Literature

Sentiment Thanks for your good wishes | Sincerely yours | Oscar Slater | 23/4.27. Image (= portrait) appears to be a drawing extracted from a newspaper or periodical. Backing paper, 8 x 11.5, portrait and text (slightly overflowing) on laid down pink paper, c.9.5 x 6cm. SEE IMAGE. Note: a. Oscar Joseph Slater (8 January 1872 – 31 January 1948) was the victim of a notorious miscarriage of justice in Scotland.

Apparently an earlier version of the concluding part of Chetwynd’s dystopian first book, ‘The Copper Cow’, published in London by Anthony Blond in 1962 which gives a surrealistic description of a Britain of the near future. Duplicated typescript, double-spaced and printed on rectos of leaves only, all attached with metal stud. Paginated 115-210, preceded by title page and section title. In good condition, lightly aged. With deletions and manuscript corrections duplicated, but no actual manuscript emendations.

Although there is no clear connection, the present unpublished poem dates from around the same time as Edward Lear was drawing watercolours in the place referred to in it. Vidya Dehejia’s‘Impossible Picturesqueness / Edward Lear’s Indian Watercolours, 1873-1875’ (1989) describes how Lear visited ‘The two small hill-stations of Matheran and Mahabaleshwar near Bombay’. Of the former Lear wrote: ‘Matheran by the bye, has most probably been the original Eden - I don’t mean the first Lord Auckland, - but Paradise -’.

Holograph of sixteen-line poem in four four-line stanzas, headed ‘Il tramonto’ and signed at bottom right ‘Andrea Maffei’. 1p, 16mo. Text entirely clear and complete, on discoloured laid paper with chipping and slight loss at right-hand margin. Begins: ‘Amo l’ova del girono che muore / Quando il sole già stanco declina,’. No variations from the version printed in the 1864 Florence edition of Maffei’s works, apart from ‘Una età’ beginning l.6 here, as opposed to ‘Un' età’ there.

See his entry and Chantrey's in the Oxford DNB. On one side of a trimmed-down piece of paper, roughly 11 cm square. Discoloured, and with damage to the corners (affecting one word at top right) from removal from mount. With postage folds, and evidence on otherwise-blank reverse that Cunningham was re-using an envelope: part of address in another hand to 'Mrs Pa[...]'. Reads: 'Mr. Allan Cunninghams respects to Mr. Tindal and begs to inform him that Sir Francis Chantrey is at Holkham at present and will not likely be back till after Christmas: should he come sooner Mr A. C.

Two pages, oblong 12mo, pencil markings, grubby in parts, text clear and complete.Down with a touch of Influenza, busy with letters & work, I'd no time to answer you. I hadn't time to think of any article. I've written Peace messages to Moscow, New Yor, Paris, Plymouth & Melbourne; so, you see, I've not been standing idle in the market place. | I was very, very sorry to hear of your father's (Bob) death. All in all, he was a grand generous lad. Too fond of Ulster, maybe, but none the worse of that same. | My sympathy to you, dear lass.

See his entry in the Oxford DNB. On the front cover of a 12 x 7 cm envelope, from which the seal has been torn away on the reverse. Otherwise in very good condition. A pleasing piece of calligraphy, with the word ‘Private’ centred and underlined at the head, and the address to ‘The Honble. Spencer Ponsonby. / Foreign Office’ across the central band, with the signature at bottom left: ‘Alaric Watts.’ See Image.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

The Pippets of Solihull were a Roman Catholic family that worked closely on ecclesiastical designs with the Gothic Revival firm Hardman & Co (whose archives are held by the Birmingham Museum and Art Gallery). Wilfrid also collaborated with J. B. Trinick on the striking illustrations to A. E. Waite’s rosicrucian ‘Album of the Great Symbols of the Paths’ (1917-21; copy in the British Museum Department of Prints and Drawings). Eleven attractive illustrations in black ink (over pencil draft).

From the papers of Sarah Emmeline Hamilton, whose extensive collection of letters from her lover the poet Patric Hamilton is offered separately. Sail is a widely-respected poet. He has presented the BBC Radio 3 programme 'Poetry Now' and 'Time for Verse' on BBC Radio 4.

One page, 12mo, bifolium (separating), some staining not obscuring text, text clear and complete. I have just received a box of woodcocks from my friend Coll. Levinge from Knockdrin Castle - And I beg your acceptance of a couple. [Line interpolated later: They are sent by parcel delivery].

Pp.[VII][158], 4to, 1/4 lea, green boards, spine rubbed, contents good. Scarce. Ownership signature front free endpaper. John Carter | August 28, 1972. in red ink and with corrective annotations by Carter of the three page Preface , also in red ink. WITH related enclosed ALS, TLS, four pamphlets, and a brochure. A. Autograph Letter Signed Takata Takeuchi, author of the above, 2pp., 4to, to John Carter, 27 May 1972, asking after Carter's health, and explaining the delay in responding to Carter's letters.

Novelist. One page manuscript, c.6 x 8, presumably from Miss Mitford's letter book (numbered p.247), poor condition but the text is clear apart from two or three words. The page comprises the conclusion of one draft letter with her full signature, all with a line through, and the first fourteen lines of a draft letter to Sir William Elford, banker, politician, and amateur artist, 1 Dec. 1810, thanking him for his flattering comments and obviously responding to his idea that her poetry has caused illness in him.

See his entry in the Oxford DNB. On one side of 9 x 6 cm piece section from a letter and laid down on slightly larger and thicker piece of paper. In good condition, lightly aged. Reads: '[...] / to subscribe myself / Your faithful Servant / W. Harrison Ainsworth. / Kensal Manor House, / Harrow Road. / March Four. 1843.' See IMage

The subject of this article is discussed by William M. Johnston, in his article ‘William Kinglake’s “A Summer in Russia”: A Neglected Memoir of Saint Petersburgh in 1845’ (TSLL, Spring 1967). The memoir was published anonymously by Ainsworth in the New Monthly Magazine, of which he was editor and proprietor, in three parts, but a German translation in the same year revealed Kinglake’s identity. See the entries for Ainsworth and Kinglake in the Oxford DNB. An interesting letter, casting light on Victorian journalistic practices. 4pp, 12mo. Forty lines of text. On a bifolium.

See his entry in the Oxford DNB. From the papers of Philip Dosse, proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018; and Michael Barber, 'What was Books and Bookmen?', Literary Review blog, 18 August 2023. On one side of a 14 x 10 cm compliments slip in red ink, which has 'Sir JOHN BETJEMAN' at top left, and 'With Compliments' centred.

See his entry, and those of Clarendon and Lister, in the Oxford DNB. From the papers of the Earl’s sister Lady Theresa Lewis (1803-1865), who was married to Lister. (See their entries in the Oxford DNB.) 1p, 12mo. Cochrane’s note is on the recto of the first leaf of a bifolium, with the list of books on the recto of the second. In good condition, lightly aged. Addressed to ‘Rt Hon The Earl of Clarendon’. Adopting a diplomatic approach, Cochrane writes: ‘My Lord, / Annexed is a list of the books had from the Library by Mr Lister, which have not been returned.

See his entry in the Oxford DNB. On one side of a 9 x 12.5 cm piece of paper: formerly the first leaf of a bifolium card, the second leaf, which carried the actual book token, having been detached by perforation. In good condition, lightly aged, but with traces of mount at the corners of the reverse, which carries a colour reproduction of a painting by Leonard Richmond. The page with the inscription is a printed form, and Masefield has written 'For Grace.' and 'John Masefield. / August the 31st. 1956.' See Image.

Talfourd’s entry in the Oxford DNB notes that he was ‘particularly loved’ by Dickens, and that he ‘provided the archetype of the idealistic Tommy Traddles in David Copperfield; his children Frank and Kate gave their names to two youngsters in Dickens's Nicholas Nickleby.’ The subject of the letter is the actor Henry Thomas Betty (1819-1897), son of ‘the young Roscius’ Henry Betty (1791-1874), whose entry in the ODNB also see. 1p, 4to. In good condition, lightly aged, and with slight traces of mount on reverse. Folded for postage. Begins: ‘My dear Sir, / Mr.

As John Cannon writes in Francis’s entry in the Oxford DNB, ‘The authorship of the Junius letters has been the subject of innumerable publications of various merit’, with the case for Francis, first proposed by John Taylor in 1816, ‘far the most probable’. The present item is of double interest: handwriting analysis has played a significant part in a number of publications, e.g. ‘The handwriting of Junius professionally investigated by Charles Chabot, expert; with preface and collateral evidence, by the Hon. Edward Twisleton’ (London, 1871).

See his entry in the Oxford DNB, with that of the recipient Lady [Maria] Theresa Lewis (1803-1865), who lived in Kent House in Knightsbridge with her second husband Sir George Cornewall Lewis (1806-1863), Bart, Liberal Chancellor of the Exchequer, her first husband having been the novelist Thomas Henry Lister (1800-1842). The three items are in good condition, lightly aged. Written in a difficult hand. ONE (13 June 1850, ‘Rolls House’): AL in the third person. 1p, 12mo. ‘Sir F.

See his entry in the Oxford DNB. The recipient is not named, but the item is from the papers of the author Lady Theresa Lewis (1803-1865), successively wife of the novelist Thomas Henry Lister (1800-1842) and the Liberal politician Sir George Cornewall Lewis (1806-1863), all with entries in the Oxford DNB. 1p, 12mo. In good condition, lightly aged and folded for postage. Reads: ‘Many, many thanks for thinking of me! When I came to myself in the morning, I remembered something of a kind proposition you had made to me & resolved to call & learn more about it. / Monday the 9th.

The recipient Lady Theresa Lewis (1803-1865) was successively wife of the novelist Thomas Henry Lister (1800-1842) and the Liberal politician Sir George Cornewall Lewis (1806-1863), all of whom have entries in the Oxford DNB. The present item is an 11.5 x 8 cm panel of light-brown paper from the front cover of an envelope. Part of a large Boston postmark is at the left, with a manuscript ‘2’ written over a few letters of the address. All in Ticknor’s hand, it reads: ‘Lady Teresa Lewis / South Place, / Knightsbridge / London, SW.’, with the signature ‘Geo: Ticknor’ at bottom left.

See her entry, with those of the recipient, her husband, stepdaughter and the other members of the Knox family, in the Oxford DNB. The material is in good condition, lightly aged. All three items addressed to 'My dear Wilfred' and signed 'Mary'. ONE (18 March [1945]): 2pp, 12mo. Begins: 'I am afraid we are allowing Mrs. W. to stay on at the Cottage during the School Easter Vacation, because it seems rather difficult to turn her out at this time of year in view of the weather & the fact that she obviously has Mrs. Moses on her side'.

See the description of Caine’s political views in his entry in the Oxford DNB. He began as a communist, but became a Christian Socialist, and a supporter of the Liberal Party on the mainland of Britain (he was a member of the Isle of Man House of Keys from 1901 to 1908) and a follower of the Church of England. The present item would appear to relate to the ‘impassioned propaganda’ that Caine published in the Daily Telegraph from September 1914 (ODNB). It is 1p, 4to.

See her entry in the Oxford DNB. Neatly written out on a 6 x 11 cm piece of paper, laid down on a slighty larger piece of card. In good condition, lightly aged. Reads: 'Frances Trollope / Carlton [sic] Hill / 3d Feby 1843'. Mrs Trollope had the house named Carleton Hill built in 1840, just outside the village of Carleton. The cold climate proved unbearable, and she sold the residence in the year of this autograph. See Image.

Curious items. Yale has the originals of these pages, in an ‘Album, formerly owned by John Murray, containing items either by Pope or related to him, 1717-1855’, described as ‘original proof of two pages from Pope's Epistles, pages 69 and 70, with the author's corrections’. Each of the present items is printed on a 28.5 x 37.5 cm leaf of wove paper. A previous owner(lord Houghton in fact) thought highly-enough of them to include them in an album, as a profession white stub adheres neatly at the left of each.

See the two men’s entries in the Oxford DNB. The present item, is on one side of an 11 x 6.5 cm slip of paper, cut from a letter and laid down on a 12.5 x 8 cm piece of card. In good condition, lightly aged. Very slightly smudged by Leech. Reads: ‘[...] very low. until I see / you Believe me / Yours Ever Faithfully / John Leech. / Martin . F. Tupper Esq / &c. &c. &c.’ See Image. Leech illustrated at least one book by Tupper (The Crock of Gold).

Slip of paper, 11 x 4.5cm, foxing and smudging but text legible. See Image. Text given above. Perhaps it accompanied a text dedicated to Bolingbroke. For example, 'An Essay on Man' is a poem published by Alexander Pope in 1733–1734. It was dedicated to Henry St John, 1st Viscount Bolingbroke.