Manuscripts

It is hard to do justice to this vivid, informative and well-written 250,000-word account of the author's First World War service as Medical Officer In Charge attached to three regiments on the Western Front, present during the Battle of the Somme, Kaiserslacht and Hundred Days Offensive. It is hard to conceive of a better account of the day-to-day activities of a member of the Royal Army Medical Corps on active service during the Great War.

Strongitharm’s entry on the British Museum website is the main source of information about him. In 1841 ‘John Strongitharm’ is listed in the Royal Calendar among the ‘Queen’s Tradesmen’, ‘In the Department of the Lord Chamberlain’, as ‘Seal Engraver’. The present item is an well-executed and carefully hand-coloured steel engraving of the royal arms (lion and unicorn), topped by a banner with ‘LORD CHAMBERLAIN’S OFFICE’. Engraved in small letters beneath the image: ‘Strongitharm, Waterloo Place’. Printed on a somewhat-aged and lightly worn piece of thickish laid paper, 11.5 x 6.5.

A nice original item, unsigned but certainly in Florian’s distinctive hand. 1p, 12mo. In good condition, lightly aged, with neat white-paper mount adhering to one edge on the blank reverse. Foliated 93. Sixteen-line poem, beginning ‘Sur le pont-neuf, entouré de badauds, / un charlatan criait a pleine tete, / venez, messieurs, accourez faire emplette / du grand remede a tous les maux.’ In the last line the remedy is revealed as ‘un peu de poudre d’or’.

51pp, 4to, of autograph material, including 33pp with inscriptions directly on the page, and 28 items (almost all with signed inscriptions) laid down, the latter consisting of publicity photographs, parts of programmes, an Autograph Card Signed and an original drawing. In a superior 4to album of 116pp, on 58 leaves of good watermarked laid paper. The final 32pp are blank. Twelve pages carry empty corner mounts, and there are also signs of leaves torn out and other evidence of removal of material. With stationer’s ticket of ‘JOSEF HODEK / UMELECKÉ KNIHARSTVÍ / JAROMER’.

One page, sm. folio, bifolium, closed tears repaired, fold marks, aging, and sl. foxing, BUT text clear and complete, if obscure at times, and semi-literate. SEE IMAGE. Text: May it please yr Lo[rdshi]ps | In obedience To your Lordships [referr...?] of ye 7th Instant, Re [?] to the offer of Mr Rog[e]r Haws[k]head.

See her entry in the Oxford DNB. After a stint as one of George Edwardes’ Gaiety Girls, she made her name in a number of revues, her performance in the lead role of the 1929 Broadway production of ‘Bitter Sweet’ prompting Coward to praise her grace and charm and assurance, which he said provoked one of the most prolonged outbursts of cheering I have ever heard in the theatre. She was less successful in Hollywood, starring in the Romberg/Hammerstein musical ‘One Heavenly Night’ (1931), a failure for Samuel Goldwyn.

On one side of a 35 x 24 cm leaf of gilt-edged wove paper, extracted from the autograph album of novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. In fair condition, lightly aged, with a small closed tear and slight creasing to extremities. Reads: ‘Recuerdo de un humilde artista en todas las Españas, y admirador de las bellísimas hijas de la Hermosisima Albiòn / Sarasata / 20 - 12 - 92’.

From the autograph album of the novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), later the wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Queen Victoria lent Claremont House to the Count of Paris’s father Louis-Phillipe, after his abdication and flight from France. On one side of an 11 x 7.5 cm piece of grey paper. In good condition, lightly aged. Written in a neat hand, it reads: ‘With the compliments of the Count de Paris and his thanks for the books send [sic] by Mr. Meredith. / Claremont 31/5/63’.

See his entries in the Oxford DNB and History of Parliament. The present item is on one side of a 21 x 8.5 cm piece of wove paper. In fair condition, lightly aged and worn, with one fold. Minor traces of two red wafers from previous mounting on blank reverse. Written out by Harding in his attractive hand (he was a stylish fellow: his obituary in the Annual Register stated that ‘no one had a finer choice of words and few a more graceful delivery’), the note reads: ‘Received May 4th.

A nice item relating to a significant figure in French nineteenth-century history. Such was Boulanger’s popularity with the French working classes in the late 1880s that it was believed that he could make himself dictator. Stylish and dynamic signature ('Genl: Boulanger'), on back of 9.5 x 6.5 cm calling card. In good condition, lightly aged. The words ‘Général Boulanger’ are printed in large letters on the front of the card, and nothing else.

In 1907 the ‘Builder’ describes ‘Mr. W. F. Slater, Overhouse-chambers, Burslem’ as a ‘Surveyor’, and in 1909 the ‘Electrical Review’ refers to him as an ‘architect’ at the same address. Five years later ‘Building News’ reports that Slater is ‘architect to the education committee’. In 1921 (‘The Surveyor’) he is the ‘surveyor, Urban Council Offices, Wolstanton, Staffs’, and in 1926 (‘Public Works Weekly Surveyor’) he is ‘architect to the corporation’.

A valuable artefact of the American War of Independence: a leaf from a British War or Colonial Office ledger detailing payments to officials in General Leslie’s administration in Carolina in 1782.

Incomplete. Part only of Hollond's First Discourse, [32]pp. [unnumbered], 9 x 23cm, unbound, some stitching, some staining sl. obscuring text, initial text faint, but all legible. Distributed in MS The (incomplete text covers pp.[2]-32 of The Naval Record Society printed text, concluding expected from poor men under. Numerous textual variants eg. [Naval Records text beholding; MS. beholden]. Apparently few copies of the MS version survive (see Naval Record Society text, p.lxxxii). Note: HOLLOND or HOLLAND, JOHN (fl.

Photograph and signature in attractive frame. See Image. Label on reverse: Waterloo Galleries, Waterloo Street, Weston-super-Mare, BS23 1LA [...]. Photo, 9 x 13cm; Signature, 8.5 x 5cm.

1p, landscape 12mo. Aged, worn and lightly discoloured. Laid down on larger leaf removed from an album. The text, all in Randolph’s hand, reads: ‘Pay to Jaqueline [sic] P. Taylor or bearer Fifty four Dollars 84 Cents / John Randolph of Roanoke / Decr. 22d. 1829. / To the Cashier of the Bank of Virginia’. Despite the name Jacqueline P. Taylor of Richmond City, Virginia, was male. See image.

See his entries in the Oxford DNB and History of Parliament. The signature (‘Vere’) is good and bold, at the bottom right of the document, as is that of first witness Henry Woodall (‘Hez Woodall’), but there is slight loss at the beginning of the signature of the second witness ‘[...] Ogborn’, and the left side of the document has been torn away also causing loss to printed text, and there is wear and pitting along the top and left edge. The customary printed document, completed in manuscript. 1p, 8vo.

See his entries in the Oxford DNB and History of Parliament, the former of which notes his ‘high reputation for courage’ and his presence ‘at Neerwinden and Landen in 1693, covering the retreat on 19 July, and saving William III from capture by the enemy’. 1p, 8vo. On aged and worn paper, with chipping to edges and pitting along a horizontal central line, but with both signatures clear and unblemished. The customary printed document, completed in manuscript. Records in a secretarial hand, the receipt of £25 by ‘Hen: Lumley Esqr. attor to the Rt.

Within a couple of years of his death Norbury’s nickname was given as ‘the hanging judge’ (see ‘The Georgian Era’, vol.2, 1833), and yet no mention is made of the fact in his entry in the Oxford DNB. The present document is 1p, 4to. On the recto of the first leaf of a bifolium. In fair condition, lightly aged.

See image. It is hard to see how this collection could be bettered, the range of signatures from sanity to madness being of particular interest. All seven examples laid down on a folio leaf extracted from an album. The leaf is in poor condition, creased and with closed tears, but the parchment and paper bearing the signatures themselves in good condition, the six parchment items having the usual discoloration, but the example on paper in excellent condition.

See image. A nice item, linking two important figures in French history. 1p, foolscap 8vo, on the recto of the first leaf of a bifolium of unwatermarked gilt-edged wove paper. Aged and lightly creased, with short closed tears and wear at the head. The ten lines of neatly written text are neatly and clearly signed ‘Louis’, and there is a wavy and almost vertical line from the king’s signature to that of ‘Chateaubriand’ at bottom right of the page.

The author of the present item is the last in a line that stretched for around two hundred years. After the passing in 1754 of Lord Hardwicke’s Marriage Act, which prevented minors from marrying without their parents’ consent, English couples would take advantage of laxer Scottish laws. As one of the nearest parishes to England, Gretna Green became the destination of choice, and the marriage was usually conducted before two witnesses by a village blacksmith, who became known as an ‘anvil priest’.

A. List of plates in 'Vol.Ist', Holograph MS., one page, 4to, small stain, sl.chipped, text complete, addressed to a Richard Murphy of Derby on verso, text columnising No. of Plate, Title/subject, page number; B. List of plates in 'Vol.2nd', Holograph MS., 2pp. fol., bifolium, folded, aged but good condition, columns as List Vol.I. Note: a. This Index doesn't seem to have been published (the text on Google Books and the British Library copy have no such index); b. I haven't checked all the plates, but one reveals the engraver of the plates as 'Multow & Russell' (Plate XXXI); c.

A significant archive of material relating to the Australian poet B. R. Whiting (1923-1988), from the papers of his close friend and mentor the English playwright Christopher Fry (1907-2005).

One and a half pages, fol., bifoliate, join reinforced, creases on folds, signs of age, inc. sl. foxing, text clear. SEE IMAGE of Page One. Text of Entry in the Libri Catalogue: Dies illa Cantata dall'altra Religioni a Gesuiti nella Morte d'alcuni d'essi in Lisbona (in Latin and Italian verse) | folio. Saec.xvii ON PAPER. Auction Title: 311. Catalogue of the extraordinary collection of Splendid Manuscripts, Chiefly upon Vellum in various Languages of Europe and the East, formed by M. Guglielmo Libri.

Entitled Hope - to the Dutchess of Devonshire (an Ode to her daughter adapted from Mason's Ode 13 or vice versa - see Note below.). Four pages, 4to, aged but clear and complete, fold mark, right edge uneven and glue remnant, from album of commonplace book presumably. Text begins: What magic warblings to my Ear and concludes 39 lines later (if I've counted correctly) [itself in quotation marks] Nor will I quit thee at the grave.

See the two men’s entries in the Oxford DNB. 4pp, 4to. Bifolium. In good condition, lightly aged, with negligible remains of windowpane mount adhering at edges of reverse of second leaf. Folded for postage. The item - an immediate artifact with the feel of history in the making - is unsigned and headed ‘Confidential’.

See his entry in the Oxford DNB. 1p, 12mo. On watermarked wove paper. In good condition, folded once. Centred on the page, and clearly written for an autograph hunter. Reads: ‘with kind regards from / G. Colman / 21st. July. 1828. / Brompton Square.’

A very nice piece of musichall ephemera: a signed self-caricature by one of its leading lights. See Robey’s entry in the Oxford DNB. On a 7 x 8.75 cm piece of card, cut from a plain printed postcard. In good condition, lightly aged, with traces of the four paper label mounts on reverse. On the front, which is entirely plain apart from Robey’s writing, is his Autograph Inscription, in a close hand with stylized signature: ‘Good luck. Geo Robey.’ This is at the foot of the page, beneath a well-executed self-caricature in blue and red ink.

John Lewis Roget (1828-1908) was the son of Peter Mark Roget (1779-1869), the celebrated compiler of 'Roget's Thesaurus' (which work he edited after his father's death). He was called to the bar in 1853, and the inheritance he received on his father's death enabled him to retire in 1871. A blue plaque erected to his memory in the town of Deal, where he spent the latter part of his life, describes him as 'Thesaurus compiler, Artist & Art Historian'.

1p, 12mo. On recto of first leaf of bifolium of pink patterned paper. In good condition, lightly aged. Folded twice. The sonnet, which does not appear to have been published, begins: ‘Midst the young eyes that on this book shall shine / Kindling with genius or with feeling bright, / Lit up with all youth’s visions of delight, / There yet shall gage no dearer ones than thine!’ Signed at end ‘J E R.’ See image.