PRINTED

7 x 9 cm photographic print. 6 x 7 cm black and white head-and-shoulders portrait of Oliver looking intently leftwards, in a double-breasted suit and tie. Facsimile of signature ‘Vic Oliver’ at foot. In good condition, lightly aged. Scan on application.

See W. Moister, ‘A History of Wesleyan Missions in all Parts of the World’ (1871). Each item 4pp, 12mo bifolium. All three with engraved illustration on first page, which has a drophead title. The three are worn and discoloured, with loss of text in caption in Item One (see below), and the first two items with cover illustrations crudely hand-coloured. ONE: No. LXXII, June 1838. Mostly consisting of ‘An appeal to the sympathy of the Christian public, on behalf of the cannibal Fejeeans’.

9 x 14.5 cm glossy publicity photograph. On reverse: “A Gaumont-British Star / Raphael Tuck and Sons’ “Real Photograph” Postcard No. 66”. In fair condition, lightly aged, with a couple of indentations. Inscribed at bottom right: ‘Best Wishes / Jessie Matthews’. A black and white head-and-shoulders shot of a wide-eyed Matthews staring at the viewer over her left shoulder, with short hair, in a white feather hat and white fur coat, against a black background. Scan on application.

See his entry in the Oxford DNB. ONE: Five engravings from the ‘Comic Alphabet’. All about 8 x 12 cm. Uncoloured. Originally part of a long single piece of paper, fan-folded. In good condition, lightly aged. Two laid down on pieces of grey paper (cut from an album).

A scarce item: no copies on WorldCat or JISC, nor at the Caird Library, National Martime Museum (though the latter does have a signed print of one of the illustrations). Twenty-six broadsheet pages, on news stock paper, in shiny paper covers printed in red, blue and brown. Filled with illustrations and topical advertisements for everything from corsetry to bicycles, from a full-page one on the inside front cover for ‘Brickwoods Jubilee Brew / 4d. per Small Bottle in Public Bars’, to one on the back cover reading ‘On Review / United Ales & Stout Are Supreme’.

Two nice ephemeral items. Both now quite scarce: the first (four copies on COPAC) more than the second. In fair condition, lightly aged and worn. Disbound and stabbed as issued. ONE: ‘No. 592. / The Blind Schoolmistress of Devonshire. / A True and Interesting Story.’ 8pp, 12mo. Slug at foot of p.8 (beneath the RTS’s dove-and-olive-branch device): ‘London: Printed by W. Clowes, Stamford-street, for The Religious Tract Society; and sold at their Depository, 56, Paternoster-row; also by J. and C.

A contemporary manuscript note to the present item reveals for the first time the identity of ‘Niger’, one of the two correspondents of whose letters it consists. (And minor manuscript corrections to the last of the four letters would seem to suggest the involvement of the author.) This is Sir James Robert Carmichael (1817-1883), 2nd Bart, who was intimately connected with British Guiana through his father Sir James Carmichael-Smyth (1779-1838).

A scarce and interesting piece of Queen Mary ephemera. No other copy traced. 13 x 16 cm bifolium card. In fair condition, lighly aged and worn. Printed on the front cover in metallic grey and bronze is an image captioned on the back cover: 'One of the three large mural carvings by John Skeaping, Starboard Gallery, Promenade Deck, R.M.S. Queen Mary.' On reverse of cover: 'KOCKTAILS / AND / KISSES / With HARRY HAYES / To-day's great thought: / Are You happy in your work?' On recto of second leaf: 'Amongst the Guests: / Bill Bailey and Liverpool Staff / Dr.

The correspondence concerns the need to prevent a 'collision between the American and British authorities on the island' (the American General Harney is quoted as saying that 'he is satisfied that any attempt of the British Commander to ignore this right of the territory will be followed by deplorable results out of his power to control'). [2] + 4 + [1]pp, foolscap 8vo. Stabbed as issued. On discoloured and worn paper, with slight chipping at head of first leaf. Last page (back cover) printed crosswise in the customary fashion (for folding into a packet).

Certainly a very scarce item. JISC only lists one physical copy, at the British Library. 12pp, foolscap 8vo. Stabbed as issued. In fair condition, on worn, discoloured paper. A ‘Schedule’ at the start lists four numbers ‘in Series’: ‘Governor Douglas to the Duke of Newcastle’, 11 April 1853, ‘With copy of Proclamation declaring the Rights of the Crown with respect to Gold found at Queen Charlotte’s Island.

A nice piece of WW2 RAF ephemera, written on the eve of the Battle of Britain. Scarce: the only copies on JISC at the National Library of Scotland and Bishopsgate Institute in London. 3pp, 12mo. Bifolium. In fair condition, lightly aged and worn. The ‘Text of the Letter’ is printed across the centrefold, with an introduction on the first page, reading: ‘Among the personal belongings of a young R.A.F. pilot in a Bomber Squadron who was recently reported “Missing, believed killed,” was a letter to his mother - to be sent to her if he were killed.

This is an extremely scarce item, not held by the Imperial War Museum, and significant for the five-page eye-witness account it contains (pp.29-33): ‘‘H.M.S. “Ardent” and the Jutland Action. / By A. M.’, i.e. Lieutenant-Commander Arthur Marsden, who was in command of the Ardent and one of only two survivors of its sinking. It is remarkable that he was allowed to disseminate such a candid account (for the perusal of naval cadets!) within months of the engagement. On cover: ‘The Britannia Magazine / Royal Naval College, Dartmouth. / Christmas, 1916.’ and printers’ slug.

A scarce and fragile item: the only copy traced on WorldCat and Jisc is held by the Society Friends (Quakers). Lancaster’s entry in the Oxford DNB, which sums up his achievements: ‘his name was to survive in English educational history as one of the foremost pioneers of mass schooling and effective teacher training in the early industrial era’. The handbill is printed on one side of a 15 x 19.5 cm leaf of thin wove paper. A fragile survival: lightly aged and worn, with a small hole and closed tear, but text clear and entire.

Scarce. None of these four numbers is held by the Imperial War Museum. Motto: ‘Pro Rege et Patria.’ 4to and uniform, with covers of various shades of blue paper. Varying in length from 42pp (Easter 1946) to 64pp (Easter 1940). One number with grubby markings, but the four items in good overall condition, lightly worn and aged. The first perfect bound, the other three with slightly rusty staples. On the cover of each is an illustration by Bernard Partridge of Britannia scanning the sea from the White Cliffs of Dover. One copy with newspaper cutting loosely inserted.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged and creased. Folded for postage. Addressed to ‘Dear Hyman’ and signed ‘C. B. Oldman.’ He begins by thanking him for his ‘kind congratulations’ (on his promotion to at the British Museum, following the retirement of Sir Henry Thomas): ‘I have been laid up with a bad cold over Christmas otherwise I should have written before’. Hyman’s latest catalogue interested him very much, and he hopes that ‘the fact that I don’t buy much nowadays will not deter you from sending me future issues.

Sarah Shannon (married name Sarah Dickinson) was a fine poet in her own right (see the blurb quoted in Item One below), and it is unfortunate that she allowed herself to be eclipsed by her husband the self-styled ‘poet and impresario of poetry’, Patric Dickinson. He occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

From the papers of Sarah Emmeline Hamilton, mistress of the poet Patric Dickinson. (His extraordinary correspondence with her, including 171 original and mostly-unpublished poems, 474 autograph letters and 349 post cards, is offered separately). See his obituary by John Mole’s in the Independent, 31 January 1994. The present item is 4to, and consists of 14 unpaginated pages over ten leaves. Stitched into brown wraps printed in black. Cover, title-page and colophon with illustrations from Sandys in brown, otherwise printed in black. Tastefully printed.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

John Stanton Ward was a noted portrait painter, who resigned his membership of the Royal Academy in protest at the ‘Sensation’ show of 1997. See his obituaries in the Telegraph, Times, Guardian and Indpendent. Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See his 1965 autobiography 'The Good Minute' and John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

The original item. On one side of a piece of a piece of paper roughly 70 x 100 cm, folded into a 10.5 x 15.5 cm packet of fifty panels. An attractive item, but in need of some attention: on brittle and discoloured paper, with several closed tears. The map was the work of Col. H. B. Hudson. A significant map, still cited in the Sino-Indian border dispute. For the background see 'Two Important Maps from the Survey of India', Geographical Journa, October 1915. First published in 1914, but the only copy of this 1917 version located in the National Library of Australia.