ENGLISH

Part of leaf from autograph album, cut into an irregular shape. In fair condition, on lightly aged and discoloured paper, with film of dried glue from mount on blank reverse. The passage, which curiously enough does not correspondend with the printed text, reads (with three mistakes scored through): ‘Life of Napoleon III - Vol 2. / The Government, it is true, endeavoured to prevail upon Queen Hortense to request him to give his word that he would remain in America for ten years; but she replied that Prince Louis was master of his own actions & she would not endeavour to influence them.

See his entry in the Oxford DNB, which quotes Gordon Cox as stating that Hullah was ‘the fountain head of music education in the nineteenth century’. 1p, 12mo. In good condition, lightly aged. Handwriting and signature in a bold attractive hand. Reads: ‘Dear Mrs. Tail / I have the pleasure to send you a few lines fm Mr. Otto Goldschmidt, about the Bach Choir. / I am, dear Madam / Always Your’s [sic] Truly / John Hullah’.

For information about the Lady Hosie and her husband see his entry in the Oxford DNB. 2pp, 4to. In good condition, lightly aged. Folded twice for postage, and with a minor closed tear to edge of fold at head of leaf. Addressed to ‘Dear Mr. Burdett’ and signed ‘Dorothy [sic] Hosie’. Forty-one lines of closely-written text. The letter concerns a review she has written for a periodical whose title is difficult to decipher (‘The L[?]’). She was ‘going to type out a fair copy’, but thinks Burdett ‘may like it at once’. If he feels ‘portions of it unsuitable’, he ‘can then delete’. ‘Mr.

See the two men’s entries in the Oxford DNB. 2pp, 12mo. On the first leaf of a bifolium, the second leaf being blank, apart from the end of the signature ‘Jas Sant’, which has extended across from the bottom right corner of the reverse of the first leaf. In good condition, lightly aged, with the reverse of the second leaf laid down on a rectangle of grey paper cut from a leaf of an album. Addressed to ‘G. Lance Esqr.’ The letter begins: ‘My Dear Sir / My best thanks for your note. Depend upon it I will look to myself and in doing so look to yr.

See her entry and that of her husband Neville Braybrooke in the Oxford DNB. ‘Peggy Stanford’ is Derek Stanford’s first wife Margaret (née Holdsworth), who wrote under the pen name ‘Margaret Philips’ (see his Guardian obituary, 26 March 2009). Two long letters, written in a neat close hand. Both in good condition and folded for postage. ONE (22 September 1973): To ‘Dear Derek and Peggie’ and signed ‘June’. 4pp, 12mo. With envelope addressed to the Stanfords at Seaford in Sussex. Having enjoyed their meeting the previous week she ‘kept saying to Neville: how I wished that you lived in Cowes'.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. This item is 1p, 4to. In good condition, lightly aged and creased and folded twice for postage. Signed ‘Stuart Hampshire’.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 1p, 4to. Signed ‘Norman Collins’. In good condition, lightly aged. He is submitting a review of J. B. Priestley’s ‘Instead of the Trees’, in the hope that it is ‘the kind of thing that you had in mind’.

See her entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 1p, small 4to. In good condition, lightly aged and creased. Folded.. Signed ‘Marghanita Laski’. She had no fears about the cheque for £50 he has sent: ‘I knew it would turn up.’ She thanks him for offering her ‘some reviewing.

An interesting letter, containing an assessment by a leading publisher of what he sees as the unusual position he considers his profession occupies within the business world. See his entry, and that of his partner Nigel Nicolson, in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 2pp, 12mo.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 2pp, 12mo. In good condition, lightly aged, and folded once for postage. Thirty-one lines of text. Signed ‘H.

Anne Williamson, author of two books on Henry Williamson and of his entry in the Oxford DNB, was married to his youngest son Richard (1935-2022). The present typewritten material (88pp, 8vo) consists of several drafts and duplicates of material intended for circulation to production companies she hoped to interest in a television documentary on Williamson. It is in good condition, with each page printed on a separate leaf of A4 cartridge paper.

Fortnightly publication, founded after the closure of Punch by Sir John Sorrell and the Punch cartoon editor Steve Way. It only lasted for eight months, and this and the second number are said to be scarce. (The only copies listed on JISC are at the deposit libraries.) A 28-page broadsheet. Folded twice. In good condition, on lightly-discoloured and worn paper. Whole of the front page taken up with striking image by Chris Riddle of Boris Yeltsin holding up a piece of paper on which he orders democracy, while dwarfed by a menacing Soviet bear.

See his entry, and those of his siblings, in the Oxford DNB. A 15.5 x 20 cm black and white print, on glossy paper. Worn at edges, and with staining to blank area at top left. Stamped by the publishers on the reverse with ‘Sir Osbert Sitwell. Bt. / 25. 8. 49.’ There is a possibility that this is a signature by Sitwell, but the letter ‘O’ and other features are not quite right.

See his entry in the Oxford DNB. According to Anne Williamson’s 1995 biography, Williamson decided on the spot to purchase the farm at Bank House, Botesdale, Suffolk, when his car broke down across the road from it in July 1945. The purchase price was £1700. Five years later he decided that the farm ‘could be honourably sold and he could become a full-time writer again’. It was sold in September 1950 for £2,600, although, as Anne Williamson notes, and the present item makes clear, a higher price had previously been considered. The present item is a 3pp, 4to.

An uncommon signature of a neglected artist. Hawkins was a founding member of the Society of British Artists, exhibiting there prolifically from 1824 to 1881. He also showed at the Royal Academy eight times between 1822 and 1849. (See Holmes's entry in the Oxford DNB.) On 14 cm square piece of watermarked wove paper, cut from a frank. The letter is written on the reverse of the cover, which is laid out in the customary way: ‘London third July 1838 / Wm. Loney Esq / Macclesfield.’ With red dated postmark, and signed in the customary way at bottom left: ‘John [Baron?]’.

Asee image of[339]See Williamson’s entry by his daughter-in-law Anne Williamson in the Oxford DNB, together with her 1995 biography of him. The present tranche of material gives a marvellous insight into the working processes of a fine - perhaps even a great - English writer, in addition to showing the gestation of one of the finest novels of the First World War.

See his entry in the Oxford DNB. 2pp, 12mo. In fair condition, lightly aged and worn. Folded twice for postage. Begins: ‘Mr. Westall presents his compliments to Miss Macirone & begs to assure her how very much obliged to her he feels for the honor she has done him in sending him two tickets for her morning concert’. He will have ‘the greatest pleasure in attending’ the concert, and is ‘quite sure he shall be very much delighted’.

The circumstances surrounding this extraordinary original composition in Latin verse are obscure. See Phillips’s entry in the Oxford DNB, which notes that there was ‘an air of Proust’ about him, and quotes Oliver Brown’s description of him as ‘a stout man, immaculately dressed and heavily scented, who talked continuously while he looked at the pictures'. It may be that Phillips and the author of the poem had been educated together, or that they were members of the same club (the Athenaeum for example).

See his entry in the Oxford DNB. 1p, 12mo. In good condition, slightly discoloured, with traces of grey paper mount adhering to the blank reverse. Folded once for postage. The year is not given, but the water mark appears to read ‘[18]21’. Good clear signature. Fielding writes: ‘My Dear Madam, / I shall have much pleasure in shewing you the pictures which I have prepared for the Exhibition, should it be agreeable to Mrs. Sharp & yourself to come to Newman at any hour on Monday or Tuesday next, & I hope you will do me the favour of persuading Mr Sharp to accompany you.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice for postage. Reads: ‘Dear Miss Cond, / I have pleasure in sending you my signature. As you will see, it is quite an ordinary one. / Yours very truly / William Plomer’. The signature is in fact rather stylish in an understated way, and the underlining has two small curls in it. In ink on otherwise-blank reverse, by someone who misread the signature: 'William Ploms'. See Image.

See her Guardian obituary by Ronald Bergan, ‘Britain's original “It” girl, who rose from shop assistant to movie star’, 13 September 1999. Both items in good condition, lightly aged and folded for postage. Both letters with good content. Eileen Margaret Cond (1911-1984) of Honiton was an enthusiastic autograph collector, and she had an ability to draw a more than perfunctory response from her targets. ONE (1944 ALS): 2pp, 8vo. Addressed to ‘Dear Miss Cond’ and signed ‘Chili Bouchier’. Begins: ‘Just a wee line to thank you so much for your nice Xmas card which was forwarded to me in Egypt.

Four pages, 12mo, bifolium, good condition. May I ask whether you have very kindly managed to make the numismatic memoranda for me from the 'Num: Chronicle' of 'Num: Jour.' which I asked in my last letter. I mean the examplesof engraved coins bearing crosses, with the vol: and page where they occur? I am rather anxious to get this information, and I thought if you (as I feel sure)) have the books you would kindly make me this note.

Short Biography by John Munro.Frederick James Furnivall A Volume of Personal Record with List of SubscribersRebound, hf-lea, rubbed, endpapers sl.

It is perhaps appropriate that we should have been left such a collection by an author who made a name for herself with pioneering works on the social history of English literature.

See her entry in the Oxford DNB. 1p, small 4to. On laid light-brown paper. In good condition, with fold for postage. Reads: ‘Dear Miss Cond, / Your nice letter was mislaid in my flitting from the Whitehall to the Victoria Palace, hence the delay in acknowledging it. / Many thanks for your good wishes / Sincerely / Greer Garson.’ Eileen Cond was an enthusiastic autograph collector.

Blackwood’s entry in the Oxford DNB quotes H. P. Lovecraft’s opinion that he was the author of ‘some of the finest spectral literature of this or any age’. On post card with printed stamp. In good condition, lightly worn, on light-brown card. Addressed to ‘Miss Cond, / Deer Park, / Honiton.’ Apart from the signature, Blackwood has added quotation marks and dealt with two typing mistakes in autograph. Good firm signature. Reads: ‘Savile Club, 69 Brook St, W. 1.

See his entry in the Oxford DNB. 2pp, 12mo, with verso paginated 135 and ending ‘FINIS.’ The items are described over forty-five lines. The text is complete and clear, but the laid paper is in a delicate condition, discoloured and with chipping to extremities. The longest title is the first, at ten lines: ‘I. The Practice of Physick, containing seventeen several Books: wherein is plainly set forth, the Nature, Cause, Differences, and several sorts of Signs; together with the Cure of all Diseases in the Body of Man.

The six items - all from Cruikshank’s ‘Comic Almanac’ for 1845 - are in fair condition, lightly aged, and have all been trimmed, with diagonals cut from the corners resulting in minor loss. The last has a small amount of loss to the bottom left-hand corner from removal from a mount. All six are signed in type by Cruikshank at bottom left. They are captioned: ‘Flying Artillery’ (gentlemen on bended knee, declaring their love to ladies, while Cupids shoot arrows from overhead), ‘The Day After - “St.

1p, 12mo. In fair condition, lightly aged and creased, with one dog-eared corner. He writes that he has ‘had the engraving photographed’, and can ‘return it together with the casting’, with ‘very many thanks to you for being so kind as to lend it to me’.

On one side of a 12mo a piece of grey-green paper; creased, worn and torn at the bottom. A fifteen-line poem in five three-line stanzas, titled ‘REST’. At end: ‘JOHN GAWSWORTH’. Proof directions in pencil to convert a full-stop at the end of the fourth stanza to a comma. While the poet's attempt at direct simplicity verges on triteness, one should recall that he served manfully in the RAF: ‘Beneath the oaks the soldiers lie / Staring at the open sky / Drowsily, lazily. / Like England is this plot of green / But in the mountains all unseen / The guns’ complaint affects the scene.