Literature

Three pieces of ephemera from a golden period of English children’s book illustration. All three items printed on shiny paper, and all worn and discoloured. ONE: ‘Hodder & Stoughton’s Christmas List’, with advertisement for Edmund Dulac’s edition of A. T. Quiller-Couch’s ‘The Sleeping Beauty’ on cover. 20pp, folio. With rusting staples. Folded once. Undated, but containing items published in 1910, apart from the cover item, which appears to have been published in 1912.

xiv + [1] + 38pp, 12mo. No.16/500. In blue cloth binding, titled in gilt on cover and spine. No dust wrapper. Printed on thick paper. In good condition, lightly aged. Annotated in pencil throughout, and with a page of annotations at the end. The handwriting is distinctive (and certainly not Block’s), with the capital N in particular. Some of the annotations give dates from the 1970s, but the handwriting is that of someone from an earlier generation. As an example, one of the longer pencil annotations, on p.5, listing an additional item: ‘Caught Napping. / c. 1883.

Henley?s poem ?Invictus?, with its conclusion ?I am the master of my fate, / I am the captain of my soul?, is one of the most popular in the English language, and has inspired individuals as diverse as Nelson Mandela and Ron Kray. See Henley?s entry in the Oxford DNB. He was a friend of both Sylvia Llewelyn Davies and J. M. Barrie, and his daughter Margaret inspired the ?Peter Pan? character ?Wendy?. 1p, 8vo. In fair condition, lightly aged and worn. Folded three times for postage. The letterhead has a thin black mourning border. Henley?s poem featured as the ?Envoy?

See his entry in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 2pp, 4to. The letterhead, on both leaves, is topped by a pleasing 10 x 6 cm woodcut of Combe Florey House. The paper is creased, otherwise in good condition, and entirely legible.

See Richard Wollheim’s appreciative entry on Ayer in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The three items are each 1p, small 4to. All three in good condition, each folded twice. All three signed ‘A. J. Ayer’, with typed name beneath, ‘Sir Alfred Ayer’.

A nice original item, unsigned but certainly in Florian’s distinctive hand. 1p, 12mo. In good condition, lightly aged, with neat white-paper mount adhering to one edge on the blank reverse. Foliated 93. Sixteen-line poem, beginning ‘Sur le pont-neuf, entouré de badauds, / un charlatan criait a pleine tete, / venez, messieurs, accourez faire emplette / du grand remede a tous les maux.’ In the last line the remedy is revealed as ‘un peu de poudre d’or’.

A set of six scarce pieces of unusual Dickensiana. Difficult to date: the nature of the illustrations (printed in negative) gives them a modernist feel, but their purpose would place them before the 1920s. The six items, printed in black on pieces of grey-white card, range in size from 12 x 16.5 cm (‘SAM WELLER.’) to 4.5 x 6 cm (‘JOB TROTTER’). In good condition, lightly aged. Four of the six have soot stains on their blank reverses, presumably caused by the hot lantern.

See his entry, and Craig’s, in the Oxford DNB. 13 x 9 cm envelope, with seal (no impression of any kind) in red wax over the broken flap. In good condition, lightly aged. On the front of the envelope, in Jeffrey’s hand, ‘To / James Gibson Craig Esqre / 7. North St Andrew Street’. Beneath this, at bottom left and between the customary lines is the signature ‘F. Jeffrey’.

On a ‘Lion Brand’ plain post card. In good condition, but with the hurriedly-written text somewhat smudged, and a small staple at one corner. Addressed to ‘Robt J Drury / 141 Chichester Rd / Cleethorpes / S. Humberside / DN35 OJL.’ The message on the other side is hurriedly written: ‘August 1 1995 / Dear Mr. Drury / I’ve no thought on the Academy Awards I’m afraid. Some are well deserved some not - but thats true of a [?] Alan Bennett.’

1p, 12mo. On grey paper. In good condition, lightly aged. Addressed ‘Dear Mr Robinson’ and signed ‘Alan Bennett.’ A short response to a letter about his play ‘The Old Country’, whose run at the Queen’s Theatre had started on 7 September 1977. He thanks him for his kind letter, and states that ‘It’s nice to hear from people in the audience as I often feel the play goes on night after night & has nothing to do with me at all - one penalty for not performing very much.’ See Image.

PROOF COPY. See Image. Pp.78[2], yellow paper wraps, aged with minimal foxing and staining, pages aged (indicating cheap wartime paper). Title (differing from published edition to reflect change in title), corrected in MS. caps, possibly in Sassoon's hand but nothing found comparable.

Strip from an endpaper(?), 12.5 x 1.5, laid down on sl. larger paper, aged but clear. A scarce autograph! See Image. Note: Of his best-known poems, especially The Chace (1735). That poem, written in Miltonic blank verse, traces the history of hunting up to the Norman Conquest of England (1066) and gives incidental information on kennel design, hare hunting, stag hunting, otter hunting, the breeding and training of dogs, and dog diseases… [Britannica]

This item is from the autograph album of the author George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. It does not however appear to be addressed to Meredith, but rather to the author William Sharp (‘Fiona Macleod’). See the several references to Bourget in the first volume of W. F. Halloran’s edition of Sharp’s letters. 1p, 16mo. Laid down on part of gilt-edged leaf from Mrs Sturgis’s album. In good condition, folded once for postage.

See his entry in the Oxford DNB. From the autograph album of the novelist George Meredith's daughter Marie Eveleen (‘Mariette’; 1871-1933), later the wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. 1p, landscape 12mo. In good condition, lightly aged, laid down on a part of a leaf from the album. Neatly written and centred on the page. Reads: ‘With kind regards / from your fathers friend / James Payn / Oct 31/91.’

A nice item linking one of late Victorian England’s most popular novelists with its most critically admired. See the entries for Caine and Meredith in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Laid down on part of a leaf from the autograph album of Meredith’s daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Reads: ‘To / George Meredith / With much admiration / Hall Caine / 23/Sept/91.’ See image.

This prospectus is a scarce item: no other copy has been traced. A 4to bifolium, with four unnumbered pages printed in red. Somewhat aged and worn, with a horizontal strip of light discoloration at the head of the cover, which has the title and author’s name surrounded by a border made up of Tenniel’s illustrations, beneath this is a quotation from Dodgson’s poetry and the price of ‘7/6 net’. Across the middle two pages is the heading ‘The Centenary “Life of Lewis Carroll”’. The text begins by explaining that Reed has made use of Dodgson’s letters to Ellen Terry.

See her entry in the Oxford DNB. The valediction of a letter, cut away for an autograph collector. On a slip of paper, around 7.5 x 1.5 cm. On lightly discoloured paper, with tear through signature, attached to piece of card with archival tape. Reads: ‘Very sincerely yours / Ellen Wood’.

An uncommon signature. See her entry in the Oxford DNB. The valediction of a letter, cut away for an autograph collector. On a slip of paper, around 7.5 x 2 cm. Somewhat aged and worn, backed with discoloured card. Reads: ‘Very truly yours / Elizabeth M Sewell’. See Image.

The National Portrait Gallery copy of this item is NPG Ax17292, and the dating to September 1863 is theirs. A 5.8 x 8.8 cm photographic print, laid down on 6.2 x 10.3 cm piece of card. On the card beneath the portrait: 'JOHN WATKINS PHOT. / Copyright Secured'. On the reverse Watkins's full address, with crest. The image is faded and indistinct, compared with the NPG copy; otherwise the item is In fair condition lightly aged. A head and shoulders shot with a sepulchral Dickens turned almost to a left profile, eyes barely open, with a clenched right hand to the side of his face.

Four pages, 12mo, bifolium, some marks but mainly good condition. Text: Dear Mr. Meredith, | I am going to ask you (if your health and time permit) to do me and many of my countrymen a great favor. | The Centennial of the birth of Nathaniel Hawthorne comes on the 4th.

Eight pages, 12mo, two bifoliums, one page stained but legible, mainly good condition. He discusses holiday plans initially for his Aunt Mary, and how they affect his own and others (we). He continues: Your sonnet on Columbus is greatly admired here - not least by me, who think [sic] it quite one of your finest.

One page, 4to, a little grubby and worn at edges, some text faded but all legible. See image. Text: Dear Sir, | Kindly excuse delay in replying to yours of March 19th but, as [you] see, I am not in England [touring America, 1907-8]. I sh[ou]ld be very pleased to grant permission for the inclusion of some of my children's poems in your anthology. A great many children's poems are included in my last published vovl.

Three pages, 12mo, bifolium, good condition. Second leaf laid down on part of a album page. See Image of pp.2 & 3. Text: You write to me and I dont [sic] answer. but I know you hear of me From [sic] his letters - which I just manage to send though I fear . [sic] they most often be very dull. | Are you coming up For the Jubilee - its all Jubilee - I hope it is going to be Fine [sic] it would bve such a great disappointment if it was not. | I have been awayFor [sic] the last three Sundays but it seems to take a lot of time somehow . We are of course a long way off the station here.

One page, 12mo, tipped on to part of an album page, name of writer written below letter presumably by Miss Meredith. See Image. Text: My dear Miss Meredtith, | You will never succeed in making a complete collection of the signatures of your father's debtors, but one of them, at least, takes great pleasure in thus acknowledging what he can never discharge. | Faithfully yours | J.R. Lowell || Miss Marie Eveleen Meredith. Item detached from Meredith family album containing letters from distinguished contemporaries such as Henry James, Thomas Hardy, Clemenceau, etc etc.

Bold signature on light blue paper 13.5 x 8cm, laid down on slightly larger paper extracted from an autograph album, headed in boyish handwriting This page is reserved for Frank Richards autograph. See image.

Rather long for a carte de visite: 6 x 9 cm albumen print laid down on 6.5 x 10.5 cm card. In fair condition, lightly discoloured and worn. On the card beneath the photograph is a facsimile of Ruskin’s signature (‘John Ruskin’) and ‘ELLIOTT & FRY Copyright. 55. BAKER ST.’ Printed on the reverse is the royal crest and the firm’s address. A copy of the present item was offered by Sotheby’s in 2021, dated to 1867, with the claim that it was ‘signed on the mount’. That claim is erroneous: the signature to that copy is identical with the present lithographed one.

See his entry in the Oxford DNB. Removed from album, and closely trimmed, having been cut down to 9 x 7 cm, with corners cropped. Lightly aged, with one fold for postage. In neat close hand, reads: ‘My dear Lady Burdett / I am very sorry indeed that an Engagement from which I cannot release myself will deprive me of so great a pleasure. Yours ever / S Rogers.’ See image

See his entry in the Oxford DNB. The recipient is not named, but the item is from the papers of Eileen Cond, an enthusiastic collector of autographs. 1p, 12mo. In good condition, lightly aged. Folded for postage. In Blunden’s stylish hand the note simply reads: ‘[9 Woodstock Close / Oxford] / 1 April 1936 / Dear Madam / I append the autograph which you requested. / yours faithfully / Edmund Blunden.’

An interesting correspondence, with one editor showing his experience in discussing the reviews he is writing for another. See Cockburn's entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ?Death of a Bookman? by the novelist Sally Emerson (editor of ?Books and Bookmen? at the time of Dosse?s suicide), in Standpoint magazine, October 2018. The three items are ruckled and stained from water damage, with smudging of the signature (?Claud Cockburn?

See his entry, and those of his siblings, in the Oxford DNB. A 15.5 x 20 cm black and white print, on glossy paper. Worn at edges, and with staining to blank area at top left. Stamped by the publishers on the reverse with ‘Sir Osbert Sitwell. Bt. / 25. 8. 49.’ There is a possibility that this is a signature by Sitwell, but the letter ‘O’ and other features are not quite right.