AND

Scarce: no other copy traced. The only similar material are the volumes for 1851, 1852 and 1853 in the Bishopsgate Institute. Stitched booklet. 16pp, 8vo. With card cover and frontispiece, both ornately engraved. Text and illustrations complete and undamaged, on aged paper worn at edges and with front cover detached. The cover carries the royal arms beneath the engraved words: ‘FIELD MARSHAL / His Royal Highness / The Prince Albert / K.G. K.T. G.C.B. K.P. G.C.M.G. &c. &c. &c. / Captain General and Colonel.’ At foot of page: ‘Honourable Artillery Company.

Sir Iain Moncreiffe of that Ilk was a true Scottish eccentric. The Oxford DNB refers to his reputation as ‘as an (eminently quotable) super-snob’, a characterization which is strongly supported by this energetic, entertaining and playful correspondence, which, as the extracts quoted below show, covers a great deal more than the practicalities of his review work. (See the ODNB’s evaluation of his intellectual merits: ‘In conversation, as well as in his published work, he relied on a marvellously retentive memory that was unimpaired even by a considerable intake of alcohol.

1p, 12mo. On grey paper. In fair condition, lightly aged and with slight creasing. Large firm signature. Presumably responding to a request for an autograph. Reads: ‘With my most abject apologies - but I have been away for three months / Robert Morley. See Image.

An attractive piece of juvenile ephemera, printed in black on one side of a piece of 23.5 x 36.5 cm wove paper. In good condition, folded twice. The document is excessively scarce, no other copy having been traced, and little has been learnt about the advertiser. In 1919 Punch carried an advertisement for ‘Punch and Judy, Conjuring, Ventriloquism, &c.’ from ‘James Portland, the Conjuror and Children’s Entertainer’. Four years later the ‘Model Engineer’ carried several advertisements from Portland as a supplier of ebonite.

An unusual survival, providing details of a little-known Second World War scheme for artists to lend their work to the army for placement in officers’ messes. Three items, in fair condition, lightly-aged. ONE: Mimeographed Typed Circular from ‘T. A. Fennemore. / Director.’, headed ‘The Central Institute of Art and Design, National Gallery, London, W.C.2. / January 1942.’ 1p, 4to. (originally foolscap; a form has been cut away at bottom).

A nice collection of ephemera, relating not only to one of England’s best-loved poets, but also to Sotheby’s auction practice during the Great War. The provenance of the Gray letters put up for auction by Mrs Turpin is given in a New York Times article of 27 June 1915 (‘To sell relics of Thomas Gray; many letters by the poet will also be put up at auction at Sotheby's’), which stated in a report on the forthcoming sale that the letters ‘were transmitted to the present owner, Mrs.

See his entry, and that of his brother, in the Oxford DNB. On one side of a 14 x 9 cm printed postcard. No stamp or address, the side that should carry them being blank. The other side carries an illustration of a British soldier in khaki firging a cannon behind a wall, as another soldier stands to attention beside a nearby flagpole, from which a large Union Jack flies, pited in red and blue. At the head of the saide is a snatch of musical notation, to the words ‘Under the British Flag well fight our way to glory’.

See his entry in Oxford Dictionary of National Biography. A year before these letters Hodgkinson had become an assistant keeper in the Department of Architecture and Sculpture at the Victoria and Albert, where his first task had been to organize the display of the Hildburgh collection of English medieval alabasters. Also in 1946 Robertson had begun his long career at Edinburgh University, having worked through the war at Bletchley Park, before joining the unit assigned to track down works of art looted by the Nazis.

See her entry in Encyclopedia Britannica. 1p, 8vo. In fair condition, lightly aged, with some grubbiness around the top-left corner. The text of the letter and the stylish and assured signature are unaffected. Reads: ‘Dear Neil Hurst, / Thank you very much for your letter. I’m delighted to know that you have enjoyed my work, and it was kind of you to write. / I have pleasure in sending you a signed photograph, with my best wishes. / Yours sincerely, / Judi Dench’. Dench terminates the signature with a diagonal dash through a widely-spaced colon.

On one side of 15 x 10 cm grey-blue card, with facsimile of her signature at the head. Addressed to ?Dear Kenneth?, and with bold stylish signature at bottom right. The subject of the letter is the Piccadilly Theatre production of ?Gypsy?, which had opened a few days before on 29 May 1973. She thanks him for his ?kind letter?, adding ?Thank god you were right about the show and it has turned into more of a success than I could have ever hoped for.? She is sorry he couldn?t attend the first night, as ?it was a good show and I know you would have enjoyed it?.

Norman is puzzlingly absent from the Oxford Dictionary of National Biography. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The four items are in fair condition, lightly aged and worn. They are all signed ‘Frank Norman’, and the letters are each 1p, 4to. ONE: TLS, 17 February 1975.

Two nice pieces of Potteries ephemera. No other copies have been traced. ONE: Booklet. In fair condition, on aged paper, in lightly worn and creased wraps. 36pp, 12mo, stitched into red wraps with title repeated on cover in black. Slips with printed emendations have been laid down over text on pp.8, 9 and 32 (the last slip, carrying rule 84, ‘Hours for Consumption’, is amended in manuscript). Eighty-four rules on the first 32pp, with fifteen bye-laws on pp.33-34. TWO: ‘MEMBERS TICKET, 1929.’ A nice item on card, roughly 7 x 9 cm, with central horizontal crease folding it down to 4 1/2 x 7 cm.

See the entries for Wynter and Walford in the Oxford DNB. The present letter provides a valuable insight into the position of ‘the man of letters’ in Victorian periodical publication: according to the ODNB, Walford ‘edited the Gentleman's Magazine in 1866 and strongly objected to the proprietor Joseph Hatton's decision to change the character of that magazine.

In 1907 the ‘Builder’ describes ‘Mr. W. F. Slater, Overhouse-chambers, Burslem’ as a ‘Surveyor’, and in 1909 the ‘Electrical Review’ refers to him as an ‘architect’ at the same address. Five years later ‘Building News’ reports that Slater is ‘architect to the education committee’. In 1921 (‘The Surveyor’) he is the ‘surveyor, Urban Council Offices, Wolstanton, Staffs’, and in 1926 (‘Public Works Weekly Surveyor’) he is ‘architect to the corporation’.

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, and with a thin strip of discoloration from glue for mount along one edge. Folded for postage. Signed ‘Dunraven’. Begins: ‘My dear Mr Harnwell / I have kept your very interesting drawings & plates a long time. The Bridge must be a very striking object. The proofs of the ancient dwellings I fear I shd not have kept so long.’ Dunraven is ‘longing to see’ Bradford and will ‘get some copies of the photos’. It may be better to ‘get it photd [sic] on a larger scale’.

See Cook?s entry in the Oxford DNB. His temperance hall and hotel illustrated here, were built in 1853. The hall was demolished in the 1960s, to be replaced by a building typical of those that blight Leicester in 2011; the council gave permission for the hotel to be demolished to make way for another monstrosity. Sepia lithograph printed in landscape on 20 x 13 cm leaf of laid paper, extracted from a book or pamphlet. Attractive illustration of an imposing structure, with those that flank it, and people and coaches in the foreground.

See her husband’s entry, and those of her father the Earl of Durham, and Sir Cuthbert Sharp, in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged, with small closed tear to blank area at foot of second leaf. Folded for postage. Laid down on leaf removed from album. Begins: ‘Lady Mary Lambton presents her Compliments to Sir Cuthbert Sharp, and begs to express her grateful sense of the kind message, conveyed to her through Mrs. Brodie, concerning Sir C. Sharps small pamphlet -’.

An interesting item, providing a sidelight into the process of Victorian scholarly editing and publication. Fitchew’s letter is 2pp, 4to, on the outer pages of a bifolium; the inner pages being filled with notes (citations?) in a minuscule hand, possibly the recipient’s. In good condition, lightly aged and worn, and folded for postage. Addressed to ‘H. W. Wilson’ and signed ‘E. H. Fitchew’. The letter begins: ‘Dear Mr. Wilson / I think it is possible we may want a little more letterpress, but probably not much. Up to end of pt. 7 we have used 82 slips.

See his entry in the Oxford DNB, together with those of his uncles and other members of the newspaper dynasty of which he was a member. The recipient Philip Dosse was the proprietor of the London publishers Hansom Books. Beginning in 1950 with ‘Dance and Dancers’, Dosse built up a stable of seven monthly arts magazines, produced from offices in Artillery Mansions, London, the most influential of which were ‘Books and Bookmen’, ‘Plays and Players’ and ‘Films and Filming’. An elusive figure, Dosse certainly merits a full-length study.

See images (not quite full pages). [Notebook; Art in Europe] 1872 Holland | Belgium | [Meuse?] | Paris, from one end of the notebook he travels from place to place i.e.

See images. [Pen & Ink AND Pencil; IRELAND] Ireland 1850 (title on spine), large folder, 41 x 28cm, hf-lea., marbled bds, comprising: a. [Pen & Ink Drawings] Recollections of Ireland (title) in folder, 6pp. fol., light brown cartridge paper, inc. titlepage which has one sketch, 17.5 x 8.5cm. The other five pages all have multiple small sketches, many caricature, ranging from 17.5cm x 8.5 to 2 x 3cm, 8 on [p.2], 13 on [p.3], 8 on [p.4], 10 on [p.5].

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. This item is 2pp, 4to. In good condition, lightly aged and worn, with the two leaves attached by a slightly rusty staple. Folded twice for postage. Large sprawling signature ‘Richard Acland’ above typed name ‘Sir Richard Acland’.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. This item is 1p, 4to. In good condition, lightly aged and creased and folded twice for postage. Signed ‘Stuart Hampshire’.

See his entry in the Oxford DNB, the revised version of which describes his pre-war Nazi sympathies. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 1p, 8vo.

See his entry in the Oxford DNB, the revised version of which describes his pre-war Nazi sympathies. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present collection of eleven items totals 17pp (fourteen pages in autograph and four typed), in various sizes from 4to to 12mo.

See his entry in the Oxford DNB. From the papers of Philip Dosse, who was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. Rees-Mogg’s book was published in 1974, and the present item appeared in ‘Books and Bookmen’ in the same year. A late draft, neatly written out on 5pp, small 4to, with each page on separate leaf. Signed at end ‘Colin R. Coote’.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 1p, 12mo. In good condition, lightly aged and creased. Folded once for postage. Signed ‘Peter Quennell’. He ‘can’t co-operate’ with the questionnaire that Dosse has sent him.

An elusive figure, Dosse is certainly a candidate for a full-length study. The novelist Sally Emerson gives an excellent account of her time as editor of ‘Books and Bookmen’ in its last days in an article titled ‘Death of a Bookman’ (Standpoint magazine, October 2018). These six items are in good condition, lightly aged and worn. ONE: 2pp, foolscap 8vo, second page numbered. Complete rough draft of typed letter, with manuscript corrections, endorsing ‘Books and Bookmen’.

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 2pp, 12mo. In good condition, lightly aged. Folded once for postage. Signed ‘Simon Nowell Smith’.

Interesting content. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The six items are in good condition, lightly aged, and one lightly creased with wear to one edge. The four letters are each 1p, 4to, and folded for postage. One of the letters is signed ‘A. Wesker’, the others ‘Arnold Wesker’. ONE: Wesker TLS, 10 September 1972.