TENOR

2pp, 12mo. Seventeen lines of text, with a few lines and the signature written lengthwise on the second page. On bifolium. Accompanied by the letter’s stamped and postmarked envelope, addressed by Power to ‘Mrs Lane / 67 Addison Road / W14’. (Note that she lives in the same street.) Both letter and envelope in good condition, lightly aged. Letter folded once. Signed ‘Geo. Power’. He explains that a friend of his, Rev. Eric O. Norman’, ‘who is a fine musician & pianist is trying to get together a small orchestra for a concert on the 24th. May’ and he wonders whether she would ‘care to join’.

See his entry in the Oxford DNB. Even towards the end of his life Bernard Shaw could remark that ‘he can still leave the next best tenor in England an immeasurable distance behind’. 1p, 12mo. In good condition, lightly aged, with minor traces of mount to inner margin. Folded once. Very nice embossed letterhead, printed in gold, brown, green and red, with bird perched on top of a treble clef, entwined with foliage and a twisted branch in the shape of the ‘R’ of ‘Reeves’. Reads: ‘Sir / This autograph with pleasure, according to your request / Yours faithfully / June 1872 / J. Sims Reeves’.

2pp, 12mo. On bifolium. Folded once. The first page is scored through in ink, with pencil annotations at head. The final page, with Saléza’s signature, is unmarked. He asks him for as many seats as possible for that evening. He would like ‘une bonne loge, deux Stalls et plusieurs petites places’. He will pass by the office to collection, and asks for them to be left in his name.

1p, 12mo. On bifolium. In fair condition, with two pencil notes at head, one in orange. Folded twice. He hopes he is not abusing the kindness of 'Monsieur Menager' (i.e. the house manager) by asking for two seats, for his wife and her friend, as they would like to go to the opera that night. After terminating the letter in the customary Gallic fashion, he adds a postscript asking for the reply to be left with the porter.

Written one above the other on one side of a pink 12mo leaf of paper removed from an album. In fair condition, aged and worn, with small square of tape staining at head, and some light offsetting of ink over Nicholls' signature. Reads: 'Yours sincerely | Ben Davies.' and 'In remembrance of | Agnes Nicholls'.

Six of the letters are in autograph, the rest are typewritten, as are the carbons of the five letters from Tauber. Letters and copies total 49pp. All substantial letters, with content. The following description is divided into four parts. ONE: Thirteen letters, and a copy of one by Tauber, dating from between 1932 and 1934, all relating to the film industry. Correspondents are: Crescendo Theaterverlag, Berlin (regarding 'Die Dubarry'); Sonor-Film-Verwertungs, Berlin; Bosna-Film, Zagreb; Slaviafilm, Prague; and five letters, all from 1934, concerning the film 'Blossom Time', from the firm B.

One page, 4to, pasted to card frame, grubby and stained but text readable and complete. "I confess your offer to be liberal in the extreme - and if [excision] I possibly can,will be with you about the second week in January - I am now interestingly engaged being on the point of marriage with a young lady of this place (Manchester) therefore the excuse of 'being married and can't come' (at least these 2 months) must in this case be valid - Have the goodness to send the agreeement [...] to me at T. Wilson Esq.

1p., 12mo. In very good condition, lightly-aged, with parts of red wax wafer at each corner. Reads 'En route | Royal Hotel Cardiff | Sir | Here is my autograph according to your wish. | Yours faithfully | J. Sims Reeves | April 21st. 1876.' Good, strong signature, with a final flourish continuing in a circle, and enclosign the whole of it.

All four items in good condition, lightly aged and worn. All four in a bold, expansive hand. The two letters accompanied by their envelopes, addressed to Child in London. Letter One: Address: 'c/o Mr & Mrs G. W. Williams, | 615 East Genesee, | Saginaw | Michigan. U.S.A.' 4 July 1957. 4pp., 4to. She is 'on the first lap of my Vacation' and has asked 'Anne' to contact him. 'During the University year I am so frightfully taxed for time - my own correspondence and my personal affairs suffer in consequence and are perforce relegated to the background.

2pp., 4to. In good condition, on lightly aged and creased paper. He writes that he is sorry that he could not sing the song 'Nancy's Hair' at Preston. He had not brought it: '(I only got your letter on arrival at the concert hall.) Funnily enough I picked it up before leaving home to put in my case as a possible encore & then put it back.' He is 'delighted to know that your mother liked my singing of it, I most certainly enjoy singing it & I hope to be able to help it along'.

On one side of a 16 x 20 cm piece of light-green paper, removed from an album. In good condition, lightly-aged. Thalben-Ball's signature is the upper of the two, and reads 'To | [bar of music in 3/4 time] | G. G. Thalben-Ball | 22. v. 41'. Parry's signatuer is towards the centre of the page, and simply reads 'Parry Jones.' From album which also contained the signatures of many performers at the Denbigh Eisteddford in 1939.

Leaf detached from album, some staining, complete and clear. On one side a photographic portrait of jan Kubelik which he has signed and which has been annotated with the above place and date. Overleaf appear the signatures of Phyllis Neilson-Terry, actress and the Russian tenor, Stefan Bielina, dated by him 9/12 1921.

Page detached from album, some wear and tear but no losses, which contained numerous autographs provided at performances in Stoke mainly in the 1920s. One side of the leaf has the signatures of Agnes Nicholls Harty, Hamilton Harty, an illegible, and Frank Mullings, while overleaf are the signatures of John Booth, Margaret Balfour and Andrew Clayton.

Page detached from album, 17 x 14cm, good condition, headed Kedroff Quartet, with signatures, as far as I can make out, T. Kasakoff, Const Kedroff, J.. Denisoff, N. Kedroff, dated 19.1.1926.

Page detached from an album, 17 x 14cm, slightly foxed, mainly good condition, inscribed Every good wish | Paul Robeson | [Mar?] 1930 | Lawrence Brown. Note from wikipedia: Robeson and his accompanist and arranger Lawrence Brown were the first to bring spirituals to the concert stage; their association lasted through four decades.

On a fragment, roughly 11 x 16 cm, of a page of laid paper from a diary. Good, on lightly aged paper. Two signatures, under the heading 'July 22': 'Spencer <?> | Steuart Wilson.' Lightly docketed in pencil.

8vo, 3 pp. Bifolium with dimensions of leaf 18.5 x 14 cm. Good, on slightly grubby and lightly creased paper. Small slip of paper mount adhering to one margin (not affecting text). Written in a bold and distinctive hand. He will not be able to make 'an appearance with "Lhada" [?]' as he is 'sorry to see that I am in Brighton the 22nd and 23rd of April, where I sing with Madame Donalda'.