EPHEMERA

Sepia studio portrait on 8.5 x 13.5 cm postcard, stamped on reverse 'MANNELL LONDON'. In good condition, lightly aged. She signs 'Winifred Shotter' at foot. A soft-toned head and shoulders portrait of a wistful Shotter, with Marcel wave, staring at the camera in a fashionable frock. Scan on application.

7 x 9 cm photographic print. 6 x 7 cm black and white head-and-shoulders portrait of Oliver looking intently leftwards, in a double-breasted suit and tie. Facsimile of signature ‘Vic Oliver’ at foot. In good condition, lightly aged. Scan on application.

See W. Moister, ‘A History of Wesleyan Missions in all Parts of the World’ (1871). Each item 4pp, 12mo bifolium. All three with engraved illustration on first page, which has a drophead title. The three are worn and discoloured, with loss of text in caption in Item One (see below), and the first two items with cover illustrations crudely hand-coloured. ONE: No. LXXII, June 1838. Mostly consisting of ‘An appeal to the sympathy of the Christian public, on behalf of the cannibal Fejeeans’.

A black and white publicity photograph on an 11 x 15 cm collotype print. Signed at bottom right: ‘Yours sincere / Mary Ellis / Feb. 1844’. A head and shoulders portrait of a dreamy-looking Ellis in front of netting, staring downwards to her right, with her head cradled in her right hand, which is clasped by her left. In good condition, lightly aged. Scan on application

8 x 11 cm collotype print on 9 x 14 cm postcard, with caption (‘Richard Tauber / als Schubert / im “Dreimädlhaus”’) and publication details in blank space at foot. Tauber has signed emphatically, between two lines, at the foot of the card: ‘Richard Tauber / 1931 / London’. In good condition, lightly aged, but with dink to bottom-left corner, affecting neither image nor signature. Depicts Tauber, in the character of a bespectacled Franz Schubert, seated before a dark background. Scan on application.

Anderson spent six years in England in the 1880s, acting to much acclaim at venues including the Shakespeare Memorial Theatre in Stratford-on-Avon. In 1887 she was the first actress to take on both roles of Perdita and Hermione at once in the Winter’s Tale. On 14 x 9 cm postcard, addressed (by the recipient) to ‘Norman Wetton / 7, Claremont Road, / Forest Gate, / Essex.’ Slightly grubby and worn, but in fare condition overall. On the blank side she writes: ‘Broadway / Worc / Mary Anderson de Navarro / Auto Graph only’. Scan on application

Lauder was the highest-paid entertainer in the world in 1911, and the first British artist to sell a million records (by 1928 he had sold two million). See his entry in the Oxford DNB. 14 x 9 cm plain postcard, addressed (by the recipient) to ‘Norman Wetton / 7 Claremont Road / Forrest Gate.’ On the blank reverse Lauder has written: ‘ “D’you Know this ” / Yours very truly / Harry Lauder’. A little grubby and discoloured, but in fair condition. Scan on application.

9 x 14.5 cm glossy publicity photograph. On reverse: “A Gaumont-British Star / Raphael Tuck and Sons’ “Real Photograph” Postcard No. 66”. In fair condition, lightly aged, with a couple of indentations. Inscribed at bottom right: ‘Best Wishes / Jessie Matthews’. A black and white head-and-shoulders shot of a wide-eyed Matthews staring at the viewer over her left shoulder, with short hair, in a white feather hat and white fur coat, against a black background. Scan on application.

Sepia portrait on 10 x 15 cm photographic print, on card. In good condition, lightly aged. Good bold inscription across foot: ‘Best wishes / Joan Barry’. A soft-toned head-and-shoulders portrait of a Marcel-waved Barry, staring dreamily to the left, with pursed made-up lits, in a sleeveless white gown with pearls and bracelet, left hand to chin and right hand supporting left elbow. Scan on application.

Glossy publicity portrait (‘Real Photograph’) on 8.5 x 14 cm post card with publication details on reverse. In good condition, lightly aged. Inscribed diagonally at bottom right: Best wishes / Julie Suedo.’ A black and white head-and-shoulders shot of an Mediterranean-looking Suedo, with curled hair with flower jewellery in it and toothy smile, looking joyfully to her left, with bright necklace and pearl bordered sleeveless gown.

11.5 x 16 cm image on 18 x 12.5 cm card. Signed at foot ‘Herbert Marshall.’ An urbane Marshall is seated, looking over his left shoulder while cradling his hands on his knees, in a grey pin-striped suit, in front of a plain white background. In good condition, but with a horizontal strip of the card trimmed above Marshall’s head. Scan on application.

10 x 13 cm glossy publicity photographic print, on 10.5 x 15.5 cm piece of card, with ‘PHOTO: JOHN VICKERS / COPYRIGHT’ in blank space beneath image. In good condition, lightly aged, with mounts at corners on blank reverse. Black and white head-and-shoulders portrait of McDermott in pub setting, looking sharply to his left in a double-breasted Royal Navy jacket, whiskey tumbler in hand. Scan on applicatioin

Novello’s three decades of unprecedented success began with the First World War song ‘Keep the home fires burning’. See his entry in the Oxford DNB. 8.5 x 13.5 cm publicity photograph on postcard, printed in sepia. In good condition, with tiny dink at top left. Captioned at foot ‘MR. IVOR NOVELLO’. Prim-looking with side-parting in white shirt, tie, and dark double breasted suit, the darkness of which makes the signature ‘Ivor Novello’ rather difficult to make out. Scan on application

Glossy black and white publicity photograph on 8.5 x 13 cm postcard, embossed with studio details at bottom right. ‘MISS DOROTHY WARD’ in white print at foot. Autograph inscription across foot: ‘Best wishes / Dorothy Ward / 1926’. In good condition, lightly aged. A head-and-shoulders image of Ward with right shoulder slightly forwards, looking upwards, with a laurel wreath around her head and frizzy short hair, in pearls and a white sleeveless gown. With stamp and Liverpool postmark on reverse, which is addressed to ‘F. J. Clare / 5 Delamere Grove / Leacombe / Wallasey’. Scan on application

Publicity photograph on 8.5 x 13.5 postcard. In good condition, lightly aged, with a tiny piece worn away from bottom left. Inscription diagonally at bottom left: ‘Best wishes / Elizabeth Allan’. A black and white head-and-shoulders portrait of a young Allan, against a white background, with short wavy hair and side parting gazing to her left with beatific smile.

See his entry in the Oxford DNB. ONE: Five engravings from the ‘Comic Alphabet’. All about 8 x 12 cm. Uncoloured. Originally part of a long single piece of paper, fan-folded. In good condition, lightly aged. Two laid down on pieces of grey paper (cut from an album).

7.5 x 11.5 cm black and white publicity photograph by ‘ “Philco” London W.C.1.’ Expansive genuine signature ‘Gladys Cooper’ across bottom part of image, in addition to facsimile signature in white at bottom right. In good condition, on postcard with border trimmed. Dark sepia-toned image. A head-and-shoulders portrait, with Cooper staring to her right, with short frizzy hair, in fashionable gown. Scan on application

Hale is best-remembered for singing ‘Spread a Little Happiness’ in the musical ‘Mr. Cinders’ (1929), and for strarring in ‘No, No, Nanette’ (1925). 9 x 13 cm postcard, printed in light-brownish grey. In good condition. Nice signature ‘Binnie Hale’ running diagonally across lower right-hand corner. She looks wistfully at the camera, with a Marcel wave and pursed made-up lips. Not among the 32 images of Hale list on the National Portrait Gallery website. Scan on application.

See her entry in the Oxford DNB. 8 x 13 cm collotype print, with 8 x 2 cm space at bottom in which she signs ‘Wendy Hiller.’ In good condition, lightly aged. Black and white, with Hiller’s face in left profile, her body at three-quarters, squinting to her right while wearing what looks like a buttoned-up sou’-wester. Scan on application.

Johnson’s career began with a job singing on an NBC radio show. His 1940s Hollywood films included “Keep Your Powder Dry”. He later returned to Broadway, where in 1956 he received a Tony nomination for his performance as ‘Doc’ in Rodgers and Hammerstein's last musical ‘Pipe Dream’. He died of a heart attack in 1957. 10.5 x 10 cm black and white glossy photographic print on shiny art paper. In good condition. Stylish signature 'Bill Johnson' in white at bottom left.

8.5 x 14 cm glossy publicity photograph on post card. In good condition, lightly aged. Inscribed across the bottom of the image: ‘Souvenirs / Alice Delysia’. A soft-toned head and shoulders image in black and white, of a smiling Delysia, eyebrows plucked, lips made up, and short hair Marcell-waved. See Image.

A scarce item: no copies on WorldCat or JISC, nor at the Caird Library, National Martime Museum (though the latter does have a signed print of one of the illustrations). Twenty-six broadsheet pages, on news stock paper, in shiny paper covers printed in red, blue and brown. Filled with illustrations and topical advertisements for everything from corsetry to bicycles, from a full-page one on the inside front cover for ‘Brickwoods Jubilee Brew / 4d. per Small Bottle in Public Bars’, to one on the back cover reading ‘On Review / United Ales & Stout Are Supreme’.

Two nice ephemeral items. Both now quite scarce: the first (four copies on COPAC) more than the second. In fair condition, lightly aged and worn. Disbound and stabbed as issued. ONE: ‘No. 592. / The Blind Schoolmistress of Devonshire. / A True and Interesting Story.’ 8pp, 12mo. Slug at foot of p.8 (beneath the RTS’s dove-and-olive-branch device): ‘London: Printed by W. Clowes, Stamford-street, for The Religious Tract Society; and sold at their Depository, 56, Paternoster-row; also by J. and C.

A contemporary manuscript note to the present item reveals for the first time the identity of ‘Niger’, one of the two correspondents of whose letters it consists. (And minor manuscript corrections to the last of the four letters would seem to suggest the involvement of the author.) This is Sir James Robert Carmichael (1817-1883), 2nd Bart, who was intimately connected with British Guiana through his father Sir James Carmichael-Smyth (1779-1838).

A scarce and interesting piece of Queen Mary ephemera. No other copy traced. 13 x 16 cm bifolium card. In fair condition, lighly aged and worn. Printed on the front cover in metallic grey and bronze is an image captioned on the back cover: 'One of the three large mural carvings by John Skeaping, Starboard Gallery, Promenade Deck, R.M.S. Queen Mary.' On reverse of cover: 'KOCKTAILS / AND / KISSES / With HARRY HAYES / To-day's great thought: / Are You happy in your work?' On recto of second leaf: 'Amongst the Guests: / Bill Bailey and Liverpool Staff / Dr.

The correspondence concerns the need to prevent a 'collision between the American and British authorities on the island' (the American General Harney is quoted as saying that 'he is satisfied that any attempt of the British Commander to ignore this right of the territory will be followed by deplorable results out of his power to control'). [2] + 4 + [1]pp, foolscap 8vo. Stabbed as issued. On discoloured and worn paper, with slight chipping at head of first leaf. Last page (back cover) printed crosswise in the customary fashion (for folding into a packet).

Certainly a very scarce item. JISC only lists one physical copy, at the British Library. 12pp, foolscap 8vo. Stabbed as issued. In fair condition, on worn, discoloured paper. A ‘Schedule’ at the start lists four numbers ‘in Series’: ‘Governor Douglas to the Duke of Newcastle’, 11 April 1853, ‘With copy of Proclamation declaring the Rights of the Crown with respect to Gold found at Queen Charlotte’s Island.

A nice piece of WW2 RAF ephemera, written on the eve of the Battle of Britain. Scarce: the only copies on JISC at the National Library of Scotland and Bishopsgate Institute in London. 3pp, 12mo. Bifolium. In fair condition, lightly aged and worn. The ‘Text of the Letter’ is printed across the centrefold, with an introduction on the first page, reading: ‘Among the personal belongings of a young R.A.F. pilot in a Bomber Squadron who was recently reported “Missing, believed killed,” was a letter to his mother - to be sent to her if he were killed.

This is an extremely scarce item, not held by the Imperial War Museum, and significant for the five-page eye-witness account it contains (pp.29-33): ‘‘H.M.S. “Ardent” and the Jutland Action. / By A. M.’, i.e. Lieutenant-Commander Arthur Marsden, who was in command of the Ardent and one of only two survivors of its sinking. It is remarkable that he was allowed to disseminate such a candid account (for the perusal of naval cadets!) within months of the engagement. On cover: ‘The Britannia Magazine / Royal Naval College, Dartmouth. / Christmas, 1916.’ and printers’ slug.

A scarce and fragile item: the only copy traced on WorldCat and Jisc is held by the Society Friends (Quakers). Lancaster’s entry in the Oxford DNB, which sums up his achievements: ‘his name was to survive in English educational history as one of the foremost pioneers of mass schooling and effective teacher training in the early industrial era’. The handbill is printed on one side of a 15 x 19.5 cm leaf of thin wove paper. A fragile survival: lightly aged and worn, with a small hole and closed tear, but text clear and entire.