LONDON

On fifty-seven pages, in a notebook of forty leaves (eighty pages). Dimensions: 20 x 16 cm. In red card covers with 'THEATRES' in manuscript on front. Pages aged and ruckled, with a little damp staining at rear (not affecting any of the ephemera) and a small amount of loss to a corner of the rear cover, but in fair condition overall. The first page, signed 'R. J. Olive', with title 'London Theatres'.

Dimensions of print roughly 17.5 x 13.5 cm. On original grey paper windowpane mount (28 x 23 cm). Engraved label (2.5 x 11 cm) beneath the print, with a couple of remarque-style illustrations. The print itself is good, although a little aged and spotted; the margins and mount being rather more heavily affected. Attractive and unusual item, the image changing when held up to the light. Two soldiers are shown dwarfed by the high ceiling of the chapel, which is decked with brightly-coloured flags. When held to the light the chapel is filled with the mourning congregation. Scarce.

According to the prospectus (item three below), the Bank was 'Incorporated under the Companies' Acts, 1862, 1867, 1877 and 1879.' The three items were formerly pinned together. Item One (printed circular): 4to, 4 pp. Bifolium. Good, on lightly-aged paper. Headed 'TO SHAREHOLDERS ONLY. - PRIVATE.' Signed in type by seven 'Members of the Birmingham Committee of Shareholders'. The first paragraph reads 'The action of Mr.

Item One: Manuscript of requisitions by Farrant the purchaser's solicitors Ashurst, Morris, Crisp & Co of 17 Throgmorton Avenue, London E.C. Dated 31 July 1895. Titled 'Requisition Title [and Replies] | Trustees of Archer Burton Estate to R. E. Farrant | 3 [corrected to '2'] Park Square West'. Three pages and covering page, on one side each of four leaves each 41.5 x 34 cm. Text clear and complete. Fair, on lightly-aged and grubby paper.

4to, 1 p. Bifolium. Good, on lightly-aged and worn paper. With 1 cm vertical closed tear at foot of each leaf. Addressed, with postmarks, on the reverse of the second leaf, which is docketed '31. July 1840. | Gurney & Co. that Mrs E. Lofty resides at Hethersett near Norwich -'. Reads 'Respected friends | We believe that the lady for whose address you enquire in yr favor of the 29th Inst resides at Hethersett near this city'. Gurney joined the family business at the age of seventeen.

All seven items 4to, 1 p. Each docketed and bearing the stamp of the Royal Society of Arts. All good, on lightly-aged paper. The first is in a secretarial hand, with the other six all typed. Item One: 4 December 1917. He doesn't 'quite understand' from Menzies' letter what it is that he wants him to do. 'From what Mr.

Letter: 12mo, 2 pp. Bifolium. Good, on aged paper, with small rust stain at head from paperclip. She is writing to Harmsworth ('President, Dr Johnson's House') to ask him to accept a copy of 'my Journal in which mention is made of my Portrait of Dr Samuel Johnson which hangs in the Garrett of Dr Samuel Johnson house this was presented by H. B. Wheatley whom I knew for many years.' On a visit to the curator of Johnson's house she was 'pleased to see the picture still hands in its original place'.

8vo, 12 pp. Stapled pamphlet. Text clear and complete. On aged, worn and spotted paper. A total of 204 lots. Pencil notes to lots 4, 9 and 11, with slip indicating their purchase prices, totalling £10 12s 0d. Lot 179 ('Another Property') is given prominence: 'FRANCIS COTES, R.A. A PORTRAIT OF A LADY in White Dress with Green Sash and Pink Cloak, her hair dressed high and adorned with pearls, 3.4 length | 50in. x 40in. | Signed and dated 1788.' No copy in the British Library, on COPAC or WorldCat.

12mo, 1 p. On first leaf of a bifolium. Text clear and complete. Fair, on aged paper. In reply to the recipient's note, by which he is 'much worried', Fry does not know that he can offer him 'any more than the few short notes <?> for us in "Men & Women of the Times". Little is known about Fry, apart from the fact that he was born in Van Diemen's Land, the son of the Church of England clergyman Henry Phibbs Fry (c.1807-1874).

12mo, 4 pp. Bifolium. Watermarked 'TOWGOOD'S | SUPER FINE | 1859'. Eighty-seven lines of text. Text clear and complete on aged and grubby paper. With little hope of influencing the editor of Punch, the author feels compelled to 'write and tell you what I and many others think about your Publication and the malignant spite you display towards individuals who happen to incur your wrath'. This 'malignity', he feels, 'must be derived from that murderous old ruffian from whom your publication takes its name, and which alone prevents it being an influential publication.

4to, 1 p. On aged, worn paper with small area of loss at head (not affecting text). He will be 'pleased to act on the Committee to judge of the stories for filming', and is glad that 'the work will not be onerous'. In a postscript gives the version of his name he wishes given for announcing ('Right Hon. Sir Gilbert Parker Bt.'). According to his entry in the Oxford DNB, no fewer than sixteen of Parker's novels were filmed. As head of British propaganda in America, 1914-1916, Parker had a direct involvement with the medium.

12mo, 3 pp. Bifolium. Good, on lightly-aged paper. Attractive red letterhead, in the Arts and Crafts style. The writings she referred to in a previous letter have not come. 'You probably forgot to enclose them. I expect to read some of the papers in the days when I look in the P[all]. M[all]. G[azette].' He asks her to give him 'an idea of what the publisher proposes to spend on the illustrations, and also the size of them, and the style - pen & ink, or "wash".' He has heard news of her 'from Welsh, Ethel Johnson's husband, who is with me at the Haymarket'.

Each copy is identically printed, on a piece of paper roughly 22.5 x 19.5 cm. Title and 56 lines of text (ending 'S. F.'), within a decorative border. Three of the four have a lightly-embossed stationery crown mark in a top corner. All four with text clear and complete, and in good condition, on lightly-aged and creased paper. Begins 'HAVING heard thou art shortly to enter a garden enclosed, and knowing thou art at present a stranger to this garden, permit an old friend to give thee an account of it.

On a piece of green paper roughly 22.5 x 19.5 cm. Title and 56 lines of text (ending 'S. F.'), within a decorative border. Lightly-embossed stationery crown mark in top left-hand corner. Text clear and complete. In good condition, on lightly-aged paper with creasing to bottom righ-hand margin. Begins 'HAVING heard thou art shortly to enter a garden enclosed, and knowing thou art at present a stranger to this garden, permit an old friend to give thee an account of it. I have travelled every path and part thereof, and know the productions of every kind, it can possibly yield.

12mo, 1 p. Fair, on aged and lightly-creased paper. Blank second leaf of bifolium bearing traces of previous mount. He is obligedfor the 'kind invitation to meet Maeterlinck. It will give me great pleasure to lunch with you at the National Liberal Club on Tuesday at 12.30.'

12mo, 1 p. Fair, on aged paper, with traces of previous mount adhering to the corners of the blank reverse. Of course Hollingshead should 'wait till the last night of "used up" ' before writing to Mathews, who has 'hunted up Buckstone - hunted up Turpin - but in vain. Not a box to be had'. He has sent 'the best I could get': '3 Dress Circle to Mrs Smiles with "Mr Hollingshead's best compliments." '. In a postscript states that if Hollingshead wants 'a box for the "Overland Route" before the last night' he will be 'too happy'. 'There is always a run on last nights.'

On one side of piece of paper 23.5 x 16 cm. With perforated edge. Good, on aged paper, with traces with strip of glue from previous mount on reverse. Printed in copperplate. The deposited works are 'Notes on the Maces, Insignia of Office, and Town Plate of the Town of Guildford', 'Progress of Catholic Work', 'Token Pamphlet', 'Guildford Shakespeare' and 'County Town'. Ostensibly signed by the 'Keeper', but the signature is not decipherable (''). In his obituary in The Times, 6 July 1942, Williamson was praised as 'a highly industrious and versatile writer on art'.

On upper half of a piece of quarto paper, unevenly torn to make a piece roughly 11 x 18.5 cm. Fair: on aged paper. Part of address from previous letter to 'W. Jerdan <...> | 267 Strand <...>' on reverse, which is docketed 'Procter | Miss Proby | Cornwalls poems'. Reads 'I inclose you a note left here for you | George says he will review the book for you next week - in the meantime give a flourish in your notice - 'The time does not admit of doing just to the vol. &c &c We are all a Party in this success -'.

Printed in blue, pink, green, gold, white, yellow, brown and purple on one side of a piece of tissue paper roughly 34.5 cm square. Good, on lightly creased paper with a little wear to extremities and slight loss to the top left-hand and bottom right-hand corners (not affecting the design). The text, with an engraved portrait (5.5 x 4.5 cm) of Lord Mayor Ritchie, is printed in blue in two columns of around 32 lines each, and surrounded by coloured decorative border of flowers, around 6 cm thick. It lists the order and route of the procession. An attractive piece of ephemera.

Printed in black, blue, red, green and gold on one side of a piece of tissue paper roughly 37 cm square. Good, on lightly creased paper with a little wear to extremities. The text, with a woodcut portrait of the king (10 x 8.5 cm) in black at its centre, is enclosed in a coloured border of flags and flowers. The text descibes the 'programme of the first week' of the King's visit, with the 'route to be taken by King Manuel on his visit to the Guildhall', and a list of the 'distinguished guests who have been inivited to the reception and luncheon'.

A bifolium, with the text printed landscape on the recto of the two leaves, each of which are 21 x 33.5 cm. On laid Britannia paper watermarked 'G. PIKE | 1809'. The first two words in gothic script, nine-line marginal note in italic, and the rest in roman. Thirty-three lines of text, with spaces for manuscript insertions. Neither of the two parts (presumably one for the master and the other for the apprentice's family) has been filled in. Prepared for completion in the 1810s ('in the Year of our Lord 181[gap]').

16mo (11 x 9 cm) bifolium, 3 pp, 16 lines of text. Mourning border. Good, with slight discoloration to the external pages. He is sending a manuscript 'At the suggestion of the Author, an officer residing in Paris'. If 'on examination' the recipient considers it 'unsuitable for the pages' of the Gazette, he asks for it to be returned to him at 13 Upper Berkeley Street 'when your messenger happens to pass that way'. The author 'is a man of high character and well acquainted with Paris & the Parisians'.

12mo, 1 p. Six lines of text. Good, on lightly aged and creased paper. Inviting Macmillan to join him and 'some of the lads' in a dinner at the Reform Club, 'on the occasion of Colin Hunter's being made an Associate'.

16mo bifolium (leaf dimensions 11 x 9 cm): 2 pp. 17 lines of text. Very good on lightly aged paper. Wonders whether Lockyer would like to spend his Easter holidays at Altnaharra, for a fortnight from 14 April. (The Altnaharra Hotel was used by anglers visiting the nearby lochs.) 'It is an expensive journey; but the sport is good - at least it has been good this last fortnight, but now we are sadly in want of rain. The weather is like June, only more so.' Forty salmon have been killed 'in these two weeks, averaging 11 lbs each'. Black's publisher was Alexander Macmillan.

4to, 1 page and 12mo, 2 pp (single 4to leaf, folded as to give two 12mo pp on one side). Thirty-seven lines of text. Maccall is 'willing to accept any proposal which is reasonable and just' concerning his 'Christian Legends' (published by Sonnenschein in 1882), and also 'to make sacrifices for the sake of obliging [...] As the one manuscript is about twice the length of the other - I speak from memory, - it might honestly claim better remuneration'.

4to, 1 p. Bifolium. Text clear and complete. Fair, on aged and stained paper. Addressed, with three postmarks, on the reverse of the second leaf, to 'Messrs. Brett & Clements Stat[ione]rs - | near the New Church | Strand | London'. Asks for his 'Sunday's Paper' to be sent to him 'at Buckingham as usual', as he is leaving Leamington the following Saturday. 'You have not explained to me the difference of the Charge of the Newspapers from the last years to the one I have lately paid for, by doing of which you will oblige | Sir, | Yr humble Servant'.

8vo: 1 p. Good on lightly-aged paper. Small closed tear at head, and traces of glue and grey paper from previous mounting on reverse. He is sorry to say that he will be 'away at the seaside' when Bennett is in London. If he is 'in town again shortly' Jackson will be glad to meet him. 'I am to be found most days at 29 Henrietta St, Covent Garden [the offices of 'T.P.'s Weekly', on which Jackson held an editorial position] - but it is safer to make an appointment.'

12mo: 44 pp. Unbound. Text clear and complete on aged paper. Ten paragraphs on pp.7-10 have terse, sardonic phrases added at the end, apparently by a Jacobite sympathiser. For example, 'by <?> the old cause' added to one ending 'a Country brought to Ruin, or in a fair way to it.'; 'in this world' added to one ending 'will never come to Light.'; 'in a publick manur' added to one ending 'the secret Treaty now concluded.'; also 'much adoe about nothin'. Scarce: all but a handful of the entries on COPAC are for facsimiles. No 'finis' at end, but complete according to COPAC entries.

Printed on one side of a piece of wove paper, dimensions 22 x 14 cm. Text clear and complete, on aged and lightly-spotted paper, with minor wear to extremities. Headed 'Under the Patronage of the Nobility and Gentry.' 48 lines of text, including positive quotations from the Observer, Christian Advocate, Sunday Times and Albion and Star. Describes ten aspects of the exhibition, lettered A to K, including the conveyance of the ore 'to the surface by a --- (G) --- POWERFUL HYDRAULIC MACHINE, first in kibbles, through a perpendicular shaft, and lastly in waggons drawn upon an inclined plane'.

On a leaf of pink paper, roughly 18 x 23.5 cm, removed from an album. Good, on lightly aged paper. The score, on the recto, consists of eight grand staff bars, titled 'St. Andrew | A + M 403. | Jesus calls us; o'er the tumult | E. H. Thorne'. The score is folowed by the signature 'A. E. Thorne | 30th. Aug 1929.' The autographs, on the reverse, read 'Yours Very Sincerely | Russell Thorndike. | (Death in Everyman.) | Grey Friars Mar. 1929.' and 'Harry Alfred Harding | June 1. 1929.' Thorne was a leading figure in the late-Victorian Bach revival. Thorndike was the detective novelist.