VICTORIAN

See his entry in the Oxford DNB, which characterizes him as ‘the most remarkable pulpit orator of his time’, and that of his father. 3pp, 12mo. On bifolium. Somewhat aged and with the recto of the first leaf grubby, but with text clear and complete, with thirty-three lines of text in Parsons’ close and neat hand. Signed ‘James Parsons’ and addressed to ‘Revd. J. Rawlinson’. He ‘must, reluctantly, decline to comply’ with Rawlinson’s request. He wonders whether he has ‘seen, or heard of an announcement in “the Leeds Mercury” with reference to my intended retirement from my Pastorate in York’.

See his entry in the Oxford DNB. 1p, 12mo. In very good condition. Folded twice. Clear and neat signature beneath slightly-smudged text. Written on the verge of his removal from the House of Commons to the House of Lords. Reads ‘[Admiral Buser?] to Gallery of H of C / Tuesday May 8th. 1866 / E B Lytton’. See image.

See her entry in the Oxford DNB. 4pp, 12mo. On bifolium In fair condition, lightly aged, with stub from mount adhering to the inner margin of the recto, and obscuring a few words of text. The male recipient is not named: the letter is signed ‘Agnes Strickland / Historian of the Queens of England and Queens of Scotland’. By the advice of the publisher, Daldy, she is enquiring after ‘quiet comfortable lodgings at Warwick next Monday 25th till Tuesday August 2nd during the Archaeological Meeting in your antient historical town at which I have promised to be sent’.

According to Russell’s entry in the Oxford DNB, while reporting on the Civil War, he was described by one American newspaper as ‘the most famous newspaper correspondent the world has ever seen'. The inscription on his memorial in St Paul’s Cathedral calls him ‘'the first and greatest of War Correspondents'. He coined the phrase ‘thin red line’, was instrumental in the sending of Florence Nightingale to the Crimea, and is said to have written the report that inspired Tennyson to write ‘The Charge of the Light Brigade’.

See his entry in the Oxford DNB. The Church Army, still active today, was founded in 1882 as a Church of England equivalent to the Methodists’ Salvation Army. From the papers of the recipient Wilfred Seymour De Winton of Haverfordwest. 3pp, 12mo. On a bifolium of grey paper. In good condition, lightly aged. Signed ‘W Carlile / Hon. Chief Sec.’ To the left of the signature, in the bottom-left of the recto of the second leaf, is a purple ink stamp of the following: ‘WRITTEN BY ONE OF OUR POOR STRUGGLING LABOUR HOME BROTHERS’.

Christison was the author of a standard Victorian textbook of toxicology and founder of a medical dynasty; see his 1885 autobiography and his entry in the Oxford DNB (the latter also contains an entry for Bowman). 2pp, 12mo. In fair condition, lightly aged. Folded twice, with small closed tear at edge of one fold. Looping stylized signature ‘R. Christison’. He begins by referring to ‘a previous communication received from the South of England on the subject of the Nitrate of Iron as a remedy for chronic diarrhoea’.

It is hard to overestimate the impact of ‘Ion’ on Victorian audiences in Britain and America. According to Talfourd’s entry in the Oxford DNB, the play was ‘first performed at Covent Garden Theatre, London, on his birthday, 26 May 1836.

An 11 x 8.5 cm piece of paper, cut from a letter for an autograph hunter. In fair condition, lightly aged, and laid down on a piece of card which has chipped at the corners. The paper and its backing have a vertical crease through them. Reads ‘Excuse a very hurried letter & believe me / Very truly yours / Robina F. Hardy’.

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice. Addressed ‘To the Rev. A. H. Vayers’, but with the ‘V’ corrected in manuscript to ‘S’. Signed ‘Oliver Lodge’. Reads: ‘My dear Sir, / I am exceedingly busy, and a visit to Monmouth is quite out of the question. There are many others better qualified to speak for The League of Nations Union; and I trust you will have a successfull meeting.’

See his entry in the Oxford DNB. 2pp, 12mo. On a leaf of grey paper. In good condition, lightly aged. The recipient was studying at the Royal Academy Schools. Begins: ‘Dear Miss Towgood / Thanks for your letter and enclosed statement by Mr Percy Young.’ He asks to be sent ‘the names of the authors of the various “Cartoons” and “Creswick”’, so that he may have all his material ‘ready for the Council on Tuesday next’. He intended to ask her for the names in ‘the Schools’ (of the Royal Academy at Burlington House), ‘but a sudden attack of Influenza confines me to my room by the Doctor’s order’.

See his entry in the Oxford DNB. An 11.5 x 7 cm piece of paper, cut from the front of an envelope. In fair condition, laid down on a piece of grey paper cut from an album. Faint franking postmark in red ink. Laid out in Palmerston’s neat and stylish hand in the customary way, and reading: ‘London February Twenty 1826 / Peter Legh Esqr. Junr / Haydock Lodge / Warrington’, with the signature ‘Palmerston’ at bottom left. See image.

See her entry in the Oxford DNB, which does not accord her name a hyphen, although she does in this letter. 2pp, 12mo. On grey-paper bifolium. In good condition, lightly aged. Folded once. Signed ‘M Bethan-Edwards’ and addressed to ‘Dear Miss Birkett’. She apologises for having to decline her kind invitation: ‘I never can lunch out being busy till 1 pm’. Since ‘the afternoons are now so very short’, and she does not like ‘climbing the hill in the dark’, she proposes calling on her at 4pm. ‘It will then give me much pleasure to see you.’

See her entry in the Oxford DNB. The ‘Congress’ she is referring to in the letter is the 1869 Bristol Social Science Congress. 1p, 16mo. In good condition, lightly aged. Folded twice. Reads: ‘Dear Miss Thompson / It gave me pleasure to see you at the Congress I feel sure you will have heard much here which will stimulate you to further work. / I enclose you my carte as a remembrance. / Yours truly / Mary Carpenter. -’

See her entry in the Oxford DNB. 1p, 4to. In fair condition, on lightly-browned paper. Folded four times. The recipient is not identified. Signed ‘Henrietta E. V. Stannard’ and addressed to ‘Dear Lady’. She thanks her for ‘the kind help you have provided for my old lady’. The ‘very generouos responses’ she has met with have exceeded her expectations, and she hopes that her ‘dear old friend’s future comfort and independence are now assured, for the rest of her life’.

An attractive artefact of a pioneer of women’s rights. See her entry in the Oxford DNB. On 14 x 9 cm post card. In good condition, lightly aged. Addressed by Faithfull, with two stamps and postmarks, to ‘Miss Muriel Lewis / Greyhound Hotel / Carshalton / Surrey’. In neat hand and with good firm signature: ‘1 Campden Grove Kensington / I hope to see you to lunch to-morrow Monday at 1. pm. / Yrs. / L. M. Faithfull’.

Pauer, who had studied piano with Mozart’s son, gave daily recitals during the Great Exhibition of 1862, and was later appointed Professor at the newly-formed Royal College of Music (later the Royal College of Music), also working at Cambridge University. 2pp, 16mo. In good condition, lightly aged. Folded twice. Reads: ‘Dear Miss Alain / I do not see any chance of being able to arrange for the lessons you desire to take. I need not tell you that I am sorry that I cannot fulfil your wish. / In haste yrs truly / E Pauer’.

See his long but strangely-cagey entry in the Oxford DNB. 2pp, 12mo. On a bifolium. In good condition, lightly aged. Folded once. Signed ‘Frederic Harrison.’ The recipient is not named. The letter begins: ‘Madam, I am obliged to you for your interesting letter[.] I do not enter an argument because it is founded on a few sentences which give a very imperfect idea of what I said on Sunday last.’ He does not dispute many of her assertions and, as for ‘the usefulness of larger landlords’, he has ‘repeatedly urged it in my addresses’.

See his entry in the Oxford DNB. 25 March [no year]; 12 St James’s Place [London]. 3pp, 12mo. On a bifolium. In fair condition, lightly aged, with thin strip cut from top of first leaf (not affecting text). Signed ‘A W Kinglake’. The recipient is not named. Presumably writing during his period as Member of Parliament for Bridgewater, between 1857 and 1869, he begins ‘My dear Sir / I shall make a pint of being present at the discussion of the Bill which threatens to make Charities liable to local assessment’.

3pp, 12mo. On bifolium with mourning border. In good condition, lightly aged. Folded once. Rough pencil floorplan on verso of second leaf. Twenty-eight lines of neatly-written text. Signed ‘Agnes Macdonell.’ She has seen Mrs Blair’s name ‘in the list of subscribers to the Government Benevolent Institution’, and writes a line ‘to beg, if you have not already given your vote and kindly interest to any Candidate - to do this in favour of the poor lady whose card I enclose’ (not present).

See his long entry in the Oxford DNB, which sums up his achievements as ‘very substantial’ and ‘a source of enduring inspiration to others’. 1p, 16mo. On bifolium with thin mourning border. In good condition, folded twice. Written in his characteristically-inky hand, and signed ‘Shaftesbury’. Reads: ‘Dear Mr Rowley / I did not forget your request. I trust that, by the blessing of God, your [fears?] are [removed?]. / Yours tr[ul]y / Shaftesbury’. Seee image.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded once. The recipient, whose name Jacobs gives as ‘D. H. Denselow Esq’, was the commercial artist and autograph hunter Douglas Harold Hellier-Denselow, whose studio was in Gunnersbury, West London. The note reads: ‘Dear Mr. Denselow / I am much obliged for your letter & its accompanying illustration. I shall not follow your example & affix my eye to my autograph / Yours very truly / W. W. Jacobs’.

Lewis’s entry in the Oxford DNB describes how, as Minister of War in 1861, successfully led the British cabinet to reject Lord John Russell and Gladstone’s calls for Britain to intervene on behalf of the Confederacy in the American Civil War. 1p, foolscap 8vo. Folded twice. In fair condition, on lightly aged laid paper, with slight chipping at the head. With J. Green & Son 1848 Britannica watermark. Signed ‘G. Cornewall Lewis’, and addressed to ‘Mr. Peter Jackson / The Caxton Press / Angel Street / St. Martin’s-le-Grand’.

Weyman was, as his entry in the Oxford DNB states, ‘one of the most popular and skilled of the historical romance novelists of the cloak and dagger school’. Oscar Wilde recommended his novels as reading for convicts. The present item is on an 11 x 9 cm piece of watermarked laid paper. In good condition. A neat attractive two-line inscription for an autograph collector, underlined and sloping upwards. Reads: ‘Stanley J. Weyman | Nov. 2. 1899’. See image.

See the entries for Baines and Reynolds in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded twice. Addressed to ‘The Rev. H. R. Reynolds, D.D.’, and signed ‘Edw. Baines.’ The letter dates from between 1861, when Lord John Russell was created Earl Russell, and his death in 1878. Begins: ‘My very dear Friend, / I have just been shaking hands with Earl Russell. I was standing with the mob of M.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice. Sixteen closely- and neatly-written lines. After thanking him for his ‘kind and seasonable letter’, he states that he is ‘not much affected by rude abuse in parliament or through the press’ as he is ‘pretty well hardened in that respect’, and that he ‘may possibly have an opportunity’, in his own ‘proper place’, ‘of explaining & vindicating’ his position, for the purpose of which he asks Allan ‘for somewhat more particular information in regard to monumental inscriptions in Christian communities’.

See his appreciative entry in the Oxford DNB, concluding with praise of his ‘undeniable’ achievements. 1p, 12mo. In good condition, lightly aged, with the blank reverse carrying very slight staining to one edge from glue from mount. Folded once. Neatly and firmly written, with the underlined signature with a deliberate upwards slope. Clearly sent in response to a request for an autograph. Reads: ‘ “A man dies but once, a woman twice - the first time when she marries, and then, as at the last, wondering at the thereafter.” / Lady Bountiful. / Act IV. / Arthur W. Pinero. / 23rd. February 1897.’

Redgrave’s entry in the Oxford DNB praises his ‘exceptional administrative skill’, and states that ‘Redgrave and Cole supervised the new South Kensington Museum (now the Victoria and Albert Museum), for which Redgrave designed the innovative art gallery to house John Sheepshanks's extensive collection of British art, given to the state in 1857.’ 1p, 12mo. On grey paper. In good condition, laid down on part of a leaf from an autograph album. Pasted down at the head of the letter is a thin strip on which is printed ‘Inspector-General for Art. R. Redgrave, R.A.’ The male recipient is unnamed.

An evocative artefact of a bygone age of well-read men with substantial libraries. See Coleridge’s entry in the Oxford DNB (in addition to his achievements he was the great-nephew of the poet). 3pp, 12mo. On a bifolium. In good condition, lightly aged. Signed ‘Coleridge’ and addressed to ‘My dear Dickenson’. Coleridge’s hand is not an easy one, and the following rendition is in parts tentative. He begins by stating that he is touched ‘not a little’ by Dickenson’s letter, not having forgotten ‘old days in Harley Street & [St George’s?] Square’. He grieves at ‘the necessity you mention [i.e.

See her entry and that of Macqueen-Pope in the Oxford DNB. The two items are in fair condition, on aged and lightly-worn paper. Both with the valediction and signature in a large flowing hand, and the second letter also with an autograph postscript. Both are 1p, 4to, and folded three times. ONE (7 July 1952): Addressed to ‘Popie my dear’ and with autograph valediction ‘Yours always / Julia’. She has ‘not been too well for over a year’, and the previous year her ‘stupid heart did foolish things’, and she was ‘ordered to bed for six weeks or more’. She is still ‘not allowed to do too much’.

An interesting letter, in which a knowledgeable contemporary gives an extremely critical opinion of Victorian restoration as it pertains to churches in Wales. Freeman’s entry in the Oxford DNB describes how in his youth he had contemplated a career as an architect, and as a historian he showed ‘an interest in field archaeology and architecture, with the ability to sketch buildings and their features’. 3pp, 12mo. On bifolium. In good condition, lightly aged. Folded twice. Signed ‘Edward A Freeman’.