ART

Printed, 4pp., 8vo, fold marks (partly stained), sl. chipped, mainly good condition. 243 paintings listed, with prices. Paintings selected from various sources from Manchester (243) to Edinburgh (15) to the RA (8), etc. A shilling ticket gave entry to a lottery.

19pp., 12mo. Stapled. In grey printed wraps. Internally in good condition, on lightly-aged paper; in wraps with stamp and label of the Education Department Library. Marginal headings include: 'Motives for following an Artistic Career', 'Primal Important of Facility of Hand', 'Triumph of Commercialism', 'The Worship of the Ugly', 'Art: Pictorial, Creative, Pot-boiling' and 'Decorum in Decoration'. Uncommon: only four copies recorded on OCLC WorldCat.

1p., narrow 12mo. In fair condition, lightly aged and worn. He explains that he has 'not written since my Vol in 1920 any Book on Le Blond except the one just published of which I enclose the Prospectus & do not contemplate any other'. He points out the differences between the two volumes and ends with an offer of help.

Both sets of proofs unstitched and unopened (and both opening out into a folio sheet), and both with title-pages printed in red and black. Both in very good condition, on lightly-aged paper, and both stamped on first page 'PLEASE PASS FOR PRESS | MARGINS' in blue, with purple oval dated printers' stamp. FIRST SET: 16pp., 8vo, paginated to xvi. Title: 'THE WORKS OF MR. FRANCIS | RABELAIS | [...] | Illustrated by W. HEATH ROBINSON | The Second Part'. Publishers' details at foot on pasted label at foot of title-page: 'MCMLIV | THE NAVARRE SOCIETY LONDON'.

10 x 8.5 cm original print of black and white photograph. In frail condition, with slight loss to one corner, and another corner torn away and repaired with archival tape. A full-length view of the elegant artist, in long painter's robes, pointing a brush at a painting on an easel, with three paintings, including a miniature, on the wall behind her, and two paintings leaning against the same wall, and a small sculpture on a painted clock behind the easal. There is no representation of Gottschalk in the National Portrait Gallery collection.

1p., 12mo. In good condition, lightly aged and worn, with 'Conversazione' in a contemporary hand at head of first page. Addressing his letter to 'Dear Sir', Haghe begins by acknowledging the receipt of 'a card for the conversasione [sic] of the 5th. of June next', adding that he will be pleased 'to send you a couple of pictures at the appointed time'. He gives the dimensions of the two pictures. He ends by reminding the recipient that 'my brother Charles has not yet received the card you have usualy [sic] been kind enough to send him'.

2pp., 12mo. In good condition, lightly aged. In 1857 O'Neill married Emma Stuart Callcott, granddaughter of the artist Sir Augustus Wall Callcott, from whose house the present letter is addressed. He informs Cooke that he has 'asked Mr. Callcott [probably O'Neill's father-in-law William Hutchins Callcott (1807-1882)] to come & take a "friendly cup" with me on Thursday Evg. & we shall be glad of your company if you can favour us'. In a postscript O'Neill states that Callcott has promised to let him have 'the sketches I spoke to you of, in case you should come'.

ALS, on letterhead of the City Art Gallery, Leeds; 10 March 1916. He offers to review 'Rebecca West's forthcoming little book on "Henry James"', being 'particularly interested in both author & subject'. Asks for contact details of a relative of Walter Riddall's: 'I lent him before his death one of my "To-Day" volumes which I can't replace & don't want to lose.'

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper. He has been 'asked by a gentleman who called here to advise you of publications after Albert Moore &c', and lists five engravings, with prices, the last being, for five guineas, 'a very fine work after <?> etching "A Christmas Carol" | Artist proof on vellum'. He also draws the recipient's attention to 'Phoebe Sir Fredk Leighton cut of which I enclosed'.

33pp., 8vo. In brown printed wraps. Disbound from a collection of pamphlets, and with library stitching on spine. Aged and worn, with stamp of the Free Public Library, Wigan, to damaged front cover. Covers and last leaf loose. 82 lots with unusually detailed descriptions. Mostly devoted to British artists, the collection included a Constable, couple of Turners, three Gainsboroughs and four by Sir Joshua Reynolds. Scarce: the only copy on COPAC or WorldCat at Oxford.

On both sides of a rectangular (5.5 x 16.5 cm) strip cut from letter. In fair condition, with light signs of age and wear. Recto: '4 Brixton place | Brixton Surry [sic] | Janry: 12th. 1833 | Sir | M Mackenzie has conveyed to me y polite offier of allowing a few prospectus of my [...]'. Verso: 'to Dr. Tournay by my friend Dr Burney, but as your house is the rendezvous of all the learned & the rich in Oxford, perhaps it is unnecessary for me to solicit the onor of Dr Tournay's influence. | I remain, | [...]'.

[36]pp., 12mo. In olive wraps printed in green. Printed on art paper with 17 photographic illustrations (14 of them of the house), and the last four pages carrying advertisements. In fair condition, lightly aged and worn. Disbound from a collection of pamphlets ('13' in manuscript at head of front cover), and with library stitching at spine. Uncommon: five copies on COPAC and WorldCat, but none at the British Library or in North America.

On 7 x 11 cm slip of paper. In fair condition, aged and creased. The note, all in Beechey's hand, and probably addressed to a bookseller, reads: 'Monsieur - | De Regno Laconico, de Piraeeo. 1687. 2to. | Mr. Beechey | 16th. May'.

1p., 12mo. In good condition, on lightly-aged paper. The letter reads: 'I beg to re-enclose for the excerpt from your publication "Men & Women of the Time," of my biography which I have revised, making a very few alterations, & adding a few lines which I write on the other sheet of this note: [not present] my permanent address now is the above'. The note relates to the fifteenth edition of the work, published by G. Routledge & Sons in 1899.

Printed in black on one side of piece of 33 x 20 cm thick paper [full page containg image, 20 x 13cm]. Dimensions of print 23 x 13.5 cm [largest image in book, 15 x 9.5cm] . In good condition, on lightly aged and creased paper, with slight foxing.

2pp., 12mo. Bifolium. In good condition, on lightly-aged paper. For further information about Williamson and his publications, see his entry in 'Who Was Who'; see also Marillier's entry in the Oxford Dictionary of National Biography.

On 12 x 11 cm piece of watermarked laid paper. Lightly aged, with slight evidence of previous mount at head (not affecting text). Sent in response to a request for an autograph. Reads: 'London. Nov 11th. 60 | Obediently Yours | E Landseer. | (To J. H. Whitaker. | Manchester)'.

16pp., 8vo. Stitched. In grey printed wraps. In fair condition, on lightly-aged paper, with creasing to wraps and front cover crossed through in red ink. Shelfmarks, stamp and label of the Board of Education Reference Library, London. Scarce: no copies on COPAC or OCLC WorldCat.

Three pages 12mo, fold mark, good condition. He informs his correspondent that he has jsut beeen to London for "dem internatioalur Kongress fur Schulhygiene" but the rest escapes me. Image of letter may be obtained on request. Price assuming decent content. Note: "From 1920, Dr Heinrich Stadelmann, Dresden psychiatrist and hypnotist, fixes us with outsize spectral watery-green eyes, rims pinkly bloodshot. His face is ashen – Stadelmann never saw the sun, working only at night – and his ears are so large that they evoke another nocturnal creature, a bat.

The thirteen items are in good condition, on lightly-aged paper. All but one bear the purple oval stamp of the Royal Society of Arts, and most are docketted. Totalling 10pp., 4to; 3pp., 12mo. The earlier letters are addressed to Wood and the later ones to Menzies. The first letter (14 August 1915), in which Pite proposes becoming a member of the Society, is the only one not to concern the course of lectures.

2pp., 12mo. Bifolium. On aged and worn paper. Addressed to 'Walter F. Stocks Esq'. He begins by pointing out that his daughter is not to blame for the late reply: 'it is my own fault my correspondence being somewhat in arrears'.

15pp., landscape 12mo. With four additional pages of photographic plates ('Exterior facing south', 'The lounge', 'The dining room', 'A bedroom'). Stitched into grey printed wraps. Very good, on lightly-aged paper. The booklet includes a list of trustees and other officers, a descriptive text, the 'Regulations relating to the home', 'Form of application' (with two pages of 'rules', including 'CASES NOT ADMITTED') and 'Medical Report'. The descriptive text begins: 'The Home has been built and generously endowed by Mr. F. W.

The lecture, which is unpublished, is an interesting personal statement by a neglected Victorian painter who died tragically young. (A rather impressive example of his work, in Turneresque style, titled 'The Heart of the Hills', is in the Maidstone Museum.) The lecture is 30pp., 8vo, in a ruled notebook with embossed black wraps. In good condition, on aged paper with some wear and discoloration. Ownership inscription of 'W. G. Shrubsole | Bangor Decr. 1886' inside the front wrap. The first page is headed 'The Ideal in Art. | by W. G. Shrubsole Dec.

The collection is in good condition, on lightly-aged paper. Zetland's letters total 26pp., 8vo; 19pp., 12mo; 1p., 16mo. The theme is the painting and engraving of a portrait of Zetland by Slocombe, and the correspondence casts an interesting light on the relations between patron and artist in late nineteenth-century England, with the drafts of Slocombe's two letters, and his accounts for painting and engraving, adding to its value.

1p., 4to. In fair condition, on aged and folded paper. The reverse of the document is docketted, with the stamp of the St James's Budget. He writes that he is enclosing a photograph, which he asks to be returned to him 'after it has served its purpose'.

A significant letter, filling gaps in the provenance of Bellini's Crucifixion, now in the Louvre. All that has been known hitherto about the painting's provenance is that at the beginning of the twentieth century it was in the Paris collection of the banker Rodolphe Kann, and that before the Second World War it was owned by the Florentine dealer Alessandro Contini Bonacossi, from whose heirs it was acquired by the Louvre in 1970.

1p., 12mo. In good condition, on lightly-aged paper, with minor traces of former mount on blank reverse. The message reads: 'Dear Sir | I shall have the pleasure to receive the Chalcographic Society on Friday evening next, when I hope to be favor'd with your Company'. For information about the Chalcographic Society, , founded in 1807, see Dennis M. Read's biography of 'R. H. Cromek' (2011). A society set up for the encouragement of interest in engravings, ridiculed in a Blake notebook.

2pp., 4to. Aged and creased, mounted in windowpane on leaf removed from album. Liscard Hall was built for the former Mayor of Liverpool and slave-ship captain Sir John Tobin. Allen writes that since arriving there he has 'painted too little subjects', and that he has 'a wish' to 'leave them behind me - but not unframed - size of Pictures 16in: x 12in:' If Cobbett does not have 'two tolerable frames of that size' he asks him to order two: 'I do not require the "best double distilled - extra hyper - superfine" - but something tolerably good looking'.

1p., 12mo. Bifolium. Good, on aged paper. The letter reads: 'Dear Daffarn | I will be in any time in the afternoon after 2.30 on Friday, & will be pleased to see you and your friend Watson. | The work goes on slowly but I think I will finish in time.'

1p., 4to. In good condition, on aged paper, laid down on a grey-paper mount. The letter is addressed 'Gentlemen'. In the first paragraph he explains that having received their letter, he sent 'Dr Clarkes Plates [...] to the Writing Engravers but have not as yet received them back'. He has sent the bearer of the present letter to find out when they will be done, and he has been told to tell them the answer he receives. The second paragraph reveals that the bearer of the letter is himself an engraver: 'I understand that he applied to you for the engraving of one of your Portrait Plates.