STUDIOS

From the Macqueen-Pope papers. (See MP's entry in the Oxford DNB.) Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. Both items in good condition, lightly aged, each with light rust staining at one corner from paper clip. LETTER: 1p, 4to. Signed ‘Percy Nash’.

1p., 8vo. In fair condition, lightly aged, with pin holes to one corner. Date stamp. After thanking Luckhurst for his letter he writes: 'I am very flattered that your Council should wish to nominate me for election as a Fellow of the Royal Society of Arts and shall consider it a great honour to be so elected. I am returning the form of application together with my cheque for three guineas.'

ONE: Letter. 2pp., 4to. In fair condition, lightly aged. He apologises for the delay in returning 'Purple Dust', explaining that he has only recently learnt 'definitely that the film will claim me until the end of October'. He asks Capur or his secretary 'to call in any time at the Theatrical bookshop in your court - I cannot remember the name of the shop - nor its proprietor except that his first name is Barry. [ i.e.

On 18 x 16 cm leaf removed from an album. In good condition, lightly-aged. Headed '"Carnival" July 1945' and with the following signatures: 'Stanley Haynes (Director) | Guy Green . (Camera) | Sally Gray | Stanley Holloway (actor) | Catherine Lacey | Michael Clarke | Hazel Court. | Michael Wilding | Jean Kent | <?> (stills)'. The recipient was the daughter of a cameraman at Twickenham Film Studios.

Dimensions of etching 13 x 9 cm. Dimensions of plate 14.5 x 10.5 cm. Dimensions of page 32 x 25.5 cm. The image itself in excellent condition, the borders aged, with wear and closed tears to extremities.

The collection consists of four items. All four in good condition, on lightly-aged paper, with slight creasing. ONE: Typed Memorandum. 3pp., foolscap 8vo. Signed over a stamp by Campbell, and witnessed by Florence Campbell of Newcastle-on-Tyne. Campbell agrees to teach Langsford 'how to prepare the photographic paper called "Gelatino-chloride glossy printing-out paper" by the same formula and process as he uses and put him in the way to start and carry on a business for himself'.

The nine large prints are in good condition, lightly-aged with slight wear to corners. The smaller print is lightly-creased. In worn blue faux-leather album, with large facsimile signature of 'Lenare' on cover in gilt, with the address 'Portraiture | 28, GEORGE STREET | HANOVER SQUARE | LONDON, W.1.' ONE to FOUR. A series of four head-and-shoulders portraits of Driberg, each signed in pencil by Maurice Beck, and with the stamp on the reverse: 'Photograph by | Maurice Beck | F.R.P.S.' Each on a piece of 37 x 29.5 cm.

Black and white portrait of Driberg from the waist up, by Converse Studios Inc., New York. In good condition, in lightly-worn printed card folder, 35 x 25.5 cm. The image is mounted behind a 23.5 x 18 cm windowpane. Driberg, in his early thirties, in a double-breasted pin-striped suit, white shirt, and tie, faces the camera with hands in pockets. From Driberg's own papers.

One page, obl. 12mo, good condition. He appreicates being told about the Georges Neveux play on the radio [French playwright], but "unluckily" he missed it. "I had a very pleasant surprise in Italy. As I was entering my room at the hotel a door next door to it opened and Neveux was staying there. I had a long talk with him and he said that some french p[roducers (friends of his) who are interested in the story, might like to have a talk about the possibilities of an English collaboration and they might come to London with Georges. Of course I haven't heard from him since [...]".

Black and white studio photograph, postcard format (14 x 9 cm). Laid down on leaf removed from autograph album. Good, on shiny photographic paper, with margin making dimensions of image 12.5 x 8 cm, captioned at foot 'JOHN STUART' and, in smaller type, 'PHOTO BY | L. PROTHEROE'. Stuart's inscription, in bottom right-hand corner, reads 'Best wishes | Sincerely yours | John Stuart'. Stuart's two Hitchcock films were the director's debut 'The Pleasure Gardens' (1925), and 'Number Seventeen' (1932).

CINEMA EALING STUDIOS FILM CINEMATOGRAPHY AUTOGRAPH