PLAYWRIGHT

Paper, 12 x 7cm, some faint staining, but writing clear. See Image.

See his entry in the Oxford DNB. 1p, foolscap 8vo. Thirty lines of text. Signed ‘Stan Barstow’. One of a number of letters to Furness by writers, responding to his enquiry about socialist authors and British pubs. Barstow begins by discussing ‘The Fenton in Woodhouse Lane, Leeds’, which had ‘proximity to the BBC, where Alfred Bradley ran the radio drama studio.

See the entry for Grey and Taylor in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In good condition, lightly aged. Folded twice. Begins: ‘Dear Mr Taylor - / I am just come home from seeing “the ticket of leave man,” & before I go to bed I must thank you for an evening of very great enjoyment.’ It pleased him ‘to see so good a play, not taken from the French, but really English, [the play was in fact adapted from the French] & teaching the public what is true instead of encouraging a popular delusion of the day’.

Livings’s entry in Encyclopaedia Britannica notes that his farces ‘convey serious truths’ with ‘both a dazzling comic flair and an unexpected force and profundity that is heightened by his use of colloquial language’. 1p, foolscap 8vo. Twenty-two lines of text. In fair condition, lightly aged and creased, with four light ink underlinings. Signed ‘Yours, / Henry Livings’. One of a number of letters to Furness by writers, responding to his enquiry about socialist authors and British pubs.

See his entry and Taylor’s in the Oxford DNB. 1p, 12mo. Sixteen lines of closely-written text. In good condition, lightly aged. Folded once. Begins: ‘My dear Mr. Taylor / Would you allow me to introduce a friend of mine Mr. Knewstube to you.

See his entry in the Oxford DNB. 1p, 12mo. On worn and aged paper, with L-shaped closed tear at left-hand edge. Folded for postage. Addressed to her at Bebington in the Wirral. Loose, smudged signature ‘St John Ervine’. He thanks her for her ‘letter and its enclosure, which I return. If I were to rebuke every cub reporter who wrote so stupidly as the young man to whom you refer, I should fill The Observer with my reproofs, apart altogether from the fact, that I should be giving the young man an exaggerated sense of his importance.

See his entry in the Oxford DNB. 2pp, 4to. In good condition, lightly aged. Folded for postage and in stamped and postmarked envelope (with Wesker’s address printed on it), addressed to Furness in Battersea. One of a number of letters from British poets in response to enquiries from Paul Furness with regard to their pub memories. Addressed to ‘Dear Mr Furness’ and signed ‘Arnold Wesker’.

Two pages, oblong 12mo, pencil markings, grubby in parts, text clear and complete.Down with a touch of Influenza, busy with letters & work, I'd no time to answer you. I hadn't time to think of any article. I've written Peace messages to Moscow, New Yor, Paris, Plymouth & Melbourne; so, you see, I've not been standing idle in the market place. | I was very, very sorry to hear of your father's (Bob) death. All in all, he was a grand generous lad. Too fond of Ulster, maybe, but none the worse of that same. | My sympathy to you, dear lass.

On one side of an irregular piece of paper, roughly 18 x 9 cm, torn from the foot of a document. Heavily discoloured, but neatly laid down on a 19 x 13.5 cm piece of grey paper, with the typed caption: ‘Signture [sic] of: / Sir Robert HOWARD (1626-1698) P.C. / Auditor of the Excheq: and Dramatist / (part-author, with Dryden, of ‘The Indian Queen’ etc.)’. At the head: ‘pray pay this Order out of Customes’; and beneath this the Latin draft, with date and sum (but not the name of the payee). Howard’s signature, written large and bold, is at bottom left: ‘Exam[inatus] P[er]. Howard’.

See the two men’s entries in the Oxford DNB and History of Parliament. Howard was Auditor of Receipt from 1673 to his death. The document is damaged, with the lower part torn away, leaving an area 23cm high and the same wide, but with part of one lower corner torn away. The paper is aged, and there are chipping and closed tears to edges. Howard’s two signatures (both ‘Ro: Howard’) are both undamaged, and the item is of some interest. On the front is the printed form, completed in manuscript, with ‘Sr. Thomas Player in repaymt. of Loane./’ in manuscript in right-hand margin.

See his entry in the Encyclopaedia Britannica. 1p, 16mo. Twenty-two lines. On watermarked laid paper. Seven numbered memoranda, possibly an aide-mémoire for a speech. Begins: ‘1o. la loi égale pour tous.’ Later on: ‘1o Ce n’est point un droit que la loi accorde; c’est un devoir qu’elle impose. et pour imposer ce devoir, elle n’a vue que son interêt. / une fonction publique n’est pas le droit de tous; elle est le devoir de quelques uns.’ And later: ‘5o. Quoi le Pere est b[?] . . . . les Dieux de l’oncle sont confisqués.’ The seventh and last memorandum concerns ‘Les malheureux!

1p, 4to. In good condition, lightly aged and creased, with thin stub from previous mounting neatly adhering to inner edge. He explains that his request for an audience is ‘exclusivement littéraire’, and that it is as a ‘titre d’honneur de lettres’ that he hopes to obtain ‘la haute faveur’ of consideration of various factors ‘soumis à ces attributions’. From the celebrated collection of Baron Houghton (in Lot acquired at Chiswick Auctions)

Plain white card, blank on reverse. In good condition, lightly aged. Reads: ‘I’m sorry I don’t have any photographs - there’s not much demand. / My second TV play (1974) was about Morecambe. Sunset Across The Bay - probably still available from the BBC / All good wishes / Alan Bennet.’

In good condition. Printed on one side of the card is one of Bennett's self-caricatures, and printed on the other, on a left hand panel, a note apologising for not writing in autograph, as answering so much mail would take away 'time which I would like to spend working'. On the right-hand panel, in actual autograph, is the following: 'Thank you for yr letter and I hope 2021 is a better year for you. I gather from Sam Barnett (ex History Boys) that the Nottingham Playhouse is keeping going. I'm getting slower but still coming to my desk every day. / All good wishes / Alan Bennett.'

On a ‘Lion Brand’ plain post card. In good condition, but with the hurriedly-written text somewhat smudged, and a small staple at one corner. Addressed to ‘Robt J Drury / 141 Chichester Rd / Cleethorpes / S. Humberside / DN35 OJL.’ The message on the other side is hurriedly written: ‘August 1 1995 / Dear Mr. Drury / I’ve no thought on the Academy Awards I’m afraid. Some are well deserved some not - but thats true of a [?] Alan Bennett.’

1p, 12mo. On grey paper. In good condition, lightly aged. Addressed ‘Dear Mr Robinson’ and signed ‘Alan Bennett.’ A short response to a letter about his play ‘The Old Country’, whose run at the Queen’s Theatre had started on 7 September 1977. He thanks him for his kind letter, and states that ‘It’s nice to hear from people in the audience as I often feel the play goes on night after night & has nothing to do with me at all - one penalty for not performing very much.’ See Image.

See his appreciative entry in the Oxford DNB, concluding with praise of his ‘undeniable’ achievements.2pp, 12mo. On bifolium. In good condition; folded once for postage, and with the blank reverse of the first leaf laid down on part of a leaf from the autograph album of the novelist George Meredith's daughter Marie Eveleen (‘Mariette’; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Addressed to 'Miss Marie E. Meredith' and signed 'Arthur W. Pinero'. Begins: 'It is with a heavy heart that I tell you I am pledged, wit h Mrs.

1p, 4to. In good condition, lightly aged and creased. Ten lines in a close, controlled hand. Addressed to ‘Dear Mr. Whitworth’ and signed ‘Christopher Hampton’. He writes to confirm that he will be free on the date he suggested he ‘might be able to come down to meet you’. He also gives an alternative date. ‘At the moment I’m working on a new translation of “Uncle Vanya”, which was to be finished by the end of November.

See the two men’s entries in the Oxford DNB. In good condition. 11.5 x 9 cm card, without illustration. Printed in red at head: ‘MICHAEL REDGRAVE.’ The message concerns the London production of Fry’s ‘The Lark’ (a translation of Anouilh’s ‘L’Alouette’), which opened at the Lyric Theatre, Hammersmith, on 11 May 1955. Redgrave would star in Fry’s next play, ‘Tiger at the Gates’ (a translation of Giraudoux’s ‘La guerre de Troie n'aura pas lieu’), which premiered in New York on 3 October 1955.

Part of leaf from autograph album, cut into an irregular shape. In fair condition, on lightly aged and discoloured paper, with film of dried glue from mount on blank reverse. The passage, which curiously enough does not correspondend with the printed text, reads (with three mistakes scored through): ‘Life of Napoleon III - Vol 2. / The Government, it is true, endeavoured to prevail upon Queen Hortense to request him to give his word that he would remain in America for ten years; but she replied that Prince Louis was master of his own actions & she would not endeavour to influence them.

Interesting content. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The six items are in good condition, lightly aged, and one lightly creased with wear to one edge. The four letters are each 1p, 4to, and folded for postage. One of the letters is signed ‘A. Wesker’, the others ‘Arnold Wesker’. ONE: Wesker TLS, 10 September 1972.

See his entry in the Oxford DNB. LETTER: 1p, 12mo. In fair condition, lightly aged, in remains of windowpane mount. Folded twice. Addressed to ‘Dear [Derrick?]’ and signed ‘J: R: Planché’. The year has been supplied in another hand in pencil. He informs him that ‘Charles Dance is out of town’, and that ‘the price would be one guinea - but I am sure that being for a benefit he will make no charges’. Planché is ‘of course not authorized to say so’, but he has ‘no doubt upon the subject’ and will tell Dormer so on his return.

A friend of Horace Walpole, she was described by Boswell, after a dinner with her and Dr Johnson, as ‘the beautiful, gay, and fascinating Lady Craven’. See her entry in the Oxford DNB. The three items are laid down with eight other items (see the end of this description) on pieces of paper cut down from two leaves of an album. Somewhat discoloured with age, but in fair overall condition. The recipient or recipients of the second and third letters (laid down on the same piece of paper) are not named, although the third is written to a member of her ‘fishing gentry’.

See his appreciative entry in the Oxford DNB, concluding with praise of his ‘undeniable’ achievements. 1p, 12mo. In good condition, lightly aged, with the blank reverse carrying very slight staining to one edge from glue from mount. Folded once. Neatly and firmly written, with the underlined signature with a deliberate upwards slope. Clearly sent in response to a request for an autograph. Reads: ‘ “A man dies but once, a woman twice - the first time when she marries, and then, as at the last, wondering at the thereafter.” / Lady Bountiful. / Act IV. / Arthur W. Pinero. / 23rd. February 1897.’

According to Noël Coward’s entry in the Oxford DNB, his family moved through the suburbs of south London, before finally setting in Ebury Street, where his mother Violet ‘acquired a boarding-house on the fringes of Belgravia’. The letters are written on the verge of the huge success of the revue ‘Bitter Sweet’ (1929). The recipient of these letters Sewell Stokes was an author and broadcaster who also worked as a probation officer and prison visitor, writing several works on the British penal system.

Long and almost universally-appreciative articles, with photographs and cartoons, reflecting the excitement and energy of the period during which Fry was, as Michael Billington writes in his entry on the playwright in the Oxford DNB, ‘a dominant figure in British drama’. Ranging from three continents, with a few articles in foreign languages (Swedish, German, French). Among the material are John Gielgud’s long statement ‘Mr. Gielgud discovers Mr. Fry’, New York Times, 5 November 1950; and Richard L. Coe, ‘ “Lady” Delights A Packed Gayety’, Washington Post, 21 March 1951.

See his entry, and that of his brother, in the Oxford DNB. The recipient Clifford Musgrave (d.1993), Borough Librarian, was instrumental in the saving and renovation of the Brighton Pavilion. Both items in good condition, lightly aged. Both written in an elegant close calligraphic hand. The first is misaddressed to ‘Mr Muspratt’, and the second to ‘Mr. Musgrave’. Both signed ‘Clifford Bax’. ONE (14 February 1945): 2pp, 16mo. Nineteen lines. Regarding the arrangements for a lecture he is going to give, he has been asked by ‘Eric’ to communicate with him about his ‘Brighton visit’.

See the recipient's entry in the Oxford DNB. Both letters signed ‘Elsa’. ONE (7 December 1951): 1p, 8vo. In fair condition, lightly aged and worn. Folded three times. Thirty-eight lines of text. She received his letter while wishing to contact him, and wonders if this is a coincidence. ‘And my wanting to write you grew out of an intense yearning to be in London again’.

See the recipient’s entry in the Oxford DNB. 1p, 12mo. Signed ‘Evelyn Lake’. In good condition, lightly aged, with minor traces of paperclip. Folded once. She enjoyed his ‘article in yesterday’s Reynolds News’, and thinks it is ‘Lovely to be able to make people laugh spontaneously.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. The valediction reads ‘Yours alway faithfully / Arthur W. Pinero’, and it is written with quite a flourish: the ‘y’ of ‘faithfully’ hooks downwards in a long squiggle, exrending downwards past the right of the termination of Pinero’s signature, which rises upwards, being dotted above and below the signature’s underlining. He feels that her ‘kind letter is all the more welcome inasmuch as it gives signs’ that she is recovering from her recent illness.