EDWARDIAN

[Dominican and Franciscan Friars in England during the reign of Henry III.] Unpublished historical study in typescript, titled 'The Friars in England. An Essay'.

Author: 
Elizabeth E. Smith, B.A. [Dominican and Franciscan Friars in England during the reign of Henry III.]
Publication details: 
Birmingham, 1908.
£320.00

Title-page: 'The Friars in England. | An Essay | by | Elizabeth E. Smith, B.A. | Birmingham – 1908.' Duplicated typescript, printed on versos only. [1] + x + [1] + 209pp, 4to. With hand-drawn plans on two leaves at rear (the first, 'Site of the Blackfriars of Leicester'; the second, 'Carmelite Friary at Hulne' and 'Dominican Friary at Norwich'. In half binding of black leather spine and corners, with purple cloth boards, title in gilt on front cover, floral printed endpapers. Tightly copy, in good condition, on lightly aged paper, in lightly worn binding with slight discoloration to cloth.

[Abbotsholme School, Derbyshire, progressive school founded by Scottish educationalist Cecil Reddie.] Eleven items of printed ephemera, including illustrated booklets including 'Abbotsholme an Educational Laboratory', prospectuses, advertisements, re

Author: 
Abbotsholme School, Derbyshire, progressive school founded by Scottish educationalist Cecil Reddie (1858-1932)
Publication details: 
[Abbotsholme School, Derbyshire.] Between around 1910 and 1933.
£220.00

The collection is in good condition, with light signs of age and wear, and two items (noted below) with punch holes. ONE: Large illustrated advertising booklet in brown card wraps. Printed on cover in gold: 'Public-school education to meet present-day requirements: At Abbotsholme School, Derbyshire.' Undated (circa 1910). Landscape 8vo, 30pp. One punch-hole through all the pages. Cover also has large printing in black of school badge. Written in a serious tone and profusely illustrated with photographs of school scenes.

[Chiswick Press, London.] Small printed pamphlet: 'A List of Typographical and Bibliographical Works by Chas. T. Jacobi | Managing Partner of the Chiswick Press'.

Author: 
'Chas. T. Jacobi, Managing Partner of the Chiswick Press' [Charles Whittingham and Co., London publishers and printers]
Publication details: 
London: At the Chiswick Press | Tooks Court, Chancery Lane'. [Colophon: 'Chiswick Press: Charles Whittingham and Co. Tooks Court, Chancery Lane, London.'] No date [1909].
£120.00

[16]pp, 16mo (11.5 x 7.5 cm). Stitched unpaginated pamphlet, tastefully printed with decorative headpiece to title, and the Press's celebrated device to the colophon. A frail survival, aged, worn and spotted, with one corner of last leaf dogeared. At foot of title-page: 'Any volume will be sent on receipt of Postal Order in advance.' Following the title-page are two pages with a history of 'The Chiswick Press. | Founded 1789.' Then a full-page advertisement for 'A Practical Treatise on the Art of Typography', with a full page containing 'Some Press Opinions'.

[Lillah McCarthy [Lady Keeble], actress.] Typescript, with a few autograph emendations, of commencement of a radio talk [given in Argentina?], telling stories about George Moore and George Bernard Shaw from her autobiography 'Myself and My Friends'.

Author: 
Lillah McCarthy [Lady Keeble] (1875-1960), actress associated with Bernard Shaw and her husband Harley Granville-Barker [Leslie Mead, Director, Argentine Association of British Culture, Buenos Aires]
Publication details: 
[After the publication of her autobiography in 1933. Argentina?]
£80.00

Carbon typescript. 4pp, 4to. Paginated 1-4. In fair condition, aged and worn, with chipping to edges. The text concerns George Moore and Bernard Shaw, but the introduction suggests that this is the start of a longer piece: 'I will give Mr. Mead, who has done such fine work and who has been so energetic in developing the work of the Associacion de Cultura Inglesa, the full particulars of the E. V. S. A., [i.e. English Verse Speaking Association] and I hope that you will all become Members.' | Mr.

[Harley Granville-Barker.] Copy of 'Shakespeare's Comedy of Twelfth Night An Acting Edition With a Producer's Preface by Granville Barker', with stage directions and deletions for the production in autograph of stage manager A. E. Drinkwater.

Author: 
Albert Edwin Drinkwater (1851-1923), actor, father of poet John Drinkwater, stage manager and company manager for Harley Granville-Barker (1877-1946), actor, dramatist; his wife Lillah McCarthy
Publication details: 
London: William Heinemann, 1912.
£500.00

A frail artefact of one of the most innovative and influential of Granville Barker's Shakespeare productions, from the papers of Barker's wife Lillah McCarthy, who played Viola in it. For the writer of the directions see E. Salmon, 'Granville-Barker: A Secret Life' (1984), which states: 'A. E. Drinkwater was for several years Barker's stage manager and company manager at the Little Theatre and the Kingsway'. (The present item indicates that Drinkwater's work for Barker was not limited to these two theatres.) xi + 96pp, 12mo. With plates of costume designs by Norman Wilkinson.

'Decima Moore' [Lilian Decima, Lady Moore-Guggisberg], soprano singer and actress with the D'Oyly Carte Opera Company, suffragist.] Autograph Letter Signed ('Decima Moore') to 'Mrs. Horton', regretting that she cannot provide an introduction.

Author: 
'Decima Moore' [Lilian Decima, Lady Moore-Guggisberg] (1871-1964), soprano singer and actress with the D'Oyly Carte Opera Company, suffragist [Gilbert and Sullivan]
Publication details: 
Undated; on letterhead of the Prince of Wales Theatre, Coventry Street [London].
£80.00

2pp, 12mo. Bifolium. Aged and grubby; folded several times. Reads: 'I am sorry to say I do not know Mr Alexander or would have been very pleased to give your friend an introduction to him. | Hoping you are well – with kind regards. | Yours sincerely | Decima Moore'.

[Percy Anderson, D'Oyly Carte stage designer.] Four Autograph Letters Signed to theatrical wigmaker William Berry Clarkson, praising the work he has done on his behalf, in connection with several productions.

Author: 
Percy Anderson (1851-1928), stage designer and painter with D'Oyly Carte Opera Company and Sir Herbert Beerbohm Tree [William Berry Clarkson (1861-1934), theatrical wigmaker; Gilbert and Sullivan]
Publication details: 
12 March 1912, 31 December [1912], and the other two without year; all on letterheads of 55 York Terrace, Regent's Park, N.W.
£450.00

Total of 7pp, 12mo. All in good condition, lightly aged and worn. Each folded once. All signed 'Percy Anderson'. ONE: 12 March 1912. Begins: 'Your properties are quite splendid.' He thanks Clarkson and his assistant for the trouble they have taken 'over the “M[?]”'. Ends: 'I thought everything as good as it cd be – I refer to yr work of course'. TWO: 31 December [1912]. He thanks him for his 'delightful' card, and for 'yr. good wishes & for the tickets you so kindly send me for The Miracle.

[Katharine Tynan, Irish poet and novelist.] Autograph Signature ('Katharine Tynan Hinkson') on valediction to letter to 'Robert Browne Esq.'

Author: 
Katharine Tynan [latterly Katharine Tynan Hinkson] (1859-1931) – 2 April 1931), Irish poet and novelist
Publication details: 
No place or date.
£25.00

On one side of 4.5 x 10.5 cm piece of paper, cut from end of letter for autograph hunter. In good condition, lightly aged. Reads: 'Believe me, dear Mr Browne | Yours very sincerely | Katharine Tynan Hinkson | Robert Browne Esq.'

[Percy Anderson, painter and D'Oyly Carte stage designer.] Autograph Letter Signed to Cecil H. Broadhurst, regarding the 'tremendously fantastic' dresses he has designed for Sir Herbert Beerbohm Tree's production of 'Joan of Arc'.

Author: 
Percy Anderson (1851-1928), painter and stage designer with the D'Oyly Carte Opera Company and Sir Herbert Beerbohm Tree [Cecil Herbert Broadhurst (1866-1934); Gilbert and Sullivan]
Publication details: 
6 October 1913; on letterhead of 55 York Terrace, Regent's Park, N.W.
£120.00

2pp, 12mo; and 1p, 8vo. On a bifolium, with the 8vo page written lengthwise across the central pages. In good condition, lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night, and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter.

[Flinders Petrie [Sir William Matthew Flinders Petrie], celebrated Egyptologist and archaeologist.] Autograph Signature ('W. M. Flinders Petrie.') on back of the calling card of Rev. William A. Wilson of Coleraine.

Author: 
Flinders Petrie [Sir William Matthew Flinders Petrie] (1853-1942), celebrated Egyptologist and archaeologist [Rev William Andrew Wilson, minister of New Row Presbyterian Church, Coleraine]
Publication details: 
[No date or place.]
£25.00

The calling card is 3.5 x 7.5 cm, and only carries Wilson's name in copperplate: 'Rev. William A. Wilson'. On the reverse, at the head, is Petrie's signature, good and firm, with its characteristically-large 'P': 'W. M. Flinders Petrie.' In good condition, lightly aged, with the printed side of the calling card carrying two small rust stains, but the side with Petrie's signature markedly cleaner.

[Auguste van Biene ('The Actor Musician'), Dutch composer and D'Oyly Carte musical director.] Two Autograph Letters Signed to 'Mr Lacy', i.e. Frank Lacy Stocken, regarding terms for an part. With ANS by Stocken noting it as first appearance on stage.

Author: 
Auguste van Biene (1849-1913), English-based Dutch composer, cellist and actor, musical director with the D'Oyly Carte [Frank Lacey [Frank Lacy Stocken] (1867-1937), actor]
Publication details: 
ONE: 8 November 1900; from Man and Saddle Hotel, Dewsbury, on his elaborate letterhead as 'The Actor Musician'. TWO: 12 November 1900; on letterhead of the Royal Victoria Station Hotel, Great Central Railway, Sheffield.
£35.00

Both in fair condition, aged and worn. Both signed 'Auguste Van [sic] Biene'. ONE: 8 November 1900. 2pp, 4to. The letterhead is printed in red by David Allen & Sons, Ltd., London, Harrow, &c.', headed 'M. Auguste van Biene | (The Actor Musician) in | “The . Broken . Melody” | (Now approaching its 3,000th Performance.', and details of the first, thousandth and two thousandth performances printed in the left-hand margin.

[Yvonne Arnaud, French actress and musician.] Autograph Letter Signed, in English, at the time of her first triumph ('Suzanne' in 'The Girl in the Taxi'), to a 'Cher Monsieur', regarding having her picture taken by 'Mess. Foulsham and Banfield'.

Author: 
Yvonne Arnaud (1890-1958), French actress and musician who settled in London [Lyric Theatre; Foulsham & Banfield, London photographers]
Publication details: 
'11th. 7bre. [11 September] 1912. Lyric [i.e. The Lyric Theatre, Shaftesbury Avenue, London].
£45.00

2pp, 16mo. Bifolium. In good condition, lightly aged. At the time of writing Arnaud was delighting audiences at the Lyric in her first leading role, that of 'Suzanne' in the musical 'The Girl in the Taxi'. Good firm signature. She writes: 'Cher Monsieur | Thanks [sic] you very much for your nice letter. Certainly I will go to Mess. Foulsham and Banfield for a picture, perhaps next week, and then, when they will be ready I give you one with great pleasure. | Mes bien sincères salutations.

[Ruby Miller, actress, one of George Edwardes' 'Gaiety Girls'.] Autograph Letter Signed ('Ruby') to 'Popie, darling', i.e. W. J. MacQueen-Pope, reminiscing about Gertie Millar and Gabrielle Ray, before the Gaiety Theatre is pulled down by 'vandals'.

Author: 
Ruby Miller [Ruby Laura Rose Miller] (1889-1976), actress, one of George Edwardes' 'Gaiety Girls' [W. J. MacQueen-Pope (1888-1960), theatre historian; Gertie Millar; Gabrielle Ray]
Publication details: 
10 Harvard Court, Honeybourne Road, Hampstead, N.W.6. 20 August 1956.
£35.00

2pp, 12mo. On grey paper with deckled edges and her 'RUBY MILLER' letterhead in green. She writes her telephone number at head, and beneath this, in another hand: 'Keep for me'. In fair condition, lightly aged and creased, with light marking from paperclip at head. Folded once. She was 'weeping at the end' of his 'lovely article in the “Evening News”': 'How sweet of you to mention me!

[Sir William Birdwood, Field Marshal and Commander in Chief, India.] Autograph Letter Signed ('W. R. Birdwood.'), thanking a 'dear Old Colonel' and 'old Sandhurst Instructor' for congratulations, discussing his career, praising 'real good comrades'.

Author: 
Sir William Birdwood [William Riddell Birdwood] (1865-1951), Field Marshal in the British Army and Commander in Chief, India]
Publication details: 
On letterhead of Thurlby Hall, Newark-on-Trent. 7 June 1925.
£75.00

2pp, 4to. Aged and worn. Possibly relating to Birdwood's elevation, in January 1923, to Knight Grand Cross of the Order of the Bath. The letter begins: 'My dear Old Colonel, | I have only today received your kind congratulations – via India!' He thanks him, adding that he appreciates his best wishes 'very much indeed, coming as they do from my old Sandhurst Instructor & therefore are of my very oldest service friends'.

[Edgar Jepson, popular novelist; .] Autograph Letter Signed ('Edgar Jepson'), replying to a fan letter from 'Miss Gowing' [novelist Barbara Kaye] by suggesting that they meet to prevent him from injuring his constitution by 'industrious excess'

Author: 
Edgar Jepson [Edgar Alfred Jepson, pseudonym 'R. Edison Page'] (1863-1938), popular author of adventure, detective, supernatural and fantasy fiction [Barbara Kaye [Barbara Kenrick Gowing] (1908-1998)]
Publication details: 
120 Adelaide Road, Chalk Farm, London NW3. 8 July 1920.
£120.00

2pp, 12mo. In fair condition, on aged and worn paper. Folded once.

[Cecil Aldin, artist of hunting scenes, animals and rural life.] Autograph Note Signed ('Cecil Aldin'), sending 'p o – o & stamps' in settlement of an account.

Author: 
Cecil Aldin [Cecil Charles Windsor Aldin] (1870-1935), artist and illustrator of animals, hunting scenes and rural life
Publication details: 
On letterhead of 47 Priory Road, Bedford Park, W. [London] No date.
£60.00

1p, 12mo. In good condition, lightly aged. The slightest loss to margin at one edge. Good bold signature. Reads: 'Dear Sir | Enclosed please find p. o – o [i.e. postal order?] & stamps in settlement of enclosed | Yrs faithfully | Cecil Aldin'.

[Elie Halevy, French historian.] Autograph Letter Signed ('Elie Halévy'), in English, responding to 'objections' of 'professor Davis', giving his assessment of 'the Edwardian years', and contrasting his 'spirit' with that of Lytton Strachey.

Author: 
Élie Halévy [Elie Halevy] (1870-1937), French historian, author of an influential history of nineteenth-century Britain
Publication details: 
On letterhead of La Maison Blanche, Sucy-en-Brie; 13 November 1927.
£220.00

8pp, 12mo. On two attached bifoliums. In good condition, lightly aged, with slight damage to margin of first leaf. Folded once. A long letter, closely and neatly written in English, responding to 'objections' to his 'Épilogue 1. Les impérialistes au pouvoir: 1895-1914' (1926), giving his evaluation of 'the Edwardian years' in English history, and contrasting his 'spirit' in the study Victorian England with that of Lytton Strachey.

[Sir John Hare, actor-manager, to Willy Clarkson, theatrical wigmaker and homosexual blackmailer.] Autograph Letter Signed ('John Hare'), giving instructions on a wig 'of great importance', required for an American tour.

Author: 
Sir John Hare (1844-1921), actor and manager of the Garrick Theatre, London [Willy Clarkson [William Berry Clarkson (1861-1934), theatrical wigmaker and costume designer, homosexual blackmailer]
Publication details: 
On letterhead of 'Mr. John Hare's Autumn Provincial Tour, 1900' (Birmingham, Liverpool, Manchester). 15 September 1900.
£80.00

2pp, 12mo. In good condition, lightly aged. The letter casts an interesting sidelight on the practicalities of the late-Victorian theatre. He begins by explaining that he is sending back a wig he made for him, which was 'an admirable one in every way', and asking that he make him 'one like it for America & to bestow your best skill on it as it is of great importance to me'. He instructs him to 'make the wig a shade darker, something of the color it is dyed behind, & put a little natural white hair on the temples each side'.

[Cosmo Hamilton and his 'Eugenic play'.] Autograph Letter Signed to J. L. Garvin, editor of the Pall Mall Gazette, regarding his play 'The Blindness of Virtue', with reference to eugenicist Caleb Saleeby.

Author: 
Cosmo Hamilton [born Henry Charles Hamilton Gibbs] (1870-1942), playwright and novelist [James Louis Garvin (1868-1947), editor of the Pall Mall Gazette; Caleb Saleeby (1878-1940); eugenics]
Publication details: 
On letterhead of Whiteleaf, Princes Risborough, Buckinghamshire. 'Monday' [1914]
£45.00

2pp, 12mo. In fair condition, aged and worn. Folded twice. The letter begins: 'When my Eugenic play “The Blindness of Virtue” was first produced at the Little Theatre two years ago [i.e. in 1912] (about which Dr Saleeby [i.e. eugenicist Caleb Saleeby (1878-1940)] wrote very kindly & in great agreement in the P. M. G) you were kind enough to send a member of your staff to see me for a talk.' He explains that since that time he has had the play 'in the United States & Canada where it is still running & I have many more things to say about it & those places'.

[Sir James Jenkins, Inspector-General of Hospitals and Fleets.] Autograph Letter Signed ('Jas Jenkins') to J. A. Smith, regretting that he will not be able to join his party.

Author: 
Sir James Jenkins (1818-1912), Inspector-General of Hospitals and Fleets, Hon. Surgeon to King Edward VII
Publication details: 
On letterhead of 'London, E.C.' 19 July 1872.
£35.00

Jenkins's impressive list of appointments is in Who Was Who, and includes service 'in charge of Naval Brigade before Sebastopol, 1854-1855 (medal with clasp, Turkish medal, and Legion of Honour); Staff-Surgeon of hospital ships “Belleisle” and “Simoon” in China, 1857-61 (medal with two clasps)'. 2pp, 12mo. Bifolium, with the leaves separated, and reattached with small paper labels. Otherwise in fair condition, aged, and with wear along one edge. He regrets that his business engagements 'will not allow of my joining your party tomorrow'.

[Annie Besant, author, socialist and campaigner for women's rights.] Autograph Letter Signed ('Annie Besant'), declining to speak in Belfast as 'the town is so bigoted'.

Author: 
Annie Besant [née Wood] (1847-1933), author, socialist, theosophist and campaigner for women's rights
Publication details: 
On her letterhead ('Memo. from Annie Besant'), 19 Avenue Road, St John's Wood, London NW; 4 September 1890.
£220.00

1p, 12mo. In good condition. Folded once. Letterhead in red, with fancy lettering, particularly Besant's name. Reads: 'Dear Sir, | I cannot travel all the way to Belfast to speak in a small room. I am sorry the town is so bigoted, but it can't be helped. | Sincerely | Annie Besant'. From the papers of the family of the Ulster poet R. N. D. Wilson [Robert Noble Denison Wilson] (1899-1953).

[John Drinkwater and Samuel Pepys.] Two Typed Letters Signed (both 'John Drinkwater') to Edwin Chappell, responding with asperity to his criticism of Pepys House in Brampton. With Autograph Draft Copy of a reply by Chappell.

Author: 
John Drinkwater (1882-1937), poet and dramatist [Edwin Chappell (1883-1938), Pepys scholar and maritime historian; Samuel Pepys]
Publication details: 
Letter One: Pepys House, Brampton, Huntingdon; 31 May 1933. Letter Two: on letterhead of 9 The Grove, Highgate Village, London; 17 June 1933. Chappell's draft reply: on letterhead of 41 Westcombe Park Rd, Blackheath [London]; 21 June 1933.
£180.00

Pepys's house at Brampton is the subject of an article by Chris Partridge in the Observer, 30 May 2004, which states that 'The first earl, Edward Montagu, was Pepys's cousin and patron, giving him the political clout to further his career in the Navy Office. In 1927 the then earl gave the Pepys House Trust a 100-year lease at a peppercorn rent, and it has been open to the public ever since. All three items in good condition, lightly aged. Drinkwater's second letter and Chappell's draft reply pinned to one another. ONE: Drinkwater to Chappell, 31 May 1933. TLS. 2pp, 4to.

[Robert Bridges, Poet Laureate.] Autograph Letter Signed ('Robert Bridges') to the Ulster poet R. N. D. Wilson, discussing the origins of the name of his home 'Chilswell', in the 'Childsworth Farm' of Matthew Arnold's poem 'Thyrsis'.

Author: 
Robert Bridges [Robert Seymour Bridges] (1844-1930), Poet Laureate [R. N. D. Wilson [Robert Noble Denison Wilson] (1899-1953), Ulster poet]
Publication details: 
Chilswell, Oxford; 29 March 1928.
£100.00

3pp, 12mo. Bifolium. In fair condition, lightly aged and a little grubby. Folded once. Twenty-seven lines of text. Written in a far more ragged style than Bridges's usual calligraphic hand, perhaps suggesting undermined health. Wilson is 'at liberty to quote the verses of mine that you ask for – I take it as a complement [sic]' He thanks him for 'the kind gift of your book, wh I have not had time to read'. Noting that Wilson is 'interested in sacred wells', he states that 'our “Chilswell” is probably not a well.

[Keir Hardie, first parliamentary leader of the Independent Labour Party.] Autograph Card Signed ('J Keir Hardie') to Robert Millar of Belfast, rearranging a meeting as he has to be 'fresh for all contingencies' at the opening of parliament.

Author: 
Keir Hardie [James Keir Hardie] (1856-1915), first parliamentary leader of the Independent Labour Party, 1906-1908, Scottish trade unionist and politician
Publication details: 
No place or date, but with Cumnock postmark, dated 12 January 1893.
£320.00

On one side of post card with printed stamp, addressed on other side to 'Robt Millar | 61 Victoria St | Belfast'. Aged and worn, with crease line close to one edge. Reads: 'Dear Sir, as Parliament opens on the 31st. and as it is imperative that I shd be there, fresh for all contingencies, I could not very well be with you on the 30th. Doubtless however a mutually suitable date can be arranged. A Friday wd suit me best. | faithfully | J Keir Hardie'.

[Edwardian paediatric dentistry.] Four pamphlets: Rev. J. O. Bevan, 'Dental Hygiene'; G. Cunningham, 'What the Dentist can do for the State'; C. Edward Wallis, 'The Care of Teeth in Public Elementary Schools'; British Dental Association, 'Memorandum'

Author: 
[Edwardian paediatric dentistry] Rev. J. O. Bevan; British Dental Association; G. Cunningham; C. Edward Wallis; London County Council; Board of Education
Publication details: 
All London, two by John Bale & Sons (one for British Dental Association), London1896, 1906, 1908 and undated.
£320.00

Four pamphlets. Three with red labels of the Board of Education Reference Library, London, and all four bearing its stamps and shelfmarks. All in good condition, lightly aged and worn. All now scarce. ONE: Rev. J. O. Bevan, M.A., F.S.A. - Dental Hygiene, Especially in Relation to Children and Schools. ('To be obtained from the author, 55, Gunterstone Road, West Kensington, London, W.' No date.) 8pp, 12mo. Stapled into grey printed wraps. No copy on OCLC WorldCat or on COPAC.

[Rafael Sabatini, Anglo-Italian popular novelist.] Autograph Letter Signed to 'Miss Greenwood', regarding a 'flagrant' cause for complaint, and the removal of his name from the 'author credits' of a film with an 'unutterable scenario'..

Author: 
Rafael Sabatini (1875-1950), Anglo-Italian author of romance and adventure novels
Publication details: 
On his letterhead, Clock Mill, Clifford, Hertfordshire. 23 July 1949.
£80.00

1p, 12mo. In good condition, on lightly-aged paper. Folded once. Signed 'Rafael Sabatini'. After thanking her for her letter of sympathy, he notes: 'In the past I have had plenty of cause for complaint, but nothing quite so flagrant.' He has been 'avenged by the Press, which described the unutterable scenario from which the film was made in terms similar to those which I employed when I requested that my name be removed from the “author credits”'. He ends with good wishes to her 'laudable enterprise'.

[Minnie Maddern Fiske, American actress.] Autograph Letter Signed, as Vice-President of the International Humane Association, to Edward G. Fairholme of the RSPCA, regarding an 'Anti-Bull-Fight' article by 'Senor de Toledo'.

Author: 
Minnie Maddern Fiske [born Marie Augusta Davey] (1865-1932), American actress noted for her roles in Ibsen plays [The International Humane Association, New York]
Publication details: 
From New Orleans, Louisiana, 25 November 1910. On letterhead of the International Humane Association, New York.
£80.00

1p, 4to. In fair condition, aged and worn, folded three times, with labels from mount on blank reverse. With RSPCA date stamp. Singular signature, with all three parts of Fiske's name running into one another, and the middle name elongated. Addressed to Fairholme at the RSPCA, London. 'I regret that the article by Senor de Toledo [i.e. J. Garcia de Toledo of Malaga, Honorary President of the IHA] d[i]d not reach me in time to make it possible for me to send it with our other Anti-Bull-Fight MSS, to the Humane Conference.

[Moral Education League of London (John Stuart Mackenzie, President).] Seventeen pieces of ephemera relating to the MEL, including pamphlets, leaflets, subscription forms, circular letters. With three related documents.

Author: 
Moral Education League of London, founded 1897 [John Stuart Mackenzie (1860-1935), Scottish philosopher; Alexander Farquharson (1864-1951); W. R. Macpherson]
Publication details: 
The Moral Education League, 6, York Buildings, Adelphi, London, W.C. Circa 1914.
£450.00

An interesting archive of material relating to a movement whose influence extended beyond the British Empire. In 1906 the MEL had induced the Board of Education to make provision for moral instruction in the education code for England and Wales, and two years later the first in a series of International Moral Education Congresses was held at the University of London, with Michael Sadler in the chair (the sixth and last would take place in Krakow, Poland, in 1934). The twenty items present here are in good condition, lightly aged and worn.

[Wilfrid Ball, artist and etcher.] Autograph Letter Signed ('Wilfrid Ball') to 'Mrs. Barnard', giving news of his work, including '"slogging" away at water-colours', and submitting 'an oil to the Academy' which 'they are sure to kick [...] out'.

Author: 
Wilfrid Ball [Wilfrid Williams Ball] (1853-1917), landscape and marine painter and etcher, President of the Society of British Artists
Publication details: 
On letterhead of 4 Albemarle Street, W. [London] 3 April 1894.
£120.00

2pp, 12mo. In good condition, lightly aged. He thanks her for remembering him and sending 'that splendid photograph of yourself – I really think it is the best I have seen'. He continues: 'I have been “slogging” away at water-colours for a shew in Manchester and so have kept pretty busy.' He is sending 'a Nile water colour to the New Gallery', and has sent 'an oil to the Academy – they are sure to kick it out so I shan't mind'. He hopes that she and her sister 'are all right' and 'enjoying this lovely weather'.

[Sir Claude Phillips, art historian.] 'Confidential' Autograph Letter Signed ('Claude Phillips') to the musicologist R. A. Streatfeild, asking, on behalf of 'poor Lady Elgar', what to do about 'the treatment of the two great oratorios'.

Author: 
Sir Claude Phillips (1846-1924), eminent Victorian art historian and art critic, first keeper of the Wallace Collection [Richard Alexander Streatfeild (1866-1919), musicologist; Sir Edward Elgar]
Publication details: 
On letterhead of 40 Ashburn Place, S.W. [London] 24 April [no year].
£60.00

He asks Streatfeild to advise him in a matter 'which speaks for itself'. He reports that 'poor Lady Elgar is greatly distressed – and not without reason – at the treatment of the two great oratorios'. Phillips does not 'quite see what is to be done in the way of protest', although he finds that the 'statement that they “fail with audiences &c” is certainly false in fact, [last three words underlined] and therefore almost libellous'. Phillips considers 'the rest […] a matter of opinion. Perhaps even more false and absurd is the statement, or opinion, that they appeal only to the intellect.

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