CHARLES

6pp, 12mo. Paginated [1]-6. Lightly aged and a bit grubby. Folded twice. On six leaves of paper, which Herford has made up by tearing in half the 4to leaves of one of his students' essays. Complete, and signed at the end 'C H Herford'. Written in a close hand, with numerous deletions and emendations. He begins by describing how Shelley met his death, and his final writing, before dismissing the suggestion that he committed suicide: 'we may dismiss the utterly uncalled for suggestion that his own hand lifted the veil'.

Both in good condition, lightly aged, with thin strip from mount adhering, and crease lines from folding. Two excellent long letters in Spedding's neat and close hand, full of content regarding the relationship between Victorian author, publisher and reader. The topic is Spedding's preparation for the publication of his pamphlet 'Publishers and Authors' (London: J. R. Smith, 1867). Both letters addressed to 'My dear Mervivale'. ONE: 3 September 1866. 4pp, 18mo. On a bifolium.

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

1p, 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse, with postmark and address to 'Chas. Thompson Esqr. | 34 Bedford Street | Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation', that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases, it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'.

1p, 4to. In good condition, lightly aged. Folded three times. Cyclostyled signature: 'Julian S. Huxley'. Addressed to 'Dr. Maurice Ernest, | New Court, | Esher, | Surrey.' He apologises for having been unable to read his book, adding: 'I am afraid I cannot feel that your main thesis is biologically justified'. It is obvious why Huxley did not look beyond the title, as the book he is clearly referring to is Ernest's 'Lives of 300 years and continual rejuvenation' (1942).

3pp, 4to. Bifolium. In fair condition, aged and worn, with closed tears and thin vertical strip of paper on reverse of second leaf, which carries a seal in black wax and Yates's address to 'T. P. Cooke Esqre. | 28 Manchester Street | Manchester Square'. An interesting letter regarding a Victorian stage dispute. In an understated style, Yates makes a serious accusation: Cooke has broken his word over the manuscript of Fitzball's play 'The Red Rover' (Yates had produced the piece with himself in the title role in 1828, and would do so again in 1831).

In 1821, along with Ricardo, Malthus, James Mill, and others, Tooke founded the Political Economy Club. Although Carlyle is unlikely to have had him specifically in mind, Tooke is the archetypal 'Professor of the Dismal Science'. 2pp, 18mo. Bifolium. In good condition, lightly aged. Folded twice. Twenty-eight lines of text, neatly and closely written. He has 'deferred acknowledging' his answer to her 'kind invitation' to dinner on the coming Saturday until seeing his son, who has been 'out of town on a fishing excursion'.

Depressed and paranoid, Lever spent his last days in Italy. For the Villa Morelli, see his Downey's 'Life in his Letters' (1906). 2pp, 12mo. On aged and creased paper, with closed tears to edges, but no loss. Folded twice. The handwriting is neat and controlled, but not always entirely legible. He begins with the news that he is returning 'the books you so kindly lent me'. Presumably referring to Charles Reade's 1866 novel 'Griffith Gaunt', Lever writes: 'Mr Reade is all you said of him, - often very amusing, & oftener very [?]'. A reference to 'the pleasanter reading' follows.

1p, 12mo. In good condition, lightly aged. The recipient is not named. An interesting letter, indicating the relationship between two major theatrical figures in Victorian London. The main body of the letter reads: 'Dear Sir, | You really must excuse my incurring any such responsibility as that you would impose upon me. I am unable to controul Mr.

In 1821, along with Ricardo, Malthus, James Mill, and others, Tooke founded the Political Economy Club. Although Carlyle is unlikely to have had him specifically in mind, Tooke is the archetypal 'Professor of the Dismal Science'. 2pp, 18mo. Bifolium. In good condition, lightly aged. Folded twice. Twenty-eight lines of text, neatly and closely written. He has 'deferred acknowledging' his answer to her 'kind invitation' to dinner on the coming Saturday until seeing his son, who has been 'out of town on a fishing excursion'.

Four-page programme on bifolium, stapled into covers of shiny art paper. In fair condition, worn and aged, with rusted staples. Folded once. The covers are printed on the outside only. On the front are two illustrations in Georgian style, with the caption 'George Barnwell's Contrition'. On the back is a drawing of 'Portsmouth Old Theatre', 'Reproduced by kind permission of Arthur Moreland.' The small signature ('Nigel Playfair') is at top right of front cover. The first page of the programme carries five 'Producer's Notes' by 'Lessee & Manager' Playfair.

1p, 4to. In good condition, lightly aged. Folded three times. Cyclostyled signature: 'Julian S. Huxley'. Addressed to 'Dr. Maurice Ernest, | New Court, | Esher, | Surrey.' He apologises for having been unable to read his book, adding: 'I am afraid I cannot feel that your main thesis is biologically justified'. It is obvious why Huxley did not look beyond the title, as the book he is clearly referring to is Ernest's 'Lives of 300 years and continual rejuvenation' (1942).

1p, 8vo. Aged and worn. Four folds. Panel from envelope attached to reverse, with postmark and address to 'Chas. Thompson Esqr. | 34 Bedford Street | Covent Gard.' He has 'already so many unpublished Plays' in which he has 'the right of Representation', that he must 'decline making any further purchases at present'. But even if he were 'inclined to make further purchases, it would most certainly be in Copyright and not in rights to print - which I suppose is what you mean by the term Printing Copyright'. He is however still 'much obliged to you for the offer'.

On 7.5 x 14 cm piece of laid paper, laid down on part of a leaf from an album. In fair condition, on aged and spotted paper. The letter reads: 'G Dr. respects to Miss Lusada - begs she will please to accept the enclosed - 3 more Letters will follow - wch. shall be sent. to Miss Lusada - Dr. is gone to dine with Mr. Morgan, who desires his Compts. and informs Miss L. that he will send to her soon the little Mathematician'. The recipient was in fact Abigail Lousada, the bluestocking daughter of Isaac Barrow Lousada [sic] of Devonshire Square.

4pp, 12mo. Bifolium. In good condition, lightly aged, with two smudges on second page. Folded once. With reference to her letter 'to Mr. Somerset of March 11th. re the portrait of Charles II (as Prince) in academic robes', he has had the picture by William Dobson photographed and encloses a copy (not present). He discusses Charles's dress in the picture in some detail, adding that 'The portrait (27 x 28 1/2 inches) has been in my possession since 1918 when it was bought at Christie's Nov. 29 lot.

On one side of 8 x 18.5 cm piece of paper, torn from the end of a letter. In fair condition, aged and worn, with traces of brown paper from mount adhering to the blank reverse. The item would appear to be entirely in the hand of the Earl, but the matter is not quite certain, and it may be in a secretarial hand, with only Cork's signature in autograph. It reads: '[...] | Sir | Your Royal Highness's | very obedient | and very humble Servant | Cork | Col | [Som.?] Reg.] Addressed to 'His R. H. | The Duke of York | &c &c &c'. Annotated, in two separate contemporary hands: 'Novr. 1795' and 'Nov.

[2] + 16pp, 8vo. In wraps on the front cover of which is printed the title-page, with a 'Note' by Wilder on the reverse. Sixteen pages of text with drop-head title: 'Churches and Ministers Considered'. In poor condition, aged and worn. Wilder's note explains his motive for writing: 'I am nearly four-score years of age - my life covering almost three generations. My opportunities for observation in city and country, North, South, East, and West, have been abundant.

4pp, 4to. Bifolium. In good condition, lightly aged. Addressed on reverse of second leaf, with small seal in red wax and postmark, to 'Revd. Charles Merivale | St John's College | Cambridge'. A long letter, with the four pages of text followed by a long postscript at the head of the first page, continuing to the last.

1p, 12mo. In fair condition, lightly aged, with traces of grey-paper mount on blank reverse, and minor discolouration at one edge from glue used. The actor Henry Leigh Murray (1820-1870) is identified in pencil as the recipient. The letter begins: 'My dear Sir, | You are quite welcome to a P[rivate]. Box if there is one to spare'. He asks him to 'call or send to Mr. Massingham at the Box Office at 1/2 past 4 o'clock who has received instructions to attend to your wishes, if all the Boxes are not let by that time'.

See Meadows' entry in the Oxford DNB. The recipient of the letter is not named, but it comes from the album of the actor Henry Leigh Murray, which also contained a letter regarding a theatre box from Charles Kean (offered separately). 1p, 12mo. 1p, 12mo. In fair condition, lightly aged, with traces of grey paper mount on reverse, and slight discolouration at corners from glue. Written with mock-pomposity, and beginning: 'My dear Sir | I hereby give you notice that Mr C. Kean has delivered unto me a Card for a Private Box for to-morrow Augt. 19th.

See his entry in the Oxford DNB. 12mo bifolium, with the two-page letter on both sides the first leaf, and the list of plays on recto of second leaf. In fair condition, aged and worn, with closed tear. Folded three times. Addressed: 'To/ | Chas. Perkins Esqr. | 2 North Place | Hampstead.' The letter begins: 'My dear Perkins, | I have not been able to reply to your last earlier - having been confined to my bed-room ever since the 31st. of July by a most severe attack of inflammation.' He has been obliged to postpone his 'Cork engagement on account of this unseen misfortune'.

Twelve pencil portraits executed in the same extremely capable style, probably for the purposes of engraving. Each on a separate piece of 4to paper. All in good condition, with light signs of age and wear, a couple with minor flecking with red paint. All dated in pencil (between 1811 and 1829), and all but two captioned. (Several of the items with watermark date supporting the pencil dating.) Three of the portraits have the tiny signature at bottom left of 'Bestland', and all would appear to be the work of the same artist, although the last appears to be signed with the initials 'C H'.

Both in good condition, lightly aged. ONE: 2pp, 12mo. He 'must bear the entire blame' for 'an indiscretion', and is 'exceedingly sorry'. 'Nothing was said between us in regard to the giving or withholding of addresses, & I had not at that time considered the point.

3pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. He announces that he has been nominated for the Presidency of the Medico-Chirurgical Society by the Council, and supposes that he will be elected 'according to custom'.

On one side of a 12 x 13 cm piece of paper with the corners cut away to make a irregular octagon shape. In fair condition, lightly aged. Laid down on part of leaf from album. Reads: 'Madame | Voici un billet pour la Séance Royale de demain. Je suis charmé d'avoir pu me le procurer puisque vous le desiriez. | Agréez, je vous prie, Madame, l'hommage de mon respect | Guizot | Dime. Juin 16.' At bottom left, in a contemporary hand: '184'.

The full title reads: 'Harmsworth Trust Library | The Tenth Portion | Catalogue of the Collection of the Writings of the Revd. C. L. Dodgson ("Lewis Carroll") Forming part of the renowned Library of the late Sir R. Leicester Harmsworth, Bt., LL.D. (and now Sold by Order of the Trustees)'. 21pp, 8vo. With frontispiece, and plate with illustrations on both sides, as well as several facsimiles in text. (Front cover states: 'Illustrated Catalogue (2 Plates and 6 Line Reproductions)'. In yellow printed and stapled wraps, with last page of text printed on inside back cover.

The three letters total 7pp, 12mo. All three in good condition, on lightly aged paper. From the papers of Sir Richard Harington (1835-1911), 11th Baronet, whose father Rev. Dr Richard Harington (1800-1853), had been Principal from 1842 to his death. All three endorsed by Harington with date of receipt. The subject is the replacement of a stained glass window in the college, with Harington receiving the old window, which he put up at his Worcestershire country house, Whitbourne Court.

2pp, folio. In fair condition, aged, worn and with chipping to extremities. Several folds. Begins: 'My Lord, | I hae the honor of transmitting the following Addresses of Condolence to Her Majesty the Queen, His Royal Highness the Prince Regent, and His Serene Highness the Prince Leopold of Sax Cobourgh'. A list of six addresses follows, variously sent to different members of the royal family from noblemen, gentlemen, clergy, freeholders, burgesses, inhabitants. sheriffs, aldermen, of the county of Wexford, and cities of Armagh and Limerick.

3pp, 12mo. Bifolium. In good condition, lightly aged, with traces of paper from mount adhering to blank reverse of second leaf. Folded twice. Written in his usual difficult hand. He begins by stating that her note was forwarded to him from Knebworth. The letter continues: 'I had previously requested my Sol[icito]r.

For Jessel's judicial high standing see his entry in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. In envelope with Penny Red and postmarks, and 'LADHAM HOUSE, | GOLDHURST' printed on the flap, addressed by Jessel to 'E. A. Scott Esq | Schoolfield | Rugby | Warwickshire'. The envelope is signed 'G. Jessel' at bottom left of cover, and the letter concludes with the same signature. He is 'glad to be able now to withdraw the notice' he gave Scott about his son Charles 'leaving Rugby'.