ART

From the Macqueen-Pope papers. See his entry and hers in the Oxford DNB. Caird was Northcliffe’s right-hand man, and mainly associated with the Daily Mail. The four items are in fair condition, lightly aged and creased, with slight rust spotting from a paper clips. Items Two to Four are on carbon paper. ONE: ACS from Tutin to MP. Small unillustrated postcard, signed ‘Dorothy Tutin’. Reads: ‘I remember you very well - your fascinating letures at the Academy [i.e. London theatre school RADA, the Royal Academy of Dramatic Art] - and shall be very happy to meet you for this article.

1p., 12mo. Good, on lightly-aged paper, with minor traces of mounting on the blank reverse. The letter reads: 'I shall be happy to execute your orders, and shall be obliged if you kindly forward me the blocks and Copy, with your directions upon what style you wish these drawings to be done: to my address as above.'

See the entries in the Oxford DNB for his father Sir Francis Baring (1740-1810) and his son Thomas Baring (1799-1873). At the time of writing he was working with the merchant bankers Hope & Co. in Amsterdam, but growing 'so disgusted with the drudgery of the counting house' that he wanted to abandon commerce for the law. 1p, 4to. In good condition, lightly aged, with neat traces of windowpane mount adhering to the edges of the blank reverse. Folded for postage. Signed ‘Tho. Baring.’ Recipient not named. Reads: ‘Dear Sir / As I observe in the papers that the British [?] is to be closed on ye.

1p, 16. On the recto of the first leaf of a bifolium of grey paper, with simple drawing in the same ink as the text of a straight plain walking stick stuck in the ground and running up the left-hand margin, with the handle hooked to the right at the top with the dating to its right. In good condition, lightly aged. Reads: ‘le 25 Decembre 89.

As a naturalized British subject, resident in England from the 1850s to 1903, Haag has an entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice for postage. Reads: ‘Mr. Carl Haag presents his compliments to Mr. & Mrs. Arbuthnot Guthrie, and very much regrets not being able to accept their polite invitation for Wednesday next, having already accepted a previous engagement for that day.’

See his entry in the Oxford DNB. 2pp, 12mo. On a leaf of grey paper. In good condition, lightly aged. The recipient was studying at the Royal Academy Schools. Begins: ‘Dear Miss Towgood / Thanks for your letter and enclosed statement by Mr Percy Young.’ He asks to be sent ‘the names of the authors of the various “Cartoons” and “Creswick”’, so that he may have all his material ‘ready for the Council on Tuesday next’. He intended to ask her for the names in ‘the Schools’ (of the Royal Academy at Burlington House), ‘but a sudden attack of Influenza confines me to my room by the Doctor’s order’.

Redgrave’s entry in the Oxford DNB praises his ‘exceptional administrative skill’, and states that ‘Redgrave and Cole supervised the new South Kensington Museum (now the Victoria and Albert Museum), for which Redgrave designed the innovative art gallery to house John Sheepshanks's extensive collection of British art, given to the state in 1857.’ 1p, 12mo. On grey paper. In good condition, laid down on part of a leaf from an autograph album. Pasted down at the head of the letter is a thin strip on which is printed ‘Inspector-General for Art. R. Redgrave, R.A.’ The male recipient is unnamed.

See her entry in the Oxford DNB. An interesting letter, whose circumstances are intriguing. 3pp, 12mo. On two leaves of letterheaded paper. In pencil. From the Asquith papers, and possibly a draft letter to her son Anthony (‘Puffin’). In good condition, lightly creased. Folded once. The signature is a short squiggle. The handwriting is challenging, and the following interpretation is tentative. She begins: ‘My Darling, I felt rather guilty after leaving you about abusing yr. love of blue in yr. pictures. - I can see that nothing I say can alter yr. love of this colour, & I hate hurting yr.

See the entries for Long, Forbes and Burgess in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, with traces of tape from mount along one edge. Signed ‘Edwin Long’. Begins: ‘Dear Sir Richard / I have just had a chat about your kind enquiry with my friend Burgess, who knows everybody’. While Burgess ‘says Stanhope Forbes is the best man coming on & that he has painted some very good portraits’, from what Long himself remembers of his work, it seems ‘very black’. He concludes: ‘Why not give it to Burgess? he is painting capitally just now & I know he would be very pleased.’

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In fair condition, lightly aged and creased. Signed ‘Frank Short’. The salutation is unclear: it appears to be to ‘Dear Mist Gosselin’, but it could be ‘Mirst’ or ‘Urist’ Gosselin. He thanks him for his kind note, ‘but it wasn’t really of any importance about that bell. Don’t trouble any more about it as far as I am concered.

Pye was an active figure in nineteenth-century British art. According to his entry in the Oxford DNB he was the engravers’ ‘best spokesman’, hoping ‘to raise the fortunes, status, and public profile of engravers by means of professional association and co-operation’. He was the author of a number of works, including 'Patronage of British Art' (1845). His collection of prints after Turner was acquired by the British Museum in 1869, and the proofs of Turner's ‘Liber Studiorum’ followed in 1870. His notebooks are in British Library.

See his entry in the Oxford DNB, and that of his brothers the architect Leonard Scott Stokes and the inventor of the ‘Stokes Gun’ Sir Wilfred Scott Stokes. 2pp, 12mo. In good condition, lightly aged. Folded once. Signed ‘Adrian Stokes’. He has added the word ‘at’ above the letterhead, indicating that the residence is not his (it is in fact the house that his brother Leonard designed for himself).

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. The recipient is named as ‘J. Pendred Broadhurst Esq’. Boughton begins by thanking him for his ‘kind note’. He is ‘quite out of photos for the moment - there has been such “a run on” me’. His portrait is not ‘in commerce’. He is enclosing ‘a Menu Card (of a dinner given me by Messrs Harper in New York)’, which has ‘a portrait by Mr L. Alma Tadema R.A. which I think is a little out of the Common. There is also an illustration from our book - (E. A.

See his entry in the Oxford DNB. 1p, 4to. In fair condition, lightly aged, with slight spotting to margin. Folded three times. Good signature: ‘Peter Scott.’ Addressing himself to ‘Dear Squirrel’, he writes: ‘Yes, of course I will try to advise you on the right type of field glasses. I have used Ross 12 by 50 Stepsun for many years and have found it a very good glass for ornithological and also general use. I would strongly recommend it.

See his entry in the Oxford DNB. There is a blue plaque at his house in Onslow Square, announcing that he lived there from 1851 to his death in 1867. 2pp, 12mo. On first leaf of bifolium with mourning border. In good condition, lightly aged. Folded twice. Addressed to ‘Mon cher Monsieur’. He has returned home after several days in the country, to find his ‘garde manger si bien rempli des preuves de votre bon et bienveillant souvenir’.

See his entry in the Oxford DNB. From 1821 to the end of his life Barnard served as a courtier, notably as Equerry to King George IV, and it would appear that the present item is written in response to an enquiry made to the recipient of the letter regarding paintings in the royal collection. He writes from Camford House, where Queen Adelaide, widow of William IV, had taken up residence. 4pp, 12mo. On bifolium with thin mourning border. In fair condition, on aged paper. Folded twice.

Interesting artefacts of provincial Georgian connoisseurship and picture dealers. If genuine (unlikely, given the period) the paintings would be of considerable interest. Given the exchange of cash, ‘W. Hayward’ could well be a visiting picture dealer. Both memoranda in good condition, lightly aged. ONE: 1p, 8vo. Folded four times. Reads: ‘Gloster 20th. Octr. 1841 | Exchanged with Dr. Maddy the following pictures viz / Waterfall &c. - Berghem / Landscape - Hobbema / for / Landscape - K. Du Jardin / Perseus & Andromeda - S. Rosa / and / Cash - £100 / W. Hayward’. TWO: 1p, landscape 12mo.

See the entries on the two men in the Oxford DNB. The document to which Stirling Maxwell refers in this letter can be read as ‘Dissent (No. III.)’ on pp.xiii to xxii of the parliamentary ‘Report of the Oaths Commission. Presented to both Houses of Parliament by Command of Her Majesty.’ (London: Eyre and Spottiswoode, 1867). There were five dissenters to the report: alongside Stirling Maxwell and Milman were Robert Lowe, Lord Lyveden, and Edward Pleydell Bouverie. 3pp, 12mo. On bifolium. In good condition, lightly aged, with traces of glue from mounting to blank reverse of second leaf.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, but a little brittle and discoloured (unobtrusive repair to one corner with archival tape). The recipient is not named. Reads: ‘Dear Sirs / I shall be pleased to see your Ramblers June the 6th. Let me know details of them & numbers a week before. / Yours truly / Hubert Herkomer’.

See Dilke’s entry in the Oxford DNB. Lurid claims of three-in-a-bed adulteries put a paid to his political ambitions (he had been touted as a future prime minister), and rendered him the butt of musical hall jokes. The recipient is not named. On one side of a plain 11.5 x 9 cm postcard. In fair condition, lightly aged, with the two right-hand corners creased.

See the entries for Robinson and Cooke in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, folded twice. Addressed to ‘My dear Mr Cooke’. Cooke’s ‘friendly note’ about the time he ‘proposed setting out for Deal’ was received on the Thursday, and the Robinsons are ‘glad indeed to hear that your dear Mother is again restored to her usual health’. The Robinsons think that ‘change of occupation & fresh air together, may have the desired effect both as regards yourself & your son Conrad’.

See his entry in the Oxford DNB. 2pp, 16mo. Bifolium. In good condition, lightly aged, with minor traces of mount to blank reverse of second leaf. Folded twice. Le Jeune’s handwriting is strangely childlike. The recipient is not named. He begins: ‘Dear Sir / Your little picture of “The Bather” has been finished some time, & I should be glad to shew it you at your earliest convenience.’ He briefly suggests arrangements for a showing.

See the entries for Jones and Chantry in the Oxford DNB. 3pp, 12mo. On bifolium. An interesting letter of 39 lines with text intact, in poor condition, aged and with closed tears, and discoloration from tape used in repair, and ink blot to first page. The surname of the recipient is not given, but the close friendship between the two men (Jones published a memoir of Chantrey in 1849) puts Chantrey’s identity beyond doubt.

The present item is the producer Hugh Burnett's own copy, from his papers, of the transcript of John Freeman's interview with John, broadcast in the groundbreaking BBC series 'Face to Face' on 15 May 1960. This single-spaced typed transcript was produced for inclusion in Burnett's book 'Face to Face / Edited and introduced by Hugh Burnett' (London: Jonathan Cape, 1964), and is marked up with printing instructions in pencil and red ink, with a few proof corrections in green ink. 3pp, foolscap 8vo, on three leaves stapled together.

Boehm had executed a bronze bust of Wolseley two years before. It may be that the present letter is in response to congratulations from Boehm on his forthcoming elevation to the viscountcy, with occurred 28 September 1885. 1p, 12mo. Folded once. In good condition, with unobtrusive folds to two corners. Reads: ‘Dear Lord Wolseley | Many thanks for your kind note & the Norfolk jaquet which arrived safely this morning | Yours sincerely & obliged | J. E. Boehm’.

On one side of slip of laid paper, with watermark date ‘1811’. Dimensions: 18.5 x 7.5 cm. In good condition, folded three times. Good firm signature. Reads: ‘Received Feby: 18th: 1814. of Mrs. Campbell One Hundred & fifty Pounds for a Monument to the Memory of Coll. Campbell - including cases - Inscriptions - &c | £150 | Henry Westmacott.’ For Westmacott's work on Nelson's tomb, see the Archaeological Journal, 1894, vol. 51 (2nd series no. 1), p.161..

Booklet, stabbed (thread through two holes at (spine) edge), chipped at one corner, sl. grubby wraps (with title), small closed tears on back wrap. A crude production with decent charicatures. It comprises: title and seven caricatures illustrating the comic effects of having a giraffe-style hairdo. See images (should have used flash!). No other copy traced yet(WorldCat etc) but the Brighton Pavilion Collections provided an image of one of the caricatures to the only site which appears to refer to this booklet, and claiming after watercolours by Chalon.

One page, 12mo, laid down on sl. larger piece of card, probably trimmed with loss of address and date[?], good condition, boldly written. Unluckily I am engaged to Breakfast at the Black Bull [underlined] Hodedon[?] on Wednesday tthe 29th & shoot pheasants [underlined] the remainder of the Day in the Park - I am very sorry: I have fixed the day myself & it is the last this season so pray forgive me & excuse me.

Two pages, 12mo, fold marks, good condition. Text: Faed [fellow-artist] wrote me a letter some little while ago, which I only received on Saturday on my return from Berlin, & the conclusion of a German lecture tour, I am simply delighted to hear of your existence & whereabouts & hope we can soon meet. Please write, and if you could come up to this part of the world, even this coming week-end, I might see you more quickly then i[?] we would until I can get to Bristol. I am going to Gibraltar next month, so let's try & fix something up as soon as possible.

One page, 8vo, fold marks, good condition. Text: I regret that my husband's serious breakdown in health prevents him from answering your note of March 14th. He tells me that the aticles in The Times quoted in the book were written by himself: he was very fond of writing unsigned articles in newspapers and then quoting them, as he knew the quotations wouyld be apt! | I fear that he is quite unable to see you, as he is not strong enough to see friends, and especially those who wish to discuss serious questions with him. Do you happen to know Mr. R.W. Bell, an official of the L.C.C.?