CENTURY

At the time of writing Gordon-Cumming’s trophies were being exhibited at this Piccadilly address, having previously formed part of the Great Exhibition. The recipient Henry Charles Angelo (1806-1866) was a member of the celebrated family of fencing masters, and was at this time teaching the art at the Cavalry College, Richmond. 2pp, 12mo. On the rectos of the two leaves of a bifolium, with the recipient’s name written lengthwise on the verso of the first leaf: ‘H. C. Angelo Esqr’. In good condition, lightly aged. Folded twice.

1p, 4to. In good condition, lightly aged and creased, with thin stub from previous mounting neatly adhering to inner edge. He explains that his request for an audience is ‘exclusivement littéraire’, and that it is as a ‘titre d’honneur de lettres’ that he hopes to obtain ‘la haute faveur’ of consideration of various factors ‘soumis à ces attributions’. From the celebrated collection of Baron Houghton (in Lot acquired at Chiswick Auctions)

For more than a century the firm of John Brumfit Ltd of the City of London was one of Britain's leading cigar and tobacco merchants, its reputation international. The firm was founded in 1864 by John B. Brumfit, son of Charles Brumfit of No. 1 Pall Mall West. The items offered here are the journal and cash book written out by the founder at the firm's inception, together with two related items (Items Three and Four below).

See his entry in the Oxford DNB, with that of his namesake. (It is the the present Sir William Cubitt who owned ‘the famous Gray's Inn Road works ’.) 2pp, 12mo. In good condition, lightly aged with two pin holes at one corner, and traces of mounts. Folded twice for postage. Addressed to ‘Dear Sir’ and signed ‘William Cubitt’. Begins: ‘In working out the details of the roof, we find certain modification of the construction desirable which with your permission, the bearer Mr.

See his entry in the Oxford DNB. The ALS, whose recipient is not identified, is appended on the last page of the printed notice, which is 4pp, foolscap 8vo, on a bifolium. In good condition, lightly aged. The notice is headed 'University of Oxford. / Directions for Candidates for Degrees in Music.' and signed in type at the end 'Frederick Arthur Gore Ouseley, / Professor of Music. / Oxford, / March, 1878.' Divided into sections concerning a bachelor's and doctor's degree. The ALS, on the last page, reads: 'Dear Sir / You will see by this paper that your Dublin B.A.

An interesting glimpse into the late-Victorian world of English art. Corbet and Swan were close friends - one of Corbet’s paintings remained in Swan’s family until the 1990s. See the two men’s entries in the Oxford DNB. The three letters are addressed to ‘Dear Swan’ and signed ‘M. R. Corbet’. All three on grey paper, lightly aged and worn, with creasing to Letter One.

See his entry in the Oxford DNB. 1p, 12mo. With thin mourning border. Extraction from an album has resulted in some wear to the border at the right of the page: otherwise in good condition, lightly aged. Addressed to ‘My dear Major’ and signed ‘Thos Sabine Pasley’. He is sorry the recipient ‘can’t come on Wednesday’, but he has ‘the best possible reason for not doing so’. He asks to be remembered ‘very kindly to your father on that day’. He asks if he can ‘come on Wednesday week’, as he has engaged a family (illegible) to meet him that day.

An interesting and sprightly correspondence, mainly concerned with the practicalities of the vocation of a minor provincial poet. See David Gaskin’s obituary of Vanson, Independent, 27 July 1993, and Fry’s entry in the Oxford DNB. A second slice of Vanson material from the Christopher Fry papers (the other collection is offered separately). The collection consists of twenty-one items: nineteen letters from Vanson to Fry, a one-page typescript of three of Vanson’s poems, and a draft of an introduction by Fry to a proposed collection of poems by Vanson.

See the entries on Thornycroft and Allingham in the Oxford DNB. The letterhead is also of interest: 'One-Oak' is a notable example of the work of the Arts and Crafts architect A. H. Mackmurdo. 1p, 12mo. On grey paper. In fair condition, lightly aged and worn, with traces of mount adhering to blank reverse. Folded twice. Initial ?H? of signature slightly smidged. Reads: ?Dear Mrs Allingham / I have only [?] got your note. / I enclose two cards for RA. Hoping to see you there / Yours very sincerely / Hamo Thornycroft?. See Image.

See his entry in the Oxford DNB. The National Portrait Gallery possesses a carte-de-visite another portrait of Manns by Negretti & Zambra, which it dates to 1898, but does not hold the present item, which is a head and shoulders shot showing a white-haired Manns, bald on top, with bushy eyebrows and walrus moustache looking to one side in dark jacket and white shirt and tie. A 10 x 14.5 cm albumen print, presented in the customary style on a grey cabinet card, with the firm?s details embossed in white at foot, and the usual photographers? details printed on the reverse.

Lightly-written signature (?Cliff Richard?) in blue ink at bottom left of 21 x 16 cm photographic print on glossy paper of black and white publicity photograph of a tanned Richard sitting in swimming trunks with his hands on his knees, looking at the viewer between two rather plain brunettes in bikinis. The print is somewhat creased and worn, with minor discoloration to white border at the top edge. See Image.

A good example of Nash’s attractive and distinctive signature ‘John Nash’ on a very light dotted line, a piece of paper cut into an oval roughly 5 cm wide and 2.5 cm high. In good condition, lightly aged, laid down on an irregularly-shaped piece of card. See Image

See the entries on Newman and Allingham in the Oxford DNB. 2pp, 16mo. A neatly and closely written letter of twenty-three lines. Addressed ‘To W Allingham Esq’ and signed ‘Francis W Newman’. In fair condition, lightly aged and worn, with unobtrusive circular mark from mount at top left-hand corner of first page. Folded for postage. At the time of writing Allingham was sub-editor of Fraser’s Magazine under the historian James Anthony Froude (1818-1894), whose wife Henrietta had just died. Allingham would take over the editorship in the following month of June, holding it until 1879.

See Bullock's entry in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 1p, 8vo. In fair condition, lightly creased. Folded twice for postage.

See Thiselton-Dyer’s entry in the Oxford DNB. Printed on one side of a 10 x 13 cm piece of paper, and made out in manuscript to ‘Sir William Thistleton [sic] Dyer (and Lady)’. Text size in good condition, lightly aged, with the blank reverse of the card with slight damage from mounting. The recipient has written in a close hand in red ink at top left: ‘accepted. / 18. 7. 02.’ The text reads: ‘The Chelsea Physic Garden.

Scarce: no other copy traced. The only similar material are the volumes for 1851, 1852 and 1853 in the Bishopsgate Institute. Stitched booklet. 16pp, 8vo. With card cover and frontispiece, both ornately engraved. Text and illustrations complete and undamaged, on aged paper worn at edges and with front cover detached. The cover carries the royal arms beneath the engraved words: ‘FIELD MARSHAL / His Royal Highness / The Prince Albert / K.G. K.T. G.C.B. K.P. G.C.M.G. &c. &c. &c. / Captain General and Colonel.’ At foot of page: ‘Honourable Artillery Company.

Peisse had already published his translation of ‘Fragments de Philosophie de M. William Hamilton’ (Paris, 1840), and had followed this with one from Dugald Stewart (1842-5). 2pp, 12mo. Forty-one lines of closely-written text. In fair condition, lightly aged and worn, with chipping and closed tears to edges. Folded once. Signed ‘L. Peisse / Louis Peisse, conservateur de l’ecole impériale des Beaux-arts. 2. Rue Boursault.’ The British recipient (one of Hamilton’s executors?) is not named (in a postscript Peisse apologises for being unable to decipher his details, or those of his co-editors).

An attractive item by a leading exponent of ‘English pastoralism’. See his entry in the Oxford DNB. Bass and treble notation of opening bars, headed ‘Romance / Andante ma non molto’. On one side of 9 x 11 cm card with rounded edges. Firm signature at bottom right: ‘Martin Shaw / May 1921’. In good condition, lightly aged. See Image.

See his entry in the Oxford DNB. On piece of 8.5 x 4.5 cm laid paper cut. In fair condition, on aged paper with reverse bearing traces of glue from mount. Reads: ‘M. Power / M Genl. Comm[andin]g’. Endorsed on reverse: ‘M General / Sir Manley Power / K.C.B’. See Image.

The writer is presumably a member of the prominent aristocratic family, but none of the parties has been positively identified. 1p, landscape 12mo. On laid paper. Letter signed ‘T Cecil’ and receipt signed ‘T. Cecil’. The The document reads: ‘Sr / I have just receivd yours, but sd. be obligd to you, if you cd not Send me forty Pounds, you wd. Twenty: as I am to go out of Town to morrow & have not money to Carry me, I have wrote a Receipt, & hope as it so [sic] pressing a thing, you’ll Comply, which will very much obilge Yrs. T Cecil / London April 7th: 1745 / Receivd Of Willm Adair Esqr.

A nice original item, unsigned but certainly in Florian’s distinctive hand. 1p, 12mo. In good condition, lightly aged, with neat white-paper mount adhering to one edge on the blank reverse. Foliated 93. Sixteen-line poem, beginning ‘Sur le pont-neuf, entouré de badauds, / un charlatan criait a pleine tete, / venez, messieurs, accourez faire emplette / du grand remede a tous les maux.’ In the last line the remedy is revealed as ‘un peu de poudre d’or’.

A set of six scarce pieces of unusual Dickensiana. Difficult to date: the nature of the illustrations (printed in negative) gives them a modernist feel, but their purpose would place them before the 1920s. The six items, printed in black on pieces of grey-white card, range in size from 12 x 16.5 cm (‘SAM WELLER.’) to 4.5 x 6 cm (‘JOB TROTTER’). In good condition, lightly aged. Four of the six have soot stains on their blank reverses, presumably caused by the hot lantern.

An excellent letter, exhibiting precisely the sort of indignation one would wish for from such a renowned satirist. As a result of the furore caused by the publication in 1762 of his best-known work, ‘Le Colporteur’, Chevrier fled to Holland. The French government attempted to have him extradited, and his death that same year was rumoured to have been caused by poisoning. 3pp, 4to. On bifolium. Thirty-nine lines of text. In good condtion, lightly aged. The item has been expertly mounted, and the thin white-paper mount still adheres to reverse of the final leaf.

Scarce: no other copy traced. Bifolium of laid 1856 Saunders paper. 4pp, 4to. Unpaginated. The front cover carries is headed ‘City of London Piano-Forte Manufactory.’ Beneath this are engraved the royal arms, flanked by the words ‘By Appointment / to the Queen.’ Peachey’s address is engraved beneath the arms in large letters. At the foot of the page, in red ink, are three lines relating to ‘Harmoniums.’, with the second page headed by another two lines in red. The two central pages carry much information in small type.

An interesting autograph in economic history. Newland’s entry in the Oxford DNB states that ‘His signature on Bank of England notes became so familiar that they were known as Abraham Newlands. His fame in this respect was commemorated in several popular jingles’. A good firm signature, ‘A Newland’, with that of the witness ‘R Ettie’, at the foot of printed form, completed in manuscript, paying Newland £33 15s 0d as assignee to an executor.

On 11 x 6 cm piece of aged paper, with patches of discoloration and traces of mount on reverse. Good clear firm and undamaged signature on front: ‘[...] I am Sir / Yr Obt. Sert. / Sydney’. The reverse reads: ‘[...] ristricted from killing rabbits on the land lately taken on lease from me and also from ploughing up any part of it but I hereby give you leave to kill rabbits or any [...]’. See Image.

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, and folded once for postage. With the item’s worn envelope, with ‘British Embassy, / Berlin.’ printed on the damaged flap, addressed by Malet to ‘Sir Robert Head Bt. / 97 Zimmer Strasse’, and initialed by him at bottom-left, ‘R B Malet’. The letter, which is signed ‘Edward B Malet’, begins: ‘Dear Sir Robert Head, / My wife will be very happy to take you and Lady Head to Countess Brockdorff’s on Monday at 3 1/2.

See the entries for Barrow and Seymour in the Oxford DNB. On laid Whatman paper dated 1833. Having served for four years as Commissioner at Portsmouth, Seymour had sailed out to South America in 1833 as commander-in-chief, dying of ‘low fever’ at Rio de Janeiro two months before the writing of the present letter. 1p, foolscap 8vo. In good condition, folded twice. At top left: ‘Duplicate, / No 50.’ Initialed at bottom left: ‘J. P.’ Good firm and attractive signature ‘John Barrow’. Writing with regard to ‘the late Rear Admiral Sir Michael Seymour’s letter of the 16th.

See Wendy Trewin, ‘The Royal General Theatrical Fund: a history, 1838-1988’ (1989), and Macqueen-Pope’s entry in the Oxford DNB. ONE: Carbon copy of letter from Macqueen-Pope to Allen, 15 May 1953, with three drafts of advertisement. 4pp, 4to. On four leaves. The letter, on the first page, is somewhat grubby, with rust spotting from paper clip, the other three leaves, each of which carries a proposed version of the advertisment, in good condition, lightly aged. The letter begins: ‘Dear Jack Allen, / Herewith three rough samples for the proposed advertisement concerning the Fund.

See Currie’s entry in the Oxford DNB. Both he and the recipient Hutton had South African interests. Both items in fair condition, lightly aged and worn, and each with pinholes at head from being attached, and folded for postage. Each is signed ‘Donald Currie’. ONE: 17 March 1879. 1p, 12mo. Addressed to ‘James E [sic] Hutton Esqr.’ He received Hutton’s ‘kind message’ and ‘called on the King. To-day I met the Duke of Sutherland.’ He will write to him again ‘in a day or two’. ‘Are you to be in town soon?’ TWO: 29 March 1879. 2pp, 12mo. Headed ‘Private’, and addressed to ‘J. F. Hutton Esqre.