GEORGE

See Knox's entry in the Oxford DNB, along with those of his father and three brothers. 8pp, 4to. Paginated and complete; on eight leaves held together with a rusting paperclip. In fair condition, aged and creased. A fair copy, with occasional emendations. There is no indication that this essay was published. A polished piece of writing by an accomplished essayist, lightly humorous but with serious intent, Knox's aim being to put forward the view that modern childhood is more self-indulgent than that of previous generations, and results is the self-deceit of adults who have never grown up.

2pp, 12mo. On aged and creased paper, with two torn spike holes resulting in loss of a few letters of text. Date stamp on reverse. The recipient is not named, but is presumably the BBC producer Terence Dudley (1919-1988). Writing three months before his death, Strong begins the letter: 'My dear Terence, | How very kind of you! I [d]on't have any dignity in such matters! and I'd love to have a go, whether live or recorded.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, lightly aged, with traces of yellow paper mount adhering to the blank reverse. Reads: 'Mr & Mrs. Bohn present their compliments to the Mayor of Liverpool and Mrs. Hubback, and have much pleasure in accepting their polite invitation for the 15th. proxo.'

1p, 12mo. In fair condition, aged and creased. Folded twice. Written in a shaky hand, as explained by the text: 'My dear Sir / | Agreeable to promise I send my Likeness, I wish it was something worthy of your acceptance - suffice it to say the original saw the death of Nelson and Abercrombie. Served under Wellington in the Spanish peninsular War, attended his funeral, and from 1797 to 1814 was by Sea and Land in 23 Actions[.] I am well in health but cannot see what I write - My sincere love to Mrs. Macwey - God bless you'.

Both in good condition, lightly aged, with thin strip from mount adhering, and crease lines from folding. Two excellent long letters in Spedding's neat and close hand, full of content regarding the relationship between Victorian author, publisher and reader. The topic is Spedding's preparation for the publication of his pamphlet 'Publishers and Authors' (London: J. R. Smith, 1867). Both letters addressed to 'My dear Mervivale'. ONE: 3 September 1866. 4pp, 18mo. On a bifolium.

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

1p, 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse, with postmark and address to 'Chas. Thompson Esqr. | 34 Bedford Street | Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation', that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases, it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'.

3pp, 12mo. Bifolium. In fair condition, aged and worn. Folded twice. Only the conclusion of the letter is in Holyoake's hand. It carries an unusually large and bold signature. In reply to a letter of Watson's he states that he was not aware of the 'paper in the Westminster Gazette [...] until four days after its appearance'. He asks him to send 'the Leader referring to its appearance which you mention', and commends Watson's son for bringing it to his notice. Holyoake does not know if the matter has 'been mentioned elsewhere in Newcastle'.

In good condition, lightly aged and worn. Christmas card with unusual image of the three wise men (in Roman helmets) seen from behind, following the guiding star as it leads them across a Hawaian beach to the hut in which the birth of the messiah is occurring. Printed message in card in Hawaian and English. The reverse of the second leaf has nothing printed on it other than the publisher's slug, and at the head the prime minister has written 'Happy Christmas'. Beneath this, one above the other, are the five signatures: 'Harold Wilson | Mary Wilson. | Giles Wilson.

Depressed and paranoid, Lever spent his last days in Italy. For the Villa Morelli, see his Downey's 'Life in his Letters' (1906). 2pp, 12mo. On aged and creased paper, with closed tears to edges, but no loss. Folded twice. The handwriting is neat and controlled, but not always entirely legible. He begins with the news that he is returning 'the books you so kindly lent me'. Presumably referring to Charles Reade's 1866 novel 'Griffith Gaunt', Lever writes: 'Mr Reade is all you said of him, - often very amusing, & oftener very [?]'. A reference to 'the pleasanter reading' follows.

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

1p, 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse, with postmark and address to 'Chas. Thompson Esqr. | 34 Bedford Street | Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation', that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases, it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'.

On 7.5 x 14 cm piece of laid paper, laid down on part of a leaf from an album. In fair condition, on aged and spotted paper. The letter reads: 'G Dr. respects to Miss Lusada - begs she will please to accept the enclosed - 3 more Letters will follow - wch. shall be sent. to Miss Lusada - Dr. is gone to dine with Mr. Morgan, who desires his Compts. and informs Miss L. that he will send to her soon the little Mathematician'. The recipient was in fact Abigail Lousada, the bluestocking daughter of Isaac Barrow Lousada [sic] of Devonshire Square.

2pp, 12mo. Twenty-seven lines of text. In good condition, lightly aged. Folded twice. A nice item, giving an indication of Lewes's editorial principles at the Fortnightly Review (he held the position from 1865 to the following year). Addressed to 'R. S. Poole'. He begins by explaining that he only returned to England the previous night, '& found your notes & m.s awaiting me'.

3pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. The recipient is not named, but the conclusion of the letter makes it clear it is Poole. Written in a shaky hand a little over a year before Pattison's death. The context of the letter makes clear that as a married man, Poole is attempting to take advantage of the previous year's revision of the Oxford college statutes enjoining celibacy. It begins: 'Dear Sir | You seem to be under a misapprehension as to the historical lectureship for which you wish to become a candidate.

A splendidly intemperate correspondent between contributor and publisher, almost worthy of one of Jackson's own bibliophile volumes. The four items are in fair condition, on aged and worn paper, one with paperclip stain, another with brass stud, and a third with staple holes; creasing to carbon copies. Kapp's handwriting is 'artistic', and his letterheads are unusually long 8vos. ONE: Kapp to Jackson, 20 January 1920. Signed 'E X Kapp'. 1p, 8vo. Begins: 'My dear Holbrook-Jackson, | Don't you feel you'd like to send me a copy or two of "To-Day" each time? I buy one or two as well, you know!

Two items in the hand of George Whitley, surgeon, of Halton, Cheshire (not to be confused with his namesake the epidemiologist George Whitley (1816-1881), for whose career see Fraser Brockington, 'Public Health in the Nineteenth Century', 1965). The two items are accompanied by the front board of a volume, with the following ownership inscription and note on the pastedown: 'George Whitley, Surgeon, | St. Thomas' Hospital. | London. | Novr. 22. 1819. | NB. See in this Book a Copy of a Letter to Lady Cunliffe pr. Mr. [?] Surgeon, about an Ulcerated Leg of her House Keeper, Mrs.

The Duke was Winston Churchill's great-great-grandfather. His library at Whiteknights Park was celebrated, and his purchase of the Valdarfer Boccaccio at the 1811 Roxburghe sale was the spur to the formation of the Roxburghe Club. Like the Duke, Cotton was a notable collector of books and autographs. He was generally considered a faintly-ridiculous figure, and condemned men were said to die 'with Cotton in their ears'. 1p, 12mo. In fair condition, lightly aged. Folded once. Reads 'Admit Dr.

A nice piece of Edinburgh historical ephemera. See the entry on George Berry (1795-c.1874), the first man to register to vote there following the passing the Great Reform Act, in the Proceedings of the Royal Society of Edinburgh, 1874-1875, where he is described as 'an enthusiastic "Free Trader"'. 40 x 10 cm slip of laid paper, with printed form on one side, headed 'COPY of ENTRY in the REGISTER of QUALIFIED VOTERS for the CITY of EDINBURGH.' In fair condition, lightly aged and creased, with clean vertical cut unobtrusively repaired with archival tape.

An attractive collection of 76 engravings, laid down over 34pp, on the first seventeen brown-paper leaves of a 22.5 x 29 cm landscape album. Also laid down, on the rear pastedown, is a nice original drawing (by Tabram himself?) of two girls, one in a bonnet and the other (her daughter or sister?) with ringlets. Loosely inserted are two German engravings, each laid down on a piece of coloured paper and each with caption on reverse.

On both sides of 16 x 12.5 cm leaf, with rounded edges, torn from an autograph album. In good condition, lightly aged and creased. Firmly and elegantly written on one side, just over the centre: 'Lovat Fraser.' Towards the head of the other side, in a large somewhat untidy hand, with intermittent underlining: 'Curzon of Kedleston'. Beneath this: 'Milner'. No other writing on either side.

St Luke's Hospital for Lunatics was founded in 1750 by City of London philanthropists to treat mental illness among the poor of London. In 1786 it moved from Moorfields to Old Street, where it remained until 1916. Simmons was appointed physician to the hospital in 1781. 6pp, 16mo. A piece of laid watermarked paper has been neatly torn into three 16 x 10 cm leaves: a bifolium, with the single leaf loosely inserted. In good condition, lightly aged. A poignant artefact. Simple, brief notes, giving age, name, date [of admission], address, some with follow-up notes. The six women are 'Eliz.

For John George Jackson (c.1798-c.1851), architect of Leamington Priors, pupil of P. F. Robinson, see Lyndon F. Cave's 'Royal Leamington Spa' (1988). He erected Newbold Lodge on the site of Strawberry Cottage in the early 1830s. See the entry for the recipient William Hookham Carpenter (1792-1866), later Keeper of Prints and Drawings at the British Museum, in the Oxford DNB. At the time of the present letter Carpenter was working for his father the Old Bond Street bookseller James Carpenter (c.1768-1852). 2pp, 8vo. Bifolium.

1p, 4to. Bifolium endorsed on reverse of second leaf: 'Ansd. 30th. | Transfg. an Address of Condolence from the County of Fife'. In good condition, lightly aged. Folded twice. The subject of the address is the Prince Regent's mother Queen Charlotte (1744-1818), and is addressed to him rather than her husband George III as the king is incapacitated. Morton served as Queen Charlotte's Chamberlain between 1792 and her death in 1818.

2pp, 4to. Bifolium. In good condition, lightly aged. Folded several times. Endorsed on reverse of second leaf: 'Transmitting two Addresses of Condolence from the Co: of Renfrew - and Paisley -'. Reads: 'My Lord | I am directed by a Meeting of The Noblemen, Gentlemen, Justices of Peace, & Commisioners of Supply of The County of Renfrew, Held at Renfrew on the 27th.

For Jessel's judicial high standing see his entry in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. In envelope with Penny Red and postmarks, and 'LADHAM HOUSE, | GOLDHURST' printed on the flap, addressed by Jessel to 'E. A. Scott Esq | Schoolfield | Rugby | Warwickshire'. The envelope is signed 'G. Jessel' at bottom left of cover, and the letter concludes with the same signature. He is 'glad to be able now to withdraw the notice' he gave Scott about his son Charles 'leaving Rugby'.

See Nares' entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded three times. Clearly and boldly written, reading: 'Please give the bearer my delicate instrument for Alert or Discovery | G. S. Nares.' (Wikipedia) "Because of his previous experience in the Arctic, he was summoned from this assignment to take charge of another Arctic voyage in search of the North Pole in Discovery and Alert in 1875, the British Arctic Expedition."

Four items, all in good condition, lightly aged, the three letters with stubs and labels used in mounting in an album. In addition to the pleasant picture they paint of the court gathered around the blind king in the last year of his kingdom's existence (with an interesting reference to the new palace he had built his wife at Marienburg), the three letters indicate a surprisingly cordial state in nineteenth-century Anglo-German relations.

Firmly written out, evidently in response to a request for an autograph, on one side of a 10.5 x 11.5 cm piece of paper. In fair condition, lightly aged and spotted, with two folds and group of tiny pinpricks at bottom left. Reads: '”Bother the Flowers that Bloom in the Spring! | Mikado | Your's [sic] faithfully | Geo: Grossmith'. Grossmith's bold signature anachronistically exhibits the 'long s', making his surname look like 'Gropmith'. Grossmith was the original 'Ko-Ko', in the 1885 Savoy Theatre production of 'The Mikado'. It was one of nine Gilbert and Sullivan characters which he created.

Evocative artefacts of the interesting connection between Powys and the man who supplied him with the books for his translation of Rabelais. On 24 September 1940, in 'Letters to Sea-Eagle', Powys gives a lengthy account of 'Our Jew Book-Pedlar' and the bombing by the Germans of his Russell Street address.