DICKENS

The letter, addressed to 'Mr. Sergt. Talfourd', is 1p., 12mo. In very good condition, skilfully placed within a windowpane mount. It reads: 'Dear Talfourd, | Will you have the kindness to send me a Gloucester Cause List, & to let me know if Wood's case is absolutely appointed for any particular day. | If you would take the trouble to send your letter by the day post it will reach me on Saturday Evening: otherwise, I fear, not at all. Very truthfully Yrs. | FitzRoy Kelly'. The engraving, 26.5 x 20 cm, is captioned 'FitzRoy Kelly Esqre.

4pp., 12mo, paginated 1-4. Bifolium. Dated at the head of the first page '11, BOUVERIE STREET, May, 1859.' and at the foot of the last 'May, 1859'. Disbound and with damage to spine; otherwise in good condition, on aged paper. The heading continues: 'To be illustrated by | Leech, Tenniel, Millais, Hablot K. Browne, C. Keene, Wolf, &c., &c. | Will be published every Saturday, price Threepence, by BRADBURY & EVANS. | The First Number will appear on the 2nd of July, 1859.' The first two pages carry the description of the 'forthcoming Miscellany', and the last two pages are headed 'MR.

3pp., 4to. In bifolium. Good, on aged and lightly-creased paper. 'Mrs. de Morgan' in manuscript at the foot of the first page, and 'No 5' at the head. The first page carries the circular letter from 'Edwd. West, Secy.', engraved in copperplate. In sending the balance sheets he notes that 'the income is scarcely equal to the expenditure which is necessary for obtaining for the Society public support'.

Four pages, 12mo, detached, a little roughly from book (some damage where bound in). It includes the explanation of "the cessation of [Bradbury & Evans] connection with 'Household Words'", headed "Mr. Charles Dickens and his late Publishers", discussing relationship with Dickens and his desire to publish personal revelation without consultation with the publishers.

1p., 8vo. Aged and worn, having previously been folded into a tight packet, and laid down on a paper backing. Headed with the title, and neatly written in two columns. The poem consists of 60 lines arranged in six stanzas. The first and last stanzas indicate the tone.

24.5 x 22cm, hand-coloured, tipped onto larger sheet, two corners chipped, mainly good condition. Both men semi-literate at best. Exchange of words (beneath cartoon)as follows: "Hollo my Josey, ain't yer a goin to take a turn in the Kyradant [?]? No, cos I got to finish this here harticle for Bentley's! Oh, vot then, I s'pose Boz is ill?" Scan on my website, www.richardfordmanuscripts.co.uk

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges. Aged and faded, but nevertheless a nice item of Dickensiana. A sensitive study of Dickens's face, above a heavily-faded facsimile of his signature. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'CHARLES DICKENS | FRED.

On 7 x 11 cm rectangle cut from front of envelope. In fair condition, on lightly-aged paper, with glue from mount adhering to reverse, which is docketed in pencil: 'Serjt Talfourd | Readng | Berks'. The frank reads, with the words in square brackets not in Talfourd's hand, unlike the rest: '[Shrewsbury March] Twenty three | [The Very Revd.] The Dean | Hereford | [signed] T N Talfourd'.

One page, 8vo, laid down on another paper, fold marks and slightly crumpled, trimmed with loss of part of "K" of "Knebworth" only, otherwise text clear and complete. "It is with many thanks that Ireturn your Ladyship's Poems [...] I must differ from your Ladyship in the remark that 'Tragedy is not the field for female powers- I cannot help particualrly admiring the nobleness of the characters you have described, & the sentiments they atter are such as Man should utter.

3pp., 12mo. Bifolium. The letterhead has been cut away from the first leaf, taking with it the number of the month, but not affecting the text; otherwise fair, on lightly-aged paper. Marston invites Cole to 'a pleasant little meeting of some of our friends and contributors at the Office': 'We are altogether a Bachelor Party and as free from formality as a set of Australian Bush Men or Gold-diggers'. Saunders has also written 'begging the pleasure' of Cole's company. He ends by sending his regards to Cole's daughter, whom he hopes has 'recovered from her cough'.

Both items in good condition, on lightly-aged paper. Both of them bifoliums with mourning borders; and both in their original envelopes, addressed by Marston, with stamp and postmarks. ONE: 4pp., 12mo. He begins by stating that he is gratified to find that his poems please Baron. 'The only novel I wrote, (it is more than 20 years ago) has I believe been long out of print. A comparatively short tale entitled "Family Credit" together with other sketches and essays (chiefly contributed to "Household Worlds' [sic] was published many years gone by Messr. Ward and Lock as the 1st.

The book is in good condition, on lightly-aged paper, in worn and chipped dustwrapper, the inner flap of which bears the presentation inscription: 'Sarah Harvey, / 39, Maids Causeway, / Cambridge. / from Bertha Roeder, her cousin, - / 1962.' The first letter (11 January 1930), is 2pp., 12mo, on a bifolium with the blank reverse of the second leaf tipped in onto the front pastedown. In very good condition. The things 'Frau Roeder' has to tell him 'will be a real help', and since she tells him that she thinks that her sister 'Mrs.

One page, 12mo, some marking but mainly good, clear and complete. "Dear Sir, | Please deliver to the bearer the design for The Merchant of Venice | Yours truly | George Bentley | George Cruikshank Esq,". There are pencilled notes and figures on the verso, probably in Cruikshank's hand (figures from 1-10 repeated, then 1-7, then notes including the words large and small and a name, the meaning of which escapes me.

In ink on both sides of a 4to leaf of wove paper, watermarked 'J GREEN & SON / 1824'. None of Cruikshank's drawing or writing is affected, but one corner of the leaf has been cut away, and there is another thin strip cut from another. Fair, on aged paper. One page carries a full-length drawing of a bearded athletic man in shorts and sandals, making a sweeping theatrical gesture with his right hand, and holding a spear in his left. Beneath the drawing is Cruikshank's signature, and a study of the left foot.

Two pages, 12mo, bifolium, good condition. He visited Redgarve's house but the latter was out. But he caught up with him later in the day when the family returned to town. [He] suggested that I should write a letter to him explaining the object desired; which he would forward to his Brother without a moments delay; So I want you to write out the particulars, something like the enclosed for me to copy in my letter.

3pp., 16mo. The blank reverse of the second leaf of the bifolium carrying traces of previous mounting, otherwise in good condition. The letter reads 'My dear Sir | I hope to find room for the enclosed this week - and sent it to you as I propose to insert it. Pray be good enough to return it to me after you have glanced at it. | I think it better not to promise returning to the subject - though I am well disposed to follow it up'.

Two pages, 12mo, good condition, saying, "I was much obliged by your kind thought of sending me the critique - as well as taking the trouble - always a task - of copying it outIt seems to me to convey the intention of the [author?] exactly."

On one side of a piece of paper 27.5 x 11.5 cm. Text, in small type, clear and complete. Fair, on aged and lightly-creased paper.

16mo, 34 pp. Unbound. Stabs marks from modern staples. Text and illustrations clear. On aged and spotted paper, with the title-leaf detached and with chipping to its edges, and without its conjugate. An excessively-scarce and hitherto-unnoted item of Dickensiana (no copy in the British Library, or on COPAC). Among the eight illustrations is a full-page one of the extensive 'Machine Room' in the 'Parley Library Steam Press' (i.e. Lee's printing house), with posters on the wall for 'BARNABY RUDGE' and the 'OLD CURIOSITY SHOP'.

12mo, 2 pp. Bifolium. 12 lines. Text clear and complete. Good, on lightly-aged paper. He would 'much like' to show him a song he has written for 'Exeter Hall', and proposes dinner the following day. In a postscript asks if he has 'learnt anything about R. J. S. Stevens'.

12mo, 1 p. Bifolium. Good, on lightly-aged paper. He is sending 'a few lines to Mr. Otto Goldschmidt, about the Bach Choir'.

12mo, 2 pp. Bifolium. 17 lines. Text clear and complete. Good, on lightly-aged paper. Begins 'I cannot help thinking your request a very unreasonable one. You have, in the first instance, monopolized, for the best part of the season, my Room, on the night when it is most in request; & now that every body has fully laid out his plans for this side off the autumn you call upon me to release you from an engagement [...]'. He will not force the recipient to occupy the room 'longer than the six nights', but will not keep 'the engagement' open for him at Christmas.

12mo, 2 pp. 15 lines. Text clear and complete. Good, on lightly-aged paper. Having failed to 'catch' lister after 'our practice', Hullah asks if he would be willing to 'take part in a private performance here of Haydn's Stabat Mater'. Gives details of dates of proposed performance, and rehearsal.

12mo, 1 p. 10 lines. Text clear and complete. Good, on lightly-aged paper. The recipient 'had better be in Town for the Choral Meeting on the 4th. June'. Gives details of when the recipient will 'generally find' Hullah there.

PRINTED HOUSE OF COMMONS SELECT COMMITTEE METROPOLIS POLICE OFFICES 1838 POLICING CRIME PUNISHMENT LONDON ENGLAND NINETEENTH CENTURY SIR PETER LAURIE CHARLES DICKENS

8vo, 16 pp Disbound. Text clear and complete. Fair, on aged paper, with the final page a little discoloured. Ownership inscriptions of 'Charles Hall Hemphill' and 'James | May 1837'. A significant work: a milestone in the history of copyright law. According to the eleventh edition of the Encyclopaedia Britannica, this speech introducing Talfourd's Copyright Bill 'was considered the most telling made in the House during that session'. No copy listed on COPAC, and WorldCat lists three copies (all foreign).

On one side of piece of paper, irregularly-cut from bottom of letter, and measuring approximately 3.5 x 11 cm. Lightly-aged, spotted and creased, with thin strip from mount adhering to the left. Reads 'Yours sincerely, | [signed] Kate Perugini | 24th. Oct.'

12mo, 3 pp. Thirty-three lines. Text clear and complete. Fair, on lightly-aged paper, with traces of mount on reverse of second leaf, which is docketed 'C. Fane to G. Joy | 19 Augt. 1844'. A significant and interesting letter, on a topic later tackled by Dickens in 'Bleak House', by a judge who was an active member of the Law Amendment Society, and whose decisions, according to his entry in the Oxford DNB, 'were frequently the subject of comment', although 'very few of his judgments were reversed on appeal'.

12mo, 1 p. Nine lines. Text clear and complete. Fair, on aged and creased paper. He asks for 'a copy of the Tales of the Thames Rowing Club and any information as to its history', as he is 'compiling a book about the Thames' and is 'anxious to have all the rowing clubs right'. He is only troubling Rye because his 'application to the Secretary has produced no reply'. 'Dickens's Dictionary of the Thames' appeared in 1879.

12mo (leaf dimensions 19 x 12 cm), 3 pp. Bifolium. Text clear and complete. Good, on aged paper, and with the blank reverse of the second leaf laid down on a leaf from an autograph album. Eleven questions, the first being: 'DISTINGUISH between rotatory, and retrograde motion in a horse, and give the hostler's test of a horse that won't shy.' Other questions include 'Relate briefly how Mr Weller came to marry a widder, and narrate the story of Mr Trotter's love.' and 'Explain the word "swarry:" and suggest a similar name for a roast leg of mutton. From the album of Rev.