PAINTING

[Gari Melchers, American naturalist artist.] Autograph Letter Signed ('Gari Melchers') to 'Wriggles' [Henriette Lewis-Hind?], regarding book and exhibition at Anderson Galleries, New York, with reference to William Edwin Rudge and Mitchell Kennerly.

Author: 
Gari Melchers [Julius Garibaldi Melchers] (1860-1932), American naturalist artist [Henriette Lewis-Hind; Mitchell Kennerly (1878-1950); Anderson Galleries, New York; William Edwin Rudge (1876-1931)]
Publication details: 
On letterhead of the Century Club, 7 West Fortythird Street, New York. 13 April 1928.
£1,250.00

The name of the recipient is not clear: it would appear to read 'Wriggles', and the letter suggests that this is a pet name for Melchers' close friend Henriette Lewis-Hind, who wrote the foreword to 'Gari Melchers, Painter', published that same year in New York by W. E. Rudge. An excellent letter, full of content, beginning: 'My dear [Wriggles?]. | We only returned from the West Indies a week or two ago – had a fine time'.

[Violet Markham, author and social reformer, to art historian Benedict Nicholson.] Typed Letter Signed ('Violet Markham'), thanking him for 'drawings of St. Nectaire', discussing France and French 'betrayal of the Allied cause'.

Author: 
Violet Markham [Violet Rosa Markham], author, social reformer and campaigner against women's suffrage [Benedict Nicholson (1914-1978), art historian]
Publication details: 
On letterhead of 8 Gower Street, Bloomsbury [London]. 3 December 1942.
£65.00

2pp, 12mo. In good condition, lightly aged. Addressed to 'B. Nicholson, Esq., | Brooks's, | St. James's Street, S.W.1.' (Nicholson was the son of Harold Nicholson and Vita Sackville-West.) She begins by thanking him for his 'kind letter and charming gift of your drawings of St. Nectaire', adding: 'as an author my vanity is flattered by your appreciation of “Romanesque France”'. She is glad she has helped 'a certain number of people in getting to know some of the beauties of France', but feels 'something of a fraud about the book as without the help of my friend Mr.

[Sir William Rothenstein, artist.] Autograph Letter Signed ('Will Rothenstein'), to 'Horder', i.e. the architect Percy Morley Horder, giving a humorous spoof autobiographical entry, as a jokey suggestion of how Horder should approach the topic.

Author: 
Sir William Rothenstein (1872-1945), painter, printmaker, draughtsman, lecturer, and writer on art [Percy Richard Morley Horder (1870-1944), architect ]
Publication details: 
'Chelsea – Glebe Place | Sunday'. No place.
£220.00

1p, 8vo. Text clear and complete, on heavily chipped and worn thin paper, with loss to extremities. An unusual and revealing letter, in which Rothenstein gives his own jokey suggestion of how Horder should approach a biographical entry he has been asked to write, begins: 'My dear Horder – of course you will do it! “Mr W. R.

[Cecil Aldin, artist of hunting scenes, animals and rural life.] Autograph Note Signed ('Cecil Aldin'), sending 'p o – o & stamps' in settlement of an account.

Author: 
Cecil Aldin [Cecil Charles Windsor Aldin] (1870-1935), artist and illustrator of animals, hunting scenes and rural life
Publication details: 
On letterhead of 47 Priory Road, Bedford Park, W. [London] No date.
£60.00

1p, 12mo. In good condition, lightly aged. The slightest loss to margin at one edge. Good bold signature. Reads: 'Dear Sir | Enclosed please find p. o – o [i.e. postal order?] & stamps in settlement of enclosed | Yrs faithfully | Cecil Aldin'.

[John MacWhirter, Scottish landscape painter.] Autograph Letter Signed ('J MacWhirter') to 'W. Agnew Esq', i.e. the London art dealer Sir William Agnew, thanking him for his 'generous praise', and praising him in turn, in contrast to 'the Critics'.

Author: 
John MacWhirter (1839-1911), Scottish landscape painter [Sir William Agnew (1825-1910), London art dealer]
Publication details: 
On letterhead of 1 Abbey Road, St John's Wood, N.W. [London] 'Sunday' [no date, but before Agnew's receipt of a baronetcy in 1895].
£50.00

2pp, 12mo. Bifolium. In good condition, lightly aged, with traces of mount adhering to blank reverse of second leaf. A white label has been stuck over the letter's salutation, but MacWhirter writes the name of the recipient at the end of the letter: 'W. Agnew Esq'. He cannot express the pleasure he felt on receiving Agnew's letter.

[Arnold Henry Savage Landor, painter, explorer, writer and anthropologist, grandson of the poet Walter Savage Landor.] Autograph Note Signed ('A H Savage Landor') to 'Capt How', making arrangements for a meeting.

Author: 
Arnold Henry Savage Landor (1865-1924), painter, explorer, writer, and anthropologist, grandson of the poet Walter Savage Landor
Publication details: 
St Ermin's Hotel, Westminster. No date.
£45.00

1p, 12mo. On bifolium with mourning border. In fair condition, lightly creased and worn. Folded once. Reads: 'Dear Capt [How?], | I am expecting you to morrow Thursday at Princes Restaurant 1.30 pm | Yrs vy sincerely | A H Savage Landor.' Endorsed in pencil on reverse: 'author of IN THE FORBIDDEN LAND. | EXPLORER TO TIBET. | IMPRISONED | TORTURED | DECEASED'.

[Paul Henry, Irish post-impressionist painter.] Autograph Letter Signed ('Paul Henry') to 'Robert', i.e. Ulster poet R. N. D. Wilson, expressing condolences on the death of his wife.

Author: 
Paul Henry (1876-1958), Irish post-impressionist painter, noted for his West of Ireland landscapes [R. N. D. Wilson [Robert Noble Denison Wilson] (1899-1953), Ulster poet]
Publication details: 
On letterhead of Carrigoona Cottage, Kilmacanogue, Bray, Co. Wicklow; 9 March 1932.
£450.00

2pp, 12mo. On pink paper. In fair condition, lightly aged and worn. Folded twice. A letter of condolence beginning: 'Dear Robert. | I have just seen the miserable news of the death of your wife. I had heard she was ill but had no idea things were so bad.' After asking him to accept his sympathies, he continues: 'I well remember the last time I saw you both together at my studio in Dublin & I can hardly realise yet that she has gone.' He has been 'out of Dublin so long now', and so seldom sees people that he doesn't often 'hear news of folk'.

[Chauncy Hare Townshend, poet, clergyman and dilettante.] Autograph Letter Signed ('C. Hare Townshend') [to George Cruikshank] explaining that he will never let his 'favourite picture', Cruikshank's 'Cinderella' quit his walls, or have it retouched.

Author: 
Chauncy Hare Townshend [born Townsend] (1798-1868), poet, clergyman, collector, dilettante, friend of Charles Dickens [George Cruikshank; Victoria an Albert Museum, London, Hampstead Conversazione]
Publication details: 
21 Norfolk Street, Park Lane [London]; 29 April 1859.
£180.00

2pp, 12mo. Bifolium. In good condition, lightly aged, with thin strip of paper from mount adhering to the reverse of the blank second leaf. The unnamed recipient is the artist George Cruikshank, and the present letter is a reply to a letter from Cruikshank among the Townshend papers at Wisbech, dating from the previous day (28 April 1859). In that letter Cruikshank asks to borrow back his painting 'Cinderella', in order to add some touches to it, and exhibit it at the Hampstead Conversazione. The painting is among those bequeathed by Townshend to the Victoria and Albert Museum, London.

[Sir Edwin Landseer, painter and sculptor of animals.] Autograph Letter Signed ('E Landseer.') regarding 'the Lions Heads' - presumably the bronze statues of lions at the base of Nelson's Column, Trafalgar Square, London.

Author: 
Sir Edwin Landseer (1802-1873), English painter and sculptor noted for his treatment of animals, such as 'The Monarch of the Glen' and the lion sculptures in Trafalgar Square, London
Publication details: 
Undated. On his letterhead, St John's Wood Road, N.W. [London] [before 1867?]
£180.00

1p, 12mo. On bifolium. Printed on grey-blue paper, with letterhead printed in orange-red, without Landseer's name, but with his stag's head motif. In fair condition, lightly aged and worn, with thin strip from stub mount adhering to blank second leaf. Folded twice. The recipient is not named. Apparently referring to his bronze sculptures of the four lions at the base of Nelson's column (installed in 1867), the letter reads: 'My Dear Sir | Many thanks for your obliging Note and kind attention to the Lions Heads – I can't leave home Tomorrow before 4. oc when I shall go to B.

[Sir Edward J. Poynter, painter, President of the Royal Academy.] Autograph Card Signed ('Edward J. Poynter') to 'Mr. Armstrong' [journalist George Gilbert Armstrong (1870-1945)], arranging a meeting around 'the private view of Burne Jones's pictures

Author: 
Sir Edward John Poynter [Sir Edward John Poynter] (1836-1919), painter and President of the Royal Academy [George Gilbert Armstrong (1870-1945), journalist]
Publication details: 
Card with letterhead of 28 Albert Gate, S.W. [London] 23 April 1890.
Upon request

On one side of a 9 x 11.5 cm card, with letterhead printed in red at top right. In good condition, lightly-aged. Annotated on otherwise-blank reverse, which bears traces of glue from mount at corners. Reads: 'Ap. 23. 90 | Dear Mr. Armstrong | I forgot that on Friday I go to the R.A. in the aft. & to the private view of Burne Jones's pictures. Will Saturday suit you as well? Yrs. sincy | Edward J. Poynter.'

[James Nasmyth, Scottish engineer, inventor and artist.] Autograph Letter Signed ('James Nasmyth', with fingerprint jokingly appended to signature as 'Hys marke', inviting the artist John Callcott Horsley to dinner with 'Col Colville' and others.

Author: 
James Nasmyth [James Hall Nasmyth] (1808-1890), Scottish engineer, inventor and artist [John Callcott Horsley (1817-1903), artist]
Publication details: 
[Baileze?] Hotel. 14 January 1880.
£180.00

1p, 12mo. In good condition, lightly aged. Signed 'James Nasmyth', with a fingerprint beneath the signature, flanked by the words 'Hys' and 'marke', and with 'impression before Letters' jokingly added beneath. Written in a shaky hand, the letter invites Horsley to a dinner 'to meet Col Colville Mrs. [Maclins?] and Dr. [Savile?]'.

[John Callcott Horsley, RA, painter.] Autograph Letter Signed ('J. C. Horsley.') to 'Archdeacon Farrar' [Frederic William Farrar], asking him to officiate at the wedding of his daughter Fanny to Dr Arthur Whitelegge.

Author: 
John Callcott Horsley (1817-1903), RA, painter [Frederic William Farrar (1831-1903), Desn of Canterbury]
Publication details: 
On letterhead of High Row, Kensington, W. [London] 31 January 1885.
£56.00

4pp, 12mo. Bifolium of grey paper. In good condition, lightly aged.

[Lady Butler, popular Victorian military painter of such works as 'Scotland Forever!']

Author: 
Lady Butler [Elizabeth Southerden Butler, Lady Butler; born Elizabeth Thompson] (1846-1933), popular British military artist [John Callcott Horsley (1817-1903), artist]
Publication details: 
Dennett Lodge, Crockham, nr. Edenbridge, Kent. 17 June [1882].
£56.00

2pp, 12mo. Bifolium. In good condition, lightly aged. She thanks her for her 'kind invitation to dinner on the 4th', but regrets that she will 'not be in Town till long after that date, being here to get landscape studies for my new picture for a month.' She is pleased that her correspondent is 'well again', and sends her compliments to her husband. The letter does not give a year, but comes from a batch of correspondence relating to a charitable dinner organised by J. C. Horsley in 1882 for 'the Hospital Committee'. It is not clear which of her pictures Lady Butler is referring to.

[George Vicat Cole,RA, Victorian artist.] Autograph Letter Signed to John Callcott Horsley, RA, enclosing a belated 'small donation' which missed his dinner for 'a charitable purpose'.

Author: 
George Vicat Cole (1833-1893), popular Victorian painter [John Callcott Horsley (1817-1903), artist]
Publication details: 
On letterhead of Little Campden House, Kensington, W. [London] 6 March 1882.
£35.00

2pp, 12mo. In good condition, lightly aged. Reads: 'I pray your forgiveness. I am sincerely ashamed of my bad behaviours in putting by your letter & forgetting to answer it, especially when it was written for a charitable purpose. With great pleasure I enclose a small donation & am sorry it was not in time for your dinner.'

[Wilfrid Ball, artist and etcher.] Autograph Letter Signed ('Wilfrid Ball') to 'Mrs. Barnard', giving news of his work, including '"slogging" away at water-colours', and submitting 'an oil to the Academy' which 'they are sure to kick [...] out'.

Author: 
Wilfrid Ball [Wilfrid Williams Ball] (1853-1917), landscape and marine painter and etcher, President of the Society of British Artists
Publication details: 
On letterhead of 4 Albemarle Street, W. [London] 3 April 1894.
£120.00

2pp, 12mo. In good condition, lightly aged. He thanks her for remembering him and sending 'that splendid photograph of yourself – I really think it is the best I have seen'. He continues: 'I have been “slogging” away at water-colours for a shew in Manchester and so have kept pretty busy.' He is sending 'a Nile water colour to the New Gallery', and has sent 'an oil to the Academy – they are sure to kick it out so I shan't mind'. He hopes that she and her sister 'are all right' and 'enjoying this lovely weather'.

[Two Scottish artists: William McTaggart to John Henry Lorimer.] Autograph Letter Signed ('William Mc.Taggart') to 'Dear Lorrimer [sic]', emphatically stating that he does not wish to 'Exhibit in the Paris Ex[hibitio]n. next year'.

Author: 
William McTaggart (1835-1910), Scottish landscape and marine painter influenced by Impressionism [John Henry Lorimer (1856-1936), Scottish portrait and genre painter]
Publication details: 
Broomie Knowe [Broomieknowe near Lasswade in Midlothian]. 3 November 1899.
£150.00

4pp, 12mo. Bifolium with mourning border. In fair condition, lightly aged and worn. Folded once. Addressed to 'J. H. Lorrimer [sic] Esq'. He begins emphatically: 'Dear Lorrimer [sic] | I wish to state clearly, that I do not Exhibit in the Paris Exn. next year and that you are not to try to get any Picture of mine to send there.!!! | I think it necessary to write this, after yesterday's over-much talk on my part I think.

[Sir John Lavery, Irish artist, to Sir Arthur Stockdale Cope, portraitist.] Autograph Letter Signed ('John Lavery'), regarding the Artists' General Benevolent Institution and a man who has 'pestered' him 'by his visits and letters'.

Author: 
Sir John Lavery (1856-1941), RA, Irish painter [Sir Arthur Stockdale Cope (1857-1940), RA, portrait painter; Artists' General Benevolent Institution, London]
Publication details: 
On letterhead of 5 Cromwell Place, S.W.7 [London]. 30 January 1918.
£300.00

2pp, 4to. In good condition, lightly aged. Folded twice. Addressed to 'My dear Cope'. After thanking him for his letter Lavery writes: 'Our “friend” [Braynard?] when he called to ask for my signature told me many things, amongst others that the A. G. B. I. had already given him a grant some time back and that [Charleton?], Brangwyn and I were his sponsors | I had a hazy recollection of him and made up my mind that I would sign his paper and let the Secretary of the A. G. B. I. know the circumstance, which I did do that same day.

[Sir William Orpen asks Sir Arthur Stockdale Cope to help make a doll's house for the Daily Mirror characters Pip, Squeak and Wilfred.] Autograph Letter Signed ('William Orpen') to 'Sir Arthur', explaining the project on behalf of the Daily Mirror.

Author: 
Sir William Orpen [Sir William Newenham Montague Orpen] (1878-1931), RA, Irish artist based in London [Sir Arthur Stockdale Cope (1857-1940), RA, portraitist; Daily Mirror; Pip, Squeak and Wilfred]
Publication details: 
On letterhead of 8 South Bolton Gardens, S.W. [London] 1 March 1929.
£200.00

1p., 8vo. In good condition, lightly aged, with small tissue mounts adhering to blank reverse. The subject is the dolls house 'Mirror Grange', made for the Daily Mirror's comic characters Pip, Squeak and Wilfred. The letter begins: 'Dear Sir Arthur – I have been asked by “The Daily Mirror” to write to you to find out if you would help them with their Dolls House which is to tour the country to collect money for charity. | The House is designed by Maxwell Ayrton | Decorations by Sherringham [sic, for George Sheringham]'.

[Charles Napier Hemy, RA, marine artist.] Autograph Letter Signed ('C. Napier Hemy') to 'Cope' [i.e. Sir Arthur Stockdale Cope], featuring two humorous self-portraits, complaining about 'family uproar' over his new beard and doctor's orders.

Author: 
Charles Napier Hemy (1841-1917), RA, marine artist, leader of the Falmouth School [Sir Arthur Stockdale Cope (1857-1940), RA, portrait painter]
Publication details: 
On letterhead of Churchfield, Falmouth. 8 December 1912.
£350.00

4pp., 12mo. Bifolium. In good condition, lightly aged. A gentle, humorous and characteristic letter to a friend, featuring two self-portraits. (Hemy and Cope had been elected to the Royal Academy on the same day, 4 May 1910.) The letter begins with some doggerel by Hemy, dressed up by him as a quotation from a '16 Cent[ur]y song': 'My youthful years are past | My dining days are done | My life it may not last | For me there's no more fun.

[James Sant, RA, portrait painter.] Autograph Letter Signed ('Jas: Sant') to 'Miss Nolan', requesting to see the daughter of 'Mrs Horsfall', whom he has arranged to paint.

Author: 
James Sant (1820-1916), RA, portrait painter noted for his images of women and children, and studies of childhood
Publication details: 
On letterhead of 43 Lancaster Gate, Hyde Park, W. [London] 10 May [no year].
£50.00

1p., 12mo. In fair condition, lightly aged. Presumably written to the governess of a child he had arranged to paint. Reads: 'Madam | I have Mrs. Horsfall's permission to ask if you could make it convenient that I should see her little daughter tomorrow at ¼ past 2 oC – for the purposes of arranging sittings for her portrait.'

[Franz von Defregger, Austrian artist.] Autograph Letter Signed ('Defregger'), in German, to Julius Bondi of Salzburg, regarding the high demand for his paintings and his eye problems.

Author: 
Franz von Defregger [Franz Defregger] (1835-1921), Austrian genre and history painter [Julius Bondi (1865-1920) of Salzburg]
Publication details: 
[Munich postmark.] 6 February 1918.
£250.00

2pp., 12mo. In envelope, with postmarks, addressed to 'Herrn Julius Bondi | Sekretär | in Salzburg | Schlachtofgasse 19'. Both items in good condition, lightly aged, with minor staining from mount labels. Both letter and envelope carry Defregger's printed monogram 'F v D'. The item is offered with an English translation, according to which Defregger claims that demand for his pictures 'has never before been so high as in recent years', and that he has 'totally sold out of them apart from my personal collection'. He is also 'very much behind' with commissions as a result of his eye problems.

[Herman Gustave Herkomer, American artist.] Autograph Letter Signed ('Herman Gustave Herkomer'), regarding a photograph of his 'portrait of Mr. Choate'.

Author: 
Herman G. Herkomer [Herman Gustave Herkomer] (1862-1935), American painter, cousin of Sir Hubert von Herkomer
Publication details: 
On letterhead of 6 William Street, Lowndes Square [London]. 1 December 1904.
£90.00

1p., 12mo. In fair condition, lightly aged. The recipient is not named. The letter reads: 'Dear Sir | You can get a copy of the photo. of my portrait of Mr. Choate from M. Van [Duger?] - In case of any difficulty if you will apply to me again I will get one for you.'

[William Gorman Wills, Irish dramatist, novelist and painter.] Autograph Letter Signed ('W G Wills') to 'Chepmell' [i.e. the society homeopathist Edward Charles Chepmell], expressing thanks for 'the cure you accomplished'.

Author: 
W. G. Wills [William Gorman Wills], Irish dramatist, novelist and painter [Edward Charles Chepmell (1820-1885), society homeopathist]
Publication details: 
On letterhead of the Garrick Club [London]. No date.
£56.00

1p., 12mo. In fair condition. He has 'from week to week been purposing a visit to you to express my gratitude & sincere thanks for your kindness to me & the cure you accomplished'. He can only write his thanks, having been overwhelmed by 'the arrears of work that followed my illness', and leaving for Paris the following day.

[Malcolm Osborne, distinguished British printmaker.] Autograph Letter Signed ('Malcolm Osborne.') to 'Codner' [the artist Maurice Frederick Codner], regarding their ocular afflications, and Codner's need for information about printing an engraving.

Author: 
Malcolm Osborne (1880-1963), RA, printmaker and President of the Royal Society of Painter-Etchers and Engravers [Maurice Frederick Codner (1888-1958), artist]
Publication details: 
On letterhead of 44 Redcliffe Gardens, South Kensington, SW10 [London]. 23 July 1939.
£56.00

2pp., 12mo. In good condition, lightly aged. The letter has two themes. First, the condition of Osborne's eye following his departure from the Hospital for Tropical Diseases and treatment for amoebic dysentery. ('I have been away in Worcestershire having a slack time on a fruit farm. On my return I must have used the eye more than it could stand, and it became inflamed badly. […] I do hope your eye is now behaving itself and that you will soon be out of the doctor's hands and able to resume your work.

[Pavel Tchelitchew, Russian surrealist painter.] Autograph Letter Signed ('Pavel') to 'My dear, dear Sweet Stephen' [Stephen Tennant?], regarding his love of Italy, theatre design in America, Lincoln Kirstein and Osbert Sitwell.

Author: 
Pavel Tchelitchew (1898-1957), Russian émigré surrealist painter, set designer and costume designer [Lincoln Kirstein; Osbert Sitwell; Stephen Tennant]
Publication details: 
'Lecourbe 43 – 65, 2 rue Jacques Mawas, Paris.' 23 April 1953.
£850.00

2pp., 4to. Aged and worn, but legible. A splendid effervescent letter, highly characteristic, written in demotic English in a close unruly hand. Tchelitchew was a close friend (lover?) of Edith Sitwell, and in addition to her brother Osbert, the letter contains references to Lincoln Kirstein (1907-1996), influential figure in New York culture, founder with George Balanchine of the New York City Ballet and the School of American Ballet, and the book he was writing on Tchelitchew, as well as to Tchelitchew's partner the writer Charles Henry Ford (1908-2002).

[Lady Eastlake, art historian, on the 'abominably bad english spoken by most women & especially by young ladies at the present time'.] Autograph Letter Signed ('Eliz Eastlake') to 'Miss Parish', giving examples of female 'slip slop'.

Author: 
Elizabeth, Lady Eastlake (1809-1893, born Elizabeth Rigby), author, art critic and art historian, wife of Sir Charles Eastlake (1793-1865), artist and Director of the National Gallery, London
Publication details: 
'7 F. Sqre' [i.e. 7 Fitzroy Square, London] 8 February 1889.
£95.00

4pp., 16mo. Bifolium. In good condition, lightly aged. The letter begins: 'A press of necessary writ[in]g has retarded my acknowledgmt. of yr kind letter, & of the Copy of “Work & Leisure”.' She assures Parish 'most sincerely' that she thinks her 'little paper excellent - & that the true tribute to my dear, never-forgotten [?] goes both to my heart & to my judgment'. She is sure Parish's “Companion in travelling” will be entirely to the point'. She does not 'abound in suggestions for subjects.

[Battle of Jutland, 1916.] Two Autograph Letters Signed from J. O. Barron, Lt Commander of HMS Acasta, to marine artist W. L. Wyllie, describing in detail damage incurred by the ship during the Battle of Jutland. With illustration by Wyllie's nephew.

Author: 
John Ouchterlony Barron (b.1882), Royal Navy officer, Lt Commander of HMS Acasta during the Battle of Jutland, 1916 [ William Lionel Wyllie (1851-1931) and Norman Wilkinson (1878-1971), marine artist]
Publication details: 
Both of Barron's letters on letterhead of H.M.S. Mindful. 5 and 22 January 1918.
£400.00

Barron commanded the destroyer HMS Acasta from November 1912 to June 1916. He was recommended for promotion following the Battle of Jutland, during which the Acasta suffered such heavy damage that she had to be towed by HMS Nonsuch to Aberdeen, where she was practically rebuilt. From the Wyllie papers, and relating to a painting by the artist depicting a scene during the battle when the crew of the disabled Acasta lined the decks to cheer the Grand Fleet's flagship, HMS Iron Duke as she passed. The three items are in good condition, lightly aged and worn.

[Sir Thomas Lawrence, President of the Royal Academy.] Four manuscript documents from his sister's descendants the Aston family: a pedigree, tracing Lawrence's mother back to William the Conqueror, and three inventories of engravings and books.

Author: 
Sir Thomas Lawrence (1769-1830), President of the Royal Academy and distinguished portrait painter
Publication details: 
Without place or date. (English, nineteenth century.)
£500.00

ONE: Manuscript pedigree. On one side of a 49 x 38 cm piece of thick laid paper, with no watermark. Folded three times. Discoloured and with light damp staining. The greater part of the pedigree is written in ink in a loose hand, and traces the descent of Sir Thomas Lawrence's mother Lucy (née Read) to William the Conqueror.

[Thomas Clater, English artist.] Autograph Letter Signed ('Thos Clater') to T. W. Winstanley, Secretary, Royal Manchester Institution, giving catalogue details of two paintings he is exhibiting in the Manchester Exhibition of 1842.

Author: 
Thomas Clater (1789-1867), English artist [T. W. Winstanley, Secretary, Royal Manchester Institution; Manchester Exhibition, 1842]
Publication details: 
11 Whiteheads Grove, Chelsea. 12 August 1842.
£45.00

1p., 4to. Bifolium. In good condition, lightly aged. Addressed by Clater on verso of second leaf to 'T. W. Winstanley | Royal Manchester | Institution'. Opens: 'Dear Sir | I beg leave to forward to your Exhibition two pictures'. 'No 1', which Winstanley has given the catalogue number 294 is 'May day', priced at 100 guineas, for which Clater provides a six-line poetic quotation. 'No 2' (catalogue number 135) is 'The Village Post Office', priced at 30 guineas.

[Caleb Robert Stanley, English artist.] Autograph communication, with Stanley's name ('C R Stanley') and address, to [T. W. Winstanley] Secretary, Royal Manchester Institution, giving details of two paintings for its 1842 exhibition.

Author: 
Caleb Robert Stanley [C. R. Stanley] (1795-1868), English artist [T. W. Winstanley, Secretary, Royal Manchester Institution; Manchester Exhibition, 1842]
Publication details: 
'C R Stanley | 25 Gt Maddox St | Hanover Sqre. [London]' 9 August 1842.
£45.00

1p., 4to. On bifolium. In good condition, lightly aged. Addressed by Stanley, with red wax seal, on reverse of second leaf, to 'The Secretary | In the Manchester Institution | Moseley [sic] St | Manchester'. The text itself consists of the names and prices of the two pictures to be submitted to the 1842 show, with the date and Stanley's name and address: 'No 1. | Water Mill | North Devon | 25£ with Frame. | No 2 | Lane Scene | Painted from Nature | 25£ with Frame | C R Stanley | 25 Gt Maddox St | Hanover Sqre. | August 9th. 1842'.

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