LONDON

See his entry in the Oxford DNB. On 12 x 5 cm piece of paper, cut from letter for an autograph hunter. In good condition, lightly aged. On one side: ‘With much esteem, / Believe me, my dear Sir / Yours ever Sincerely / W Morley Punshon’. On the other side: ‘[...] desire, of every part of the service but the Sermon & while we would not on [...]’ Annotated in pencil: ‘An eminent Wesleyan minister not long dead’. Scan on application.

Sepia studio portrait on 8.5 x 13.5 cm postcard, stamped on reverse 'MANNELL LONDON'. In good condition, lightly aged. She signs 'Winifred Shotter' at foot. A soft-toned head and shoulders portrait of a wistful Shotter, with Marcel wave, staring at the camera in a fashionable frock. Scan on application.

7 x 9 cm photographic print. 6 x 7 cm black and white head-and-shoulders portrait of Oliver looking intently leftwards, in a double-breasted suit and tie. Facsimile of signature ‘Vic Oliver’ at foot. In good condition, lightly aged. Scan on application.

See his entry in the Oxford DNB. Now viewed in a favourable light, Panizzi was a controversial figure in his own time, being dubbed a ‘fat pedant’ by Thomas Carlyle, who was moved to press for the creation of the London Library as a result of the Italian’s high-handed behaviour. On 7 x 4 cm piece of grey paper, presumably cut from an album. No othe writing on the slip other than Panizzi's compact and disciplined signature 'A Panizzi.' In good condition, lightly aged, Strips of sunning at top and right edge, but nowhere near the signature. See scan.

The War of Jenkin’s Ear had ended a few months before, and Daniel A. Baugh, ‘British Naval Administration in the Age of Walpole’ (Princeton, 1965) describes the sorry state into which the Navy Board had fallen at this point. 1p, foolscap 8vo. On recto of the first leaf of a bifolium, the verso of the second leaf being addressed ‘To / Mr Turnpenny / Navy Office’ and docketted ‘Com[missione]rs of Navy to Mr Turnpenny’. In poor condition and urgent need of archival repair. The laid and watermarked paper is flaking away, and part of text, including a couple of the signatures, is lacking.

See W. Moister, ‘A History of Wesleyan Missions in all Parts of the World’ (1871). Each item 4pp, 12mo bifolium. All three with engraved illustration on first page, which has a drophead title. The three are worn and discoloured, with loss of text in caption in Item One (see below), and the first two items with cover illustrations crudely hand-coloured. ONE: No. LXXII, June 1838. Mostly consisting of ‘An appeal to the sympathy of the Christian public, on behalf of the cannibal Fejeeans’.

A black and white publicity photograph on an 11 x 15 cm collotype print. Signed at bottom right: ‘Yours sincere / Mary Ellis / Feb. 1844’. A head and shoulders portrait of a dreamy-looking Ellis in front of netting, staring downwards to her right, with her head cradled in her right hand, which is clasped by her left. In good condition, lightly aged. Scan on application

Lauder was the highest-paid entertainer in the world in 1911, and the first British artist to sell a million records (by 1928 he had sold two million). See his entry in the Oxford DNB. 14 x 9 cm plain postcard, addressed (by the recipient) to ‘Norman Wetton / 7 Claremont Road / Forrest Gate.’ On the blank reverse Lauder has written: ‘ “D’you Know this ” / Yours very truly / Harry Lauder’. A little grubby and discoloured, but in fair condition. Scan on application.

Glossy black and white publicity photograph on 8.5 x 13 cm postcard, embossed with studio details at bottom right. ‘MISS DOROTHY WARD’ in white print at foot. Autograph inscription across foot: ‘Best wishes / Dorothy Ward / 1926’. In good condition, lightly aged. A head-and-shoulders image of Ward with right shoulder slightly forwards, looking upwards, with a laurel wreath around her head and frizzy short hair, in pearls and a white sleeveless gown. With stamp and Liverpool postmark on reverse, which is addressed to ‘F. J. Clare / 5 Delamere Grove / Leacombe / Wallasey’. Scan on application

See his entry in the Oxford DNB. ONE: Five engravings from the ‘Comic Alphabet’. All about 8 x 12 cm. Uncoloured. Originally part of a long single piece of paper, fan-folded. In good condition, lightly aged. Two laid down on pieces of grey paper (cut from an album).

7.5 x 11.5 cm black and white publicity photograph by ‘ “Philco” London W.C.1.’ Expansive genuine signature ‘Gladys Cooper’ across bottom part of image, in addition to facsimile signature in white at bottom right. In good condition, on postcard with border trimmed. Dark sepia-toned image. A head-and-shoulders portrait, with Cooper staring to her right, with short frizzy hair, in fashionable gown. Scan on application

See her entry in the Oxford DNB. 8 x 13 cm collotype print, with 8 x 2 cm space at bottom in which she signs ‘Wendy Hiller.’ In good condition, lightly aged. Black and white, with Hiller’s face in left profile, her body at three-quarters, squinting to her right while wearing what looks like a buttoned-up sou’-wester. Scan on application.

8.5 x 14 cm glossy publicity photograph on post card. In good condition, lightly aged. Inscribed across the bottom of the image: ‘Souvenirs / Alice Delysia’. A soft-toned head and shoulders image in black and white, of a smiling Delysia, eyebrows plucked, lips made up, and short hair Marcell-waved. See Image.

Two nice ephemeral items. Both now quite scarce: the first (four copies on COPAC) more than the second. In fair condition, lightly aged and worn. Disbound and stabbed as issued. ONE: ‘No. 592. / The Blind Schoolmistress of Devonshire. / A True and Interesting Story.’ 8pp, 12mo. Slug at foot of p.8 (beneath the RTS’s dove-and-olive-branch device): ‘London: Printed by W. Clowes, Stamford-street, for The Religious Tract Society; and sold at their Depository, 56, Paternoster-row; also by J. and C.

Manby’s entry in the Oxford DNB states that ‘His interests ranged beyond the engineering world, and for many years he was involved in the management of the Adelphi and Haymarket theatres.’ Manuscript copy letter. 2pp, 4to. Thirty-three lines of neat text. Addressed to ‘Frederick Hodgson Esqre. M.P.’ Ends: ‘I am Dear Sir / Your very faithfully / Charles Manby’.On first leaf of bifolium. Reverse of second leaf docketted: ‘Copy C Manby to F Hodgson Esqr / Scarbro - Novr 8. 1841’ (the letter does not contain any reference to Scarborough). In fair condition, creased and lightly aged. Folded once.

Scott was the author of books on subjects as diverse as the bluestockings and metaphysical poets. He produced two works on Joan of Arc: first, in 1956, the Folio Society published his edition of ‘The trial of Joan of Arc, being the verbatim report of the proceedings from the Orleans Manuscript’; then, in 1974, appeared his biography ‘Jeanne d’Arc’, published by Harrap. With regard to the present material, Items One to Five are all typed, and Item Seven contains exclusively-autograph material.

An interesting and informative item in postal history, which in 1956 received the endorsement of being exhibited at the Pall Mall headquarters of the Society of Postal Historians (see below). Manuscript title-page reads: ‘The Posts in Norfolk. / Related under the headings of the respective Towns and Villages. / With various Post Town Lists, Introductory Notes, and Illustrated with Letters, Covers, Stamps, Postmarks, Cuttings, and other Postal Material. / Compiled and Arranged by / A. E. Strout / South Cave. E. Yks.’ 173pp, 4to.

See his entry in the Oxford DNB, together with A. N. L. Munby’s entertaining ‘The Cult of the Autograph Letter in England’ (1962). 1p, 4to. No fold. In good condition, on lightly aged paper extracted from a notebook. Signed at foot: ‘William Upcott / a collector and preserver of Autographs. / London Institution / Finsbury Circus. / January 17. 1834’. The four memoranda are neatly written out over fifteen lines in Upcott’s distinctive hand.

See his entry in the Oxford DNB, together with A. N. L. Munby’s entertaining ‘The Cult of the Autograph Letter in England’ (1962). 1p, 4to. No fold. In good condition, on lightly aged paper extracted from a notebook. Signed at foot: ‘William Upcott / London Institution, / Finsbury Circus. Jan. 18. 1834.' Very neatly written out in Upcott’s best hand, which is more like type (including the signature) than the document offered separately, on the same watermarked paper.

See his entry, and Freeling’s, in the Oxford DNB. 1p, 4to. Aged and worn, with nicks and closed tears around the edges, but not near the valediction ‘Yours very faithfully / W: Manning.’ Addressed to ‘Francis Freeling, Esqr.’ Begins: ‘My dear Sir, / Your Letter of yesterday I have just received & am exceedingly obliged to you for the communication it contains - it is quite distressing to see the delusion which prevails in the public mind on this subject -’. He is ‘submitting the Extract of the Norwich paper sent by Mr.

See the two men’s entries in the Oxford DNB. 2pp, 16mo. Eighteen lines. On first leaf of bifolium. In good condition, on lightly aged paper. Folded once. Addressed to ‘Dear Ilbert’ and signed ‘James W Lowther’. He has ‘prepared a series of telegram [sic] to all the news agencies and to the Clerk of the Works at Westminster’, and will dispatch them as soon as he receives ‘any intimation from the P.M’. He has another telegram ready for the London Gazette. ‘I think we can reasonably expect that, with 48 hrs notice, all M Ps and the staff would have sufficient notice’.

See his entry in Encyclopaedia Britannica, and Taylor's in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, and folded once. In worn envelope with Penny Red stamp and postmark, and slight loss around flap. The envelope was no doubt retained because it was addressed by Delaunay to 'Sir Tom Taylor / Lavender Sweet [sic] / Wandsworth'. A neatly laid written and laid out communication, addressed to ‘Cher Monsieur Taylor’ and signed ‘Yours truly / L Delaunay / de la Comedie française’.

Several James Joyce scholars have turned their attention to Schwartz, an early dealer in his books and manuscripts, as well as publisher of a couple of pirated editions. See William S. Brockman, 'Jacob Schwartz - The Fly in the Honey' in Joyce Studies Annual, Summer 1998. 1p, 4to. On the Ulysses Bookshop letterhead, printed on green paper. Addressed to 'Dear Sir:' and with valediction 'Au Revoir / Dr J Schwartz / prop / Ulysses Books'.

See the entry for Grey and Taylor in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In good condition, lightly aged. Folded twice. Begins: ‘Dear Mr Taylor - / I am just come home from seeing “the ticket of leave man,” & before I go to bed I must thank you for an evening of very great enjoyment.’ It pleased him ‘to see so good a play, not taken from the French, but really English, [the play was in fact adapted from the French] & teaching the public what is true instead of encouraging a popular delusion of the day’.

2pp, 16mo. Thirty lines of text. In good condition, lightly aged. Folded once. Addressed to ‘My dear Gordon’ and signed ‘love to you all / D.’ The letter concerns the noted ceramic manufacturers Royal Doulton, whose headquarters were at Lambeth in London. Begins: ‘My dear Gordon, / I looked in at Doultons on Tuesday morning on my way down to Corfe Castle & saw “the living skeleton” & Mr Wackrill. He told me that you had been there & taken a tile with you. Which one did you choose?

See his entry, with those of his father and son (all three named Charles Wentworth Dilke) in the Oxford DNB. With regard to the present item the ODNB states: 'His deep involvement in the project [i.e. the 1851 Great Exhibition] is demonstrated by his massive bequest of exhibition material now held at the Victoria and Albert Museum.' 1p, 12mo. In fair condition, lightly aged, with a crease to one corner. Folded twice for postage. Addressed to 'Henry Maudsley Esq' and signed 'C Wentworth Dilke'.

See his entry in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and creased, with one short closed tear to an edge. Folded twice for postage. The salutation (‘My dear old “Phil,” ’) and the signature ‘Landon Ronald’ are in autograph, the rest typed. The recipient is ‘Dr. W. J. Phillips, / “Kelvinside,” / Malcolm Road, / Wimbledon, S.W.’ He sends a ‘thousand thanks’ for Phillips’s ‘delightful telegram’. ‘It was indeed good of you to think of us all down here. It was a great night, and one I shall never forget.

See his entry, and those of his father and Cooke, in the Oxford DNB. 2pp, 16mo. In fair condition, lightly aged, with dab or red wax to one corner, and part of another corner torn away, presumably in breaking open the seal. Folded diagonally for postage. Addressed to 'My dear Mr Cooke' (the recipient's identity is beyond doubt) and signed 'Richd Westmacott'.

See his entry, and Hawkins’s, in the Oxford DNB. The subject of the letter, William Beetham, was an early emigrant to New Zealand, where he was one of the colony’s first European artists. 1p, 12mo. With mourning border. In fair condition, aged and worn, with a tiny piece of loss to one corner. Traces of paper mount adhering to blank reverse. Folded twice for postage. Addressed to ‘Edwd. Hawkins Esqr.’ and signed ‘F Chantrey’. Begins: ‘My Dear Sir / The bearer Wm.

Sligo was appointed Governor of Jamaica in 1834. His efforts on behalf of the recently-emancipated slaves (including the financing of two schools) caused him to become unpopular with the plantation owners, and he was effectively ousted in 1836. 2pp, 12mo. Twenty-one lines of text. In fair condition, lightly aged and worn. Folded for postage. Small square of paper with engraving of the family crest laid down at the foot of the second page. Addressed to ‘My Dear Sir’ and signed ‘Sligo’. The Marquis’s handwriting is somewhat opaque.