THOMAS

From the Sylvia and Robert Lynd papers. Scarce: three copies on JISC and in NLI. The Lynd copies of the first and third editions of the work to which this is a response are offered separately. 76pp (vi + 66 + [4]), 12mo. Stapled. In printed card wraps with vertical red, white and blue bands on the cover. Grubby and worn, with slightly-rusted staples, and short closed tear to fore-edge of front cover. Includes four-page index.

From the papers of Sylvia and Robert Lynd. Four copies traced: National Library of Ireland, Trinity College Dublin, the British Library and Oxford University. BL identifies the author as ‘Thomas T. Shaw’; another source states ‘Thomas J. Shaw’. 47pp, 8vo. In green printed wraps. Stapled. Lightly aged, in worn wraps, and with slight blooming at head of first few leaves. The author goes about the ‘self-imposed task’ of his ‘little brochure’ with copious statistical evidence, including an eight-page appendix of tables.

See his brothers’ entries in the Oxford DNB. 4pp, 12mo. Bifolium. Folded once. In good condition, lightly aged, with slight rust spotting at head of last page. Erroneous attribution to Earl Brassey in small type at the head of the first page. Addressed to ‘B. Hobbie Esq’ and signed ‘Albert Brassey’. He doubts whether you will be able to attend the public meeting at Oxford on 28 May.

See his entry in the Oxford DNB: ‘In 1848 he was articled to the staunchly Quaker P. B. Alley, then in partnership with Richard Lane, the leading neo-classical architect of Manchester. In 1853 his education was completed with a ten-month tour of France, Italy, and Germany, after which he set up in practice as an architect in Manchester.’ (Waterhouse’s first success would come with his winning design for the Manchester assize courts in 1859.) 1p, 12mo. On the first leaf of a grey-paper bifolium. In good condition. Folded for postage. Addressed to ‘Thomas Haigh Esq:’ and signed ‘A Waterhouse’.

Johnson’s career began with a job singing on an NBC radio show. His 1940s Hollywood films included “Keep Your Powder Dry”. He later returned to Broadway, where in 1956 he received a Tony nomination for his performance as ‘Doc’ in Rodgers and Hammerstein's last musical ‘Pipe Dream’. He died of a heart attack in 1957. 10.5 x 10 cm black and white glossy photographic print on shiny art paper. In good condition. Stylish signature 'Bill Johnson' in white at bottom left.

A large, attractive printed certificate, somewhat in the style of an early Victorian public notice, with heavily leaded font. Printed in black on one side of a 32 x 41 cm piece of cream vellum paper. Discoloured and ruckled from having been rolled up, but in good overall condition, and highly suitable (once flattened out) for framing. At bottom left, signatures of six ‘Commissioners, and Members of the Board’, one above the other: ‘Adolphus Fieldmarshal / W. H. Clinton / Thomas Bradford A Gnl / J Gardiner DAG / G Scovell Govr. M. Genl. / T W Taylor Col: Lt Governor’.

Something akin to a CV in a neat contemporary hand (perhaps Ord’s own, in pursuit of preferment or a pension?). A useful summary of Ord’s career features in ‘Commissary Wilson’s Orderly Book. Expedition of the British and Provincial Army, under Maj. Gen. Jeffrey Amherst, against Ticonderoga and Crown Point. 1759.’ (New York, 1857): ‘THOMAS ORD was appointed Captain in the Royal Artillery on 1st March, 1746. He was an excellent Officer, and stood high in the Duke of Cumberland’s esteem, by whom he was selected to Command the Artillery in Braddock’s Expedition.

The second of these ballads, 'Silver Threads Among the Gold', by the American Eben Eugene Rextord (1848-1916), was immensely popular on its release in 1873 with music by Hart Peas Danks (1834-1903). The earliest reference to the first ballad, 'Could you lend my mother a saucepan?' is in an 1885 number of 'All the Year Round'. The song is an absolute hoot, but its text is not to be found anywhere on the internet.

See his entry, and that of his father the civil engineer, in the Oxford DNB. 2pp, 12mo. On separate letterheads. The recipient is not named and there is no salutation (though the letter is complete). Signed ‘Brassey’. In good condition, lightly aged. Folded once. Begins: ‘I have two maxims for [hourly?] use. / I do the little I can do and leave the rest to thee / What thou livest live well. The rest commit to Heaven / Nor should the last message of the greatest sailor since the world began ever be forgotten / England expects that every man this day will do his duty’.

See his entry in the Oxford DNB. The poem, one of Watkins’ best, is printed under the heading ‘VERNON WATKINS | Poet and Goldsmith’ on both sides of a 12mo leaf, paginated 13-14. In fair condition, lightly aged and creased. On the lower part of the second page is a reproduction of an attractive pen drawing of Richmond Bridge by Eleanor Poore. After the end of the poem and above the illustration is Watkins’ assured signature, good and clear: ‘Vernon Watkins’.

See his entry in the Oxford DNB, together with that of the Williams family. (The recipient Joseph Lionel Williams (c.1832-1877) was son of the wood-engraver Samuel Williams (1788-1853).) 2pp, 12mo. On paper with mourning border. In good condition, lightly aged and worn. Folded twice.

An interesting letter regarding the man who was regarded as Ireland's national poet before the appearance of William Butler Yeats. See Croker’s entry, and that of Thomas Moore, in the Oxford DNB. The former contains a paragraph discussing the association between the two men, the conclusion of which explains the context of the present item: ‘At the end of his life Croker (by his own account) was working on a biography of Moore, whom he termed 'an actor—a hypocrite—a swindler—a sensualist and a habitual liar' (Irish Book Lover, 50).

See the various entries in the Oxford DNB. Typed carbon copy. 1p, foolscap 8vo. Text complete, on aged piece of carbon paper, worn and chipped at edges. No signature. Addressed at foot to ‘E. F. Benson Esq.’ Thirty-one lines of text. He begins by stating that Benson, in his ‘work on Charlotte Brontë’, has ‘made a very correct study of her’. After discussing a point about Branwell Bronte, he states: ‘We cannot rely on Charlotte’s assertion that he knew nothing whatever of their ventures in publishing.

Thomas broadcast many of his programmes from the Hammersley Hill estate, overlooking the Catskills. 1p, foolscap 8vo. On cream paper with letterhead in green. In good condition, folded twice for postage. Thomas’s bold signature, also in green, rises at an angle. Reads: ‘Dear Mr. McCormick, / I’ve entirely forgotten. / If you know of an extra copy I would like to add it to my collection. / With best wishes. / Sincerely, / Lowell Thomas’.

Although he later repudiated his position, Mackintosh is notable for having defended the French Revolution from Edmund Burke's strictures. See the two men’s entries in the Oxford DNB. With regard to Maurice's oriental studies, it is worth noting that Mackintosh was Recorder of Bombay, 1804-1811. The three items are in good condition, lightly aged and worn and folded for postage. The last two show slight evidence of the breaking of the wafer, and the last has minor traces of brown paper mount. All three are bifoliums, and all are signed ‘James Mackintosh’.

See his entry in the Oxford DNB. 1p., 12mo. In good condition, lightly aged. Folded once for postage. Reads: ?Dear Yonge / Will you bring your rod & try the river this morning / Yours always / Thomas Fairbairn / Saturday?.

See his entry in the Oxford DNB. Gridley was the Secretary of the Carlyle Society. He had visited Walt Whitman in America earlier in the year. 2pp, 16mo. Bifolium. In good condition, lightly aged. Folded once for postage. Addressed to ?C. Oscar Gridley, Esq.? and signed ?R H Shepherd?. ?Weather permitting (which is likely)?, he proposes to call on Gridley on the following day, ?for a stroll on the heath, &c.? He is ?quite well and on my legs again, since last Wednesday?. He ends by stating that he is enclosing a cutting which will interest him.

This forgotten case of identity fraud predates the celebrated Titchborne case by more than a decade.

Although it does not state so explicitly, Froude’s entry in the Oxford DNB appers to suggests that the Margaret Froude who edited his work after his death was the same daughter as the Georgina Margaret Froude (1850-1935) who married William Mallock. 1p, 12mo. On first leaf of a bifolium. In good condition, lightly aged. The recipient is not named. Addressed to ‘Dear Madam’ and signed ‘Margaret Froude’. She cannot alter the opinion that she expressed to ‘Mr Longman’ (the London publisher).

See his entry in the Oxford DNB. Menu printed in blue on one side of 4to leaf, folded into 16 x 15 cm bifolium-style card. Front cover with patches of discoloration, and back cover bearing evidence of previous mounting (layer of dried out glue), otherwise in good condition. Front cover reads: ‘Scottish Music Merchants’ Association / Festival Luncheon / Royal British Hotel, Edinburgh / Wednesday, 30th August 1950 / Chairman: / R. W. Cresswell’. In space between ‘1950’ and ‘Chaiman:’ is large clear signature ‘Betty Beecham.’ At foot of page is large signature ‘Thomas Beecham’.

See the entry for the recipient Dawson Turner in the Oxford DNB. Farr’s entry in ‘Alumni Cantabrigienses’ reads as follows: ‘FARR, THOMAS. Adm. pens. (age 18) at TRINITY, Apr. 8, 1814. S. [and h.] of Thomas. B. at Beccles, Suffolk. School, Bury St Edmunds (Mr Malkin). Matric. Michs. 1814; B.A. 1818. Ord. deacon (Norwich) June 17, 1821; priest, Mar. 3, 1822 ('T. Farr, the younger'). Travelled in Spain during the Carlist War, 1S35-7. In 1S38 published A Traveller's Rambling Reminiscences of the Spanish War, in which he defends De Lacy and the British Legion. Died Feb. 8, 1855.

See his entry, and that of Pettigrew, in the Oxford DNB. Easthope was a difficult employer, nicknamed ‘Blast-hope’. Dickens worked for him as a parliamentary reporter between 1834 and 1836. 1p, 12mo, on recto of first leaf of a bifolium. In fair condition, aged and discoloured. Reads: 'My dear Pettigrew / Will you please to leave out Lancaster letter which I'll send for tomorrow / haste / Yrs. / J E / Sunday'. The letter is addressed on the reverse of the second leaf, with slight loss to one corner from the breaking of the red wax seal. Black 'BARNET' postmark and customary frank in red.

See Binney’s entry in the Oxford DNB. 4pp, 12mo. Bifolium. The present item is only the first part of the letter, and hence unsigned, but the author is undoubtedly Binney (the text ends with a reference to ‘my preface to Dr Cheever’s “Incidents & Memories of the Christian Life,” published by Collins of Glasgow’). In good condition, lightly aged. Folded for postage. The recipient is not named, but the subject of the letter is a proposal for Binney to prepare for English publication a work by ‘the blind eloquent American’ (i.e. William Henry Milburn).

See his entry in the Oxford DNB, with Pettigrew’s. 2pp, 12mo. On first leaf of a bifolium. Reads: ‘Sir Robert Gardiner presents his compliments to Mr Pettigrew - / He begs Mr Pettigrew will forgive his taking the liberty of asking whether he is acquainted with General Anderson, and if so, he begs Mr. Pettigrew will do him the favor of calling here as soon as convenient in his round of Professional calls this morning’.

Sarah Shannon (married name Sarah Dickinson) was a fine poet in her own right (see the blurb quoted in Item One below), and it is unfortunate that she allowed herself to be eclipsed by her husband the self-styled ‘poet and impresario of poetry’, Patric Dickinson. He occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.

From the papers of Sarah Emmeline Hamilton, mistress of the poet Patric Dickinson. (His extraordinary correspondence with her, including 171 original and mostly-unpublished poems, 474 autograph letters and 349 post cards, is offered separately). See his obituary by John Mole’s in the Independent, 31 January 1994. The present item is 4to, and consists of 14 unpaginated pages over ten leaves. Stitched into brown wraps printed in black. Cover, title-page and colophon with illustrations from Sandys in brown, otherwise printed in black. Tastefully printed.

Patric Dickinson has not received his due. A self-styled ‘poet and impresario of poetry’, Dickinson occupied a central position in the cultural landscape of post-war Britain. As an editor and broadcaster he worked with poets such as Dylan Thomas, Cecil Day Lewis and Roy Campbell, actresses Flora Robson, Peggy Ashcroft and Jill Balcon, and actors Robert Donat, Ralph Richardson, John Gielgud. See John Mole’s obituary in the Independent, 31 January 1994. From the papers of Dickinson’s mistress Sarah Emmeline Hamilton.