition. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'G.F. WATTS | FRED. BRUCKMANN, LONDON, | 17 Southampton Street, Strand.' Beneath the image, in small type: 'Lehmann del.' and 'Registered.' Lehmann was born in Hamburg and moved to London in 1866. He wrote two books.

1p., 12mo. In fair condition, with light signs of age. He hopes to make his Breakfast Club 'debut' the following Saturday morning.

2pp., 12mo. 55 lines of closely-written text, with a few minor emendations. In fair condition, on lightly aged and worn paper, with 'John Fonblanque' in another hand at foot of first page. The document begins: 'I have been considering whether the Distinction that we notices this morning in the Description of the Heir sometimes as Lord & sometimes not may not fornish another Criticism for distinguishing Barons by Tenure from Barons by Writ'. He proceeds to argue the point learnedly.

6.5 x 10 cm piece cut from envelope, with the seal (roughly 1 x 1.5 cm) in black wax (2.5 cm in diameter) attached on a strip of paper. The seal a firm impression in good condition and the envelope fragment in fair condition, on aged paper, strip carrying typewriten caption laid down at foot. The Princess's autograph is unsigned, and simply reads: 'À mon cher petit Léopold.'

1p., 12mo. In good condition, on lightly-aged paper. He would agree to sign 'the introduction to the Sea Stories, for a special edition', if he was not 'convinced this "special edition" promotion has been overdone of late'. He concludes: 'I would rather not: but I am greatly obliged by the invitation.'

The envelope is 7 x 12 cm, with penny stamp printed on. In fair condition, lightly-aged, with back flap intact (i.e ungummed rather than cut open). The address - certainly in Swinburne's hand - simply reads: 'The Hon. J. Leicester Warren | 67 Onslow Square | S.W.'

3pp., 12mo. Bifolium. In good condition, lightly-aged. Addressed to 'Mr Cornish | 33, Piccadilly | Manchester'. The letter begins: 'Mr. Ormerod has received Mr Cornish's enquiry whether Mr O. has "any Io [i.e. folio] Paper Hist: of Cheshire for sale.' He replies that he 'has now only two Io Paper copies of Hist: Cheshire One is extensively illustrated and bound in ten Volumes in Morocco - This, of course, cannot be parted with.' Ormerod would part with the other set 'for £100, (one Hundred pounds) Cash - not less'.

1p., folio. In good condition, with light signs of age. Addressed to 'Wm. Griffith Esqre. | Becket Street Chapel | Derby.' Informing Griffith that he has 'laid before My Lords Commissioners of the Admiralty the petition from the United Methodist Free Church, Derby, requesting the alteration of the 93rd. Clause of the Marine Mutiny Act'.

Jardine, dubbed by the press 'the Poor Man's Pastor', travelled to France to perform the ceremony. As a result, his vestry committee resigned and he resigned his living, emigrating to the United States. The cuttings are laid down on 19pp of a Victorian folio volume, in superior brown calf binding, tooled in gilt, with marbled endpapers, and 'HARMONY OF THE GOSPELS' stamped on the spine. As the title on the spine indicates, the volume contains the manuscript of a harmony of the gospels, covering 127pp, with the text written around columns of printed text cut from a printed bible.

3pp., folio. Bifolium. In good condition, on lightly-aged paper. Title in large type on first page and text on central two pages.

The sepia photographic print is 15.5 x 11.5 cm, and shows a sumptuous domestic interior, showing paintings around an ornately carved wooden doorframe, into another room, with hangings draped footstool, piano, and other accoutrements of high Victorian interior decoration. In pencil on reverse: 'The Lyric Club'. The cutting is 12 cm and forty-five lines long. It begins 'The new Lyric Club is starting on its career with every propsect of a brilliant success.

1p., 4to. Bifolium. Addressed on reverse of second leaf, with postmarks, to 'Thomas Hill Esq | New Inn'. In good condition, lightly-aged. Headed by Oakley 'Circular' and entirely written out in his own hand. The letter begins: 'In consequence of the embarrassing finances of the Old Drury Club, and its being uncertain whether, or no, it can any longer hold its deliberative meetings at its accustomed place of redevous [sic] - it has been determined by a majority of its members - to resolve themselves into a committee of ways and means'.

The Oxford DNB's entry on Bunn states that from 1819 to 1824 he held the lease of the Theatre Royal, Birmingham. 1p., 8vo. Bifolium. Addressed on reverse of second leaf to '- Perkins Esq'. In fair condition, with light signs of age and wear. Bunn begins his letter: 'My dear Sir, | The dreadful bustle attendant on producing "Waterloo" must be my apology. The Music & Manuscript are herewith sent - & not a note or a syllable of either has been copied.' He thanks 'Mr Howes for his kindness', which he offers to reciprocate, 'whenever in my power'.

2pp., 4to. In fair condition, lightly aged and creased. After beginning 'Dear Popie / | How are you?' she asks what the 'immediate prospects' are for her to 'get a book and a series in the paper running', as she has 'scanned a tremendous amount of George's material' since moving to 'The Lawns'. In a postscript she describes the material as a 'wonderful story for T.V. too to say nothing about the films!', adding that she has 'got G. to record a lot of his old & recent material ready!' Macqueen-Pope was an admirer of Robey's, as his 'The Melodies Linger On: The Story of Music Hall' makes clear.

1p., landscape 8Vo. In fair condition, aged and with a number of vertical crease lines. Reads: 'Dear Mr Clarkson, | Will you please give instructions that any wigs that are being made for Sir Arthur Pinero's new play should be here not later than 11 o'clock on Monday morning next. Our Dress Parade is at 12 o'clock.' The play Boucicault refers to is 'The Widow of Wasdale Head'.

2pp., on bifolium with leaf dimensions 36.5 x 28 cm. On thick wove paper. In good condition, lightly-aged. The attractive calligraphic testimonial is on the recto of the first leaf, and is laid out in a sort of modified Gothic script, with initial capitals in red and gold. It is headed in large script 'To Ralph Griffin, Esq., F.S.A., | Registrar of Designs and Trade Marks.', with the date at the foot.

xii + 959pp., 8vo. With three fold-out family trees. Two continuously-paginated volumes bound together, and including title-leaf to second volume. In fair condition, aged and worn. In worn contemporary grey buckram half-binding, with marbled covers. A weighty piece of biblical exegesis. A family copy of an uncommon book, the volume descending to Tyrwhitt's relation Thomas Colmer.

The six items are all disbound and in fair condition, with light signs of age and wear. Items One and Five are not productions of the Society, but are closely connected with it. The first five items are scarce: the only copies of One on COPAC at Oxford and the British Library; no copy on COPAC of Two; the only copies of Three and Four at Oxford; Five is a galley proof; and Six only to be found at Oxford, the British Library, the LSE and University College, London. ONE: 'The Idea of an Oxford Modern Ethical Society.

Strip of paper cut from end of letter. In good condition, on lightly-aged paper. Reads: 'Your obedt humble Sert | John Scott'.

1p., 12mo. In fair condition, aged and worn, with staining from glue used in previous mounting. He apologises for not being able to 'do what you asked', as he 'did not go to the Garrick until to day when I found your letter with others waiting me'.

Letter: 1p., 8vo. In fair condition, lightly creased and aged. With a few autograph emendations. In a characteristically eccentric letter he writes that their common friend Jimmy Linton has told Bowman that Duncan 'may be able to give me some particulars and perhaps a photo of Edith LORAINE who played Godiva in F. B. Woulfe's Company, presenting the famous historical play by Max Goldberg, (John F. Preston.) He refers to Mabelle F. Barlow, Lady Astor and his own play 'Divorce or Dishonour'. As a boy he was greatly impressed by Loraine's performance, and it 'started my interest in Coventry.

1p., 12mo. In good condition, on lightly-aged paper. The seven signatures are on top of one another, with the fifth in pencil and the others in ink. They read: 'Teddy Gwenn | [ ditto ] Michael | Lawrence | Sevier | Tommy Shale | Jan Hurst. | Patersen Story'. From the papers of Herman Finck (1872-1939), with whom Jan Hurst was connected. According to one authority: 'In 1929 [Hurst] secured the all year round post of Musical Director to the Brighton Corporation and as such, he was in charge of their Municipal Orchestra.

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper with remains of stub adhering to one edge. Having heard from 'Russell' he is returning something which Ottley 'kindly wrote', 'which so far I've been unable to place rightly'. He invites him to 'a quick family dinner with me (143. Regent St.)' the following Sunday. Henry Ottley is the probable recipient; although best-known for his supplement to Bryan's dictionary, he was also the author of a critical analysis of 'Fechter's Version of "Othello"'.