ART

Three pages, 8vo, black border, fold marks, small closed tears, text complete and clear. With official printed stamp next to signature, "Le Lt-Colonel DIEULAFOY | Charge du Service du Genie des Etapes". He has received an article in "L'Eveil" by his correspondent concerning his "chere compagne" [ Jane Dieulafoy, distinguished archaeologist, explorer and feminist, who died in May 1916, hence the black border to this letter ]. He specifies the putting in relief of the "initiative prise par ma chere compagne au printemps le 1913 [conscription of women, conference 1913 - see notes below].

Four pages, 12mo, a word for a part of a destroyed building cut out (text runs, including part of the [...cut out, in fact CENSORED]), otherwise clear and in good condition. He begins by discussing Tuckwell's recent operation, praising doctors,concluding that it's no wonder your nation heads the world in all that pertains to civilization, science, art, politics, &c. He continues, It gives me great pleasure to know that my pictures are still a source of pleasure to you [...]. He refers to Tuckwell's loss of his wife and his kindnesses when Dingli was in England.

Much of Tessa Adams's paper on Toni Wolff in 'The Feminine Case: Jung, Aesthetics and Creative Process', ed. Adams and Duncan (2003), concerns the 'remarkable woman' Irene Champernowne and her relations with Wolff and Jung, with a discussion of Champernowne's Withymead Therapeutic Centre in Oxfordshire, which operated from 1942 to the late 1960s.

1p., 16mo. In good condition, lightly aged. On a bifolium, with the blank second leaf neatly laid down on a grey card mount, with a slip of paper carrying the address laid down on it: 'W. G. Herdman Esqr. Secy. | Liverpool Academy | Post Office Place | Liverpool'. She writes: 'Sir/ | Will you Oblige me with a line by return to say when the Exhibition is likely to close, and if any of our Pictures are as yet Sold. Apologising for this trouble | I remain | Sir | Your's [sic] respectfully | Charlotte Nasmyth'.

1p., 12mo. In good condition, lightly-aged, with fold to one corner. Fairholt's handwriting is legible, but unfortunately the names of the recipient and subject of the letter are not so. It begins: ' seems very anxious to come to some arrangement. Can we meet on the point. I do not know if you are in London, if you are will you give me a call on Thursday evening'. He gives a few other options, before concluding.

Both items in good condition, lightly aged, and both bearing the Society's stamp. ONE: 26 January 1915. 1p., 12mo. He is obliged by a previous engagement to decline the invitation 'to take the Chair for Mr. F Vincent Brooks lecture on Lithography on the 10th.', but feels the honour 'all the same'. TWO: 1 April 1915. 1p., 12mo. He would like, 'for every reason', 'to take the chair for M. Paul Lambottes lecture on C Meunier', but he will probbably be 'out of London during the first two weeks in May'.

2pp., 4to. In fair condition, on aged and worn paper with spike hole. The recipient is unidentified. He asks him to 'forward the few books which Mr. Clark & I laid out when we had the pleasure of calling on you in London, with my Account including Mr. Clarkes, when I will remit you the balance -'. He asks him to send 'to Mr. Lunn's in Oxford St. for a Copy of D<?>'s Lexicon which I bot. there, & paid for, & which you'l [sic] please to include with the rest of your parcels'. The letter ends: 'I have concluded for the present to keep my own Copy of the Edns;,

2pp., 12mo. In good condition, lightly-aged, with slight damage on removal from album. Addressed to 'Revd. Mr. Gilpin | Cheam'. (In 1777, on becoming vicar of Boldre in the New Forest, Gilpin handed over the headmastership of Cheam School to his second son William Gilpin the younger (1757-1848).) Written with a freshness reflecting 'the particular interest' Gilpin paid to 'the theory and practice of epistolary writing', noted by Alain Kerhervé in his edition of Gilpin's letters to his grandson ('William writes to William', 2014).

3pp., 12mo. Bifolium. In good condition, lightly aged.. Addressed at start to 'Cher Monsieur', with indistinct name of recipient following Haden's signature. He is sending him, 'by the hands of Mr. Chapman the sum of 50 francs wh. I have received on yr. behalf from the authorities of South Kensington Museum – and have obtained the promise of this office that yr. Two splendid etchings (the large group of flowers) that he suspended among the Chefs D'Oeuvres of the Establishment.' He concludes: 'Mr. Chapman will explain the hurry in wh. I write'.

2pp., 12mo. In fair condition, aged and rather dusty, with small closed tear at head. He begins by explaining that he has been 'prevented by ill health from finishing the plate confided to my care, & of waiting upon you to make you acquainted with the cause of the delay. The engraving is 'in a state of forwardness', and he is willing to let 'Mr Satchwell' give his opinion of it before he sends it to them. 'I shall prove the plate again next week, after which I shall be enabled to state the time of its completion'.

2pp., 12mo. Bifolium on grey paper. In fair condition, lightly aged and creased. He writes: 'It really costs me a great deal to say no to any wish that you and the Academy may express: but I do not like to alter my conclusion, at all events at present, in regard to the pictures. I hope you will not think me illiberal, but I have so great an objection to their incurring the risk of an unnecessary journey that I hope you will not ask me.'

1p., 16mo. In fair condition, on aged paper with traces of mount adhering to reverse. Reads: 'Dear Sir | Will you kindly let me know the latest date for sending pictures to the Melbourne International Exhibition and Oblige | Yours very sincerely | Cecil Lawson.'

1p., 12mo. In good condition. He is writing 'as an old brother savage' (i.e. a member like Finck of the Savage Club), and asks her to accept his 'most sincere sympathy in the loss' of her husband, and his regret that he cannot be present at his funeral. Headed by Mrs Finck 'Answered'. Finck's 'In the Shadows' was one of the last songs played as RMS Titanic went down.

3pp., 12mo. Bifolium. In good condition, lightly aged. In envelope addressed by Forbes-Robertson at 79 Netherwood Road, Shepherd's Bush. He thanks him for letting him have his address, and requests a pass for his servant for the following evening's performance of the play 'Mice and Men'. He hopes the servant will return with 'the news I desire viz that you will consent to being pro tem - one of the Hon Secs of the Te Deum Committee.

2pp., 4to. Bifolium. Addressed on reverse of second leaf, with two postmarks (one of Pimlico), to 'R. Ackermann Esqre | 101. Strand -'. On aged and worn paper, with one short closed tear. A good letter, full of content revealing of Ackermann's business and the art trade in general. The first paragraph reads: 'I am extremely sorry the last Fashions have not met your approbation. The inflamed state of my eye rendered it impossible for me to engrave them myself, and I calculated on the known talent of Mr. Chsman [i.e. Thomas Cheesman (1760-1834)] to be my substitute.

1p., 16mo. On bifolium. On aged paper with small strip of damp at foot, affecting the signature. Reads: 'Dear Sir | I beg you will accept my sincere thanks for the great favour you have conferred upon me, this morning, a privilege I cannot here sufficiently acknowledge | I am your obedient | James Faed'.

5pp., 12mo. On two bifoliums. With the Society's oval Adelphi date stamp. In fair condition, on lightly-aged paper, with slight rust-staining from paperclip. She begins by asking if 'there would be any difficulty in my examining Barry's paintings at the Adelphi, & taking a few notes on them. | My old friend & my husband's colleague at the British Museum, Mr.

2pp., landscape 8vo. In envelope, with stamp and postmark, addressed to 'Miss I. Forbes-Robertson | 30a. Collingham Place | Earls Court | S.W.5.' In good condition, lightly aged. The first part of the letter concerns a lost or stolen letter and cheque. 'Of course I shall pay you - but it is s. sweet of you to suggest the present'. She repeats information she gave in the letter about which artists' materials she would like: 'Paper for water-colour is becoming scarce too but I have some at the moment'.

The three items are in good condition, lightly aged and worn. ONE: 19 October 1916. 2pp., 8vo. In envelope with postmark and stamp, addressed by him to his daughter at 48 Hogarth Road, South Kensington. Referring to his wife the Polish artist Janina Flamm, he regrets that he cannot 'come home for dear Janias birthday' as he cannot get leave. He is enclosing 2s 6d each for her and her brother 'Phip' [Philippe Forbes-Robertson] and sister 'Cecilia' to get presents for their mother. He sends best wishes to his brothers Leonard and Johnston.

'La Vagabondo' (The Tramp) was the organ of 'La Esperantista Vagabonda Klubo', founded and edited by the artist Caroline Oxenford. Having previously been named 'La Vagabonda Monatajo' (January to March 1908) and 'La Vagabondisto' (April to July 1908), it became 'La Vagabondo' from September 1908. The First World War put an end to both club and magazine. The four issues are in fair condition, on aged and worn paper. Uniform in design, and each 12pp., 4to. (although the last number is slightly taller), in printed wraps carrying advertisements. The three numbers from '2-a Serio' (all by 'W. G.

13 + [1]pp., 8vo. Stapled and unbound. Staining to inner margin of front cover, otherwise in fair condition, on lightly aged paper. Thirteen items, eleven by Greenaway (with three illustrations) and two by Thomson (both illustrated). The most expensive item, at £100, is the first, Greenaway's 'Apples' (illustrated): 'A large water-colour drawing of a little girl standing in front of a whitewashed wall holding a few apples in the lid of a hamper.

The present item is a puzzle. Farington joined the Incorporated Society of Artists at the age of twenty-one, and played an active part in its affairs until his resignation in 1773.

2pp., 12mo. Bifolium. In good condition, lightly aged, with strip of sunning at foot. Docketed with stamp of the Royal Society of Arts. Having 'had time to consider the question of a lecture on Heraldry' he has decided to decline Menzies's invitation, as he 'simply cannot spare the time such a lecture would require for its preparation'.

Letter: 4pp., 12mo. Bifolium. In good condition, lightly aged and worn. After discussing his relocation to Paris, she asks whether he has heard 'the news about our School and how we have just moved?

Both letters in good condition, on lightly-aged paper. Both addressed to 'Dear Cyril!' Weingartner's grip of English is shaky. ONE (27 December 1908): 8pp., 8vo. He is working hard, making his own suppers, and reminisces about their time together in Paris. The girls in Rosswein are '(some of them) the finest I have ever seen. There is a lot of Balls here, every forth nighth dansing amusement all over. I was surprized to find that here, as well you find real cafe parisienne.' He describes his fellow-students: 'They come here from all parts of Germany.

1p., 12mo. Bifolium. In good condition, on lightly-aged paper. Addressed on second leaf, with broken seal in red wax, 'A Madame | Madame Sophie de Gail | &c &c &c | Paris'. Nine lines of neatly and elegantly written text. A somewhat flirtatious acceptance of an invitation, with Bartholdy noting 'les belles choses que vous daignez me dire [...] Votre maniere est trop sedisante pour ne pas faire de l'impression'. It was at Bartholdy's suggestion that his sister Lea, the mother of the composer Felix Mendelssohn, joined him in adopting the surname Bartholdy.

On 7.5 x 11 cm slip cut from the end of a letter. In fair condition, lightly aged. On one side reads: 'Gentlemen | Your Obt. Servt. | Fred R Pickersgill | 36 Mornington Crescent | 24 May 1853.' and on the other '[...] at the ensuing half yearly distribution of the Funds of the Institution - | Mr. Varrall is not personally known to me but from the representation of Mr WIlliams ARA [...]'.

The letters total 5pp., 4to; and 1p., 12mo. In good condition, on lightly-aged paper. With stamps of the Royal Society of Arts. On the reverse of one letter are pencil notes, presumably by Wood.

The seven items in good condition, on lightly-aged and worn paper. With stamps of the Royal Society of Arts. The letter to Perry is a typed report of 2pp., folio, and more heavily worn than the rest of the correspondence. It is dated 11 August 1936, and discusses 'schemes similar to Sandersons [...] in which a firm offers work experience as part of a course taken by full-time students not previously employed in industry' and 'part-time release'.

18.5 x 8.5cm, sl. chipped and stained, but text clear. Signatures of Roberts, C.L. Eastlake and Henry Moseley, adding their addresses in holograph (Eastlake and Roberts both at 7 Fitzroy Square, and Moseley at 52 Upper Charlotte Street), probably clipped from an appeal to the Artists' Benevolent Fund.