Women

16mo: 3 pp. A small bifolium (each leaf 10.5 x 9 cms) on aged paper. Discoloured strip at foot of first leaf, containing four lines of text and the signature, cut away and reattached with archival tissue, with damage to two words (not in signature). Second leaf with minor damage through breaking of seal. Good Penny Red stamp, postmarked in black, and second red postmark. The earliest she can accept the dinner invitation is the following Wednesday.

On piece of lightly discoloured paper roughly 4 x 10 cms, with horizontal fold on left. Reads '[typed] Yours sincerely, | [signed] Mary A. Ward.' Docketed in pencil at foot 'Mrs Humphry Ward 1914'.

Juliette Huxley's letter is 4to: 2 pp. Good, though lightly creased and attached to the other items by a paperclip. The correspondence mainly concerns a book by Cowell's eventually published under the title 'The garden as a fine art: from antiquity to modern times' (1978). She begins by describing Mary Wellesley: 'quite a character [...] lives in a small house off St. James's Palace, and entertains by candlelight.

4to: 3 pp. Text clear and entire on creased, chipped airmail paper. A chatty, vivacious and entertaining letter, casting light on the state of mind of an English colonial wife. Thanks her for her 'kind remarks about my stories.

12mo: 1 p. Good. Since he 'liked the last little thing' she sent for his magazine, she ventures to think that he may approve of the piece she encloses (not present).

Octavo: 18 pp. Unbound: stabbed and unstitched. First leaf and leaves with pp. 15/16 and 17/18 loose. Leaves with pp.3/4 and 15/16 half-separated. Paper discoloured and chipping at edges. Extends to 918 lots. The odd number of leaves implies the loss of a final leaf, possibly bearing text. Stamp of the Public Library Ford Collection. Docketing in pencil notes a duplicate at the New York Public Library. No other copy traced.

Two pages, quarto. On aged paper, with several closed tears and loss at foot and remains of stub in margin, but with text clear and entire.

Two pages, quarto. On slightly stained, aged paper, with a few closed tears and some wear to extremities. Black wax seal adhering to second leaf of bifolium. Docketed 'March 1814 | Manchester | Revd. R. H. Whitelocke', but the signature appears to read 'Whitelock'.

One page, 6.5 x 5.5", good condition. Payment for one number of "Blackwood's Magazine". Note spelling "Recieved".

Stapled and unbound. Octavo: four leaves (eight unpaginated pages). On aged and lightly spotted paper. Vignette on title page. Includes list of plates and 'Specimen Entry' of pages 51-3. Verso of last leaf headed 'from CONSTABLE'S BIBLIOGRAPHICAL LIST', comprising 'THE CARTER-POLLARD DISCLOSURES', 'BIBLIOGRAPHIA SERIES' and 'DORMY HOUSE CATALOGUES'.

[Title continued] . . . Divided into Centuries and Millennial Periods, from the Creation to the Present Time., Broadsheet, 32 x 41cms, some marking, nicks tears at folds, text complete and clear comprising approximate dates and events during six millennia, during three "Dispensations" - the "Patriarchal", Mosaic", and Christian. An aid the a child's learning of history. BBTI records Wilson and Douglas but expresses doubt whther he was a publisher and restricts his activity ot 1827 (now by this item, [1832]. No copy found on COPAC or BLC.

The Memorandum is a four-page folio (leaf size roughly fourteen inches by nine and a half) bifolium. In very good condition, lightly creased and folded. It details Mrs Wright's royalties (as 'proprietor'), advance and percentages. The paperback rights agreement consists of four typewritten pages, on four leaves, each roughly thirteen inches by eight, stapled together at the head beneath green tape. Very good, though lightly creased and with some fraying to tape. It is signed by the Hamilton & Co. chairman Joseph and witnessed by his secretary E. M. Holloway.

Novelist. The two surviving pages, 4to, from a lengthy letter which has already been crudely repaired but which has an additional tear which does not, however, lead to textual loss. "I was very much rejoiced at the sight of your truly welcome letter" except that it announced a death. She eulogises the departed "He was one of the few of whom you may know little yet think much . . ." She explains how she had planned to visit her within a more complicated trip but "all my plans were laid aside and certainly my pleasures annihilated by an attack of inflammation in the eyes.

Novelist, Daughter of Charles Kingsley (see DNB). Two surviving pages from a letter, 8vo, attached to card (ultimately from album leaf), tear at fold but complete and clear. Text: " He is a very clever little boy - He used to possess - and probably possess still - a power of committing small sins & contriving that other persons should bear the punishment of them, which almost amounted to genius. We used to call him Jacob - for there was an element of saintliness in his character too. / I hope you and Mrs Hunt may still cxome to Clovelly.

Two pages, quarto. Very good, with a little wear and light creasing. 'I often think of those days, & how timid & shy & stupid I was! Yet I enjoyed myself too, & shall never forget your great kindness, & the help you gave me. Since then I've had many adventures & experiences. I am not the thing I was!' She has been in London for the winter, and hopes they will be able to meet. 'We're so glad you like "Yellow Sands" - & I'm very pleased you like "Tomek". She has 'just finished another novel & play'. Asks what has become of a number of common acquaintances.

English actress (1839-1895), for a time manageress of the Olympic Theatre. 2 pp, 12mo. "I enclose you the Stalls with much pleasure - and I hope you will enjoy the performance. Please place the enclosed cheque for £25 - to my account and oblige / Yours sincerely / Ada Cavendish". Traces of glue and paper from previous mounting at foot of second page.

English actress (1806-80), wife of Charles John Kean (1811-68). One page, 12mo. "Sir/ / Under the sofa in our sitting room you will find a long narrow deal Box. [at least we left it there] it contains a roll of Pictures - will you oblige me by sending it properly directed to Mr. Kean 8 Torrington Square London and sent immediately / Ellen Kean". Cropped, with traces of previous mount on reverse.

English actress (1839-1895), for a time manageress of the Olympic Theatre. One page, 12mo. "Sir / I have much pleasure in forwarding you my autograph / Yours truly / Ada Cavendish". One of the edges unevenly cropped, and slight traces of previous mounting on the reverse.

English actress (1806-80), wife of Charles John Kean (1811-68). "Dear Mr. Shaw / I have not forgotten the little girl and I want more books / I hope you are well through this weather / yours very sincerely / Ellen Kean". Negligible evidence of previous mounting.

English actress (1839-1895), for a time manageress of the Olympic Theatre. One page, 12mo. Written in a bold hand, clearly in reply to a request for an autograph. " "Tell me thy reason / Why thou wilt marry " / "All's well that ends well" / Ada Cavendish". In reasonable condition, despite a tear almost halfway down a crease running vertically down the centre of the paper, and traces of glue and paper from previous mounting on the reverse.

Irish-born American actress (1860-1916). Calling card 2½ by 3¼ inches, "Miss Rehan. / 164 West 93rd. Street.", with the name crossed out and signed on the reverse "Ada Rehan / 1894."

English actress (1868-1957), the wife of Fred Terry. 2 pp, 12mo. Written in a bold hand. "[...] if they will come & see me as they used to when I lived in Devonshire Street - With again many thanks / Sincerely yours / Julia Neilson-Terry / My husband is also rehearsing.

English actress (1837-1921), wife of the actor-manager Charles Calvert (1828-1879) and mother of the actor Louis Calvert (1859-1923). Black-letter calling card, 3½ by 2¼ inches, of "Mrs. Charles Calvert. / 22, York Mansions, / Battersea Park. / S. W. 11." Signed between the signature and the address "Adelaide Helen Calvert".

English actress (1868-1957), the wife of Fred Terry (1864-1932). 2 pp, 12mo. On the recto: "Dear Sir / Herewith I am sending portrait of myself [not present] All my pictures". Lengthwise on the reverse, in a bold hand, "Truly yours / Julia Neilson=Terry".

English actress (1868-1957), the wife of Fred Terry (1864-1932). 2 pp, 8vo, on blue paper. Intimate letter written in a large hand. "Darling - Yes the book arrived I do congratulate the way you've written & arranged the book. Delighted with it & everything about it: splendid / You would have heard before this only I've been rather ill with day & night nurses = even now I'm finding it difficult to recover my strength / I shall hope to see you in the new year & here is my love & good wishes from / your affectionate old / Julia".

American actress (1874-1950), sister of Maxine Elliott. One page, 12mo, mounted on a piece of card. "Dear Madam / Pray accept my hearty thanks for so kindly subscribing to the Actors Benevolent Fund."

English actress (1868-1957), the wife of Fred Terry (1864-1932). 4pp, on two identical 12mo cards, both with the letterhead. "My dear Mrs Davis / I am so grieved to hear about the poor . I hope & trust it is not very serious & that they will get well very quickly what an anxiety for you all I am quite well thank you but am awfully sorry I I shall not be able to help you on the 22nd as I am dining out. With best love to you all / Yours sincerely / Julia Neilson" Both cards bear traces of previous mounting.

English actress (1868-1957), the wife of Fred Terry (1864-1932). 4 pp, 8vo. She thanks her for her kind invitation, which she cannot accept as they are going back to London on the Sunday. "We are only giving a matinee at Wolverhampton & have to return to Birmingham to play at night / It was very sweet of you to ask us." Minor traces of previous mounting.

English actress (1868-1957), the wife of Fred Terry (1864-1932). 2 pp, 12mo. "Dear Mrs Lewis / My mother & I will be delighted to accept your kind invitation on Friday afternoon / With kind regards / very truly yours / Julia Neilson". With traces of paper and glue from previous mounting on blank recto of second leaf.

Two pages, 12mo. Very good on aged paper, with small closed tear at head not affecting text. Appears to concern an exhibition of women painters. Wants to 'personally thank' her for 'the privilege of having seen the International & in particular, your charming pictures. 'Early Morning' has quite carried away my heart! But the others are very fine. it must be so difficult, & so interesting to paint grey darkness. [...] Nothing of Miss Lister's there having in my opinion come up to her 'Builth Bridge' which we have. [...] Next to it I like 'A lonely Tree'.