CENTURY

12mo: 1 p. Eight lines of text. On a piece of grey laid watermarked paper. Complete and clear. Lightly aged and creased. Unusually frank business communication. He is angry at having to tell Deterville that he cannot have 'd'exemplaire des Rudimens'. He will do his best to let him have them soon. However weak the excuse, it is nevertheless true that the 'ouvriers ne m'ont pas tenu parole'.

Landscape. Unbound. On thirteen pieces of paper, each 17 x 23 cm. Each leaf with two punch holes at head, and all held together by a piece of blue string. Good, on lightly-aged paper. The calendar has been printed on the reverses of old coloured maps. Covering leaf (illustrating the "Antartida Argentina"), followed by one leaf for each month. Each month carries a quotation from General San Martin (January: 'La calumnia como todos los crimenes, no es sino obra de la ignorancia y del discernimiento pervertido').

On the recto of the first leaf of a folio bifolium (leaf dimensions 42.5 x 27.5 cm). On grey watermarked laid paper. Good, with slight offsetting from the ten red wafers placed beside the signatures. Headed 'LONDON. To the ALDERMEN, DEPUTY, and COMMON-COUNCIL of the Ward of [Queenhithe]'. Fifty-two lines of text, with manuscript additions, including the name of the ward ('Queenhithe') and the sum assessed (£89 15s 6d). At the foot of the page are large, bold signatures of the ten members of the Commission of Lieutenancy, including that of the Lord Mayor, Stuart Knill.

8vo: 1 p. A bifolium (leaf dimensions roughly 270 x 185 mm), on thin wove paper, with the printed page on the recto of the first leaf, the rest being blank. Very good, on lightly aged paper. Attractive item printed in red, blue, black and gold. Text reads 'Vol I in the Press. Burke's Colonial Gentry. A Genealogical and Heraldic Dictionary of the Principal Families residing in the British Colonies by Sir Bernard Burke, C.B., LL.D., Ulster King of Arms.

On both sides of a piece of wove paper, dimensions 21.5 x 14 cm. On browned high-acidity paper, lightly creased and with closed tears to the margins. Text clear and complete. Begins 'One of the best and most effective statements of the farmer's case against Protection was that made by Mr. Legh, of Adlington Hall, one of the oldest Conservative landowners in Cheshire, at a Free Trade meeting at Adlington.' The headings are 'About Butter', 'About Cheese', 'About Corn', 'About Pigs' and 'About the Farmer's Bill'.

In three columns of small type on one side of a piece of unwatermarked wove paper, dimensions 39.5 x 29 cm. Text clear and complete, on aged and lightly creased paper. Four short closed tears at the extremities of folds. An unusual production, docketed in pencil in a contemporary hand at the head: 'These letters were written by Baker, Consul out in the Principalities & a great protege of Gladstone'. Begins 'We have been favoured with a copy of a remarkable letter addressed to the Premier by an old friend of his father's.

12mo: iv + 164 pp. In original green cloth, with the title in gilt on the front cover. All edges gilt. Slightly foxed. Good and tight, in lightly worn cloth. A curious collection, with the index of first lines containing such entries as 'Sweet Edgbaston bells' [this poem dated 1844], 'Dear Varinka', ' 'Twas a boy in a cut-off jacket' and 'They call me little Trottie'. All three series are excessively scarce. The only copy of this third series on COPAC is in the British Library, and the only copy on WorldCat in California.

On a piece of paper cut from a letter, roughly 3.5 x 9.5 cm. On lightly aged and slightly grubby paper. Good firm signature, beneath which, in a contemporary hand, 'I knew his daughter Stepny'. Gulston's wife Bridgetta (1749/50–1780) was the second daughter of Sir Thomas Stepney.

Both issues 8vo (roughly 30.5 x 19.5 cm), 6 pp (each a loose leaf in a bifolium). Both printed on brittle watermarked laid paper. Both unbound, and stabbed as issued, and both on aged and chipped paper, but with the text clear and entire. Each issue with the title in an expansive calligraphic design. The full slug, at the bottom of the last page of both issues, reads: 'Printed and Published by ETHERINGTON, at No 25, opposite the South Door of St. Paul's (where Letters, post-paid, to the LITERARY FLY will be received).

The main text is printed on one side of a piece of paper roughly 28 x 13.5 cm, headed 'Upwards of Thirty Thousand Copies Of the "Manchester Weekly Times," with Eight-page Literary Supplement, are Issued Every Saturday.' The main block of text, in a variety of types and point sizes, consists of 27 lines ending 'The Proprietors respectfully solicit instructionsn to insert your Advertisement.' Describes the newspaper's merits and boasts that it is 'one of the Largest and most complete Weekly Papers published'.

One page, 12mo, asking her friend to dinner "to meet a friend from the country", fearing that "there is small chance of finding you disengaged" with such late notice.

A collection of items indicating the panic felt by the bourgeoisie around the time of the Great Chartism Meeting on Kennington Common, 10 April 1848. Items Two to Five are laid down on a piece of grey paper removed from a scrapbook. Item One: Printed warrant signed by two magistrates, appointing Cater a Special Constable, it appearing, 'upon the oath of a credible witness, that a tumult or riot may be reasonably apprehended'. On one side of a piece of laid paper roughly 320 x 210 mm. Watermarked 'W H FELLOWS 1847'.

All four items well printed on one side of a piece of watermarked laid paper. All four lightly-aged but good. None of them filled in. The third item more dusty than the rest. Item One (15.5 x 20.5 cm): Headed 'No. VII. A PROTECTION.' To be signed by one of the 'Deputy Lieutenant, | Captain, | Commanding Officer.' Exempting the bearer, as a militia man, 'from doing any Highway Duty, commonly called Statute Work'.

Both items printed on one side of a piece of cheap wove paper. Both items aged and lightly creased, but with text clear and entire. Item One (23 x 12.5 cm): Headed 'Sudbury Election.

Each of the five on a piece of good laid paper, roughly 15 cm square. Wide margins, with indentation of plate 9.5 x 8 cm. All five good, with occasional light creasing to margins. The second and third items more aged that the others, but all good and suitable for framing. Delicately engraved and skillfully coloured. Item One: 'Mr. Bellecour. 3 Comed. Franc. Le Joueur. dans la Comédie du même nom.' Item Two: '19 Comed. Franc. Michau et Henri. dans la Partie de Chasse d'Henri IV. Qu'êtes-vous? allons, qu'êtes-vous?' Item Three: 'Made. Favart. 22 Coméd. Ital. La Vieille.

Landscape 8vo (leaf dimensions roughly 15.5 x 23.5 cm): [iv] + 98 pp of letterpress, and 24 tipped-in full-page lithographic engravings ('taille-douce' over a tinted background), one illustrating each of the book's twenty-four chapters. Woodcut engraving on title-page. In contemporary brown cloth with green patterned endpapers. A tight copy, with the first few leaves somewhat grubby and worn at bottom outer corners. Occasional foxing throughout. Alhoy (1802-1856) was co-founder of 'Le Figaro'. Second and last edition.

Two pages, printed on the recto of the first leaf and verso of the second of a yellow wove-paper bifolium. Leaf dimensions 22.5 x 14.5 cm. Grubby and creased, but with text clear and complete. The first poem, 'A New W[h]ig Song', begins 'In our town there's a street, with a chapel and shop, | Where a gay pole once hoisted of late is let drop, | There a fam'd Barber deals with his w(h)ig as he wills, | From full bottom'd P----r to little scratch M--ls.' References to 'shot-yellow A---r [Adair]' and 'M----y, the close button'd Barber'.

On piece of laid paper (roughly 8.5 x 16 cm) cut from diary. On aged paper with wear and 1 cm closed tear at head. Clear and clean signature, beneath the heading 'July 17'.

On leaf (roughly 10 x 15 cm) torn from autograph album. Good, on lightly aged paper. Signed 'Hugo Rignold' with another signature ('John <?> | <?>') in pencil above it. Docketed in pencil.

On piece (15 x 16 cm) of laid-paper cut from a page of a diary. Creased and worn at head. Signature under heading 'March 18'. Lightly docketed in pencil.

On a leaf (roughly 21.5 x 14) removed from a programme. Grubby, worn and with a central vertical fold. Laid down on a leaf (22 x 18 cm, and ruckled and spotted) removed from an autograph album. The autographed page only carries Wood's photographic portrait (12.5 x 8 cm), captioned 'Sir Henry J. Wood'). Bold signature in bottom right-hand corner of photograph: 'Sincerely yours | Henry J. Wood'.

On light-yellow page (roughly 11 x 14 cm) removed from autograph album. Four glue stains showing through from the reverse (not affecting the signatures), otherwise good. Reads 'Dora Stevens | Ethel Hobday | Marjorie Hayward | Cedric Sharpe'. Lightly docketed in pencil.

On a light-green leaf (11 x 14 cm) removed from an autograph album. Lightly aged and creased. Reads 'Hugh P. Allen | Nov 8. 1928'. Lightly docketed in pencil. Two other autographs on reverse.

On a leaf of pink paper, roughly 13.5 x 11 cm, removed from an autograph album. Lightly creased and with a thin glue stain along inner margin (not affecting text). The inscription, in a top outer corner, reads 'Noël Eadie | 21. 1. 24'. It is somewhat smudged, either having bled or been badly blotted.

On piece of laid paper paper (roughly 11 x 16 cm) cut from diary. Good, on lightly-aged paper. Under the heading 'June 25'.

On one side of a leaf (roughly 11 x 16 mm), removed from an autograph album. Good, on lightly aged paper, with some show-through from amusing drawing on reverse by L. E. H. Phipson. Bold signature reads 'Yours Sincerely | Marie Novello'. Drawing on reverse depicts a monocled old fogey protesting his love to a pretty young thing regarding herself in a handmirror. Captioned 'I'd rather be a young man's slave!' Signed by the illustrator 'L. E. H. Phipson | 6/12/1917'. Docketed in pencil.

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style illustrations of the ship and the queen. The print itself is good, although aged and a little worn and spotted; the spotting and aging to the margins and mount is a little heavier. Attractive and unusual item, the image changing when held up to the light. The ship is depicted sailing on choppy seas, and the young queen seated with drapery around her on a verandah with stone balustrades and a landscape behind. Scarce.

The portion of the caption, missing in the description above, reads '[...] Virginia Water. This Print at first represents this enchanting lake by day, and upon holding it before the light, you will be presented [...]'. Dimensions of print roughly 16.5 x 22.5 cm. On original grey paper windowpane mount (24.5 x 35.5 cm). Engraved label (4.5 x 18.5 cm) beneath the print. Good, bright impression, but with damage affecting an area roughly 2.5 x 2 cm in bottom right-hand corner. On lightly aged and spotted mount.

Dimensions of print roughly 13 x 17.5 cm. On original grey paper windowpane mount (22 x 28.5 cm). Engraved label (3 x 12.5 cm) beneath the print, with small remarque-style Dimensions of print roughly 20 x 14.5 cm. On original grey paper windowpane mount (34 x 24 cm). Engraved label (5 x 19 cm) beneath the print. Worn and discoloured. An usual and attractive item, with a simple picture of a pear which transforms into a portrait of the royal couple, under drapes, when held up to the light.

8vo: 8 pp. Unbound. Stabbed as issued. Very good, on rough-edged wove paper. The seven-page advertisement, signed in type by Cobbett, is succeeded by a page headed 'New Books, published by COBBETT and MORGAN'. (Eight titles are listed.) The advertisement is a personal address from Cobbett, the second paragraph casting valuable light on his motives and intentions: 'When I first undertook the Register, I was fully persuaded, that the plan, which, indeed, I had long thought of, was well calculated to ensure a wide circulation, and to produce an extensive as well as a lasting effect.