THE

On 4 x 11.5 cm piece of paper cut from letter. In fair condition, lightly aged and a little creased. Reads: 'purposes. | Yours very truly | John Francis Maguire'. On reverse: '[...] printer can easily understand my marking. Buf if you have any difficulty [...]'

75pp., 12mo. Internally in good condition, on lightly aged paper with 1860 watermark, and some leaves torn out. In worn red leather half-binding, marbled boards, with damage and loss to spine and front free endpaper torn away. The illustrations cover 19pp in the middle of the volume. Those on 15pp are in black ink, with the rest in pencil, one of them coloured. The butt of many of the jokes is music teacher 'Mr [Jack] Hardie'.

8vo. 310pp. Red cloth, gilt extra, with ornate design to front board and spine. First edition with King's illustrations. A good copy of an extremely attractive book, in binding with light fading in parts, but gilt still bright, and with the merest wear at head of spine. Bookplate by Isabel Bonus for Annie C. Dolamore. Collated and complete. All of King's ninety-five illustrations are present, with twenty-four of them, including the frontispiece, on shiny art paper. A sumptuous item, produced at the high point of King's Art Nouveau period.

Good firm inscription on 18 x 16 cm leaf of blue paper removed from album. Reads: 'To Ann | with very Best wishes | from | Sabu | THE THIEF OF | BAGHDAD | 1939'. The recipient was the daughter of a cameraman at Twickenham Film Studios.

The three inscriptions are all on one side of an 18 x 16 cm leaf taken from an album. In good condition, lightly-aged. Given during the shooting of the RKO film 'The Saint in London' (1939), which Sanders starred in and Carstairs directed. Sanders writes, at the head of the page, 'To Anne | I want to see you in about 8 years time! | George Sanders | April 1939.' Beneath this is: 'Anne - let's make it seven! | John Paddy Carstairs: | '39.' And beneath Carstairs' inscription: 'Six years. X. | Tony Keys'. The recipient was the daughter off a cameraman at Twickenham Film Studios.

3pp., 4to. Bifolium. In good condition, on aged and lightly-worn paper, with a few minor rust stains. Addressed on reverse of second leaf to the Secretary of the Commission of the Peace. In the hand of a secretary, and signed by Lansdowne. Addressed by Lansdowne on reverse of second leaf 'Sec[retar]y. of Commission'. Docketed: 'Decber. 20th 1861 | Wilts | Ld. Lansdowne recd several | <?> all but the 2 parsons'.

4pp., 12mo. In good condition, on lightly-aged paper. The second page carries photographic reproductions of the bas-reliefs of Tennyson and Carlyle, in frames. The third page gives details of the twelve portraits (Carlyle, Tennyson, Hawthorne, Longfellow, Dickens, Whittier, Lowell, Thackeray, Bryant, E. A. Poe, Ambriose [sic] Thomas, O. W. Holmes), executed by 'Mr. RALPH BARTLETT GODDARD, the eminent Sculptor', stating that they are available in plaster or bronze, and 'form a most suitable adornment for the walls of a private or public library, schoolroom, or study'.

4pp., 12mo. On aged and lightly-creased paper. Originally a bifolium, but with the two leaves separated, and evidence of previous stitching into a binding. Regarding his new book 'Cruel London', he asks him if he can send six copies of what is not only 'a kindly notice, but excellently well written. All the more gratifying. The Spectator is always my enemy just as the Saturday was Thackerays, to compare a big man with a small one.' He refers to a notice in the Sunday Times by Joseph Knight, who 'also sent me a charming letter of congratulation'.

A short-lived periodical, of interest as a forerunner of the ISBN system: the Cambridge Bibliography of English Literature states that it ran from September 1895 to August 1898, and gives Armistead Cay as joint-editor. The eight numbers are as follows: Vol. 1 No. 2 (March 1896); Vol. 1 No. 7 (August 1896); Vol. 1 No. 8 (September 1896); Vol. 1 No. 9 (October 1896); Vol. 1 No. 11 (December 1896); Vol.1 No. 12 (January 1897); Vol. 2 No. 4 (May 1897); Vol. 2 No. 9 (October 1897). The eight 8vo pamphlets are stapled into printed wraps, and are uniform in design.

On 5.5 x 18.5 cm strip of paper. In good condition, lightly aged. Good firm signature. Reads: 'Yrs: very faithfully | R. Jenkyns. | Balliol College | Jan: 28. 1835.' Annotated at foot in a nineteenth-century hand: 'Master | and also 1845 Dean of Wells'. Reverse reads: '[...] & hasten to inform you thhat although the Term began on Saturday last the 24th: Inst:, yet if the state of your Son's health should render it desirable for him to remain [...]'.

Printed in a single column on one side of a piece of 64 x 15 cm piece of paper. Aged and worn, with a couple of holes at head causing loss to eight lines of text. Full heading in manuscript: 'On occasion of the reading of a paper on "the Imperial Institute & its advantages to India" by General Sir Orfeur Cavenagh K.C.S.I. before the East India Association. Sir Richard Temple in the chair'.

1p., 12mo. In good condition, lightly-aged. He writes that he has had 'a very fine p' sent to him, and asks if Pearson might accept it. 'If you dont care about it yourself you may have friends here to whom you might like to give it. Only, unluckily, I must have back the top'. He ends with a complaint regarding a 'Bronchial cough'.

27pp., 8vo. (The article on 'The Budapest War Cemetery' is 7pp., 8vo, and the accompanying 'Register of the Graves in the Budapest War Cemetery' is 21pp., 8vo. There is also a page of 'Abbreviations to the Register'.) A few manuscript emendations. The covering letter is addressed to 'David', and is effusive in its offer of further assistance, the author urging 'David' to rewrite the piece as he sees fit. It is signed, faintly and undecipherably. The author writes in good, but not entirely idiomatic, English, and has gone to some trouble.

In blue ink, on 3.5 x 10 cm piece of thick paper, cut from a letter. In good condition, with traces of glue from mount on reverse. Reads: 'Yours faithfully | Walter Greenwood'.

On one side of 11 x 18.5 cm piece of paper. In good condition, lightly aged and creased. On reverse is small circular printed paper label of the Ray Rawlins Collection. Reads: 'July 16 1767 Received of Hugh Rogers Esqr the Above Sum in Full for His Son till Last Whitsuntide | by me | Jos. Warton'. Hugh Rogers of Helston, had a son, John, at Trinity, Oxford, presuambly tutored by Warton.

The first two items in good condition, on lightly-aged paper. The third in fair condition, aged and worn. ONE: Typed Letter Signed (over a penny tax stamp) by 'W Senior' and 'R B Marston', announcing their resignation as trustees, to be replaced by Walter Durfee Coggeshall, William Milner Ratcliff, and John Assheton Rennie'. 1p., 4to. Manuscript postscript. With a 'certified copy of the resolution of the General Meeting of Members by which the above appointments were made'. 1p., 4to. Signed by Major-General Desmond O'Callaghan and the secretary.

Stapled printed pamphlet. 11 + [1]pp., 16mo. In good condition, on lightly aged paper with rusted staples. A page of officers, headed by the Archbishop of Westminster as President, and Rt Rev. Abbot Upson as Vice-President, is followed by Burke's five-page report, and then three pages of balance sheets for the organisation, 'Focus', general funds, 'Penny-a-Day' Fund, and 'Fatima' Fund. No other copy traced, either on OCLC WorldCat or on COPAC.

16pp., 4to. Illustrated with photographs of PoWs and camps. Stapled pamphlet on cheap paper. In fair condition, aged and with rusted staples, with slight wear at corners of last few leaves. Milne's contribution, titled 'It depends on the Book', and with two illustrations, takes up p.10. Milne writes that 'To a prisoner of war, shut up for an indefinite time in an enemy country, any book must be a haven of escape from his thoughts; any book must be better than no book. [...] the Prisoners of War Department of the British Red Cross and St.

1p., 4to. In good condition, on lightly-aged paper. With the date stamps of the Royal Society of Arts. He thanks him for 'the cuttings, several of which I had not seen', and states that he will be delighted to 'present a copy of my book to your library'. He had been meaning to give one 'at the conclusion of the exhibition'. He is grateful to Menzies for offering to review the book in the Society's journal, and is 'already so much indebted to te Royal Society of Arts for kindness received'.

8.5 x 13.5 cm sepia shiny landscape photographic print on card with rounded corners. Laid down on grey paper backing. In fair condition, fading slightly, with 'T. Hardy wrote Return of the Native here' in top right-hand corner and 'RIVERSIDE' in bottom right hand corner. Shows frontage of house, with path leading to it and tree to the left of the foreground. 'The Return of the Native' was published in 1878.

xii + 125pp., 8vo, with a further three-page advertisement for the author's ''Twixt Earth and Stars' at rear. Errata slip. In green cloth gilt, with top edge gilt and green ribbon bookmark. A good copy, with light signs of age and wear, and discoloration to two pages and the errata slip from five newspaper cuttings placed between them, dating from between 1945 and 1984, and relating to the author and her circle. Six copies on COPAC, but now uncommon.

The three items in fair condition, on aged and worn paper. ONE: TLS by 'Douglas Woodruff'. 1p., 4to. The letter begins testily: 'Dear Sir, | I was rather puzzled to receive your letter in the form of a carbon copy. As you may imagine, we are not fond of letters that are circulated. I have now read it in Truth, although presumably the opening paragraph refers to the Tablet.

343pp., 8vo, with sixteen-page publishers' catalogue at rear. Frontispiece and six full-page illustrations (one for each story). In blue cloth, with decorations in gilt on boards, and gilt titles on spine, all edges gilt, and attractive patterned endpapers. In fair condition, on aged paper, rebacked. Inscription on reverse of frontispiece reads: 'To Mary Charnock, | from the Author, | Mrs Rhoda E. White, | with every kindest wish.

1p., folio. Good, on a lightly-aged piece of ruled paper. In two columns, with the left-hand column, written out by Roberts with his address at the foot, headed 'Name of Exhibition', and listing twelve international exhibitions between 1862 (Amsterdam) and 1898 (Brussels). The right-hand column, headed 'Picture Exhibition', carries Alma-Tadema's responses, some of which are written in darker ink than others, indicating that they were added at more than one point. Alongside 'Paris (EU) 1867' he writes '13 pictures amongst them.

Wrench was the son of a clergyman, and well educated and well connected (being presented to the Prince of Wales and staying at Chatsworth in his old age). His obituary in the British Medical Journal (27 April 1912), describes how, after service in the Crimea, 'he was transferred to the 4th Lancers, went to Madras with that regiment in the following month, and served with it during the whole of the Indian Mutiny. For his services in India he received the Indian medal and clasp for Central India. He returned to England in 1860, and married in 1861 his cousin, the daughter of Mr.

Wrench was the son of a clergyman, and well connected, being presented to the Prince of Wales and staying at Chatsworth in his old age. His obituary in the British Medical Journal (27 April 1812), describes how he went out to the Crimea in 1854. 'He had been gazetted Assistant Surgeon to the 34th Regiment in November, and joined it on its arrival in the Crimea. He served during the terrible winter of that year, and was present at the capture of the quarries, the successful assault on the Redan of June 18th, and the final capture of Sebastopol on September 8th, 1855.

Heavily influenced by its author's own journalistic career, 'The Pen and the Sword' is not only of great significance in the development of Michael Foot's thinking, but is also an important work in the study of Jonathan Swift. The book was a firm success, going through four printings between 1957 and 2008. It was first published in London by Macgibbon and Kee, with the subtitle 'A Year in the Life of Jonathan Swift' (the year in question being 1710).

1p., 12mo. In fair condition, on lightly-aged paper with a couple of short closed tears at fore-edge. He states that he will derive 'much satisfaction in being allowed to join in any undertaking to do honor to the Memory of Bishop Ken' [ Thomas Ken (1637-1711) ], and subscribes for three guineas. The memorial would appear to have been a stained-glass window in Ken's church at Frome by 'Mr. O'Connor and his son', as reported in the Gentleman's Magazine, February 1845 and February 1849.

3pp., 12mo. Bifolium with mourning border. In good condition, on lightly-aged paper. He is 'willing to undertake the office' under the rules mentioned: 'the two theatres you mention shall invariably be noticed - also the Panorama'.

16pp., 4to. Unbound and unstitched pamphlet. On aged and worn paper. The first page has the Wesley stamp, and is headed 'Specimen Of First Seven Plates' It also carries nine lines describing the 'object of the author'. The seven plates are accompanied by captions, and there is also an explanation regarding them.