Literature

Postcard, 13.5 x 8.5cm, good conditiuon. Text: You asked me to let you know when any English writers are here - Anthony Powell & his wife are at the Hotel d'Angleterre, [word not deciphered] Jacob. | I'm too busy with my party etc to organize anything at the moment, but I'm sure you would enjoy a chat with him & so would he. If not [word undeciphered] do ring him up [de ma part?]. See you I hope on Wednesday & Madame Antonini - it will be the world & his wife!

Letter One: [No envelope; undated] One page, 8vo, good condition. Text: Forgive me for not having written before to thank you for your very kind letter, but I have had something like five hundred letters & telegrams of congratulation & they have been a job to deal with. It was very kind of you to write. I am just off to England to receive the insignia. [Maugham was made a Companion of Honour in 1954 if that indicates the date of the letter(?)]; Letter Two: Postmark 24 Oct. 1934 and dated Oct. 34 (though the '3' looks like a '2'), Two pages, 8vo, good condition.

Letter 1 (9 March 1931): one page, 4to. fold marks, small hole with loss of two letters), good condition. Text: Dear Charlotte | Odette is still in bed, weak as a rat & [she?] had flu & I got [me?] it. I'm being an Angel to her, but its very quiet between whiles. Would you like to lunch with me & bring your Jan one day next week? If so telephone me one fine morning. The Casino at Juan les Pains - I mean the place on the beach - used to be bright & it seems a convenient half way house between us.

Pamphlet, 16pp., 8vo, sl. grubby, inside cover, sl. strained, with a number 'R30668' at bottom. Only one copy recorded on WorldCat (none on COPAC) with inaccurate publishing data (Print Book, English, [1953?]Publisher: [Notts. Newspapers], [Hucknall, Notts.], [1953?]). See Images of front cover of pamphlet.

Thirty (30) pages (some material on the verso also), 8vo, good+ condition, an attractive handwriting. The first nine page are paginated; the last 21 not. [[P.18] announces "INTERVAL" after a few lines, and [P.19] commences "PART TWO. It comprises substantial and attractive transcriptions (quotations from) of Byron's letters and poems, reflecting Byron's life and relationships in his own words. I.e. autobiographical.  I would theorise that, given the length of the work, it was a lecture/performance to/for dedicated students of Byron, perhaps even The Byron Society.

The second of these ballads, 'Silver Threads Among the Gold', by the American Eben Eugene Rextord (1848-1916), was immensely popular on its release in 1873 with music by Hart Peas Danks (1834-1903). The earliest reference to the first ballad, 'Could you lend my mother a saucepan?' is in an 1885 number of 'All the Year Round'. The song is an absolute hoot, but its text is not to be found anywhere on the internet.

Bailey’s entry in the Oxford DNB describes the ‘remarkable popularity’ of the second edition of Festus in America: ‘seventeen ‘editions’ of a version pirated in Boston were called for in the first nine years, and it was also reprinted numerous times in Philadelphia, Louisville, and New York. Bailey became something of a 'lion' for visiting Americans of the transcendental stamp’, with Hawthorne visiting in the 1850s. 1p, 8vo. On brittle woodpulp paper, now discoloured with chipping to edges (resulting in loss to the word ‘Festus’ at the head) and with closed tears to the two folds.

An interesting letter regarding the man who was regarded as Ireland's national poet before the appearance of William Butler Yeats. See Croker’s entry, and that of Thomas Moore, in the Oxford DNB. The former contains a paragraph discussing the association between the two men, the conclusion of which explains the context of the present item: ‘At the end of his life Croker (by his own account) was working on a biography of Moore, whom he termed 'an actor—a hypocrite—a swindler—a sensualist and a habitual liar' (Irish Book Lover, 50).

See his entry, those of his sons Philip and Robert, and that of Taylor, in the Oxford DNB. 4pp, 12mo. Bifolium. In fair condition, on discoloured and lightly-worn paper. Addressed to ‘My Dear Mr Taylor’ and signed ‘Alfred P. Graves’. He begins by enquiring after the state of the recipient’s health, before giving details of when Parliament ‘will probably be up’: ‘Otherwise I have no political news to interest you.

Full decription on application or on my website. ABE inventory omits substantial end section. A small (ish) archive of material from MNC's London residence (he divided his time between America, England and Puerto Rico), mostly relating to Lewis Carroll (hereafter LC), beginning with a tiny fragment in the hand of the author of 'Alice in Wonderland', and including typescripts, proofs and offprints of his own work (including the edition of LC's letters), incoming correspondence, ephemera, copies of professional papers, illustrations.

See Sitwell’s entry in the Oxford DNB. In his 1999 biography Philip Ziegler describes how the ‘doggerel polemic Rat Week’ ‘excoriated’ the supporters of the Edward VII and Mrs Simpson: ‘Osbert realised that this diatribe, if published, might land him in a flurry of libel actions, but he could not resist having a few copies made and distributed to his closer cronies; Mrs. Greville, Lady Aberconway, Lady Cholmondeley and Philip Frere among them.

Sentiment Thanks for your good wishes | Sincerely yours | Oscar Slater | 23/4.27. Image (= portrait) appears to be a drawing extracted from a newspaper or periodical. Backing paper, 8 x 11.5, portrait and text (slightly overflowing) on laid down pink paper, c.9.5 x 6cm. SEE IMAGE. Note: a. Oscar Joseph Slater (8 January 1872 – 31 January 1948) was the victim of a notorious miscarriage of justice in Scotland.

Apparently an earlier version of the concluding part of Chetwynd’s dystopian first book, ‘The Copper Cow’, published in London by Anthony Blond in 1962 which gives a surrealistic description of a Britain of the near future. Duplicated typescript, double-spaced and printed on rectos of leaves only, all attached with metal stud. Paginated 115-210, preceded by title page and section title. In good condition, lightly aged. With deletions and manuscript corrections duplicated, but no actual manuscript emendations.

Although there is no clear connection, the present unpublished poem dates from around the same time as Edward Lear was drawing watercolours in the place referred to in it. Vidya Dehejia’s‘Impossible Picturesqueness / Edward Lear’s Indian Watercolours, 1873-1875’ (1989) describes how Lear visited ‘The two small hill-stations of Matheran and Mahabaleshwar near Bombay’. Of the former Lear wrote: ‘Matheran by the bye, has most probably been the original Eden - I don’t mean the first Lord Auckland, - but Paradise -’.

Holograph of sixteen-line poem in four four-line stanzas, headed ‘Il tramonto’ and signed at bottom right ‘Andrea Maffei’. 1p, 16mo. Text entirely clear and complete, on discoloured laid paper with chipping and slight loss at right-hand margin. Begins: ‘Amo l’ova del girono che muore / Quando il sole già stanco declina,’. No variations from the version printed in the 1864 Florence edition of Maffei’s works, apart from ‘Una età’ beginning l.6 here, as opposed to ‘Un' età’ there.

See his entry and Chantrey's in the Oxford DNB. On one side of a trimmed-down piece of paper, roughly 11 cm square. Discoloured, and with damage to the corners (affecting one word at top right) from removal from mount. With postage folds, and evidence on otherwise-blank reverse that Cunningham was re-using an envelope: part of address in another hand to 'Mrs Pa[...]'. Reads: 'Mr. Allan Cunninghams respects to Mr. Tindal and begs to inform him that Sir Francis Chantrey is at Holkham at present and will not likely be back till after Christmas: should he come sooner Mr A. C.

Two pages, oblong 12mo, pencil markings, grubby in parts, text clear and complete.Down with a touch of Influenza, busy with letters & work, I'd no time to answer you. I hadn't time to think of any article. I've written Peace messages to Moscow, New Yor, Paris, Plymouth & Melbourne; so, you see, I've not been standing idle in the market place. | I was very, very sorry to hear of your father's (Bob) death. All in all, he was a grand generous lad. Too fond of Ulster, maybe, but none the worse of that same. | My sympathy to you, dear lass.

See his entry in the Oxford DNB. On the front cover of a 12 x 7 cm envelope, from which the seal has been torn away on the reverse. Otherwise in very good condition. A pleasing piece of calligraphy, with the word ‘Private’ centred and underlined at the head, and the address to ‘The Honble. Spencer Ponsonby. / Foreign Office’ across the central band, with the signature at bottom left: ‘Alaric Watts.’ See Image.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

The Pippets of Solihull were a Roman Catholic family that worked closely on ecclesiastical designs with the Gothic Revival firm Hardman & Co (whose archives are held by the Birmingham Museum and Art Gallery). Wilfrid also collaborated with J. B. Trinick on the striking illustrations to A. E. Waite’s rosicrucian ‘Album of the Great Symbols of the Paths’ (1917-21; copy in the British Museum Department of Prints and Drawings). Eleven attractive illustrations in black ink (over pencil draft).

From the papers of Sarah Emmeline Hamilton, whose extensive collection of letters from her lover the poet Patric Hamilton is offered separately. Sail is a widely-respected poet. He has presented the BBC Radio 3 programme 'Poetry Now' and 'Time for Verse' on BBC Radio 4.

One page, 12mo, bifolium (separating), some staining not obscuring text, text clear and complete. I have just received a box of woodcocks from my friend Coll. Levinge from Knockdrin Castle - And I beg your acceptance of a couple. [Line interpolated later: They are sent by parcel delivery].

Pp.[VII][158], 4to, 1/4 lea, green boards, spine rubbed, contents good. Scarce. Ownership signature front free endpaper. John Carter | August 28, 1972. in red ink and with corrective annotations by Carter of the three page Preface , also in red ink. WITH related enclosed ALS, TLS, four pamphlets, and a brochure. A. Autograph Letter Signed Takata Takeuchi, author of the above, 2pp., 4to, to John Carter, 27 May 1972, asking after Carter's health, and explaining the delay in responding to Carter's letters.

Novelist. One page manuscript, c.6 x 8, presumably from Miss Mitford's letter book (numbered p.247), poor condition but the text is clear apart from two or three words. The page comprises the conclusion of one draft letter with her full signature, all with a line through, and the first fourteen lines of a draft letter to Sir William Elford, banker, politician, and amateur artist, 1 Dec. 1810, thanking him for his flattering comments and obviously responding to his idea that her poetry has caused illness in him.

See his entry in the Oxford DNB. On one side of 9 x 6 cm piece section from a letter and laid down on slightly larger and thicker piece of paper. In good condition, lightly aged. Reads: '[...] / to subscribe myself / Your faithful Servant / W. Harrison Ainsworth. / Kensal Manor House, / Harrow Road. / March Four. 1843.' See IMage

The subject of this article is discussed by William M. Johnston, in his article ‘William Kinglake’s “A Summer in Russia”: A Neglected Memoir of Saint Petersburgh in 1845’ (TSLL, Spring 1967). The memoir was published anonymously by Ainsworth in the New Monthly Magazine, of which he was editor and proprietor, in three parts, but a German translation in the same year revealed Kinglake’s identity. See the entries for Ainsworth and Kinglake in the Oxford DNB. An interesting letter, casting light on Victorian journalistic practices. 4pp, 12mo. Forty lines of text. On a bifolium.

See his entry in the Oxford DNB. From the papers of Philip Dosse, proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018; and Michael Barber, 'What was Books and Bookmen?', Literary Review blog, 18 August 2023. On one side of a 14 x 10 cm compliments slip in red ink, which has 'Sir JOHN BETJEMAN' at top left, and 'With Compliments' centred.

See his entry, and those of Clarendon and Lister, in the Oxford DNB. From the papers of the Earl’s sister Lady Theresa Lewis (1803-1865), who was married to Lister. (See their entries in the Oxford DNB.) 1p, 12mo. Cochrane’s note is on the recto of the first leaf of a bifolium, with the list of books on the recto of the second. In good condition, lightly aged. Addressed to ‘Rt Hon The Earl of Clarendon’. Adopting a diplomatic approach, Cochrane writes: ‘My Lord, / Annexed is a list of the books had from the Library by Mr Lister, which have not been returned.

See his entry in the Oxford DNB. On one side of a 9 x 12.5 cm piece of paper: formerly the first leaf of a bifolium card, the second leaf, which carried the actual book token, having been detached by perforation. In good condition, lightly aged, but with traces of mount at the corners of the reverse, which carries a colour reproduction of a painting by Leonard Richmond. The page with the inscription is a printed form, and Masefield has written 'For Grace.' and 'John Masefield. / August the 31st. 1956.' See Image.