PRINTED

A nice piece of WW2 RAF ephemera, written on the eve of the Battle of Britain. Scarce: the only copies on JISC at the National Library of Scotland and Bishopsgate Institute in London. 3pp, 12mo. Bifolium. In fair condition, lightly aged and worn. The ‘Text of the Letter’ is printed across the centrefold, with an introduction on the first page, reading: ‘Among the personal belongings of a young R.A.F. pilot in a Bomber Squadron who was recently reported “Missing, believed killed,” was a letter to his mother - to be sent to her if he were killed.

This is an extremely scarce item, not held by the Imperial War Museum, and significant for the five-page eye-witness account it contains (pp.29-33): ‘‘H.M.S. “Ardent” and the Jutland Action. / By A. M.’, i.e. Lieutenant-Commander Arthur Marsden, who was in command of the Ardent and one of only two survivors of its sinking. It is remarkable that he was allowed to disseminate such a candid account (for the perusal of naval cadets!) within months of the engagement. On cover: ‘The Britannia Magazine / Royal Naval College, Dartmouth. / Christmas, 1916.’ and printers’ slug.

A scarce and fragile item: the only copy traced on WorldCat and Jisc is held by the Society Friends (Quakers). Lancaster’s entry in the Oxford DNB, which sums up his achievements: ‘his name was to survive in English educational history as one of the foremost pioneers of mass schooling and effective teacher training in the early industrial era’. The handbill is printed on one side of a 15 x 19.5 cm leaf of thin wove paper. A fragile survival: lightly aged and worn, with a small hole and closed tear, but text clear and entire.

Scarce. None of these four numbers is held by the Imperial War Museum. Motto: ‘Pro Rege et Patria.’ 4to and uniform, with covers of various shades of blue paper. Varying in length from 42pp (Easter 1946) to 64pp (Easter 1940). One number with grubby markings, but the four items in good overall condition, lightly worn and aged. The first perfect bound, the other three with slightly rusty staples. On the cover of each is an illustration by Bernard Partridge of Britannia scanning the sea from the White Cliffs of Dover. One copy with newspaper cutting loosely inserted.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged and creased. Folded for postage. Addressed to ‘Dear Hyman’ and signed ‘C. B. Oldman.’ He begins by thanking him for his ‘kind congratulations’ (on his promotion to at the British Museum, following the retirement of Sir Henry Thomas): ‘I have been laid up with a bad cold over Christmas otherwise I should have written before’. Hyman’s latest catalogue interested him very much, and he hopes that ‘the fact that I don’t buy much nowadays will not deter you from sending me future issues.

Sarah Shannon (married name Sarah Dickinson) was a fine poet in her own right (see the blurb quoted in Item One below), and it is unfortunate that she allowed herself to be eclipsed by her husband the self-styled ‘poet and impresario of poetry’, Patric Dickinson. He occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud.

From the papers of Sarah Emmeline Hamilton, mistress of the poet Patric Dickinson. (His extraordinary correspondence with her, including 171 original and mostly-unpublished poems, 474 autograph letters and 349 post cards, is offered separately). See his obituary by John Mole’s in the Independent, 31 January 1994. The present item is 4to, and consists of 14 unpaginated pages over ten leaves. Stitched into brown wraps printed in black. Cover, title-page and colophon with illustrations from Sandys in brown, otherwise printed in black. Tastefully printed.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

John Stanton Ward was a noted portrait painter, who resigned his membership of the Royal Academy in protest at the ‘Sensation’ show of 1997. See his obituaries in the Telegraph, Times, Guardian and Indpendent. Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

The original item. On one side of a piece of a piece of paper roughly 70 x 100 cm, folded into a 10.5 x 15.5 cm packet of fifty panels. An attractive item, but in need of some attention: on brittle and discoloured paper, with several closed tears. The map was the work of Col. H. B. Hudson. A significant map, still cited in the Sino-Indian border dispute. For the background see 'Two Important Maps from the Survey of India', Geographical Journa, October 1915. First published in 1914, but the only copy of this 1917 version located in the National Library of Australia.

[6] + 40pp, 8vo. Two plates and five figures in text. Stitched into brown printed wraps with attractive representation of Horus. Ownership signature 'E. B. Fry.' In good condition, lightly aged, in worn and lightly-creased wraps.

16pp., 8vo. In good condition, lightly-aged, no wraps, disbound. Several copies on COPAC, none of this edition on market currently.

4pp., folio. Broadsheet bifolium. On aged high-acidity paper, folded once vertically, and once horizontally, and with wear along the fold lines. Lynd's article is the main one on the front page, covering 74 column inches across five of the seven columns. The article begins: 'I do not know what exactly can have been in my mind when I gave Literature and Politics to the secretary of the Irish Literary Society of London as the subject of a paper I had promised to deliver.

4pp., folio. Broadsheet bifolium. On aged high-acidity paper, folded once vertically, and once horizontally, and with wear along the fold lines and crease. Lynd's article is the main one on the front page, covering 80 and a half column inches across all seven columns. The article begins: 'Among the many conflicting views which the English have of the Irish character, two are, perhaps, more popular than the rest. One - the sturdy Saxon view - is that we are a gay and generous people, the drink-dispensers of the world, amiable buffoons, a race of eloquent and lying beggars.

8pp., folio. On aged and creased high-acidity paper, with closed tears and chipping. The two articles most likely to be the work of Lynd are 'The Viceregal Microbe' on pp.2-3, and 'The Future of the Language Movement' on p.2; both are anonymous.

1p, folio. On recto of the first leaf of a bifolium of watermarked laid paper. In fair condition, lightly aged, with slight wear and spotting to the extremities. With ‘(L.S.)’ at top right and at the foot the slug ‘Printed by G. Roberts, Admiralty Office.’ Headed: ‘At the Court at St. James’s, / The 28th of May, 1800. / PRESENT, / The King’s Most Excellent Majesty / in Council.’ Thirty-four lines of text, including a twenty-three line transcription of an Admiralty memorandum, in smaller type.

See Sheila Markham’s interview with Thorp’s grandson Jim in ‘The Bookdealer’, April 1995, and the report ‘Now it’s the end of the Thomas Thorp story’, Surrey Live, 17 January 2003. 132pp, 8vo. Stapled. Pagination includes grey printed wraps, with title and first and last entries. On cheap discoloured paper, with slight wear to bottom corner of first few leaves; spine worn and chipped, covers detached. Undated, but with no item found dated later than 1929. Fifty-one pages (33-83) of bookplates in small print.

Four scarce pieces of ephemera: no other copies of them traced on either JISC or WorldCat. See Ross’s entry in the Oxford DNB. The three reports give lists of college persons, with general and particular news. Items Two to Four in good condition, lightly aged and creased; Item One as described below. ONE: ‘ORIEL COLLEGE, OXFORD / 1917-1918’. Signed in type by ‘L. L. P.’ [i.e. Langford Lovell Price, retiring treasurer] and dated 31 July 1918. 7pp, 12mo. On two bifoliums of thin war-economy paper, glued together.

Morrison’s entry in the Oxford DNB describes him as ‘the most famous astrologer of Victorian times’. The present nonce-collection contains ten yearly issues of ‘Zadkiel’s Almanac’, in workmanlike black-cloth binding. Some of the outer leaves heavily discoloured, and the whole somewhat worn, otherwise in fair condition. All in 12mo, and with much the same lay-out of the title-page. Occasional illustrations. Title-pages state print-runs between ‘Twentieth Thousand’ (1851) and ‘Forty-second Thousand’ (1855 and 1856).

Three pieces of ephemera from a golden period of English children’s book illustration. All three items printed on shiny paper, and all worn and discoloured. ONE: ‘Hodder & Stoughton’s Christmas List’, with advertisement for Edmund Dulac’s edition of A. T. Quiller-Couch’s ‘The Sleeping Beauty’ on cover. 20pp, folio. With rusting staples. Folded once. Undated, but containing items published in 1910, apart from the cover item, which appears to have been published in 1912.