CENTURY

See his entry in the Oxford DNB. He had taken on the management of Drury Lane in 1849, and had hoped to profit from the Great Exhibition, but retired from it in 1851, having incurred substantial losses. 1p, 12mo. In good condition, lightly aged, on the first leaf of a bifolium, with the reverse of the second leaf bearing minor traces of mount, as well as the following annotation in a contemporary hand: ?Jas: Anderson Esqre / Lessee Drury Lane / Theatre / T Bateman Esqre. / a P. Whelan?. Anderson addresses to ?Peter Whelan Esqr.? and gives an untidy signature ?James Anderson?.

See his entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Yates?s ?World?, until the Cleveland Street scandal drove him into exile in 1890. Broadley was a prominent figure in freemasonry, and the present item appears to link two individuals who were members of Oxford?s Apollo University Lodge: Oscar Wilde (whose proclivities Broadley shared) and Randolph Stewart (later Earl of Galloway). 1p, 16mo. On first leaf of bifolium, with second leaf tipped-in onto a page from one of Broadley?s albums.

See his entry in the Oxford DNB. The recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure, as well as the de facto editor of Yates?s ?World?, until the Cleveland Street scandal drove him into exile in 1890 (the year of this item with its reference to 'going away'). A 9 x 5 cm piece of paper, cut from the end of a letter, and laid down on a 13 x 7.5 cm piece, which has been neatly annotated by Broadley: 'Signature of Edmund Yates 1890'. In good condition, lightly aged, with one postage fold. Reads, with good firm stylized signature: '[...] of going away?

See his entry in Encyclopaedia Britannica. Not to be confused with Fleury (1815-1884), whose handwriting is markedly different. 1p, 12mo. On grey paper. In good condition, lightly aged. Neatly folded twice. Reads: ?Le G?n?ral Fleury se rendra avec le plus grand plaisir a l?invitation que Madame la Bne: de Seebach lui a fait l?honneur de lui adresser. / Paris. 2 Mai 1856.? The recipient is presumably the mother of the Alsatian artist Baron Lothar von Seebach (1853-1930).

See his entry in the Oxford DNB, and Antony Chessell?s 2009 biography of Hayward (subtitled ?one of the Two Best Read Men in England? - the other was Macaulay). 1p, 12mo. On first leaf of bifolium. In good condition, lightly aged. Folded twice. The recipient is not named. Reads: ?It is now nearly three weeks since I heard from you. What is the cause. / I send you the Morning Post with a long review of my book. / All goes well with me. / Ever yours / A Hayward?.

See her entries in Encyclopaedia Britannica and the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. On patterned grey paper, with the first page with a thin white border. In good condition, lightly aged, with minor evidence of mount on blank reverse of second leaf. Folded for postage. Signed ?Adelina Patti Cederstr?m?.

See his entry, and those of his brother and Kenney, in the Oxford DNB. 2pp, 12mo. Bifolium. Twenty-two lines of text, addressed to ?C. L. Kenney Esq? and signed ?Aug: Mayhew?. In good condition, lightly aged, with thin strip of glue from mount adhering to blank reverse of second leaf. Begins: ?Dear Charlie/ Of course, we have to act under legal guidance.

See his entry, with those of his brother and of Manby, in the Oxford DNB. 2pp, 16mo. On the first leaf of a bifolium. In good condition, lightly aged, with strip of tape from mount adhering to the blank second leaf. Good signature with attractive flourish: ?Chas Landseer?. Begins: ?My dear Manby / I don?t know what Knight means by saying C. L is rich, but I do know that if I had a ticket for the private view left, I would have given it to Mrs. Manby with the greatest pleasure.? He is sure there is ?something wrong in the political economy of the R.

See his entry in the Oxford DNB. In addition to being the de facto editor of Edmund Yates?s ?World?, the recipient (?Broadley Pasha?) was a renowned autograph collector and shady social figure. Scott?s handwriting is not entirely legible. ONE: ?Wednesday?, dated by Broadly ?March 1887.? 1p, 12mo. In good condition, with glue from mount adhering to the blank reverse. Folded once. Signed ?Clement Scott?. On the question of ?the letter from the impertinent idiot Mr James Runciman? he comments: ?He thinks that calling a man ?Tommy Rot? is a complaint! I conclude that he must be a madman?.

See his entry in the Oxford DNB. D’Orsey was Professor of Elocution at University College, London. 4pp, 12mo. Bifolium. On aged, brittle paper, with slight wear and discoloration, a few closed tears along folds and traces of stub adhering to second leaf, but with entire text clear and intact. A long untidy letter, with writing up the margin on outer two pages. Addressed to ‘The Revd. A J D’Orsey’ and signed ‘Tom Taylor’. The topic is an outbreak of cholera at Madeira, about which D’Orsey has clearly launched an appeal.

See his entry in the Oxford DNB. 1p, 12mo. Signed ‘W Dilke’. Embossed armorial letterhead of a falcon. The recipient is not named. In good condition, lightly aged, neatly inserted in trimmed windowpane mount. Twice folded for postage. Thirteen lines of text in his distinctive close backwards-leaning hand. The hand is not entirely straightforward, and what follows is a tentative reading.

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. Lightly worn, with blank second leaf carrying traces of mount. The recipient is not named, and the letter is signed ‘Henry Halford’. The subject is probably Halford’s ‘Nugae Metricae’, privately printed in the same year.

The phrase ‘Box and Cox’ has entered the English language. See the OED, and the two men’s entries in the Oxford DNB. 2pp, landscape 12mo. Neatly inserted in a trimmed windowpane mount. In good condition, lightly aged. Folded twice. Signed ‘John M Morton’. Begins: ‘Dear Webster. / As Mr Anson informs me that you are “on the forward course to regenerated health” I hope I need not apologise for writing again.

Eleven lines of closely-written text. 1p, 16mo. On recto of first leaf of bifolium, the verso of the second addressed in another hand to ‘F Chapuy / 6 Bis. Rue Rodier’. In good condition, lightly aged, with strip of tape from mount adhering to the second leaf. Folded once. Attractive vignette letterhead of illustration based around the letter W. Signed ‘Albert Wolff’. It will render him ‘un bien grand service’ if the recipient will act on his promise made when they dined together to place ‘un très brave et très digne garçon de mes amis’, as ‘il a besoin pour vivre’.

See his entry in the Oxford DNB. Wilfred Scawen Blunt’s assessment was brutal: ‘It is strange his poetry should be such poor stuff, and stranger still that he should imagine it immortal.’ And it is ironic that Austin may not have even written the lines for which he is now principally remembered, on the illness of the Prince of Wales: ‘Flashed from his bed the electric message came | He is not better, he is much the same’. 1p, 12mo. On the first leaf of a bifolium of good watermarked wove paper.

See her entry in the Oxford DNB, from which the scandalous recipient, a high-society fixer, is unaccountably absent. 4pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. Fifty-seven lines of text, sloping upwards. Addressed to ‘Mr Broadley’ and signed ‘Burdett Coutts’. The handwriting is difficult, and the following reading tentative.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, in trimmed windowpane mount, with a little light creasing and one fold. Addressed to ‘Dear Mr. Peacock’ and signed ‘Herbert Card Vaughan’. He is ‘greatly obliged’ to Peacock for his note which he has ‘read through with much interest’. He thanks him for publishing it in the Archaeological Journal, ‘where it occupies a public & as it were official position of authority. / God bless you’.

See his entry in the Oxford DNB. The recipient (‘Broadley Pasha’), who does not have the entry he deserves in the same work, had been involved in homosexual scandals in India, in 1872, and in England (‘The Cleveland Street Affair’), in 1889. LETTER: 3pp, 12mo. Bifolium. In good condition, lightly aged, with thin strip of tape from mount adhering to the blank reverse of the second leaf. Folded once. Addressed to ‘A. M.

See her entry, and that of her husband, in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, in trimmed windowpane mount. Although a short letter, her expansive and elegant hand fills the whole page. Reads: ‘Dear sir / With great pleasure I comply with your request and send a Specimen of my caligraphy [sic] / Yours very truly / Mary Anne Keeley / I was born Novr 22 1805’.

See his entry in the Oxford DNB. The recipient (‘Broadley Pasha’), at the time de facto editor of Edmund Yates’s magazine ‘The World’, was a scandalous figure, who richly deserves his own entry in the same work. 2pp, 16mo. Bifolium. Text on the outer pages, the inner pages carrying the remains of newspaper cuttings which were previously laid down on them. Otherwise in fair condition, lightly aged, with thin strip of tape from mount adhering to the last page, which also has a newspaper cutting laid down at its foot, regarding the death of A. Sutherland Sutton. Folded once.

See his entry in the Oxford DNB. 1p, 12mo. In fair condition, in trimmed windowpane mount, with glue marking on blank reverse. He thanks her for her letter, adding ‘I am completely floored with an attack of influenza and can only just manage to scribble this and assure you that I am / Very sincerely yours / J. R. Planché’.

See his entry in the Oxford DNB. Friswell was described by Tennyson as ‘the would-be poet, / Friswell, Pisswell - a liar and a twaddler’. 1p, 16mo. With mourning border. In good condition, lightly aged. Folded once. Fourteen lines of text. Addressed to ‘Messrs Virtue & Co.’ Signed ‘J. Hain Friswell’. Begins: ‘Gentlemen, / Many thanks for your fine print of the Chandos Portrait of Shakspere which I will notice in the P. C.

The phrase ‘Box and Cox’ has entered the English language. See the OED, and the two men’s entries in the Oxford DNB. 2pp, landscape 12mo. Neatly inserted in a trimmed windowpane mount. In good condition, lightly aged. Folded twice. Signed ‘John M Morton’. Begins: ‘Dear Webster. / As Mr Anson informs me that you are “on the forward course to regenerated health” I hope I need not apologise for writing again.

2pp, 12mo. On first leaf of grey-paper bifolium, the blank second leaf carrying a thin strip of tape from the mount. In good condition, folded once. Signed ‘John W. Calcraft’. The recipient is not named. Thirty-four lines of text, in a somewhat difficult hand. After a reference to ‘Mrs. Cook’s letter’ he gives the details of a forthcoming production, including the dates, ending with the benefit. ‘Terms as understood 10£ per night & [?] halfbenefit. I do not usually play on the Friday Night at this time of the year as they are uniformly bad nights’.

See her entry in the Oxford DNB. The Swanboroughs were a significant Victorian theatrical dynasty, and the absence of any member of the family from the same work is puzzling. 3pp, 12mo. Bifolium. In fair condition, on aged and lightly worn paper, with traces of glue and strip of tape from mount adhering to blank reverse of second leaf. Folded twice. Addressed to ‘Mr. Swanborough’ and signed ‘Fanny Stirling’.

See his entry and Blewitt’s in the Oxford DNB. 2pp, 12mo. On bifolium. In good condition, on lightly aged laid paper, with thin strip of tape from mount on reverse of second leaf. Thirty-seven lines of text. Addressed to ‘Octavian Blewitt Esq.’ and signed ‘G. L. M. Strauss’. He begins by describing his situation: ‘I venture to solicit your kind friendly advice.

See his entry in the Oxford DNB (from which the scandalous Broadley is unaccountably absent). 2pp, 12mo. On bifolium of grey paper. Tears to the second leaf (not affecting signature) have been unobtrusively repaired with archival tape, and its blank reverse carries a thin remnant of the mount. One postage fold. Addressed to ‘My Dear Broadley’ and signed ‘Ernest Hart’.

1p, 12mo. On thin paper. In good condition, lightly aged, in trimmed and spotted windowpane mount. Good bold signature ‘Fanny Brough.’ Addressed to ‘Revd. J. C. [Westly?]’. She has ‘much pleasure’ in sending him ‘the autograph’, and will do her best to get him ‘a few others which may be interesting to send out to you’.

See his entry, and those of his father, wife and Kenney, in the Oxford DNB. 2pp, 12mo. On first leaf of a bifolium, the blank second leaf of which carries a thin strip of tape from the mount. In good condition, lightly aged. Folded twice. Good bold signature ‘C. Kean’. Begins: ‘My dear Kenney / Would you like a P[rivate]. Box or stalls next Friday, being the opening night of our season - I should like you to give a kind of notice of my past season and of my intended retirement from management next July, to which I shall refer in the parting words I purpose delivering according to the custom’.

See his entry in the Oxford DNB, which states that he had two children - Charles Horace Kenney and the actress Rosa Kenney - by his marriage to Miss Rosa Stewart at the Paris embassy in 1859. 4pp, 12mo. In good condition, lightly aged. On bifolium, with thin strip of tape from mount adhering to the reverse of the second leaf. Folded once. Sixty-six lines of text, addressed to ‘Dearest Wife’ and signed ‘Your affectionate husband / C. L.