ART

1p, 12mo. On bifolium with mourning border. In fair condition, lightly creased and worn. Folded once. Reads: 'Dear Capt [How?], | I am expecting you to morrow Thursday at Princes Restaurant 1.30 pm | Yrs vy sincerely | A H Savage Landor.' Endorsed in pencil on reverse: 'author of IN THE FORBIDDEN LAND. | EXPLORER TO TIBET. | IMPRISONED | TORTURED | DECEASED'.

One page, 4to, fold marks sl. turned corners, mainly good condition. "I should have much pleasure in complying with the wish of the lecture committee but now having given a public lecture I am totally unprovided with diagrams of a large size, without which it would be impossible to convey instruction on any branch of the fine Arts - perhaps at some other time my attention may be turned to this subject when it wiull be a gratification to comply with this request."

Both 2pp, 12mo. In good condition, lightly aged. Written in Whistler's calligraphic hand. ONE: 13 December 1961. He will be 'so pleased' if Fry will accept a copy of his poems, 'which I like to send you because of my admiration for your work, and sense of sympathy with what you express, or create'. TWO: 21 August 1963. 33 lines of text, written following the death of his friend Christopher Hassall.

After a twelve-year 'amitié amoureuse' with Phillips, Violet Trefusis died in 1972, appointing him her literary executor and leaving him her last home, La Tour de Saint Loup. The present item – only one other copy of which has been traced – is from a collection of Phillips's papers amassed by his friend Barbara Reed, containing pamphlets privately printed by him between 2009 and 2014.

One page, cr. 8vo, good condition. He taks health to start off with. Then "I am very glad you have found all I want of the Luxembourg Gall[e]ry. As for the Marquis of Annandale & Lord Glasgow [miniatures?], you did well not to buy them as I believe I can get them here from the families. The first vol[ume] of Valmont [presumably Laclos's" Les Liaisons Dangereuses" ], I am glad you have found. As to Grangers Biography. I am not sure if my Son has not got a copy. at all events let me know the price, as a friend of mine wants it.

On 2 x 8 cm slip of paper, cut from document. In good condition, lightly aged, laid down on larger piece of white paper cut from leaf of an album. A distinctive, strong signature, reading 'Geo Cruikshank'. No other text. From the distinguished autograph collection of Richard Hunter, son of Ida Macalpine, whose collection of 7000 books relating to psychiatry is in Cambridge University Library.

1p, 12mo. On bifolium. Printed on grey-blue paper, with letterhead printed in orange-red, without Landseer's name, but with his stag's head motif. In fair condition, lightly aged and worn, with thin strip from stub mount adhering to blank second leaf. Folded twice. The recipient is not named. Apparently referring to his bronze sculptures of the four lions at the base of Nelson's column (installed in 1867), the letter reads: 'My Dear Sir | Many thanks for your obliging Note and kind attention to the Lions Heads – I can't leave home Tomorrow before 4. oc when I shall go to B.

An interesting document, produced on the eve of the establishment of the State of Israel. Full heading on first page: 'Minutes of the Sixth Meeting of the Executive Committee of the Friends of the Tel-Aviv Museum of Art held on the 13th April 1948 at the House of Commons.' 5pp, foolscap 8vo, on five stapled leaves. Paginated and complete. In fair condition, aged and worn, with first leaf detached. Recorded as present are: 'Mrs Barbara Ayrton-Gould [Michael Ayrton's mother and a Member of Parliament] (Sitting-in for the Chairman) | Mr. J. Isaacs | Mr. Michael Ayrton | Mr.

1p, 12mo. In fair condition, on browned paper, with glue from mount adhering to blank reverse. The last leaf of a letter, evidently detached for an autograph hunter. Good bold handwriting. Reads: 'I shall be only too glad to avail myself of it | Yours very sincerely | Alfred Gilbert'.

4pp, 12mo. Bifolium of grey paper. In good condition, lightly aged.

2pp, 12mo. In good condition, lightly aged. Reads: 'I pray your forgiveness. I am sincerely ashamed of my bad behaviours in putting by your letter & forgetting to answer it, especially when it was written for a charitable purpose. With great pleasure I enclose a small donation & am sorry it was not in time for your dinner.'

On slip of grey paper, roughly 4 x 13.5 cm. In fair condition, lightly aged, with traces of paper from mount adhering to the blank reverse. With two unobtrusive vertical fold lines. Reads: 'Kindest regards | Yours sincerely | Edward Lear.'

2pp, 12mo. In good condition, lightly aged. He thanks her for remembering him and sending 'that splendid photograph of yourself – I really think it is the best I have seen'. He continues: 'I have been “slogging” away at water-colours for a shew in Manchester and so have kept pretty busy.' He is sending 'a Nile water colour to the New Gallery', and has sent 'an oil to the Academy – they are sure to kick it out so I shan't mind'. He hopes that she and her sister 'are all right' and 'enjoying this lovely weather'.

One page, cr. 8vo, fold marks, smudges (ink?), minor foxing and damage NOT affecting text. He thanks her for her letter, but apologises that "I do not feel able to come & criticize at the Sketch Club meeting in December. | I have just recently written [elision] letters refusing to give two lectures, & although a criticism is not exactly the the same, it's very similar - I am constantly being asked to give lectures & criticisms & if agree [sic] to do it for you I should have to accept others.

4pp, 12mo. Bifolium with mourning border. In fair condition, lightly aged and worn. Folded once. Addressed to 'J. H. Lorrimer [sic] Esq'. He begins emphatically: 'Dear Lorrimer [sic] | I wish to state clearly, that I do not Exhibit in the Paris Exn. next year and that you are not to try to get any Picture of mine to send there.!!! | I think it necessary to write this, after yesterday's over-much talk on my part I think.

2pp, 4to. In good condition, lightly aged. Folded twice. Addressed to 'My dear Cope'. After thanking him for his letter Lavery writes: 'Our “friend” [Braynard?] when he called to ask for my signature told me many things, amongst others that the A. G. B. I. had already given him a grant some time back and that [Charleton?], Brangwyn and I were his sponsors | I had a hazy recollection of him and made up my mind that I would sign his paper and let the Secretary of the A. G. B. I. know the circumstance, which I did do that same day.

[26]pp., 8vo, facsimiles, printed wraps, closed tears on front wrap, back wrap chipped, dusted edges, faint foxing throughout, contents good. Author's name from p. 6, Augusta Gregory. She seeks to have a codicil to Sir Hugh Lane's respected, and pictures transferred to the City of Dublin.Appendices: I. [Statutory declarations by Ruth Shine, and others] -- II. [Codicil to will of Hugh Lane] -- III. A list of the pictures -- IV. [Letters addressed] "To the Trustees of the National Gallery, London."

1p., 12mo. In fair condition, lightly aged. Presumably written to the governess of a child he had arranged to paint. Reads: 'Madam | I have Mrs. Horsfall's permission to ask if you could make it convenient that I should see her little daughter tomorrow at ¼ past 2 oC – for the purposes of arranging sittings for her portrait.'

2pp., 12mo. In envelope, with postmarks, addressed to 'Herrn Julius Bondi | Sekretär | in Salzburg | Schlachtofgasse 19'. Both items in good condition, lightly aged, with minor staining from mount labels. Both letter and envelope carry Defregger's printed monogram 'F v D'. The item is offered with an English translation, according to which Defregger claims that demand for his pictures 'has never before been so high as in recent years', and that he has 'totally sold out of them apart from my personal collection'. He is also 'very much behind' with commissions as a result of his eye problems.

2pp., 12mo. In good condition, lightly aged. The letter has two themes. First, the condition of Osborne's eye following his departure from the Hospital for Tropical Diseases and treatment for amoebic dysentery. ('I have been away in Worcestershire having a slack time on a fruit farm. On my return I must have used the eye more than it could stand, and it became inflamed badly. […] I do hope your eye is now behaving itself and that you will soon be out of the doctor's hands and able to resume your work.

2pp., 4to. Aged and worn, but legible. A splendid effervescent letter, highly characteristic, written in demotic English in a close unruly hand. Tchelitchew was a close friend (lover?) of Edith Sitwell, and in addition to her brother Osbert, the letter contains references to Lincoln Kirstein (1907-1996), influential figure in New York culture, founder with George Balanchine of the New York City Ballet and the School of American Ballet, and the book he was writing on Tchelitchew, as well as to Tchelitchew's partner the writer Charles Henry Ford (1908-2002).

ONE: Manuscript pedigree. On one side of a 49 x 38 cm piece of thick laid paper, with no watermark. Folded three times. Discoloured and with light damp staining. The greater part of the pedigree is written in ink in a loose hand, and traces the descent of Sir Thomas Lawrence's mother Lucy (née Read) to William the Conqueror.

1p., 4to. On bifolium. In good condition, lightly aged. Addressed by Stanley, with red wax seal, on reverse of second leaf, to 'The Secretary | In the Manchester Institution | Moseley [sic] St | Manchester'. The text itself consists of the names and prices of the two pictures to be submitted to the 1842 show, with the date and Stanley's name and address: 'No 1. | Water Mill | North Devon | 25£ with Frame. | No 2 | Lane Scene | Painted from Nature | 25£ with Frame | C R Stanley | 25 Gt Maddox St | Hanover Sqre. | August 9th. 1842'.

6pp., small 4to. Stitched into brown wraps with lithographed title on cover, in pastiche of Gothic design, including monogrammed initials 'IS' in shield, with the letters picked out in red. In fair condition, aged and worn. An extremely scarce item (no copies found on OCLC WorldCat or COPAC), whose text and illustrations cast light on the practices at the Royal Academy in the mid-Victorian period.

1p., 8vo. In good condition, lightly aged. Closely written in red ink. He begins by thanking him for being 'awfully sweet & kind' in writing, before going on to deal with the state of his health, it having been 'a difficult time, especially as I became so ill – but at the moment things aren't too bad'. The results of 'all the horrible tests' in hospital have 'come out first class', and the 'weird symtoms [sic] have now been proved to have been caused by yet another of those unknown viruses which first of all attacked my guts & then my brain'.

1p., 12mo. Mourning border. In good condition, lightly aged. Reads: 'Dear Miss Read | With pleasure I subscribe myself | Yours faithfully | Briton Rivière'.

2pp., 8vo. In good condition. Clausen is writing to Lucas in the latter's capacity as chairman of the London publishers Methuen & Co., and the letter is a 'note of introduction' for Clausen's 'friend Mr Curnow Vosper, who has written and illustrated a children's book, which he wishes to submit to you. | Mr. Vosper is a painter, a member of the old Water-colour Society, and I have no doubt his work is known to you. I hope that you may find this his latest work, of interest.' Vosper does not appear to have published any book during this period, either with Methuen or anybody else.

An interesting artefact from the early days of Akido in the United Kingdom. Akido was introduced into the UK 1955 by Kenshiro Abbe Sensei at the Hut Dojo in Hillingdon. His first student was Ken Williams. In 1957 Haydn Foster joined the Hut and continued to teach there until his death in 2011. The Renown Society was formed in 1966 by Williams after Abbe returned to Japan. This was the original society teaching Akido in the UK. The Renown Society broke up in 1969. 4pp., foolscap 8vo.

On one side of a 7.5 x 11 cm piece of paper cut from the conclusion of a letter, laid down on another piece of paper. In fair condition, lightly aged and worn. Reads: '[...] I have got in the birds they come all night - I send in either tomorrow or next day. The above is my new address | Yours truly | William Roberts'. Addressed at bottom left to 'H. Roberts, Esq'.

4pp., 4to. Bifolium. Aged and creased, with chipping and closed tears to edges. Engraved title-page states that the work is 'Copyright 2/- net | No. 1 Low Voice | No. 2 Medium Voice'. Inscribed at top left-hand corner of title-page: 'To my friend Sir Courtenay Mansel with kindest regards from | Julius Harrison | Oct. 26th. 1920'. Moore's poem is printed on the reverse of the first leaf, and facing it, on the recto of the second leaf, is the score. On the reverse of the second leaf is a 'Revised List' of 'The Enoch Art Song Library', with the date of issue ('June, 1920.') at bottom left.