ART

[ Franklin White, Australian artist. ] 24 items from his papers, including drafts and copies of his letters to the feminist Thelma Cazalet-Keir and the artist Harold Copping, and an ALS to him from Louis McCubbin, National Gallery of South Australia.

Author: 
Franklin White (1892-1975), Australian artist, teacher at the Slade Art School, London; Harold Copping (1863-1932), artist;; Louis McCubbin (1890-1952), Director, National Gallery of South Australia ]
Publication details: 
Several of White's letters on letterheads of The Reedbeds, Shoreham, Nr. Sevenoaks, Kent. Between 1921 and 1968.
£950.00

Two years after arriving in England from Australia in 1913, Franklin White entered the Slade School. His studies were interrupted by the First World War, during which he worked as a draughtsman at the Admiralty. In 1919 he re-entered the Slade, and was soon invited by Tonks to join the teaching staff. On his retirement in 1957, he devoted his full energies to the Samuel Palmer School of Art, which he had run from his home in Shoreham since 1924, when he first held summer classes in landscape painting for his Slade students.

[Percy Anderson, painter and D'Oyly Carte stage designer.] Autograph Letter Signed to Cecil H. Broadhurst, regarding the 'tremendously fantastic' dresses he has designed for Sir Herbert Beerbohm Tree's production of 'Joan of Arc'.

Author: 
Percy Anderson (1851-1928), painter and stage designer with the D'Oyly Carte Opera Company and Sir Herbert Beerbohm Tree [Cecil Herbert Broadhurst (1866-1934); Gilbert and Sullivan]
Publication details: 
6 October 1913; on letterhead of 55 York Terrace, Regent's Park, N.W.
£120.00

2pp, 12mo; and 1p, 8vo. On a bifolium, with the 8vo page written lengthwise across the central pages. In good condition, lightly aged and worn. Folded twice. Signed 'Percy Anderson.' According to a pencil note Broadhurst was Beerbohm Tree's 'press agent'. He has received Broadhurst's letter late the same night, and begins by informing him that he cannot go to Covent Garden the following day as he will be with a sitter.

[Percy Anderson, D'Oyly Carte stage designer.] Four Autograph Letters Signed to theatrical wigmaker William Berry Clarkson, praising the work he has done on his behalf, in connection with several productions.

Author: 
Percy Anderson (1851-1928), stage designer and painter with D'Oyly Carte Opera Company and Sir Herbert Beerbohm Tree [William Berry Clarkson (1861-1934), theatrical wigmaker; Gilbert and Sullivan]
Publication details: 
12 March 1912, 31 December [1912], and the other two without year; all on letterheads of 55 York Terrace, Regent's Park, N.W.
£450.00

Total of 7pp, 12mo. All in good condition, lightly aged and worn. Each folded once. All signed 'Percy Anderson'. ONE: 12 March 1912. Begins: 'Your properties are quite splendid.' He thanks Clarkson and his assistant for the trouble they have taken 'over the “M[?]”'. Ends: 'I thought everything as good as it cd be – I refer to yr work of course'. TWO: 31 December [1912]. He thanks him for his 'delightful' card, and for 'yr. good wishes & for the tickets you so kindly send me for The Miracle.

[Henry Perlee Parker of Newcastle-upon-Tyne, artist.] Autograph Letter Signed ('H. P. Parker') to 'Mr Johnson' [E. A. Johnson], regarding his departure for Newcastle, the artist J. C. Zeitter, Emmerson, the Newcastle Exhibition.

Author: 
Henry Perlee Parker (1785-1873) of Newcastle-upon-Tyne, genre and portrait painter [E. A. Johnson of the Zoological Gardens, Regents Park, entomologist; John [Johann Christian] Zeitter (1798-1862)]
Publication details: 
'Sunday Evening | June 2nd –' [1833]. 27 Newcastle Street, Strand [London].
£120.00

3pp, 4to. Bifolium, addressed, with postmarks, on reverse of second leaf, 'to | Mr Johnson | Zoological Gardens | Regents Park | or Wellington Cottage | Wellington Place | Camden Town'. In good condition, lightly aged, with paper repairs last leaf. Folded several times.

[George Wyndham, 3rd Earl of Egremont, art collector.] Autograph Letter Signed ('Egremont') to Rev. J. Austen, explaining how he has lost £21000 owing to misrepresentation by Sir John Riddell, and discussing the state of the money market.

Author: 
Lord Egremont [George O'Brien Wyndham, 3rd Earl of Egremont] (1751-1837) of Petworth House, art collector and connoisseur, patron of J. M. W. Turner, agriculturalist, philanthropist [Rev. J. Austen]
Publication details: 
7 January 1828. Petworth.
£120.00

2pp, 4to. Bifolium. Franked in the usual manner 'Egremont', with postmark and broken seal in red wax, on reverse of second leaf, and addressed: 'Petworth Jany. Seventh 1828 | The Revd: J. Austen | Ockham | Ripley | Surrey'. An interesting letter, casting light on personal financial affairs in late-Georgian England. The letter has been forwarded by the recipient Austen to the individual who is clearly 'the Gentleman' referred to in it, addressed by Austen on the recto of the second leaf, with Ripley postmark, as 'John Smallpeice Esqr | Guildford'.

[William Buckler, painter and entomologist.] Autograph Letter Signed ('William Buckler') informing 'Miss C. Fox' that the girl model he intended for her has not arrived.

Author: 
William Buckler (1814-1884), painter and entomologist
Publication details: 
'Wednesday afternoon' [no place or date].
£56.00

1p, 12mo. Bifolium, addressed on reverse of second leaf to 'Miss C. Fox'. In fair condition, on aged paper. Folded twice. From the context it would seem that Buckler was acting as the recipient's painting master. Begins: 'Madam | The little Girl which I intended as a Model for you this afternoon has not arrived (on account of the weather no doubt).' As a consequence he asks her to 'excuse my attendance today'. He will 'call and fix another day as soon as I have seen her'.

[Walter James Allen, Victorian illustrator.] Album containing twelve photographic prints of illustrations in the series 'Dogs of Finance and The Stock Exchange: Twelve Studies in the City By Walter J. Allen', with manuscript titles (by Allen?).

Author: 
Walter J. Allen [Walter James Allen] (fl.1859-1891), artist and illustrator specialising in comic animals and children [London Stock Exchange]
Dogs of the Stock Exchange
Publication details: 
No place or date. [London, c.1878?]
£800.00
Dogs of the Stock Exchange

There is no record of the present images having been published, but around 1878 the London publishers Sampson Low had published a related item, 'Dogs of Assize: A Legal Sketch Book in Black and White, containing Six Drawings by Walter J. Allen, arranged by H. W. Cutts'. The present collection comprises twelve sepia 150 x 100 mm photographic prints of anthropomorphic drawings of dogs, representing various individuals of the London Stock Exchange, each one laid down on a blank gilt-edged cabinet card (165 x 110 mm).

[Sir John Charles Robinson, as Hon. Sec. of the Fine Arts Club, London.] Letter, in a secretarial hand, signed by Robinson ('J C Robinson'), informing Rev. James Beck that he has been elected a member.

Author: 
Sir John Charles Robinson [J. C. Robinson] (1824-1913), painter, etcher, art collector, curator at the Victoria and Albert Museum, first President of the Burlington Fine Arts Club, London [James Beck]
Publication details: 
Fine Arts Club, 13 Foulis Terrace, Brompton, S.W. [London] 23 February 1863.
£35.00

2pp, folio. In good condition, lightly aged. Folded twice.

[Josiah Wood Whymper, Suffolk artist and wood-engraver.] Autograph Letter Signed ('J. W. Whimper'), giving detailed instructions to a book illustrator, with reference to Sir John Gilbert and 'Hardings book'.

Author: 
J. W. Whymper [Josiah Wood Whymper, also Whimper] (1813-1903), Suffolk artist, wood-engraver, book illustrator and watercolourist in natural history and landscape [Sir John Gilbert (1817-1897), artist
Publication details: 
'Saty Evng.' [No date or place.]
£80.00

3pp, 12mo. Bifolium. In fair condition, lightly aged, with traces of glue from mount adhering to blank reverse of second leaf. Folded three times. The recipient is not named, but is clearly a book illustrator, and the letter provides an interesting view of the practices of book illustrators and engravers in Victorian London. Whymper begins by stating that he is sorry to have missed his 'Call', and to have been 'equally unfortunate this afternoon', when he left at his house 'Two pieces of wood & a little book I want you (if convent [sic]) to make me a Front[ispiece]. for by Thursday Morng.

[William Brockedon, painter, writer, inventor, Alpine authority.] Lengthy commencement of Autograph Letter, regarding 'authors who have written about the Passage of Hannibal [over the Alps]', including Brockedon himself.

Author: 
William Brockedon (1787-1854), painter, writer, inventor, Alpine authority
Publication details: 
29 Devonshire Street, Queen Square [Bloomsbury, London]. 2 December 1835.
£80.00

2pp, 4to. Single leaf, carrying the commencement of the letter only. In good condition, lightly aged. The recipient, presumably a Frenchman, has written in ink in a close hand at the head of the letter: 'R. 20 fev. 1836 | par M. D. Jones, Ecrit le 29 juin 1837 | je l'invite a faire prendre mes deux ouvrages'. Over each of the thirty-one lines of text is an equivalent line of French translation in pencil. For the background see the quotation from Brockedon's Oxford DNB entry at the end of this description.

[Louisa Stuart Costello, Anglo-Irish miniature painter.] Autograph Letter Signed ('L. S Costello') to 'Miss de Witte', discussing 'Yankee' and Scandinavian poetry, and enclosing a 'trifle' to help a family the recipient is helping.

Author: 
Louisa Stuart Costello (1799-1870), Anglo-Irish miniature painter, travel writer and author, friend of Sir Francis Burdett
Publication details: 
'Friday Evg'. No place or date.
£65.00

4pp, 16mo. Bifolium on light-green paper. In good condition, lightly aged. The letter begins: 'My Dear Miss de Witte | Of course I found the Yankee Poems directly after You were Gone – too carefully put by. Do not put mine away too carefully – as I want You to really read them. (Poetry of France) The sad lines of Marguerite d'Ecosse (in the notes at the end) are original & perhaps will stroke You – as the mournful Subject did me.

[John Landseer, landscape engraver, father of Sir Edwin Landseer.] Autograph Letter Signed ('J Landseer') to 'J. Scoles Esqr', i.e. the architect Joseph John Scoles, asking for tickets of admission to his church.

Author: 
John Landseer (1769-1852), landscape engraver, father of Sir Edwin Landseer [Joseph John Scoles (1798-1863), Gothic Revival architect]
Publication details: 
'Monday Morng.' [no place or date]
£45.00

1p, 12mo. Bifolium, addressed on reverse of second leaf, with small seal in black wax, to 'J Scoles Esqr | Argyll Place'. In fair condition, lightly aged and worn, with damage to second leaf from breaking of seal. Folded twice. Written in a tight, florid hand. Reads: 'Dear Sir | I hear there will be no admission into Your Church tomorrow without tickets. If you should have any of said Tickets to spare, please to favour with one two or three according to circumstances – Yours Very Faithfully | J Landseer'.

[Arnold Henry Savage Landor, painter, explorer, writer, etc.] Autograph Letter Signed ('A H Savage Landor') to Stephen Wheeler, ed. of the poems of Walter Savage Landor.re 'the papers which are to be disposed of at the Browning's Sale'.

Author: 
Arnold Henry Savage Landor (1865-1924), painter, explorer, writer, and anthropologist, grandson of the poet Walter Savage Landor
Publication details: 
On letterhead of the Savoy Hotel, London. 29 April 1913.
£75.00

2pp, 4to. In good condition, lightly aged. Folded twice. In envelope with stamps and postmarks, addressed by Landor to 'Stephen Wheeler Esq | Oriental Club | Hanover Square | W.' He begins by acknowledging his letter, adding: 'I am quite of your opinion regarding the papers which are to be disposed of at the Browning's [sic] Sale'. Landor will 'try to get some of the autographs', but suspects that they 'may go too high'. He would have great pleasure in seeing Wheeler should he be 'in this neighbourhood', and gives details of when he will be at home.

[Arthur James Lewis, artist and illustrator.] Autograph Letter Signed ('Arthur J Lewis') to publisher Ernest Gambart, regarding the disposal of the disposal of the remaining copies of 'Hood's Poems'.

Author: 
Arthur James Lewis (1824-1901), artist and illustrator, promoter of the Junior Etching Club [Ernest Gambart (1814-1902), London art publisher; James Abbott McNeill Whistler]
Publication details: 
43 [?] Street. 10 November 1860.
£35.00

2pp, 12mo. In good condition, lightly aged. Folded once. Addressed to 'E Gambart Esq' and endorsed by the recipient. Two years earlier Gambart had published 'Passages from the Poems of Thomas Hood', illustrated with 34 plates by the Junior Etching Club (of which Whistler was a member between 1857 and 1862). The book had been well-received, but the letter makes clear that it had not covered its costs.

[Gari Melchers, American naturalist artist.] Autograph Letter Signed ('Gari Melchers') to 'Wriggles' [Henriette Lewis-Hind?], regarding book and exhibition at Anderson Galleries, New York, with reference to William Edwin Rudge and Mitchell Kennerly.

Author: 
Gari Melchers [Julius Garibaldi Melchers] (1860-1932), American naturalist artist [Henriette Lewis-Hind; Mitchell Kennerly (1878-1950); Anderson Galleries, New York; William Edwin Rudge (1876-1931)]
Publication details: 
On letterhead of the Century Club, 7 West Fortythird Street, New York. 13 April 1928.
£1,250.00

The name of the recipient is not clear: it would appear to read 'Wriggles', and the letter suggests that this is a pet name for Melchers' close friend Henriette Lewis-Hind, who wrote the foreword to 'Gari Melchers, Painter', published that same year in New York by W. E. Rudge. An excellent letter, full of content, beginning: 'My dear [Wriggles?]. | We only returned from the West Indies a week or two ago – had a fine time'.

[Violet Markham, author and social reformer, to art historian Benedict Nicholson.] Typed Letter Signed ('Violet Markham'), thanking him for 'drawings of St. Nectaire', discussing France and French 'betrayal of the Allied cause'.

Author: 
Violet Markham [Violet Rosa Markham], author, social reformer and campaigner against women's suffrage [Benedict Nicholson (1914-1978), art historian]
Publication details: 
On letterhead of 8 Gower Street, Bloomsbury [London]. 3 December 1942.
£65.00

2pp, 12mo. In good condition, lightly aged. Addressed to 'B. Nicholson, Esq., | Brooks's, | St. James's Street, S.W.1.' (Nicholson was the son of Harold Nicholson and Vita Sackville-West.) She begins by thanking him for his 'kind letter and charming gift of your drawings of St. Nectaire', adding: 'as an author my vanity is flattered by your appreciation of “Romanesque France”'. She is glad she has helped 'a certain number of people in getting to know some of the beauties of France', but feels 'something of a fraud about the book as without the help of my friend Mr.

[Sir William Rothenstein, artist.] Autograph Letter Signed ('Will Rothenstein'), to 'Horder', i.e. the architect Percy Morley Horder, giving a humorous spoof autobiographical entry, as a jokey suggestion of how Horder should approach the topic.

Author: 
Sir William Rothenstein (1872-1945), painter, printmaker, draughtsman, lecturer, and writer on art [Percy Richard Morley Horder (1870-1944), architect ]
Publication details: 
'Chelsea – Glebe Place | Sunday'. No place.
£220.00

1p, 8vo. Text clear and complete, on heavily chipped and worn thin paper, with loss to extremities. An unusual and revealing letter, in which Rothenstein gives his own jokey suggestion of how Horder should approach a biographical entry he has been asked to write, begins: 'My dear Horder – of course you will do it! “Mr W. R.

[Cecil Aldin, artist of hunting scenes, animals and rural life.] Autograph Note Signed ('Cecil Aldin'), sending 'p o – o & stamps' in settlement of an account.

Author: 
Cecil Aldin [Cecil Charles Windsor Aldin] (1870-1935), artist and illustrator of animals, hunting scenes and rural life
Publication details: 
On letterhead of 47 Priory Road, Bedford Park, W. [London] No date.
£60.00

1p, 12mo. In good condition, lightly aged. The slightest loss to margin at one edge. Good bold signature. Reads: 'Dear Sir | Enclosed please find p. o – o [i.e. postal order?] & stamps in settlement of enclosed | Yrs faithfully | Cecil Aldin'.

[John MacWhirter, Scottish landscape painter.] Autograph Letter Signed ('J MacWhirter') to 'W. Agnew Esq', i.e. the London art dealer Sir William Agnew, thanking him for his 'generous praise', and praising him in turn, in contrast to 'the Critics'.

Author: 
John MacWhirter (1839-1911), Scottish landscape painter [Sir William Agnew (1825-1910), London art dealer]
Publication details: 
On letterhead of 1 Abbey Road, St John's Wood, N.W. [London] 'Sunday' [no date, but before Agnew's receipt of a baronetcy in 1895].
£50.00

2pp, 12mo. Bifolium. In good condition, lightly aged, with traces of mount adhering to blank reverse of second leaf. A white label has been stuck over the letter's salutation, but MacWhirter writes the name of the recipient at the end of the letter: 'W. Agnew Esq'. He cannot express the pleasure he felt on receiving Agnew's letter.

[Arnold Henry Savage Landor, painter, explorer, writer and anthropologist, grandson of the poet Walter Savage Landor.] Autograph Note Signed ('A H Savage Landor') to 'Capt How', making arrangements for a meeting.

Author: 
Arnold Henry Savage Landor (1865-1924), painter, explorer, writer, and anthropologist, grandson of the poet Walter Savage Landor
Publication details: 
St Ermin's Hotel, Westminster. No date.
£45.00

1p, 12mo. On bifolium with mourning border. In fair condition, lightly creased and worn. Folded once. Reads: 'Dear Capt [How?], | I am expecting you to morrow Thursday at Princes Restaurant 1.30 pm | Yrs vy sincerely | A H Savage Landor.' Endorsed in pencil on reverse: 'author of IN THE FORBIDDEN LAND. | EXPLORER TO TIBET. | IMPRISONED | TORTURED | DECEASED'.

[ Joseph Duveen; art dealer ] Typed Note Signed 'Duveen' to [Ellis D. Robb, Esq., 717 First National Bank Building, Atlanta, Georgia] thanking him for his letter of congratulation and "one of the pleasantest letters I have received".

Author: 
[Joseph Duveen, 1st Baron Duveen (1869, Hull–1939, London), known as Sir Joseph Duveen, Bt., between 1927 and 1933, was a British art dealer
Publication details: 
[Headed] 15 East 91st Street, New York, 26 January 1933
£56.00

One page, cr. 8vo, fold mark, good condition. He thanks him for his letter of congratulation and the enclosure of "the leading article from the Tribune of January third" and "one of the pleasantest letters I have received". He has presumably been congratulated on his elevation to the Peerage.

[Sir Hugh Casson, architect and writer.] Three Autograph Letters (one 'Hugh Casson', one 'Hugh', the other unsigned) to playwright Christopher Fry, intimate letters, two with crude drawings ('The Toft' and an owl).

Author: 
Sir Hugh Casson [Sir Hugh Maxwell Casson] (1910-1999), architect, interior designer, artist and writer [Christopher Fry (1907-2005), playwright]
Publication details: 
Two on his letterhead, 6 Hereford Mansions, Hereford Road, London W2. All undated (one circa 1995).
£120.00

All three in good condition, and written in a hurried, untidy hand. The first two on letterheads, the third on the back of a card. ONE: To 'Christopher!' 1p, landscape 12mo. Unsigned. With crude humorous drawing of Fry's house 'THE TOFT' (in East Dene, Sussex) on the crest of a hill, with a line of 'Fry Pilgrims' (depicted as dots) wending their way to it. He thanks him for his 'lovely birthday poem A great honour & pleasure to receive'. Conclusion of letter illegible. TWO: Signed 'Hugh Casson'. 1p, landscape 12mo. Begins: 'So sorry to hear from C. C.

[ John Burnet, painter ] Autograph Letter Signed "Jno. Burnet" to the Secretary of the Belgrave Institution about a lecture.

Author: 
John Burnet, (1781 or 1784–1868), Scottish engraver and painter
Publication details: 
2 Whiteheads Grove, [London] 12 August 1837.
£180.00

One page, 4to, fold marks sl. turned corners, mainly good condition. "I should have much pleasure in complying with the wish of the lecture committee but now having given a public lecture I am totally unprovided with diagrams of a large size, without which it would be impossible to convey instruction on any branch of the fine Arts - perhaps at some other time my attention may be turned to this subject when it wiull be a gratification to comply with this request."

[Laurence Whistler, poet, artist and glass engraver.] Two Autograph Letters Signed ('Laurence Whistler' and 'Laurence') to playwright Christopher Fry, one expressing admiration of his work, the other a moving tribute to his friend Christopher Hassall

Author: 
Laurence Whistler [Sir Alan Charles Laurence Whistler] (1912-2000), poet, artist and glass engraver [Christopher Fry (1907-2005), playwright; Christopher Hassall (1912-1963), actor, poet and author]
Publication details: 
Both on letterhead of Little Place, Lyme Regis, Dorset. 13 December 1961 and 21 August 1963.
£180.00

Both 2pp, 12mo. In good condition, lightly aged. Written in Whistler's calligraphic hand. ONE: 13 December 1961. He will be 'so pleased' if Fry will accept a copy of his poems, 'which I like to send you because of my admiration for your work, and sense of sympathy with what you express, or create'. TWO: 21 August 1963. 33 lines of text, written following the death of his friend Christopher Hassall.

[Paul Henry, Irish post-impressionist painter.] Autograph Letter Signed ('Paul Henry') to 'Robert', i.e. Ulster poet R. N. D. Wilson, expressing condolences on the death of his wife.

Author: 
Paul Henry (1876-1958), Irish post-impressionist painter, noted for his West of Ireland landscapes [R. N. D. Wilson [Robert Noble Denison Wilson] (1899-1953), Ulster poet]
Publication details: 
On letterhead of Carrigoona Cottage, Kilmacanogue, Bray, Co. Wicklow; 9 March 1932.
£450.00

2pp, 12mo. On pink paper. In fair condition, lightly aged and worn. Folded twice. A letter of condolence beginning: 'Dear Robert. | I have just seen the miserable news of the death of your wife. I had heard she was ill but had no idea things were so bad.' After asking him to accept his sympathies, he continues: 'I well remember the last time I saw you both together at my studio in Dublin & I can hardly realise yet that she has gone.' He has been 'out of Dublin so long now', and so seldom sees people that he doesn't often 'hear news of folk'.

[Pietro Annigoni: personal reminiscences of John Phillips.] Privately-printed pamphlet: 'Maestro Annigoni', containing stories relating to the Queen, Princess Margaret, the Duke of Bedford and Violet Trefusis. Inscribed to Barbara Reed.

Author: 
John Phillips (1926-2017), flâneur and executor of Violet Trefusis (1894-1972; née Keppel), English socialite and author, lover of Vita Sackville-West [Pietro Annigoni (1910-1988, Italian painter]
Publication details: 
[Phuket, Thailand.] 2012.
£400.00

After a twelve-year 'amitié amoureuse' with Phillips, Violet Trefusis died in 1972, appointing him her literary executor and leaving him her last home, La Tour de Saint Loup. The present item – only one other copy of which has been traced – is from a collection of Phillips's papers amassed by his friend Barbara Reed, containing pamphlets privately printed by him between 2009 and 2014.

[Chauncy Hare Townshend, poet, clergyman and dilettante.] Autograph Letter Signed ('C. Hare Townshend') [to George Cruikshank] explaining that he will never let his 'favourite picture', Cruikshank's 'Cinderella' quit his walls, or have it retouched.

Author: 
Chauncy Hare Townshend [born Townsend] (1798-1868), poet, clergyman, collector, dilettante, friend of Charles Dickens [George Cruikshank; Victoria an Albert Museum, London, Hampstead Conversazione]
Publication details: 
21 Norfolk Street, Park Lane [London]; 29 April 1859.
£180.00

2pp, 12mo. Bifolium. In good condition, lightly aged, with thin strip of paper from mount adhering to the reverse of the blank second leaf. The unnamed recipient is the artist George Cruikshank, and the present letter is a reply to a letter from Cruikshank among the Townshend papers at Wisbech, dating from the previous day (28 April 1859). In that letter Cruikshank asks to borrow back his painting 'Cinderella', in order to add some touches to it, and exhibit it at the Hampstead Conversazione. The painting is among those bequeathed by Townshend to the Victoria and Albert Museum, London.

[William Theed the younger English sculptor.] First part of Autograph Letter [to James Silk Buckingham], written from Rome, describing work on his bust and two commissions from Queen Victoria.

Author: 
William Theed the younger (1804-1891), English sculptor who studied in Rome under Thorvaldsen and Tenerani, and worked on the Albert Memorial [James Silk Buckingham (1786-1855), MP and journalist]
Publication details: 
9 Vicolo dell'Incurabili [sic], Rome; 12 December 1846.
£120.00

An interesting letter from a leading Victorian sculptor, describing his methods while executing a bust of the recipient of the letter - the author, orientalist and editor and founder of the Athenaeum magazine James Silk Buckingham - and also describing work on a commission 'for the Queen'. The background to the letter is as follows. Theed had gone to Rome in 1826. He is believed to have studied there under Thorvaldsen and Tenerani, as well as John Gibson and Richard James Wyatt.

[ Earl of Haddington ] Autograph Letter Signed "Haddington" to an unnamed correspondent [a Campbell?]

Author: 
Charles Hamilton, 8th Earl of Haddington DL (1753–17 March 1828) Scottish nobleman and apparently Collector.
Publication details: 
"Tyn." [Tynninghame] 8 Jan. 1815.
£80.00

One page, cr. 8vo, good condition. He taks health to start off with. Then "I am very glad you have found all I want of the Luxembourg Gall[e]ry. As for the Marquis of Annandale & Lord Glasgow [miniatures?], you did well not to buy them as I believe I can get them here from the families. The first vol[ume] of Valmont [presumably Laclos's" Les Liaisons Dangereuses" ], I am glad you have found. As to Grangers Biography. I am not sure if my Son has not got a copy. at all events let me know the price, as a friend of mine wants it.

[George Cruikshank, Victorian caricaturist, friend and illustrator of Charles Dickens.] Autograph Signature ('Geo Cruikshank').

Author: 
George Cruikshank (1792-1878), Victorian caricaturist and book illustrator ('the modern Hogarth'), friend and illustrator of Charles Dickens
Publication details: 
Without place or date.
£25.00

On 2 x 8 cm slip of paper, cut from document. In good condition, lightly aged, laid down on larger piece of white paper cut from leaf of an album. A distinctive, strong signature, reading 'Geo Cruikshank'. No other text. From the distinguished autograph collection of Richard Hunter, son of Ida Macalpine, whose collection of 7000 books relating to psychiatry is in Cambridge University Library.

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